Hôtel de Bernuy
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The Hôtel de Bernuy in rue Léon Gambetta,
Toulouse Toulouse ( , ; oc, Tolosa ) is the prefecture of the French department of Haute-Garonne and of the larger region of Occitania. The city is on the banks of the River Garonne, from the Mediterranean Sea, from the Atlantic Ocean and from Pa ...
, France, is a
Renaissance The Renaissance ( , ) , from , with the same meanings. is a period in European history The history of Europe is traditionally divided into four time periods: prehistoric Europe (prior to about 800 BC), classical antiquity (800 BC to AD ...
''
hôtel particulier An ''hôtel particulier'' () is a grand townhouse, comparable to the British townhouse or mansion. Whereas an ordinary ''maison'' (house) was built as part of a row, sharing party walls with the houses on either side and directly fronting on a s ...
'' (''palace'') of the 16th century built by the mason Louis Privat for the wealthy woad merchant, Jean de Bernuy. This townhouse is considered a magnificent example of the introduction of the Renaissance in Toulouse and a symbol of the city's affluence.Explanatory comments of ''Toulouse Renaissance'' exhibition (2018), Colin Debuiche.


History

The facade of Hôtel de Bernuy was built between 1503 to 1504, so was the gothic brick courtyard and its tower. The Renaissance stone courtyard was constructed from 1530 to 1536. The owner was a rich
woad ''Isatis tinctoria'', also called woad (), dyer's woad, or glastum, is a flowering plant in the family Brassicaceae (the mustard family) with a documented history of use as a blue dye and medicinal plant. Its genus name, Isatis, derives from ...
merchant, Jean de Bernuy, a Spanish Jew who had fled the
inquisition The Inquisition was a group of institutions within the Catholic Church whose aim was to combat heresy, conducting trials of suspected heretics. Studies of the records have found that the overwhelming majority of sentences consisted of penances, ...
and was credit-worthy enough to be the main guarantor of the ransomed King
Francis I of France Francis I (french: François Ier; frm, Francoys; 12 September 1494 – 31 March 1547) was King of France from 1515 until his death in 1547. He was the son of Charles, Count of Angoulême, and Louise of Savoy. He succeeded his first cousin on ...
after his capture at the Battle of Pavia by Charles V of Spain. It is an original example of Renaissance palaces architecture of Toulouse, with a stone decoration of the ''
cour d'honneur A ''cour d'honneur'' (; ; german: Ehrenhof) is the principal and formal approach and forecourt of a large building. It is usually defined by two secondary wings projecting forward from the main central block ('' corps de logis''), sometimes w ...
'' (''courtyard'') influenced by Spanish
Plateresque Plateresque, meaning "in the manner of a silversmith" (''plata'' being silver in Spanish), was an artistic movement, especially architectural, developed in Spain and its territories, which appeared between the late Gothic and early Renaissance ...
. The use of brick in the gothic courtyard is typical of Toulouse, while the use of stone in the Renaissance courtyard is rare and indicates the wealth of the owner.


The gothic courtyard and its staircase tower

The attention of Bernuy first focused on the back of his plot where his shops stood, and on a small gothic courtyard where he had built in 1504 a great staircase tower. Bernuy wanted his tower to be as high as his father-in-law's, the prosecutor Arnaud du Faur. Raising a tower towards the heavens was prestigious; decorating it with stone and bestowing upon it the marks of a mediaeval feudal lord, even more so. The windows of the tower have been 'bent', that indicates the skill of the stonemason Merigo Cayla. Bernuy-cour-2.jpg, The gothic courtyard Bernuy (1).jpg, The gothic tower Bernuy-sommet-2.jpg, The top of the tower Hôtel de Bernuy - Toulouse.jpg, Tower view from the street Bernuy-sommet.jpg, Bernuy's tower above the roofs Bernuy (2).jpg, Window of the tower Bernuy (3).jpg, Turret base Bernuy-1-06(1).jpg, Windows Bernuy-porte-arrière.jpg, Door


