Filmi-ghazal
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The filmi-ghazal is a genre of
filmi Filmi ("of films") music soundtracks are music produced for India's mainstream motion picture industry and written and performed for Indian cinema. In cinema, music directors make up the main body of composers; the songs are performed by playba ...
music based on ghazal poetry in Hindustani (
Hindi Hindi ( Devanāgarī: or , ), or more precisely Modern Standard Hindi (Devanagari: ), is an Indo-Aryan language spoken chiefly in the Hindi Belt region encompassing parts of northern, central, eastern, and western India. Hindi has been ...
-
Urdu Urdu (;"Urdu"
'' Indian films, especially the
music of Bollywood Hindi film songs, more formally known as Hindi Geet or filmi songs and informally known as Bollywood music, are songs featured in Hindi films. Derived from the song-and-dance routines common in Indian films, Bollywood songs, along with danc ...
( Hindi cinema). The filmi-ghazals retain the couplet format and rhyme scheme similar to that in ghazals. However, instead of vocal or instrumental passages as interludes, the filmi-ghazal usually uses precomposed musical pieces.


History

The ghazal tradition of
Urdu poetry Urdu poetry ( ur, ) is a tradition of poetry and has many different forms. Today, it is an important part of the cultures of South Asia. According to Naseer Turabi there are five major poets of Urdu which are Mir Taqi Mir (d.1810), Mirza Ghali ...
was the basis for early
Bollywood music Hindi film songs, more formally known as Hindi Geet or filmi songs and informally known as Bollywood music, are songs featured in Hindi films. Derived from the song-and-dance routines common in Indian films, Bollywood songs, along with danc ...
, ever since the first Indian
talkie A sound film is a motion picture with synchronized sound, or sound technologically coupled to image, as opposed to a silent film. The first known public exhibition of projected sound films took place in Paris in 1900, but decades passed before ...
film, '' Alam Ara'' (1931). In turn,
filmi Filmi ("of films") music soundtracks are music produced for India's mainstream motion picture industry and written and performed for Indian cinema. In cinema, music directors make up the main body of composers; the songs are performed by playba ...
ghazals had roots in earlier Urdu
Parsi theatre Parsi theatre is a generic term for an influential theatre tradition, staged by Parsis, and theatre companies largely-owned by the Parsi business community, which flourished between 1850 and 1930s. Plays were primarily in the Hindustani language ( ...
during the 19th to early 20th centuries. The ghazal was the dominant style of Indian film music since the 1930s up until the 1960s. By the 1980s, however, ghazals had become marginalized in film music. Reasons for the decline include Urdu ghazal poetry being gradually phased out from the
Indian education Education in India is primarily managed by state-run public education system, which fall under the command of the government at three levels: Government of India, central, States and Territories of India, state and Local government in India, ...
system, lyricists targeting urban middle-class audiences, and the influence of Western and Latin American music. Music directors like Madan Mohan composed notable filmi-ghazals extensively for
Muslim social The Muslim social is a film genre in Bollywood that portrays Islamic culture in India. It flourished in the 1950s and 1960s and lasted till the early 1980s. Muslim socials are divided into two categories: "classic Muslim socials" that explore na ...
s in the 1960s and the 1970s. The filmi-ghazal style experienced a revival in the early 1990s, sparked by the success of
Nadeem–Shravan Nadeem–Shravan were an Indian music directors duo in the Bollywood film industry of India. They derives its name from their first names as, Nadeem Akhtar Saifi (born 6 August 1954) and Shravan Kumar Rathod (13 November 1954 – 22 April 2021) ...
's ''
Aashiqui Aashiqui () is a 1990 Indian Hindi musical romantic drama film and first installment of Aashiqui series directed by Mahesh Bhatt, starring Rahul Roy, Anu Aggarwal and Deepak Tijori in pivotal roles. The film was known for its music, by com ...
'' (1990). It had a big impact on Bollywood music, ushering in ghazal-type romantic music that dominated the early 1990s, with soundtracks such as '' Dil'' (1990), ''
Saajan ''Saajan'' () is a 1991 Indian Hindi-language romantic drama film directed by Lawrence D'Souza and produced by Sudhakar Bokade. It stars Sanjay Dutt, Madhuri Dixit and Salman Khan in lead roles, with Kader Khan, Reema Lagoo and Laxmikant Berde ...
'' (1991), ''
Phool Aur Kaante ''Phool Aur Kaante'' () is a 1991 Indian Hindi-language action-romance film directed by Kuku Kohli. It stars Ajay Devgan, Madhoo, Aruna Irani, Jagdeep and Amrish Puri among others. The film marked the debut of Devgan, son of late stunt and ac ...
'' (1991) and '' Deewana'' (1992). However, the filmi ghazal style was once again marginalized by the early 21st century, as filmi songs became faster-paced along with greater Western and Latin influences. However, there have been a number of well-received filmi ghazal songs composed into the 2010s. A popular ghazal song from ''Aashiqui'' was " Dheere Dheere", a
cover version In popular music, a cover version, cover song, remake, revival, or simply cover, is a new performance or recording by a musician other than the original performer or composer of the song. Originally, it referred to a version of a song release ...
of which was later recorded by
Yo Yo Honey Singh Hirdesh Singh (born 15 March 1983), known professionally as Yo Yo Honey Singh or simply Honey Singh, is an Indian music producer, rapper, singer, songwriter and an actor. He started out in 2003 as a session and recording artist, and became a b ...
and released by T-Series in 2015.


See also

* Filmi qawwali


References

Filmi Ghazal Hindi cinema Indian music history Hindi film songs {{film-term-stub