Greece on the Ruins of Missolonghi
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''Greece on the Ruins of Missolonghi'' () is an 1826 oil painting by French painter
Eugène Delacroix Ferdinand Victor Eugène Delacroix ( , ; 26 April 1798 – 13 August 1863) was a French Romantic artist regarded from the outset of his career as the leader of the French Romantic school.Noon, Patrick, et al., ''Crossing the Channel: Britis ...
, and now preserved at the
Musée des Beaux-Arts de Bordeaux The Musée des Beaux-Arts de Bordeaux is the fine arts museum of the city of Bordeaux, France. The museum is housed in a dependency of the Palais Rohan in central Bordeaux. Its collections include paintings, sculptures and drawings from the 15t ...
. This painting was inspired by the Third Siege of Missolonghi by the Ottoman forces in 1826, during which many people of the city after the long-time siege (almost a year) decided to attempt a mass breakout (''sortie'') to escape
famine A famine is a widespread scarcity of food, caused by several factors including war, natural disasters, crop failure, population imbalance, widespread poverty, an economic catastrophe or government policies. This phenomenon is usually accompani ...
and
epidemics An epidemic (from Greek ἐπί ''epi'' "upon or above" and δῆμος ''demos'' "people") is the rapid spread of disease to a large number of patients among a given population within an area in a short period of time. Epidemics of infectious d ...
. The attempt resulted in a disaster, with the larger part of the
Greeks The Greeks or Hellenes (; el, Έλληνες, ''Éllines'' ) are an ethnic group and nation indigenous to the Eastern Mediterranean and the Black Sea regions, namely Greece, Cyprus, Albania, Italy, Turkey, Egypt, and, to a lesser extent, oth ...
slain.


Analysis

Greece Greece,, or , romanized: ', officially the Hellenic Republic, is a country in Southeast Europe. It is situated on the southern tip of the Balkans, and is located at the crossroads of Europe, Asia, and Africa. Greece shares land borders ...
is depicted as a kneeling woman who occupies the major part of the painting. She is wearing a traditional Greek costume, her chest being widely bare, and she spreads her arms as a sign of sadness. The hand of a dead victim can be seen protruding from the rubble, beneath her feet. In the background, a dark-complexioned man wearing a yellow turban, who symbolizes the enemy, is planting a flag in the ground. The painting borrows elements from
Christianity Christianity is an Abrahamic monotheistic religion based on the life and teachings of Jesus of Nazareth. It is the world's largest and most widespread religion with roughly 2.38 billion followers representing one-third of the global pop ...
. Indeed, "Greece adopts the attitude of praying in the early centuries of Christianity. The blue coat and white robe, traditionally attributed to the
Immaculate Conception The Immaculate Conception is the belief that the Virgin Mary was free of original sin from the moment of her conception. It is one of the four Marian dogmas of the Catholic Church, meaning that it is held to be a divinely revealed truth w ...
, reinforces this analogy to a secular figure of
Mary Mary may refer to: People * Mary (name), a feminine given name (includes a list of people with the name) Religious contexts * New Testament people named Mary, overview article linking to many of those below * Mary, mother of Jesus, also calle ...
here. The strength of the image is the sharp contrast between the traditional allegory which induces an idealization of the model, and processing of the scene without any concession to the ideal."


References

{{Authority control 1826 paintings Paintings by Eugène Delacroix Paintings about the Greek War of Independence category:19th-century allegorical paintings category:Allegorical paintings by French artists