Steve Marriott (Humble Pie).jpg

Stephen Peter Marriott (30 January 1947 – 20 April 1991) was an English musician guitarist, singer and songwriter. He co-founded and played in the rock bands Small Faces and Humble Pie, in a career spanning over 20 years. Marriott was inducted posthumously into the Rock and Roll Hall of Fame in 2012 as a member of Small Faces.

In Britain, Marriott became a popular, often-photographed mod style icon. Marriott was influenced by musicians such as: Miles Davis, Buddy Holly, Booker T & the MG's, Ray Charles, Otis Redding, Muddy Waters and Bobby Bland.
In his later life, Marriott distanced himself from the mainstream music industry and turned away from major record labels, remaining in relative obscurity. He returned to his musical roots, playing in local pubs and clubs around London and Essex.

Marriott died on 20 April 1991 when a fire, which was thought to have been caused by a cigarette, swept through his 16th-century home in Arkesden, Essex. He was 44 and posthumously received an Ivor Novello Award in 1996 for his "Outstanding Contribution to British Music", and was listed in ''Mojo'' as one of the top 100 greatest singers of all time.

Former Black Sabbath frontman Ozzy Osbourne named Marriott the fourth-greatest singer ever and Clem Burke of Blondie ranked him the sixteenth. Paul Stanley of Kiss called Marriott "unbelievable" and a hero of his, while Steve Perry of Journey named him one of his favourite singers.

Early life

Steve Marriott was born on 30 January 1947 at East Ham Memorial Hospital, Plashet, East Ham, (London, E7), England to parents Kay and Bill Marriott who lived at Strone Road, Manor Park. Born three weeks premature and weighing just , he developed jaundice and was kept in hospital four weeks before being well enough to go home. Marriott came from a working-class background and attended Monega Junior School. His father Bill worked as a printer and later owned a jellied eels stall, called 'Bill's Eels', outside the Ruskin Arms hotel. For a short time he also sold pie and mash.

Kay worked at the Tate & Lyle factory in Silvertown. Bill was an accomplished pub pianist. Bill bought Marriott a ukulele and harmonica which Marriott taught himself to play. Marriott showed an early interest in singing and performing, busking at local bus-stops for extra pocket money and winning talent contests during the family's annual holiday to Jaywick Holiday camp near Clacton-on-Sea.

In 1959 at the age of twelve, Marriott formed his first band with school friends Nigel Chapin and Robin Andrews. They were called 'The Wheels', later the 'Coronation Kids', and finally 'Mississippi Five'. They later added Simon Simkins and Vic Dixon to their line-up. From a young age, Marriott was a huge fan of American singer Buddy Holly and would mimic his hero by wearing large-rimmed spectacles with the lenses removed. He wrote his first song, called "Shelia My Dear", after his aunt Shelia to whom he was close. Those who heard the song said it was played at a jaunty pace in the style of Buddy Holly and his bandmates also nicknamed him 'Buddy'.

They would play at the local coffee bars in East Ham and perform Saturday morning gigs at the Essoldo Cinema in Manor Park. Marriott was a cheeky, hyperactive child, according to his mother Kay, and well known by his neighbours in Strone Road for playing pranks and practical jokes. While he was a pupil at local Sandringham Secondary Modern School, Marriott was said to be responsible for deliberately starting a fire in a classroom, though he always denied this.

Acting career: 1960–1965

In 1960, Bill Marriott spotted an advertisement in a London newspaper for a new Artful Dodger replacement to appear in Lionel Bart's popular musical '' Oliver!'', based on the novel '' Oliver Twist'' by Charles Dickens, at the ''New Theatre'' (now called the Noël Coward Theatre) in London's West End, and without telling his son, applied for him to audition. At the age of thirteen, Marriott auditioned for the role. He sang two songs, " Who's Sorry Now" by Connie Francis, and " Oh, Boy!" by Buddy Holly. Bart was impressed with Marriott's vocal abilities and hired him. Marriott stayed with the show for twelve months, playing various boys' roles during that time, for which he was paid £8 a week. Marriott was also chosen to provide lead vocals for the Artful Dodger songs "Consider Yourself", "Be Back Soon", and "I'd Do Anything", which appear on the official album to the stage show, released by World Record Club and recorded at the famous Abbey Road Studios. In 1961 the Marriott family moved from Strone Road to a new council flat in Daines Close, Manor Park.