The main gate

In 1504 Merigo Cayla was commissioned to build the main gate. Crowned with an ogee arch decorated with cabbage leaf and bordered with pinnacles, the gate conforms to the fashion of the period: flamboyant gothic. When Bernuy started to undertake his grand Renaissance courtyard, he instructed the architect Louis Privat to move this gate to rue Gambetta and to bring it up. Privat duly inserted into the brick wall several sculpted ornaments typical of the Renaissance: ''putti'' bearing the owner's motto and arms, and portraits medallions. The coexistance of the two styles (gothic and Renaissance) was frequent at that time. It had the advantage of combining prestigious ornaments, both traditional and innovative. Hôtel de Bernuy - Toulouse - Porche.jpg, The portal Fronton Hôtel de Bernuy - Toulouse.JPG, Portal detail Bernuy (5).jpg, Motto: ''SI DEUS PRO NOBIS'' Bernuy-medaillons-portail (1).jpg, Renaissance medallion Bernuy-medaillons-portail (2).jpg, Renaissance medallion Bernuy-medaillons-portail (3).jpg, Renaissance medallion Bernuy-medaillons-portail (4).jpg, Renaissance medallion


The Renaissance courtyard

Circa 1530, Bernuy asked to architect Louis Privat to separate the personal and professional parts of his hôtel. From 1530 to 1536 he built a new courtyard on rue Gambetta in which he gave free rein to the vocabulary of the Renaissance. The portrait medallions of the owners, shown holding phylacteries (scrolls), seem to welcome the visitors. Tall and powerful candelabra columns punctuating the arcades confer a great sense of monumentality to the courtyard. The upper gallery, supported by the great surbased arch, has windows that feature Corinthian columns, a first in Toulouse. Their design came from a treatise on architecture. The abundant use of stone, unheard of at the time in Toulouse, demonstrated the wealth of the owner. Considering its ambitious design and extravagant dimensions, the great arch must be the most extraordinary feature of this courtyard. Its unique character also comes from the bespoke treatment of each of the coffers. Their partitions, along with the hanging roses between them, ignore the curve of the arch and are instead perfectly vertical, an effect that must have made the stonemason's work considerably more difficult. Cayla-Paul 7.JPG, Drawing of the courtyard, 19th century Cour de Bernuy.jpg, The Renaissance courtyard Bernuy-arc 03.jpg, The great arch Voute Hôtel de Bernuy - Toulouse.JPG, The coffers of the great arch Lycée Fermat 2.jpg, Upper gallery above the great arch Bernuy-fenetre.jpg, Window with Corinthian columns Cour Hôtel de Bernuy - Toulouse.JPG, The gallery above the gate Bernuy-arc 01.jpg, An arch above the gate Bernuy-arc 07.jpg, Medallion of Jean de Bernuy in the courtyard Bernuy-arc 06.jpg, Medallion of Bernuy's wife in the courtyard Bernuy-arc 02.jpg, Candelabra columns Bernuy-arc 05.jpg, A capital of a column Bernuy-detail-femme.jpg, A detail Bernuy-chaillot.jpg, Molding of the courtyard at the Cité de l'Architecture et du Patrimoine in Paris


See also

*
Renaissance architecture of Toulouse In the 16th century, the Renaissance, which called for a return to the models of Roman antiquity, spread throughout Europe from Italy, notably through treatises and engravings referring to the treatise '' De architectura'' by Vitruvius (90–20 BC ...


Bibliography

* Guy Ahlsell de Toulza, Louis Peyrusse, Bruno Tollon, ''Hôtels et Demeures de Toulouse et du Midi Toulousain'', Daniel Briand éditeur, Drémil Lafage, 1997


References

{{DEFAULTSORT:Hotel Bernuy Houses completed in the 16th century Buildings and structures in Toulouse Renaissance architecture in Toulouse Hôtels particuliers in Toulouse