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A tughra ( ota, طغرا, ṭuġrā) is a 
The tughra was designed at the beginning of the sultan's reign and drawn by the court
The tughra has a characteristic form, two loops on the left side, three vertical lines in the middle, stacked writing on the bottom and two extensions to the right. Each of these elements has a specific meaning, and together they make up the form that is easily recognizable as a tughra.
The name of the sultan is written out in the bottom section, called a ''sere''. Depending on the period, this name can be as simple as Orhan I, Orhan, son of Osman I, Osman, in the first tughra in 1326. In later periods honorifics and prayers are also added to the name of the tughra holder and his father.
The loops to the left of the tughra are called ''beyze'', from Arabic meaning ''egg''. Some interpretations of tughra design claim that the beyzes are supposed to symbolize the two seas the sultans held sway over: the outer larger loop signifying the Mediterranean and the inner, smaller loop signifying the Black Sea.
The vertical lines on the top of the tughra are called ''tuğ'', or flagstaff. The three tugs signify independence. The S-shaped lines crossing the tugs are called ''zülfe'' and they, together with the tops of the tugs that also look to the right, signify that the winds blow from the east to the west, the traditional movement of the Ottomans.
The lines to the right of the tughra are called ''hançer'' and signify a sword, symbol of power and might.
File:THES-Heptapyrgion inscription.jpg, Tughra of Murad II at the Heptapyrgion (Thessaloniki), Heptapyrgion in Thessaloniki (1431)
File:Estambul20100627P1090259.JPG, The Tughra at Dolmabahçe Palace.
File:Eyüp_Sultan_Mosque_-_Door_-_Ottoman_language.jpg
File:İstanbul-Topkapı_palace._-_panoramio.jpg
File:20131204_Istanbul_224.jpg
File:20131204_Istanbul_029.jpg
File:Tughra Suleiman.jpg, Decorated tughra of Süleyman the Magnificent (1520)
File:Tughra of Selim III.JPG, Tughra of Selim III (1789)
File:Berat_za_imam_vo_Sultan_Mehmed_dzamija_vo_Ohrid.jpg
File:Цакафнаме_за_Охризаде_1491.jpg
File:5_Piastres_1327_Mehmed_V_(obv)-8475.jpg
File:Gate of Felicity Topkapi Istanbul 2007 detail 003.jpg, Tughra on the Gate of Felicity at Topkapı Palace
File:EmirganMosque_(3).jpg
File:Port Gate tughra.jpg, Tughra above Gates of Belgrade#Port gates, Port Gate in Belgrade
File:Uzun hasan tughra.png, Tughra of Uzun Hasan
File:Тугра Сахиб Герая.jpg, Tughra of Sahib I Giray
File:Naser al-Din Shah stamp.jpg, Tughra of Naser al-Din Shah Qajar
File:Mogultughra.jpg, The official imperial Tughra of the Mughal Empire
Ottoman Sultan Tughras
{{Authority control Islamic calligraphy Ottoman culture Monograms Signature
calligraphic
Calligraphy (from el, link=y, καλλιγραφία) is a visual art related to writing. It is the design and execution of lettering with a pen, ink brush, or other writing instrument. Contemporary calligraphic practice can be defined as ...
monogram, seal
Seal may refer to any of the following:
Common uses
* Pinniped, a diverse group of semi-aquatic marine mammals, many of which are commonly called seals, particularly:
** Earless seal, or "true seal"
** Fur seal
* Seal (emblem), a device to imp ...
or signature
A signature (; from la, signare, "to sign") is a handwritten (and often stylized) depiction of someone's name, nickname, or even a simple "X" or other mark that a person writes on documents as a proof of identity and intent. The writer of a ...
of a sultan that was affixed to all official documents and correspondence. Inspired by the tamgha
A tamga or tamgha (from otk, 𐱃𐰢𐰍𐰀, tamga, lit=stamp, seal; tr, damga; mn, tamga; ; ); an abstract seal or stamp used by Eurasian nomads and by cultures influenced by them. The tamga was normally the emblem of a particular tribe, c ...
, it was also carved on his seal and stamped on the coins minted during his reign. Very elaborate decorated versions were created for important documents that were also works of art in the tradition of Ottoman illumination
Turkish or Ottoman illumination covers non-figurative painted or drawn decorative art in books or on sheets in ''muraqqa'' or albums, as opposed to the figurative images of the Ottoman miniature. In Turkish it is called “tezhip”, meaning ...