Following Marriott's successful acting debut in ''Oliver!'', his family encouraged him to pursue an acting career. In 1961 he auditioned and was accepted as a student at the Italia Conti Academy of Theatre Arts in London. Because his family were unable to afford the private school fees, it was mutually agreed the fees would be deducted from acting work the school found him. After Marriott's enrolment at the Italia Conti Academy, he quickly gained acting roles, working consistently in film, television and radio, often typecast as the energetic Cockney child. Soon he lost interest in acting and turned his attention back to his first love, which was music. His parents were devastated and his decision to give up acting caused a family rift. As a result, he left the family home for a short period to stay with friends.

Early music career: 1963–1964

In 1963, Marriott wrote "Imaginary Love" and touted it around the big record labels in London. On the strength of "Imaginary Love", Marriott secured a Decca Records deal as a solo artist with Dick Reagan (also an agent for Cliff Richard). Marriott's first single was a song written by Kenny Lynch, "Give Her My Regards", with Marriott's self-penned song as the B-side. The single was released in July 1963 and was commercially unsuccessful. In the same year Marriott formed The Frantiks, who recorded a cover version of Cliff Richard's song "Move It" with ex-Shadows drummer Tony Meehan, who was brought in to help with production.

Despite the single being hawked around the major record companies, no one was interested and the song was never released. The band then changed their name to The Moments, or Marriott and his Moments. They played support for artists such as The Nashville Teens, The Animals, Georgie Fame and John Mayall, playing venues such as the 100 Club in Soho, London, and the Crawdaddy Club in Richmond. The Moments gained a loyal following, and for a short time had their own fanzine, ''Beat '64'', started by Stuart Tuck and dedicated to 'Steve Marriott's Moments'.

They are noted as performing a total of 80 gigs in 1964. The group was asked to record a single for the American market, a cover version of The Kinks' UK hit song "You Really Got Me", released on the World Artists record label (1964). When their version of "You Really Got Me" failed to get attention, Marriott was dropped from the band, with members claiming he was too young to be a lead singer. According to Don Craine, frontman of London R&B band The Downliners Sect, Marriott applied to join the band as a replacement harmonica player. Craine did not invite him to audition because he knew Marriott wanted to be lead vocalist.
Between leaving the Moments and joining The Small Faces, Steve Marriott joined The Checkpoints. Chris Clements:

"He actually approached us (The Checkpoints) and said he needed to fulfill some gigs that were pending. This was in 1965, he was with us for a couple of months. We rehearsed at The Kentish Drovers in the Old Kent Road in South London. He got us to learn James Brown numbers, which at the time we weren't very up in. One particular memory sticks in my mind. When we rehearsed with him, he almost spoke the words of the song, rather than sang the words. He was listening to us, making sure we got the backing right, so he didn't put himself out vocally. But when we did the first gig with him, out came this fantastic soul voice, we all looked at each other, and our mouths fell open! When doing the gigs, we would pick him up outside the Brewery in Romford road Essex. He always had a small case with his harmonicas in. His harmonica playing was excellent. Our transport at that time was a converted ambulance, and Steve would always sit up front with the owner driver, (a man in his early 50s) rather than sit in the back talking to us. He seemed to me to be a bit of a loner. Even when I had a conversation with him, he always seemed to be looking past me, as though in a hurry to be somewhere else. He was quite a heavy smoker as I recall. We did various venues in Essex, around the Basildon area. He had no guitar, he would use our lead guitarist's red Fender Strat. Steve would put many guitar breaks in the James Brown songs. So we would all huddle around our drummer Gary Hyde who would watch Steve. When Gary stopped, we stopped, when Gary started, we started, so by using those tactics the gigs went well. We had photos taken at the various venues at that time, I wish someone would dig them out from wherever, I would love to see them."

Career

Small Faces: 1965–1969

On 28 July 1964, Marriott first saw his future Small Faces partners, Ronnie Lane and 16-year-old drummer Kenney Jones. They were all performing at the Albion in Rainham, with their bands. Lane and Marriott met again by chance in the J60 Music Bar, a music shop in High Street North, Manor Park, where Marriott was working after his recent departure from the Moments. Lane came in looking to purchase a bass guitar, and afterwards was invited to Marriott's home to listen to his extensive collection of rare American R&B import records. With their shared love of R&B the trio were soon firm friends.Marriott was invited by Lane and Jones to perform with "the Outcasts" (previously called "the Pioneers") at the band's regular gig the Earl of Derby in Bermondsey. The trio each ended up completely drunk and Marriott enthusiastically destroyed the piano he was playing, much to the amusement of Lane and Jones. The landlord sacked them and the band was finished.

