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Eugene Kal "Gene" Siskel (January 26, 1946 – February 20, 1999) was an American film critic and journalist for the Chicago
Chicago
Tribune. Along with colleague Roger Ebert, he hosted a series of popular review shows on television from 1975 to 1999.

Contents

1 Early life 2 Career

2.1 Teaming up with Ebert

3 Death 4 Legacy 5 See also 6 References 7 External links

Early life[edit] Siskel was born in Chicago, Illinois, and was the son of Ida (née Kalis) and Nathan William Siskel.[1] His parents were Russian Jewish immigrants. Siskel was raised by his aunt and uncle after both his parents died when he was ten years old.[2] He attended Culver Academies and graduated from Yale University
Yale University
with a degree in philosophy in 1967, where he studied writing under Pulitzer Prize-winning author John Hersey, who helped him land a job at the Chicago
Chicago
Tribune in 1969.[3] Career[edit] His first print review was for the film Rascal, which was written one month before he became the paper's film critic. His review of the film was favorable but received no stars by default since the paper did not use a star-rating system for films at the time.[4] Siskel served in the US Army Reserve, graduating from basic officers training in early 1968 and serving as a military journalist and public affairs officer for the Defense Information School. For a time afterwards, Gene was acquainted with Playboy
Playboy
magazine publisher, Hugh Hefner.[5] Teaming up with Ebert[edit] In 1975, Siskel teamed up with Roger Ebert, film reviewer for the Chicago
Chicago
Sun-Times, to host a show on local Chicago
Chicago
PBS
PBS
station WTTW which eventually became Sneak Previews. Their "thumbs-up, thumbs-down" system soon became an easily recognizable trademark, popular enough to be parodied on comedy shows such as Second City Television, In Living Color, Bizarre, and in movies such as Hollywood Shuffle
Hollywood Shuffle
and Godzilla. Sneak Previews
Sneak Previews
gained a nationwide audience in 1977 when WTTW
WTTW
offered it as a series to the PBS
PBS
program system. Siskel and Ebert left WTTW
WTTW
and PBS
PBS
in 1982 for syndication. Their new show, At the Movies, was produced and distributed by Tribune Broadcasting, the parent company of the Chicago
Chicago
Tribune and WGN-TV. Sneak Previews
Sneak Previews
continued on PBS
PBS
for 14 more years with other hosts. In 1986, Siskel and Ebert left Tribune Broadcasting
Tribune Broadcasting
to have their show produced by the syndication arm of The Walt Disney Company. The new incarnation of the show was originally titled Siskel & Ebert & the Movies, but later shortened to Siskel & Ebert. At the Movies also continued a few more years with other hosts. A very early appearance of Siskel, taken from Coming Soon to a Theatre Near You, the predecessor to Sneak Previews, is included in For the Love of Movies: The Story of American Film Criticism. In this 2009 documentary film, he is seen debating with Ebert over the merits of the film version of One Flew Over the Cuckoo's Nest. Normally, Siskel and Ebert would refuse to guest-star in movies or television series, except for talk shows, as they felt it would undermine their "responsibility to the public." However, they both "could not resist" appearing on an episode of the animated television series The Critic, the title character of which was a film critic who hosted a television show.[6] In the episode, Siskel and Ebert split and each wants Jay Sherman, the eponymous critic, as his new partner.[7] They also once appeared in an episode of the children's television series Sesame Street. Siskel also appeared as himself on an episode of The Larry Sanders Show. Death[edit] Siskel was diagnosed with a cancerous brain tumor on May 8, 1998.[8] He underwent brain surgery three days later.[9] He had announced on February 3, 1999 that he was taking a leave of absence but that he expected to be back by fall: "I'm in a hurry to get well because I don't want Roger to get more screen time than I."[3] Siskel died from complications of another surgery on February 20, at the age of 53. After Siskel's death, the producers of Siskel & Ebert began using other film critics, on a rotating basis, as an audition for a permanent successor. Ultimately, Ebert's Chicago Sun-Times colleague Richard Roeper
Richard Roeper
was hired and the show was renamed Ebert & Roeper at the Movies. The last film that Siskel reviewed on television with cohost Ebert was The Theory of Flight
The Theory of Flight
on January 23, 1999. The final film that he reviewed in print was the Freddie Prinze Jr. romantic comedy She's All That, which he gave a favorable review.[10][11] Legacy[edit] Siskel was a diehard Chicago
Chicago
sports fan, especially of his hometown basketball team, the Chicago
Chicago
Bulls, and would cover locker-room celebrations for WBBM-TV
WBBM-TV
news broadcasts following Bulls championships in the 1990s.[6] Siskel was also a member of the advisory committee of the Film Center at the School of the Art Institute of Chicago, and a strong supporter of the Film Center mission. He wrote hundreds of articles applauding the Film Center's distinctive programming and lent the power of his position as a well-known film critic to urge public funding and audience support. In 2000, the Film Center was renamed The Gene Siskel Film Center in his honor. One of his favorite films was Saturday Night Fever; he even bought the famous white disco suit that John Travolta wore in the film from a charity auction[12] Another all-time favorite was Dr. Strangelove.[13] and a favorite from childhood was Dumbo, which he often mentioned as the first film that had an influence on him.[citation needed] On the other hand, Siskel said that he walked out on three films during his professional career: the 1971 comedy The Million Dollar Duck
The Million Dollar Duck
starring Dean Jones, the 1980 horror film Maniac, and the 1996 Penelope Spheeris film Black Sheep.[14] Siskel compiled "best of the year" film lists from 1969 to 1998, which helped to provide an overview of his critical preferences.[15] His top choices were:

1969: Z 1970: My Night at Maud's 1971: Claire's Knee 1972: The Godfather 1973: The Emigrants 1974: Day for Night 1975: Nashville 1976: All the President's Men 1977: Annie Hall 1978: Straight Time

1979: Hair 1980: Raging Bull 1981: Ragtime 1982: Moonlighting 1983: The Right Stuff 1984: Once Upon a Time in America 1985: Shoah 1986: Hannah and Her Sisters 1987: The Last Emperor 1988: The Last Temptation of Christ

1989: Do the Right Thing 1990: Goodfellas 1991: Hearts of Darkness: A Filmmaker's Apocalypse 1992: One False Move 1993: Schindler's List 1994: Hoop Dreams 1995: Crumb 1996: Fargo 1997: The Ice Storm 1998: Babe: Pig in the City

From 1969 until his death in early 1999, he and Ebert were in agreement on nine top selections: Z, The Godfather, Nashville, The Right Stuff, Do the Right Thing, GoodFellas, Schindler's List, Hoop Dreams, and Fargo. There would have been a tenth, but Ebert declined to rank the documentary Shoah as 1985's best film because he felt it was inappropriate to compare it to the rest of the year's candidates. Seven times, Siskel's #1 choice did not appear on Ebert's top ten list at all: Straight Time, Ragtime, Once Upon a Time in America, The Last Emperor, The Last Temptation of Christ, Hearts of Darkness, and The Ice Storm. Six times, Ebert's top selection did not appear on Siskel's; these films were 3 Women, An Unmarried Woman, Apocalypse Now, Sophie's Choice, Mississippi Burning, and Dark City.[15] Only once during his long association with Ebert did Siskel ever change his vote on a movie during the review. The film Broken Arrow had initially been given a "thumbs up" but after hearing Ebert's criticism, Siskel changed his mind to "thumbs down" to make it unanimous.[16] However, he had changed his opinions on films years after his initial review, such as Tremors, which he gave a negative review to in 1990 but later gave the film a glowing positive review in 1994, stating "I wasn't sure what I missed the first time around, but it just didn't click." Both critics had specific sensitivities and feelings that would often vary in extremes to certain kinds of bad films. Ebert was very sensitive to films about race and ethnicity, and Siskel was sensitive to films about families and family relationships and had a special hatred for films like House Arrest (1996) and Like Father Like Son (1987), both of which were about parents and their children. Ebert once said of his relationship with Siskel:

Gene Siskel
Gene Siskel
and I were like tuning forks. Strike one, and the other would pick up the same frequency. When we were in a group together, we were always intensely aware of one another. Sometimes this took the form of camaraderie, sometimes shared opinions, sometimes hostility.[17]