, such as the example of Suleiman the Magnificent
Suleiman I ( ota, سليمان اول, Süleyman-ı Evvel; tr, I. Süleyman; 6 November 14946 September 1566), commonly known as Suleiman the Magnificent in the West and Suleiman the Lawgiver ( ota, قانونى سلطان سليمان, Ḳ ...
in the gallery below.
The tughra was designed at the beginning of the sultan's reign and drawn by the court calligrapher
Calligraphy (from el, link=y, καλλιγραφία) is a visual art related to writing. It is the design and execution of lettering with a pen, ink brush, or other writing instrument. Contemporary calligraphic practice can be defined as "t ...
or '' nişancı'' on written documents. The first tughra examples are from the 14th century.
Tughras served a purpose similar to the cartouche
In Egyptian hieroglyphs, a cartouche is an oval with a line at one end tangent to it, indicating that the text enclosed is a royal name. The first examples of the cartouche are associated with pharaohs at the end of the Third Dynasty, but the f ...
in ancient Egypt or the Royal Cypher of British monarchs. Every Ottoman sultan had his own individual tughra.
Etymology
There are two main schools of thought on the origins of the word tughra. The first sees it derived from a Turkic secretarial emblem called ''tughragh'', and the second as an effort by Persian scribes to shape the name of the ruler into a bow-like element called ''turgha''/''turghay'', subsequently mispronounced as tughra. The primary argument for the first school is a remark by Mahmud al-Kashgari in his ''Dīwān Lughāt al-Turk'':Visual elements of a tughra
The tughra has a characteristic form, two loops on the left side, three vertical lines in the middle, stacked writing on the bottom and two extensions to the right. Each of these elements has a specific meaning, and together they make up the form that is easily recognizable as a tughra.
The name of the sultan is written out in the bottom section, called a ''sere''. Depending on the period, this name can be as simple as Orhan I, Orhan, son of Osman I, Osman, in the first tughra in 1326. In later periods honorifics and prayers are also added to the name of the tughra holder and his father.
The loops to the left of the tughra are called ''beyze'', from Arabic meaning ''egg''. Some interpretations of tughra design claim that the beyzes are supposed to symbolize the two seas the sultans held sway over: the outer larger loop signifying the Mediterranean and the inner, smaller loop signifying the Black Sea.
The vertical lines on the top of the tughra are called ''tuğ'', or flagstaff. The three tugs signify independence. The S-shaped lines crossing the tugs are called ''zülfe'' and they, together with the tops of the tugs that also look to the right, signify that the winds blow from the east to the west, the traditional movement of the Ottomans.
The lines to the right of the tughra are called ''hançer'' and signify a sword, symbol of power and might.
Tughras of the Ottoman sultans
Other tughras
Although the tughra is largely identified with the Ottoman Sultans, they have also sometimes been used in other states, such as the Qajar dynasty, Safavid Empire and the Khanate of Kazan. Later, tughras were used among the Tatars of Imperial Russia. The Mughal Emperors are also known to have used calligraphic symbols, alongside the Ottoman Empire, Ottomans, the Mughal "Tughra" was circular in shape with three points at its tip, beside the calligraphic signature of the emperor. Afghan currency notes from 1919 to 1936 had the tughra present as well. Pakistan had the tughra on it coins from 1947 till 1974; both of these are present in the State Bank Museum in Karachi. The nawab of Bahawalpur and the Nizam of Hyderabad had tugras on their coinage as well. The flowing lines could symbolize the wide reach of Suleyman's rule and his future conquests. It could also signify the spread of Islam to other realms beyond the Ottoman Empire.
Post-imperial interpretations
There are modern artists of calligraphy that use the characteristic tughra form today. Examples are the tughras of Russian president Vladimir Putin and Akihito, the Emperor of Japan, created by artist Vladimir Popov.See also
*Culture of the Ottoman Empire *Gallipoli Star *Islamic calligraphy *Huaya, stylised calligraphic signatures used in East Asia *Khelrtva, stylised calligraphic signatures used in Georgia *Ottoman Emperors family tree *Ottoman Dynasty *Ottoman family tree (more detailed) *Line of succession to the Ottoman throne *List of sultans of the Ottoman Empire *List of Valide Sultans *Postage stamps and postal history of Turkey#Tughra issue, Postage stamps and postal history of Turkey *Rota (papal signature) *TotemReferences
External links
Ottoman Sultan Tughras
{{Authority control Islamic calligraphy Ottoman culture Monograms Signature