Hans von Aachen
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Hans von Aachen (1552 – 4 March 1615) was a German painter who was one of the leading representatives of
Northern Mannerism Northern Mannerism is the form of Mannerism found in the visual arts north of the Alps in the 16th and early 17th centuries. Styles largely derived from Italian Mannerism were found in the Netherlands and elsewhere from around the mid-century, e ...
. Hans von Aachen was a versatile and productive artist who worked in many genres. He was successful as a painter of princely and aristocratic portraits, and further painted religious, mythological and allegorical subjects. Known for his skill in the depiction of nudes, his eroticized mythological scenes were particularly enjoyed by his principal patron,
Emperor Rudolf II Rudolf II (18 July 1552 – 20 January 1612) was Holy Roman Emperor (1576–1612), King of Hungary and Croatia (as Rudolf I, 1572–1608), King of Bohemia (1575–1608/1611) and Archduke of Austria (1576–1608). He was a member of the Hous ...
.Biography from the J. Paul Getty Museum
/ref> These remain the works for which he is best known. He also painted a number of genre paintings of small groups of figures shown from the chest upwards, laughing, often apparently using himself and his wife as models. Von Aachen usually worked on a small scale and many of his works are
cabinet painting A cabinet painting (or "cabinet picture") is a small painting, typically no larger than two feet (0.6 meters) in either dimension, but often much smaller. The term is especially used for paintings that show full-length figures or landscapes at a s ...
s on copper.C. Höper. "Aachen, Hans von." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 20 November 2016 The life and work of Hans von Aachen bear unique witness to the cultural transfer between North, South and Central Europe in the late 16th and early 17th centuries.CODART page on the first large exhibition on the artist
/ref> After training in the tradition of Netherlandish Renaissance painting the artist moved to Italy in 1574, where he remained for about 14 years, mainly working in
Venice Venice ( ; it, Venezia ; vec, Venesia or ) is a city in northeastern Italy and the capital of the Veneto region. It is built on a group of 118 small islands that are separated by canals and linked by over 400 bridges. The isla ...
. He returned in 1587 to his native Germany, where he took up residence in
Munich Munich ( ; german: München ; bar, Minga ) is the capital and most populous city of the German state of Bavaria. With a population of 1,558,395 inhabitants as of 31 July 2020, it is the third-largest city in Germany, after Berlin and Ha ...
in
Bavaria Bavaria ( ; ), officially the Free State of Bavaria (german: Freistaat Bayern, link=no ), is a state in the south-east of Germany. With an area of , Bavaria is the largest German state by land area, comprising roughly a fifth of the total lan ...
. His final years were spent in Prague. The combination of the Netherlandish realism of his training and the Italian influences gained during his travels gave rise to his unique painting style. His presence in the important art centres of the time, the wide distribution of prints after his designs and his congenial character all contributed to his international fame during his lifetime.