According to David Bowie on a 1999 episode of ''VH1 Storytellers'', in 1964 he and his good friend Marriott planned to form an R&B duo called 'David and Goliath'. Instead, Marriott, Lane and Jones decided to form their own band, with Marriott bringing along his acquaintance, Jimmy Winston (Winston was later replaced by Ian McLagan). Marriott's friend Annabel, an ex-student from the Italia Conti, came up with the band's distinctive name after commenting that they all had "small faces"; the name stuck in part because they were all (apart from Winston) small (none being over 5 ft 6 tall), and the term "face" in English mod culture was the name given to a well-known and respected mod. Small Faces were signed to Don Arden within six weeks of forming and quickly became a successful mod influenced band highly regarded by the youth cult's followers when their debut single "Whatcha Gonna Do About It" hit the UK singles chart.

Robert Plant was a fan of Small Faces and a regular at their early gigs where he also ran small errands for them. Led Zeppelin's song "Whole Lotta Love" is a direct take of Marriott's version of the classic song "You Need Lovin'", originally written by Willie Dixon and recorded by American blues singer Muddy Waters. Small Faces would regularly perform "You Need Lovin'" in their live set and the song also appears on their debut album ''Small Faces'', released by Decca in May 1966.

"It was fantastic, I loved it, Muddy Waters recorded it but I couldn't sing like Muddy Waters so it wasn't that much of a nick. I was a high range and Muddy was a low range so I had to figure out how to sing it. So I did and that was our opening number for all the years we were together. Every time we were on stage that was our opening number, unless we had a short set. That's where Jimmy Page and Robert Plant heard it. Robert Plant used to follow us around. He was like a fan." – Steve Marriott

However Marriott bore no animosity toward Plant. He is quoted as shouting "Go on my son!" and wishing him luck when he first heard Plant's version on the radio. Arden paid the band a wage of £20 a week each, along with accounts in clothes shops in Carnaby Street. On Boxing Day 1965, Arden arranged for them to move into a rented house, 22 Westmoreland Terrace, Pimlico. In his autobiography, McLagan describes the house as "party central", a place where the likes of Marianne Faithfull, Brian Epstein, Pete Townshend and other celebrities would hang out. Marriott was just 18 years old.

In 1967, after a dispute over unpaid royalties, relations between the Small Faces and Don Arden broke down and Arden sold them on to Andrew Loog Oldham, who owned the Immediate Records label. The band were much happier at Immediate, spending more time in the recording studio and far less time playing live, but they lost the dynamic live sound that had made them famous.

Marriott wrote or co-wrote most of Small Faces' hit singles. In an interview in 1984, Marriott was asked what his best Small Faces songs were: "I think ' All or Nothing', that I wrote, takes a lot of beating. To me, if there's a song that typifies that era, then that might be it. Words regardless, cos it's only a silly love song, but the actual feel and arrangement of the thing, and maybe 'Tin Soldier'". In 1967, Marriott wrote the evocative rock-ballad "Tin Soldier" to woo model Jenny Rylance. They first met in 1966 and Marriott was immediately smitten, but Rylance was dating up-and-coming singer Rod Stewart and so the two became friends. She later broke up with Stewart and had a brief romantic liaison with Marriott, but much to his disappointment ended it to go back to Stewart. Rylance and Stewart later split for good after a rocky four-year relationship; when Marriott found out he pursued her relentlessly, leading him to write "Tin Soldier". The song was a hit for the band in 1967 and for Marriott a personal triumph. He and Rylance were married at Kensington Register Office, London, on 29 May 1968.

In 1968, Marriott moved into Beehive Cottage with his wife Rylance in Moreton, Essex, a property he had bought jointly with Ronnie Lane and wife Susan and where he established his "Clear Sounds" music studio.

After the success of the group's number one hit concept album ''Ogdens' Nut Gone Flake'' Marriott was keen for the group to evolve and wanted to bring in ex-Herd frontman Peter Frampton, but McLagan, Jones and Lane refused. Marriott started to feel the band had reached the end creatively and began to spend more time with Frampton and Greg Ridley. After rumours in the press about the band splitting up, which were always officially denied, Marriott quit the group, storming off stage during a disastrous live performance on New Year's Eve, 1968. In a 1984 interview with NME reporter Paolo Hewitt on the subject of leaving the band, Marriott said "You grow apart for Christsakes. You're talking about people living together from the ages of seventeen to twenty-two and that's a growing up part of your life and we got to hate each other, no doubt about it. We didn't speak to each other for fucking years. Maybe ten years.

