Fuente Ovejuna
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''Fuenteovejuna'' () is a play by the Spanish
playwright A playwright or dramatist is a person who writes plays. Etymology The word "play" is from Middle English pleye, from Old English plæġ, pleġa, plæġa ("play, exercise; sport, game; drama, applause"). The word "wright" is an archaic English ...
Lope de Vega Félix Lope de Vega y Carpio ( , ; 25 November 156227 August 1635) was a Spanish playwright, poet, and novelist. He was one of the key figures in the Spanish Golden Age of Baroque literature. His reputation in the world of Spanish literatur ...
. First published in
Madrid Madrid ( , ) is the capital and most populous city of Spain. The city has almost 3.4 million inhabitants and a metropolitan area population of approximately 6.7 million. It is the second-largest city in the European Union (EU), and ...
in 1619, as part of ''Docena Parte de las Comedias de Lope de Vega Carpio'' (''Volume 12 of the Collected plays of Lope de Vega Carpio''),Edwards, Gwynne, ed. and trans. ''Lope de Vega, Three Major Plays'' (with ''The Knight of Olmedo'' and ''Punishment without Revenge''). Oxford University Press, 1999, p. xii. the play is believed to have been written between 1612 and 1614. The play is based upon a historical incident that took place in the village of Fuenteovejuna in Castile, in 1476. While under the command of the Order of Calatrava, a commander, Fernán Gómez de Guzmán, mistreated the villagers, who banded together and killed him. When a magistrate sent by King
Ferdinand II of Aragon Ferdinand II ( an, Ferrando; ca, Ferran; eu, Errando; it, Ferdinando; la, Ferdinandus; es, Fernando; 10 March 1452 – 23 January 1516), also called Ferdinand the Catholic (Spanish: ''el Católico''), was King of Aragon and Sardinia fro ...
arrived at the village to investigate, the villagers, even under the pain of
torture Torture is the deliberate infliction of severe pain or suffering on a person for reasons such as punishment, extracting a confession, interrogation for information, or intimidating third parties. Some definitions are restricted to acts ...
, responded only by saying "Fuenteovejuna did it."


Background

Rapid change took place in Spain in the years between the historical incident at Fuenteovejuna in 1476 to the writing of Lope's play in 1614. In that time, Spain united under the
Habsburg The House of Habsburg (), alternatively spelled Hapsburg in Englishgerman: Haus Habsburg, ; es, Casa de Habsburgo; hu, Habsburg család, it, Casa di Asburgo, nl, Huis van Habsburg, pl, dom Habsburgów, pt, Casa de Habsburgo, la, Domus Hab ...
s and become a world superpower with the discovery of the
New World The term ''New World'' is often used to mean the majority of Earth's Western Hemisphere, specifically the Americas."America." ''The Oxford Companion to the English Language'' (). McArthur, Tom, ed., 1992. New York: Oxford University Press, p. ...
. At the time of Lope's writing, Spain was still in the midst of a Siglo de Oro ("Golden Century"), which saw growth in all fields of the arts and academics. In 1469, seven years before the events at Fuenteovejuna, Princess Isabella I of Castile married Prince Ferdinand II of Aragon. With their marriage, the two major kingdoms of Spain— Castile and
Aragon Aragon ( , ; Spanish and an, Aragón ; ca, Aragó ) is an autonomous community in Spain, coextensive with the medieval Kingdom of Aragon. In northeastern Spain, the Aragonese autonomous community comprises three provinces (from north to s ...
—were joined. This marriage would later ensure the successful completion of the
Christian Christians () are people who follow or adhere to Christianity, a monotheistic Abrahamic religion based on the life and teachings of Jesus Christ. The words ''Christ'' and ''Christian'' derive from the Koine Greek title ''Christós'' (Χρι ...
''
Reconquista The ' ( Spanish, Portuguese and Galician for "reconquest") is a historiographical construction describing the 781-year period in the history of the Iberian Peninsula between the Umayyad conquest of Hispania in 711 and the fall of the N ...
'' of Spain from the
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. When Isabella ascended the throne upon the death of her half-brother,
Enrique IV Henry IV of Castile ( Castilian: ''Enrique IV''; 5 January 1425 – 11 December 1474), King of Castile and León, nicknamed the Impotent, was the last of the weak late-medieval kings of Castile and León. During Henry's reign, the nobles became ...
, in 1474,
Alfonso V of Portugal Afonso V () (15 January 1432 – 28 August 1481), known by the sobriquet the African (), was King of Portugal from 1438 until his death in 1481, with a brief interruption in 1477. His sobriquet refers to his military conquests in Northern Africa. ...
crossed into Spain in order to secure the throne for Juana, Princess of Castile, the daughter of Enrique. At the Battle of Toro, two years later, Isabella and Ferdinand's forces defeated the forces of Alfonso and Juana. The same year,
Ciudad Real Ciudad Real (, ; en, "Royal City") is a municipality of Spain located in the autonomous community of Castile–La Mancha, capital of the province of Ciudad Real. It is the 5th most populated municipality in the region. History It was founded ...
was attacked by knights of the Order of Calatrava under the leadership of its Grand Master, 20-year-old Rodrigo Téllez Girón, who supported the claims to the throne by Alfonso and Juana. The city was of strategic importance due to its location near the border of Castile. It was during this invasion that Commander Gómez de Guzmán was killed by the villagers of Fuenteovejuna after he treated them poorly. After no single guilty party was found, Ferdinand pardoned the villagers from Fuenteovejuna.