Life

Hans von Aachen was born in
Cologne Cologne ( ; german: Köln ; ksh, Kölle ) is the largest city of the German western state of North Rhine-Westphalia (NRW) and the fourth-most populous city of Germany with 1.1 million inhabitants in the city proper and 3.6 millio ...
. His surname is derived from the birthplace of his father, Aachen in
Germany Germany,, officially the Federal Republic of Germany, is a country in Central Europe. It is the second most populous country in Europe after Russia, and the most populous member state of the European Union. Germany is situated betwe ...
. Hans von Aachen began painting in Germany as a pupil of the portrait painter Georg Jerrigh, who had trained in Antwerp. He probably joined the Cologne painters' guild before leaving for Italy around 1574. Like many northern artists of his time, such as the Flemish painter
Bartholomeus Spranger Bartholomeus Spranger or Bartholomaeus SprangerBartholomeus Spranger
at the
, he then spent a long period in
Italy Italy ( it, Italia ), officially the Italian Republic, ) or the Republic of Italy, is a country in Southern Europe. It is located in the middle of the Mediterranean Sea, and its territory largely coincides with the homonymous geographical ...
. He lived in
Venice Venice ( ; it, Venezia ; vec, Venesia or ) is a city in northeastern Italy and the capital of the Veneto region. It is built on a group of 118 small islands that are separated by canals and linked by over 400 bridges. The isla ...
from 1574 to 1587 where he became a member of the Netherlandish and German community of artists, printmakers and art dealers. He was active as a copyist and worked in the workshop of the Flemish painter and art dealer Gaspar Rem who was a native of Antwerp. Rem arranged for von Aachen to go through an apprenticeship with an artist referred to as Morett (or Moretto). This apprenticeship involved making copies of famous works in Venice's churches. Many of these copies were destined for the Northern-European art market. A contemporary art collector and dealer in Antwerp by the name of Hermann de Neyt had a collection of nearly 850 original and copied paintings, of which six were by Hans von Aachen (two of these being copies after Raphael). Von Aachen went to
Rome , established_title = Founded , established_date = 753 BC , founder = King Romulus (legendary) , image_map = Map of comune of Rome (metropolitan city of Capital Rome, region Lazio, Italy).svg , map_caption ...
in 1575. Here he studied the antique sculptures and the works of Italian masters. He became a member of the circle of northern artists active in Rome such as
Otto van Veen Otto van Veen, also known by his Latinized name Otto Venius or Octavius Vaenius (1556 – 6 May 1629), was a painter, draughtsman, and humanist active primarily in Antwerp and Brussels in the late 16th and early 17th centuries. He is known for ...
,
Joris Hoefnagel Joris Hoefnagel or Georg Hoefnagel (1542, in Antwerp – 24 July 1601, in Vienna) was a Flemish painter, printmaker, miniaturist, draftsman and merchant. He is noted for his illustrations of natural history subjects, topographical views, ...
, the brothers
Paul Paul may refer to: *Paul (given name), a given name (includes a list of people with that name) * Paul (surname), a list of people People Christianity *Paul the Apostle (AD c.5–c.64/65), also known as Saul of Tarsus or Saint Paul, early Chri ...
and Matthijs Bril, Hans Speckaert and
Joseph Heintz the Elder Joseph Heintz (or Heinz) the Elder (11 June 1564 – 15 October 1609) was a Swiss painter, draftsman and architect. Biography Heintz was born in Basle. He appears to have been a pupil of Hans Bock, and to have educated himself by diligent pr ...
. He was able to secure a commission for a ''Nativity'' for the
Church of the Gesù , image = Church of the Gesù, Rome.jpg , imagesize = , caption = Giacomo della Porta's façade, precursor of Baroque , mapframe = yes , mapframe-caption = Click on the map for a full ...
, the
mother church Mother church or matrice is a term depicting the Christian Church as a mother in her functions of nourishing and protecting the believer. It may also refer to the primary church of a Christian denomination or diocese, i.e. a cathedral or a metropo ...
of the
Society of Jesus , image = Ihs-logo.svg , image_size = 175px , caption = ChristogramOfficial seal of the Jesuits , abbreviation = SJ , nickname = Jesuits , formation = , founders ...
(Jesuits) in Rome. In Florence in the years 1582–3 he established a reputation for his portraits, which led to commissions from the ruling Medici family. In 1585 he again settled in Venice. He returned to Germany in 1587, first to
Augsburg Augsburg (; bar , Augschburg , links=https://en.wikipedia.org/wiki/Swabian_German , label=Swabian German, , ) is a city in Swabia, Bavaria, Germany, around west of Bavarian capital Munich. It is a university town and regional seat of the ...