Frampton has said that after Marriott's departure from the Small Faces, the remaining members, Lane, McLagan and Jones, turned up at his home and offered him Marriott's role in the band: "The following day after the Alexandra Palace gig (where Steve walked off), I was back home and I got a call from Ronnie Lane who said, "Me, Kenney and Mac would like to come round and see you." I thought, 'Hello, what's all this about?' Anyway, they all came round to my horrible little flat in Earls Court and asked me to join the Small Faces. All I could say was it's a bit late now. Why couldn't you have asked me while we were in Paris? We'd all be in the same band together and Steve wouldn't have left." Ian McLagan vehemently denied this story.

Humble Pie: 1969–1975

Shortly after leaving Small Faces in 1969, Marriott joined the newly formed rock band Humble Pie with Peter Frampton, drummer Jerry Shirley and bassist Greg Ridley. In the early years, Humble Pie allowed Marriott the artistic freedom he craved but was denied in Small Faces due, in part, to commercial pressures and individual differences. After extensive secret rehearsals at his Clear Sounds home recording studio, the band released on Immediate their debut album '' As Safe As Yesterday Is'', closely followed by the Marriott-penned debut single " Natural Born Bugie" (an intentional misspelling of "boogie"), which peaked at No. 4 in the UK Singles Chart in the summer of 1969. Humble Pie almost disbanded after their first American tour when they returned to Britain and discovered that Immediate had gone into liquidation. They transferred to A&M Records and focused all their attention on the lucrative US market. Their new manager, Dee Anthony, had the band scrap its 'unplugged' set and crank the volume up.

Humble Pie toured constantly over the next three years, completing nineteen tours in the US alone. The band's next album releases, '' Humble Pie'' and '' Rock On'', benefitted from their touring. Their live album ''Performance Rockin' the Fillmore'' (1971) became the band's most successful release to date. During these recordings, Marriott's strong vocal performances became the focal point of the band. Dee Anthony pushed Marriott to take more of the on-stage spotlight, something he had, up to then, been sharing with Frampton and Ridley. Marriott's new prominence is said to have resulted in Frampton's decision to leave the band. (Frampton was replaced by Clem Clempson.)

Some close to Marriott, such as his wife and even Marriott himself, would say that his personality changed for the worse when he toured America. Eventually, possibly as a result of excessive alcohol and drug use, Marriott started showing signs of mild schizophrenia. He had regularly taken amphetamines (speed) and smoked cannabis in his days in the Moments and Small Faces, and in the latter half of the 1960s he also tried LSD. But by the time Humble Pie began to tour America regularly in the early 1970s, Marriott allegedly developed a destructive cocaine and alcohol addiction, which is thought to have been the cause of his marriage break-ups and to have contributed to his premature death in a house fire.

"He (Steve) became another person to cope with the pressures, he would say things like, "Please tell me that you'll leave me if I go on tour again because if you say that I'll have justification not to go, if I go and have to be that other person again I'll just go mad." This would be said in a moment of truth but the next day had changed his mind and he'd be up and off.... He was married to his music and I didn't mind that especially in the early years when he would play me new songs on an acoustic guitar but what didn't make me happy was when he was in the home studio, out of his brain, trying to come up with the next album because he was being pressurised into it. He would just disappear into the studio for three or four days at a time. He never slept and there would be all sorts of strange people in there with him. It was a crazy business and even the nicest people get mixed up. All sorts of chemicals were presented to him and he became addicted to them in the end. It was drugs that destroyed our relationship. Before the home studio was built Beehive Cottage was our sanctuary, afterwards it just became his workplace." – Jenny Rylance

Rylance finally left Marriott in 1973. She said: "The drugs and the drink I would tolerate no more. It broke my heart to leave Steve but it had to be done, I was ultimately the stronger". Due to the break-up of his marriage and growing drug use, some band members said that Marriott at times became domineering, aggressive and intolerable to work with. Humble Pie disbanded in 1975, citing musical differences as the reason for the split. Financial mismanagement and widespread substance abuse within the band also played a part. In an interview in 2000 with John Hellier, Jerry Shirley said:

"We were all doing too many drugs, we'd lost sight of our business arrangements and no-one within the band had any control over money matters. But the main reason was that we were making bad records, it all came to a head in early 1975. The rot had set in so deep it was inevitable." – Jerry Shirley (Humble Pie).