Summary

The first act opens in Almagro at the home of the Grand Master of the Order of Calatrava, Rodrigo Téllez Girón. Here, a commander of the order, Fernán Gómez de Guzmán, urges his superior to seize the town of Ciudad Real in the name of Juana and Alfonso of Portugal. Girón decides to capture the city. The village and villagers of Fuenteovejuna are introduced and speak of love. The Commander enters and attempts to take two of the women, Laurencia and Pascuala, back to his castle, but they resist and escape. King Ferdinand and Queen Isabella discuss the capture of Ciudad Real and vow to retake it. Later, two young lovers, Laurencia and Frondoso, meet in the forest. When the Commander approaches, Frondoso hides and watches as the Commander attempts to force himself on Laurencia. As the Commander has put down his
crossbow A crossbow is a ranged weapon using an Elasticity (physics), elastic launching device consisting of a Bow and arrow, bow-like assembly called a ''prod'', mounted horizontally on a main frame called a ''tiller'', which is hand-held in a similar ...
, Frondoso steps out and takes it. As Laurencia escapes his grasp, Frondoso points the crossbow at the Commander, leaving with only the crossbow as the Commander curses both of them. Act II begins in the village with a discussion among the peasants that is interrupted by the entrance of the Commander. He demands Esteban, Laurencia's father, to allow him to have her but he refuses and the Commander takes this as an insult. A soldier enters and begs the Commander to return to Ciudad Real (Royal City) which has just been surrounded by the forces of Ferdinand and Isabella. After the exit of the Commander, Laurencia and Pascuala go on the run with one of the peasants, Mengo. They are met by another peasant girl, Jacinta, who is being pursued by the Commander's servants. When Mengo protects her, they are both seized by the Commander's lackeys who will
whip A whip is a tool or weapon designed to strike humans or other animals to exert control through pain compliance or fear of pain. They can also be used without inflicting pain, for audiovisual cues, such as in equestrianism. They are generally ...
Mengo while Jacinta is raped by the Commander and then given to his men. Shortly afterwards, Esteban agrees to allow Laurencia and Frondoso to marry. The wedding proceeds but is interrupted by the Commander who arrests Frondoso, for his threat with the crossbow, as well as Esteban and Laurencia who protest his arrest. The third act opens with the men of the village meeting to decide how to handle the situation. Laurencia, having been beaten and subject to attempted '' Droit du seigneur'' (though she beats off her attackers and escapes) enters, but is not immediately recognized. She reprimands the men for not attempting to rescue her, inspiring the men to kill the Commander. While preparations are being made to hang Frondoso, the band of villagers enters and kills the Commander and one of his servants. Flores, the surviving servant, escapes and rushes to Ferdinand and Isabella to tell what has happened. The shocked rulers order a magistrate to the village to investigate. The villagers, celebrating with the head of the Commander, are told of the magistrate's approach. In order to save themselves, the villagers say "Fuenteovejuna did it". The magistrate proceeds to torture men, women, and young boys on the
rack Rack or racks may refer to: Storage and installation * Amp rack, short for amplifier rack, a piece of furniture in which amplifiers are mounted * Bicycle rack, a frame for storing bicycles when not in use * Bustle rack, a type of storage bin ...
, but gives up after not receiving a satisfactory answer. Ferdinand and Isabella
pardon A pardon is a government decision to allow a person to be relieved of some or all of the legal consequences resulting from a criminal conviction. A pardon may be granted before or after conviction for the crime, depending on the laws of the j ...
the Grand Master and when the villagers enter and tell their story, they are pardoned as well.


Themes

Class struggle is one of the key concepts as there is a large gap between those in power and those without, namely farmers and peasants. The commander holes up the town with his power and wealth. Only as a collective are they able to fight back. Women's rights are another major theme, surprising as it may be for the time of this writing. The commander has taken the city as his personal harem. Once the attempted rape occurs with Laurencia, his downfall begins. It is Laurencia that encourages the town to rise against the Commander and the women that take the lives of officers. An additional theme as is tradition versus progress. Spain at the time was in the middle of much change per the backdrop of the play. The deaths of the Commander and Ortuno is not just murder but mutiny. While Ferdinand and Isabella decline to find the town guilty; they are not pleased to pardon them either despite the brutality.