where he painted portraits for the wealthy Fugger family. He also worked in Munich, where he was commissioned to paint two altarpieces for the church of St Michael. After visiting his home town Cologne and a return trip to Venice, he chose Munich as his residence from 1589. He married Regina, the daughter of the composer
Orlando di Lasso Orlande de Lassus ( various other names; probably – 14 June 1594) was a composer of the late Renaissance. The chief representative of the mature polyphonic style in the Franco-Flemish school, Lassus stands with Giovanni Pierluigi da Pales ...
in
Munich Munich ( ; german: München ; bar, Minga ) is the capital and most populous city of the German state of Bavaria. With a population of 1,558,395 inhabitants as of 31 July 2020, it is the third-largest city in Germany, after Berlin and Ha ...
. In Germany he became well known as a painter of portraits for noble houses. He also produced historical and religious scenes and earned a wide reputation.Bergin, Thomas (ed.), ''Encyclopedia of the Renaissance'' (Oxford and New York: Market House Books, 1987). He painted several works for Duke William V of Bavaria. In Munich he came into contact with the Imperial Court in
Prague Prague ( ; cs, Praha ; german: Prag, ; la, Praga) is the capital and List of cities in the Czech Republic, largest city in the Czech Republic, and the historical capital of Bohemia. On the Vltava river, Prague is home to about 1.3 milli ...
. In 1592 he was appointed official painter of Emperor Rudolf II who resided in Prague. Von Aachen did not need to reside at the court in Prague as his appointment was as a 'Kammermaler von Haus aus' (a court painter from home) who could work from his residence. Rudolf was one of the most important art patrons of his time. He held painting in particular esteem and issued a ''Letter of Majesty'' to the Prague Painter's Guild exempting painters from the guild rules, awarding them annual stipends and decreeing that painting should no longer be referred to as a craft but as the 'art of painting'. The special treatment provided to painters and artists generally in Rudolf's Prague turned the city into a major art centre. The large output consisted mainly of mythological paintings with an erotic quality or complex allegories glorifying the Emperor. The Emperor was open to artistic innovation and he presided over a new affected style, full of conceits, which became known as Mannerism. This style stressed sensuality, which was expressed in smoothly modeled, elongated figures arranged in elegant poses, often including a nude woman seen from behind.Peter Marshall, ''The Mercurial Emperor: The Magic Circle of Rudolf II in Renaissance Prague'', Random House, 28 November 2013, p. 61 Rudolf also relied on von Aachen as an advisor on his art collection and what is usually called a 'diplomat'. In this role he travelled to the owners of art collections to convey the emperor's often shameless bullying to make them accept his offers for their treasures. His diplomatic duties required him to travel extensively. In 1602 he travelled to Brunswick, Wolfenbüttel, Wittenberg and Dresden, and between 1603 and 1605 to Innsbruck, Venice, Turin, Mantua and Modena. The purpose of these later travels was in part for him to make portraits of potential future consorts of the Emperor. Emperor Rudolf II conferred knighthood on him in 1605. Von Aachen only moved to
Prague Prague ( ; cs, Praha ; german: Prag, ; la, Praga) is the capital and List of cities in the Czech Republic, largest city in the Czech Republic, and the historical capital of Bohemia. On the Vltava river, Prague is home to about 1.3 milli ...
years later possibly in 1601 or earlier in 1597. Here he received many commissions for mythological and allegorical subjects. After his patron's downfall in 1605 and his death in 1612 von Aachen was, unlike most of Rudolf's court artists, retained by Rudolf's successor Matthias I who gave him an estate in Raussnitz. Emperor Matthias sent him to Dresden and Vienna in 1612, while 1613 saw him back in Augsburg, and 1614 again in Dresden. Von Aachen's pupils included
Pieter Isaacsz Pieter Isaacsz (ca 1569, Helsingør – 14 September 1625), was a Danish court and portrait painter from Dutch origin who worked in a mannerist style on historical, biblical and mythological subjects. He was also a tapestry designer and art- ...
, who was his pupil in Italy while Andreas Vogel, Christian Buchner and Hans Christoph Schürer were his pupils in Prague. Hans von Aachen belonged to the circle of artists in
Rome , established_title = Founded , established_date = 753 BC , founder = King Romulus (legendary) , image_map = Map of comune of Rome (metropolitan city of Capital Rome, region Lazio, Italy).svg , map_caption ...
who frequented  Anthony van Santvoort. He died in Prague in 1615.