In 1998, the MTV
MTV
satire show Celebrity Deathmatch
Celebrity Deathmatch
did a clay-animated fight to the death between Siskel and Ebert. Siskel wins by spinning Ebert around by his thumb until the finger binds that held their thumbs together broke, sending Ebert flying into the support beam of the commentator's booth. When both men appeared together on The Late Show Starring Joan Rivers, Joan Rivers
Joan Rivers
conducted a "together and separately" interview with them, which at one point had each man wear Walkman-style headphones, playing loud music, while the other commented on his partner. When asked what he thought was the biggest difference between him and Ebert, Siskel unhesitatingly replied: "I'm a better reviewer than he is," but a few moments later, he said that anyone who read an Ebert review would read "an extremely well-written review."[this quote needs a citation] At the 1999 Academy Awards
Academy Awards
ceremony, after its "In Memoriam" montage of deceased stars and film contributors (which did not include Siskel, as he was not an Academy member) host Whoopi Goldberg
Whoopi Goldberg
gave a brief, impromptu tribute to Siskel in which she said: "Gene, honey, wherever you are, here's to you." and included the traditional "thumbs-up" gesture, to a great round of audience applause.[18] See also[edit]

Biography portal

List of people with brain tumors

References[edit]

^ "He Changed The Way We Look At Movies - tribunedigital-chicagotribune". Articles.chicagotribune.com. 1999-02-21. Retrieved 2015-07-15.  ^ Farewell To Siskel Honors Private Side Of Public Man Chicago Tribune, Februari 23 1999 ^ a b Mcg, Robert (1999-02-21). "Gene Siskel, Half of a Famed Movie-Review Team, Dies at 53, The New York Times, February 21, 1999". Nytimes.com. Retrieved 2015-07-15.  ^ " Chicago
Chicago
Tribune List of Siskel Reviews (Notes Rascal as First Print Review)". October 15, 1999.  ^ [1] "Siskel & Ebert: Secret Ladies' Men" ^ a b Siskel & Ebert episode: "Tribute to Gene Siskel" ^ TV.com Episode summary: The Critic
The Critic
- "Siskel & Ebert & Jay & Alice" ^ Life Itself. Dir. Steve James. Part. Roger Ebert
Roger Ebert
and Chaz Ebert. Magnolia, 2014. ^ "Gene Siskel". Nndb.com. Retrieved 2015-07-15.  ^ Siskel, Gene (January 29, 1999). " She's All That
She's All That
Review 29-Jan-1999". Chicago
Chicago
Tribune.  ^ " Chicago
Chicago
Tribune List of Siskel Reviews (Notes She's All That
She's All That
as Last Print Review)". October 15, 1999.  ^ Calhoun, Bob (1999-03-07). "Ebert review". Rogerebert.suntimes.com. Retrieved 2015-07-15.  ^ Ebert and Roeper[permanent dead link] ^ Review: Black Sheep[permanent dead link] ^ a b "Siskel and Ebert Top Ten Lists (1969-1998)". Innermind.com. 2012-05-03. Retrieved 2015-07-15.  ^ Berardinelli, James (February 22, 1999). "A Thumb Falls Silent: A Short Tribute to Gene Siskel". Reelviews.net. Retrieved 2009-12-16.  ^ "Remembering Gene". Chicago
Chicago
Sun-Times. Archived from the original on 2013-02-07.  ^ "Oscar Night Salute To Siskel Was All Whoopi". Chicago
Chicago
Tribune. March 23, 1999. 

External links[edit]

Official website Gene Siskel
Gene Siskel
on IMDb Gene Siskel
Gene Siskel
at AllMovie Gene Siskel: The Balcony is Closed Article on Legacy.com Gene Siskel's Top Ten List By Year (1969–1998) Bio on Biography.com Gene Siskel
Gene Siskel
at Find a Grave

v t e

Gene Siskel
Gene Siskel
and Roger Ebert

Television series

Sneak Previews
Sneak Previews
(1975–82) At the Movies (1982–86) At the Movies (1986–2010) Ebert Presents: At the Movies (2011)

Roger Ebert

Beyond the Valley of the Dolls Up! Who Killed Bambi? Beneath the Valley of the Ultra-Vixens The Great Movies Ebertfest: Roger Ebert's Film Festival Ebert test Life Itself (film) RogerEbert.com

Gene Siskel

Gene Siskel
Gene Siskel
Film Center

Authority control

WorldCat Identities VIAF: 13944034 LCCN: n91020640 SUDOC: 079895867 SN

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