Recent productions

The
Soviet The Soviet Union,. officially the Union of Soviet Socialist Republics. (USSR),. was a List of former transcontinental countries#Since 1700, transcontinental country that spanned much of Eurasia from 1922 to 1991. A flagship communist state, ...
ballet '' Laurencia'' was based on ''Fuenteovejuna''. The play has been filmed several times in Spanish and other languages, but never in English. A musical version, called ''Fuente Ovehuna'', was produced in 1972. ''Fuenteovejuna'' was produced as a play in three acts, in English translation b
William Colford
at
La MaMa Experimental Theatre Club La MaMa Experimental Theatre Club (La MaMa E.T.C.) is an Off-Off-Broadway theatre founded in 1961 by Ellen Stewart, African-American theatre director, producer, and fashion designer. Located in Manhattan's East Village, the theatre began in the ...
in 1972. A musical version of the play was produced by the State Theatre of Northern Greece in 1976-77, with music by Thanos Mikroutsikos and lyrics by Yorgos Michaelides. The play was produced at London's
Royal National Theatre The Royal National Theatre in London, commonly known as the National Theatre (NT), is one of the United Kingdom's three most prominent publicly funded performing arts venues, alongside the Royal Shakespeare Company and the Royal Opera House. I ...
in 1989, as adapted by
Adrian Mitchell Adrian Mitchell FRSL (24 October 1932 – 20 December 2008) was an English poet, novelist and playwright. A former journalist, he became a noted figure on the British Left. For almost half a century he was the foremost poet of the country's Ca ...
and directed by Declan Donnellan. ''Fuenteovejuna'' was produced at the
Stratford Shakespeare Festival The Stratford Festival is a theatre festival which runs from April to October in the city of Stratford, Ontario, Canada. Founded by local journalist Tom Patterson in 1952, the festival was formerly known as the Stratford Shakespearean Festival ...
in 2008 (see
Stratford Festival production history Stratford may refer to: Places Australia * Stratford, Queensland, a suburb of Cairns * Stratford, Victoria, a town in the state district of Gippsland East ** Stratford railway station, Victoria, a railway station on the Bairnsdale railway line i ...
), with Scott Wentworth as the tyrant and Jonathan Goad and
Sara Topham Sara may refer to: Arts, media and entertainment Film and television * ''Sara'' (1992 film), 1992 Iranian film by Dariush Merhjui * ''Sara'' (1997 film), 1997 Polish film starring Bogusław Linda * ''Sara'' (2010 film), 2010 Sri Lankan Sinhal ...
as the lovers. The ''Toronto Globe and Mail'' gave the production a favorable review. ''The Village'', directed by Nadia Fall at The Royal Stratford East is based on the Spanish play. It opens her inaugural season as Artistic Director of Stratford East. This contemporary work is set in India.


References


Further reading

* Blue, William R. "The Politics of Lope’s ''Fuenteovejuna''." ''Hispanic Review'' 59:3 (1991): 295-315. * Cañadas, Ivan. "Class, Gender and Community in Thomas Dekker’s ''The Shoemaker’s Holiday'' and Lope de Vega’s ''Fuente Ovejuna''." ''Parergon'' 19.2 (July 2002): 118-50. * Cañadas, Ivan. ''The Public Theaters of Golden Age Spain and Tudor-Stuart England: Class, Gender and Festive Community''. Aldershot, England, and Burlington, Vermont: Ashgate, 2005 (chapter 5). ; . * Carter, Robin. "''Fuente Ovejuna'' and Tyranny: Some Problems of Linking Drama with Political Theory", ''Forum for Modern Language Studies'' 13 (1977): 313-35. * Darst, David H. "Las analogías funcionales en ''Fuenteovejuna''", ''Neophilologus'' 79 (1995): 245-52. *Edwards, Gwynne, ed. and trans. ''Lope de Vega, Three Major Plays'' (with ''The Knight of Olmedo'' and ''Punishment without Revenge''). Oxford University Press, 1999. . * Fischer, Susan L. "''Fuente Ovejuna'' on the Rack: Interrogation of a Carnivalesque Theatre of Terror", ''Hispanic Review'' 65:1 (1997): 61-92. * Gerli, E. Michael. "The Hunt of Love: The Literalization of a Metaphor in ''Fuenteovejuna''." ''Neophilologus'' 63 (1979): 54-58. * Herrero, Javier. "The New Monarchy: A Structural Reinterpretation of ''Fuenteovejuna''", ''RHM'' 36:4 (1970-1): 173-85. *Morley, S. Griswold and C. Bruerton. ''Cronologia de las Comedias de Lope de Vega.'' Madrid, 1968. *Answers Ltd. The Theme Of Love In Fuenteovejuna English Literature Essay. uk, November 2018


External links


''Fuenteovejuna'' study guide (in Spanish)

BBC Radio 3 play. Adapted by Adrian Mitchell, broadcast August 5, 2007.

2008 Stratford Shakespeare Festival production, version by Laurence Boswell.Fuenteovejuna movie (in Spanish)
{{Authority control Spanish plays 1619 plays Plays by Lope de Vega Spanish plays adapted into films