Work

* List of paintings by Hans von Aachen


General

Hans von Aachen was a versatile artist who produced portraits, paintings of historical and religious subjects, genre pictures and allegories. He was one of the principal representatives of the late Mannerist style of art that had been nurtured at the court of Rudolf II in Prague around 1600. One of these works is '' Allegory of Peace, Art and Abundance''. His style ranges between an idealized style of painting close to Roman and Florentine Mannerism as well as to Venetian masters
Titian Tiziano Vecelli or Vecellio (; 27 August 1576), known in English as Titian ( ), was an Italian (Venetian) painter of the Renaissance, considered the most important member of the 16th-century Venetian school. He was born in Pieve di Cadore, nea ...
, Veronese and
Tintoretto Tintoretto ( , , ; born Jacopo Robusti; late September or early October 1518Bernari and de Vecchi 1970, p. 83.31 May 1594) was an Italian painter identified with the Venetian school. His contemporaries both admired and criticized the speed wit ...
and the newly emerging tradition of northern realism. Von Aachen developed his own mannerist technique from his study of
Tintoretto Tintoretto ( , , ; born Jacopo Robusti; late September or early October 1518Bernari and de Vecchi 1970, p. 83.31 May 1594) was an Italian painter identified with the Venetian school. His contemporaries both admired and criticized the speed wit ...
and Michelangelo's followers. Throughout his career his principal influences were the style of
Bartholomeus Spranger Bartholomeus Spranger or Bartholomaeus SprangerBartholomeus Spranger
at the
and
Hendrick Goltzius Hendrick Goltzius, or Hendrik, (; ; January or February 1558 – 1 January 1617) was a German-born Dutch printmaker, draftsman, and painter. He was the leading Dutch engraver of the early Baroque period, or Northern Mannerism, lauded for his s ...
who dominated the art scene in Germany at the time.


Prints

While von Aachen did not produce prints himself, his paintings were much reproduced by other court artists of Rudolf II including included Wolfgang Kilian,
Dominicus Custos Dominicus Custos (1560–1612) was a Flemish artist, printer and copperplate engraver, who worked in the service of Emperor Rudolph II in Prague. Dominicus was born in Antwerp, the son of Pieter Balten, and settled in Augsburg as the second h ...
as well as various members of the Sadeler family. These prints contributed to his fame and influence across Europe, despite the Mannerist style having fallen from fashion soon after his death. Von Aachen also produced original designs for the court's printmakers. An example is the series of prints published under the title ''Salus generis humani'' (Salvation of Mankind). The series consists of 13 plates engraved by the Flemish printmaker
Aegidius Sadeler Aegidius Sadeler or Aegidius Sadeler II (1570–1629) was a Flemish engraver who was principally active at the Prague court of Rudolf II, Holy Roman Emperor and his successors. Life Sadeler was born in Antwerp in the Sadeler family of print deale ...
who was active at the Prague court. Made in 1590, the engravings feature scenes from the Life of Christ after designs by Hans von Aachen. The central compositions are surrounded by emblematic borders, whose designs originate from illuminations in the missal (Missale romanum) made by the Flemish artist Joris Hoefnagel in 1581–90 for
Ferdinand II, Archduke of Austria Ferdinand II, Archduke of Further Austria (Linz, 14 June 1529 – 24 January 1595, Innsbruck) was ruler of Further Austria and since 1564 Imperial count of Tirol. The son of Ferdinand I, Holy Roman Emperor, he was married to Philippine Welser ...
(now in the Austrian National Library, Vienna).''Salus generis humani''
at The Metropolitan Museum of Art


Museums

* Kunsthistorisches Museum,
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,
Austria Austria, , bar, Östareich officially the Republic of Austria, is a country in the southern part of Central Europe, lying in the Eastern Alps. It is a federation of nine states, one of which is the capital, Vienna, the most populous ...
* Wallraf-Richartz Museum,
Cologne Cologne ( ; german: Köln ; ksh, Kölle ) is the largest city of the German western state of North Rhine-Westphalia (NRW) and the fourth-most populous city of Germany with 1.1 million inhabitants in the city proper and 3.6 millio ...
, Germany * Budapest Museum of Fine Arts, Budapest, Hungary
The National Gallery, London


Notes


External links

* {{DEFAULTSORT:Aachen, Hans Von 1552 births 1615 deaths Artists from Cologne 16th-century German painters German male painters 17th-century German painters German Mannerist painters