Marriott always believed Dee Anthony had syphoned off band earnings to promote his new project, Frampton and his album ''Frampton Comes Alive!'' After Marriott's death, second wife Pam Stephens claimed in an interview that while they were making the ''Marriott'' solo album they were warned off accusing Anthony of any financial misdealings and received threatening phone calls. Anthony was alleged to have links with the Genovese crime family (among others). She also claimed that after Marriott confronted Anthony about the missing money, she and Marriott were summoned to a meeting at the Ravenite Social Club on Mulberry Street in New York's Little Italy district. Among those present were John Gotti, Frank Locascio and Paul Castellano, all members of the Gambino crime family. Marriott was informed that he would not be getting any money and was warned to drop the matter. Marriott took the threats seriously.

Jerry Shirley, however, denies some of the rumours that Anthony was Mafia-related and has dismissed them as "bollocks" and "romanticised exaggeration". He has acknowledged Anthony's connections and a lot of the stories being folklore.

Solo career

Marriott released his first solo album, ''Marriott'', in 1976 and moved back to Britain. Stephens gave birth to their first child Toby on 20 February 1976, and they were married on 23 March 1977, at Chelsea Register Office in London. The money from Humble Pie's farewell tour soon ran out, and Marriott was reduced to stealing vegetables from a field next to his home. He went on to form the Steve Marriott Allstars with ex-Pie bassist Greg Ridley, drummer Ian Wallace and ex-Heavy Metal Kids' guitarist Mickey Finn, and found a new manager, Laurie O'Leary. In the 1980s O'Leary asked Marriott to meet a friend of his, the infamous Ronnie Kray, who was incarcerated in Broadmoor Hospital for the murder of George Cornell. Marriott gave him a signed photo.

After the departure of Mick Taylor in 1975 from the Rolling Stones, Marriott was considered as his replacement; however, Mick Jagger allegedly blocked the move after Marriott upstaged him during the audition. According to Ronnie Wood in his autobiography ''Ronnie'', Marriott was Richards' first choice to replace Taylor.

"Steve told me, 'I was good and stood at the back for a while but then Keith ichardswould hit this lick and I just couldn't keep my mouth shut.' Keith wanted him in but there was no way that once Steve opened his mouth Mick would have him in the band. He knew Steve would never stay in the background. They were the one band in the world that Steve would have loved to have been in. He just wanted to work with Keith." – Pam Marriott

Small Faces reformed: 1976–1978

In 1976 a court ruled that Arden still owed the Small Faces £12,000 in unpaid royalties. He agreed to pay in monthly instalments, but disappeared after making just one payment.

Due to the success of re-released singles "Itchycoo Park" and " Lazy Sunday" in 1975 and 1976, McLagan, Jones and Marriott were persuaded to re-form Small Faces. Rick Wills took the place of Lane, who pulled out after just two rehearsals. Unknown to the others, Lane was suffering from multiple sclerosis. The band recorded two albums, '' Playmates'' (1977) and ''78 in the Shade'' (1978), but the albums were both critical and commercial failures and they disbanded. Marriott did not make any money out of the venture. His earnings were used to extricate him from old management contracts. Due to financial problems, Marriott was forced to sell Beehive Cottage, which had been his home since 1968, and move to a small terraced house in Golders Green, London.Late in 1978, the Inland Revenue informed Marriott that he still owed £100,000 in back tax from his Humble Pie days; he thought manager Dee Anthony had made all the necessary payments. O'Leary, Marriott's manager, advised him to leave Britain or go to prison. He sold the house in Golders Green and moved to California. Marriott, Pam and son Toby were staying with friends in Santa Cruz and Marriott formed a new band called The Firm, with Jim Leverton and (most notably) former Mountain guitarist Leslie West. But after Leverton had to leave the US due to visa problems, and disputes over potential royalties, the band broke up. Marriott was by now completely broke and forced to collect empty glass bottles to redeem them for small change.

Humble Pie reformed: 1980–1981

According to Leslie West, Marriott needed the money and accepted a lucrative offer to reform Humble Pie. In 1980, Marriott contacted Jerry Shirley, who was living in New York City, to discuss a Humble Pie reunion. Shirley agreed and they recorded "Fool for a Pretty Face", which Marriott had written. The new line-up included Anthony "Sooty" Jones, who was a well-respected bassist among American East Coast musicians, as well as vocalist and guitarist Bobby Tench, former member of the Jeff Beck Group. The song proved good enough for them to secure a recording contract with Atco. In the UK their material was released by Jet Records, owned by ex-Small Faces manager Don Arden.

