Furiant
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A furiant is a rapid and fiery
Bohemia Bohemia ( ; cs, Čechy ; ; hsb, Čěska; szl, Czechy) is the westernmost and largest historical region of the Czech Republic. Bohemia can also refer to a wider area consisting of the historical Lands of the Bohemian Crown ruled by the Bohem ...
n
dance Dance is a performing art form consisting of sequences of movement, either improvised or purposefully selected. This movement has aesthetic and often symbolic value. Dance can be categorized and described by its choreography, by its repertoire ...
in alternating 2/4 and 3/4
time Time is the continued sequence of existence and events that occurs in an apparently irreversible succession from the past, through the present, into the future. It is a component quantity of various measurements used to sequence events, ...
, with frequently shifting
accents Accent may refer to: Speech and language * Accent (sociolinguistics), way of pronunciation particular to a speaker or group of speakers * Accent (phonetics), prominence given to a particular syllable in a word, or a word in a phrase ** Pitch acce ...
; or, in "art music", in 3/4 time "with strong accents forming pairs of beats". The stylised form of the dance was often used by
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composers such as Antonín Dvořák in the eighth dance from his ''
Slavonic Dances The ''Slavonic Dances'' ( cs, Slovanské tance) are a series of 16 orchestral pieces composed by Antonín Dvořák in 1878 and 1886 and published in two sets as Op. 46 and Op. 72 respectively. Originally written for piano four hands, t ...
''; in his 6th Symphony; in his Terzetto for Two Violins and Viola, third movement; and by
Bedřich Smetana Bedřich Smetana ( , ; 2 March 1824 – 12 May 1884) was a Czech composer who pioneered the development of a musical style that became closely identified with his people's aspirations to a cultural and political "revival." He has been regarded i ...
in ''
The Bartered Bride ''The Bartered Bride'' ( cz, Prodaná nevěsta, links=no, ''The Sold Bride'') is a comic opera in three acts by the Czech composer Bedřich Smetana, to a libretto by Karel Sabina. The work is generally regarded as a major contribution towards the ...
'' and in his second volume for piano of Czech Dances (''České tance 2''), published in 1879 (Op. 21). It was also used by Brahms in the middle section of the second movement of his Sextet No. 2 in G Major. The use of the furiant by central European composers closely parallels their use of the dumka, a dance which often precedes the furiant.


Notes


References

Vrkočová, Ludmila: ''Slovníček základních hudebních pojmů''. 2005. {{ISBN, 80-901611-3-8 19th century in music Dance forms in classical music European folk dances