They recorded the heavy rock album '' On to Victory'' (1980), followed by '' Go for the Throat'' (1981), and both proved reasonably successful. They also toured America as part of the "Rock 'N' Roll Marathon" bill. In the latter half of 1981, Marriott was beset with personal problems. His marriage was almost over and after he broke his wrist in an accident and was hospitalised with a suspected burst ulcer, whilst opening for Judas Priest the new Humble Pie line-up disintegrated.

Majik Mijits: 1981, 2000

During a visit to Britain in 1981, Marriott became eager to see Ronnie Lane. By this time Lane had begun to use a wheelchair. After an emotional meeting, Marriott suggested they gig together. They got together with Jim Leverton, Mick Weaver, Dave Hynes, Zoot Money and Mel Collins to record an album called '' Majik Mijits''. The album features songs by Lane and Marriott, though none were co-written. Due to Lane's illness, they were unable to tour and promote the album.

"Steve and Ronnie went to America to see Clive Davis of Arista Records. They played him the tape. Clive Davis was tapping his foot and tapping his very expensive pen on his very expensive desk. He said "Yeah, that's great man". Steve said "So you like the tape, Clive". Steve then stopped the tape, ejected it and said "WELL YOU CAN'T FUCKING HAVE IT!" The story that Steve told me was that it would have meant touring and Ronnie just wasn't up to it. It would have meant pretty much carrying him everywhere, no tour, no album. That's why the Mijits never came out at that point in time. It's been gathering dust for ages" – Jim Leverton.

The album was released nineteen years later, in 2000. After the ''Majik Mijits'', Marriott went back to New York playing on the club circuit again.

Later years

For the next year and a half, Marriott was on the road with Jim Leverton, Goldy McJohn and Fallon Williams. They played mostly Small Faces and Humble Pie material, touring non-stop for the next eighteen months. After the departure of McJohn, the trio changed the band's name to the Three Trojans. Despite attempts at reconciliation, Marriott's marriage finally came to an end when his wife found out that Marriott was expecting a child with Terry Elias, a Canadian girl he had met while they were separated.

Leverton was unable to return to the US in 1983 so he was replaced by Keith Christopher (currently with Lynyrd Skynyrd). Steve went through several guitar players that year including Tommy Johnson, and Phil "Duck" Dix. The band toured the US extensively as Humble Pie in 1983 playing clubs, festivals, and theaters. The final US show as Humble Pie took place in Marietta, GA on New Year's Eve. In early 1984, Rick Richards (Georgia Satellites) replaced Phil Dix on guitar as the band was about to record demos with Eddie Offord (Yes, ELP) at his studio in Atlanta. The new lineup only lasted 24 hours and Marriott decided to return to the UK.

The Packet of Three: 1985–1986

Accepting that his marriage was over, Marriott moved back to the UK. With no home and no money, he stayed in the spare bedroom of his sister Kay's house. Marriott formed Packet of Three, again playing the pub circuit. He insisted on being paid for each gig in cash as the Inland Revenue were still pursuing him for back taxes. In January 1985, Aura Records released ''Steve Marriott Live at Dingwalls 6.7.84''. Marriott contacted longtime friend Manon Piercey, and they quickly developed a close relationship and rented a house together. Piercey gave birth to daughter Mollie Mae on 3 May 1985. With Piercey's help, Marriott reduced his excessive drink and drug habits. His sister Kay said: "Steve would say, I'm not drinking any more, and he'd stop, six weeks, two months, he was very strong willed; if he wanted to, he could". In 1985 Marriott was still touring with Packet of Three playing Canada, the US and Europe.

During Live Aid in 1985, London-based Phoenix Modernist Society joined mod revival bands such as the Lambrettas and Purple Hearts, with 1960s stars such as Chris Farlowe and PP Arnold and '80s mod singers Eleanor Rigby & Martin Burton of The Gents. Together they cut a version of "All or Nothing" for Band Aid Trust. Kenny Lynch persuaded Marriott to get involved, and the single was released under the collective name the Spectrum.

In 1985, Marriott ended his relationship with Piercey when he met Toni Poulton at a Packet of Three gig.

Due to his financial situation, Marriott jokingly later renamed the group Steve Marriott and the Official Receivers. In the mid-1980s Marriott and Poulton moved to a rented cottage in the small village of Arkesden. The 16th century cottage was also used for location shots for the home of the title character in the BBC
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