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Eastern Christianity Eastern Christianity comprises Christian traditions and church families that originally developed during classical and late antiquity in Eastern Europe, Southeastern Europe, Asia Minor, the Caucasus, Northeast Africa, the Fertile Crescent and ...
, an iconostasis ( gr, εἰκονοστάσιον) is a wall of icons and religious paintings, separating the nave from the sanctuary in a church. ''Iconostasis'' also refers to a portable icon stand that can be placed anywhere within a church. The iconostasis evolved from the Byzantine templon, a process complete by the 15th century. A direct comparison for the function of the main iconostasis can be made to the layout of the great Temple in Jerusalem. That Temple was designed with three parts. The holiest and inner-most portion was that where the
Ark of the Covenant The Ark of the Covenant,; Ge'ez: also known as the Ark of the Testimony or the Ark of God, is an alleged artifact believed to be the most sacred relic of the Israelites, which is described as a wooden chest, covered in pure gold, with an e ...
was kept. This portion, the
Holy of Holies The Holy of Holies (Hebrew: ''Qōḏeš haqQŏḏāšīm'' or ''Kodesh HaKodashim''; also הַדְּבִיר ''haDəḇīr'', 'the Sanctuary') is a term in the Hebrew Bible that refers to the inner sanctuary of the Tabernacle, where God's prese ...
, was separated from the second larger part of the building's interior by a curtain, the "
veil of the temple The Holy of Holies ( Hebrew: ''Qōḏeš haqQŏḏāšīm'' or ''Kodesh HaKodashim''; also הַדְּבִיר ''haDəḇīr'', 'the Sanctuary') is a term in the Hebrew Bible that refers to the inner sanctuary of the Tabernacle, where God's p ...
". Only the
High Priest The term "high priest" usually refers either to an individual who holds the office of ruler-priest, or to one who is the head of a religious caste. Ancient Egypt In ancient Egypt, a high priest was the chief priest of any of the many gods rever ...
was allowed to enter the Holy of Holies. The third part was the entrance court. This architectural tradition for the two main parts can be seen carried forward in Christian churches and is still most demonstratively present in Eastern Orthodox churches where the iconostasis divides the altar, the Holy of Holies where the
Eucharist The Eucharist (; from Greek , , ), also known as Holy Communion and the Lord's Supper, is a Christian rite that is considered a sacrament in most churches, and as an ordinance in others. According to the New Testament, the rite was instit ...
is performed – the manifestation of the New Covenant – from the larger portion of the church accessible to the faithful. In the Eastern Orthodox tradition, only men can enter the altar portion behind the iconostasis. However, one will see women serving behind the iconostasis at female monasteries. The word comes from the Greek (''eikonostási(-on)'', still in common use in Greece and Cyprus), which means "icon stand".


Location

The nave is the main body of the church where most of the worshippers stand, and the sanctuary is the area around the altar, east of the nave. The sanctuary is usually one to three steps higher than the nave. The iconostasis does not sit directly on the edge of the sanctuary but is usually set a few feet back from the edge of the top step. This forms a walkway in front of the iconostasis for the clergy, called a soleas. In the very center of the soleas is an extension (or thrust), often rounded, called the
ambon Ambon may refer to: Places * Ambon Island, an island in Indonesia ** Ambon, Maluku, a city on Ambon Island, the capital of Maluku province ** Governorate of Ambon, a colony of the Dutch East India Company from 1605 to 1796 * Ambon, Morbihan, a co ...
, on which the deacon will stand to give litanies during the services. The iconostasis, though often tall, rarely touches the ceiling.
Acoustically ''Acoustically'' is the fourth studio album by ARIA Award winning, Torres Strait Islander Torres Strait Islanders () are the Indigenous Melanesian people of the Torres Strait Islands, which are part of the state of Queensland, Australia. ...
, this permits the ekphoneses (liturgical exclamations) of the clergy to be heard clearly by the faithful. In small, modern churches the iconostasis may be completely absent: in such cases it is replaced by a few small icons on analogia (lecterns), forming a virtual divide. The iconostasis typically has three openings or sets of doors: the '' Beautiful Gates'' or ''Holy Doors'' in the center, and the North and South Doors to either side. The Beautiful Gates are sometimes called the ''Royal Doors'', but that name more properly belongs to the central doors connecting the narthex, or porch, to the nave. They remain shut whenever a service is not being held. Modern custom as to when they should be opened during services varies depending upon jurisdiction and local custom. The North and South Doors are often called ''Deacons' Doors'' because the deacons use them frequently. Icons of sainted deacons are often depicted on these doors (particularly
St. Stephen Stephen ( grc-gre, Στέφανος ''Stéphanos'', meaning "wreath, crown" and by extension "reward, honor, renown, fame", often given as a title rather than as a name; c. 5 – c. 34 AD) is traditionally venerated as the protomartyr or first ...
the Protomartyr and St. Ephrem the Syrian). Alternatively, they may be called ''Angels' Doors'', and the Archangels
Michael Michael may refer to: People * Michael (given name), a given name * Michael (surname), including a list of people with the surname Michael Given name "Michael" * Michael (archangel), ''first'' of God's archangels in the Jewish, Christian an ...
and Gabriel are often depicted there. The South Door is typically the "entrance" door, and Michael is depicted there because he is the "Defender"; the North Door is the "exit", and Gabriel is depicted here because he is the "Messenger" of God. (In the Greek and Antiochian liturgical tradition, the Archangel Michael is usually stationed on the north (i.e. "exit") door, and Gabriel on the south (i.e. "entrance") door, and that it is far more common in modern times to see the Archangels than the Deacons on these doors). These doors may also be casually referred to as the "side doors". There are some exceptions where both the side doors depict Archangel Michael. The most notable exception is of the church of Saint George (Aghios Georgios) inside the
Ecumenical Patriarchate of Constantinople The Ecumenical Patriarchate of Constantinople ( el, Οἰκουμενικὸν Πατριαρχεῖον Κωνσταντινουπόλεως, translit=Oikoumenikón Patriarkhíon Konstantinoupóleos, ; la, Patriarchatus Oecumenicus Constanti ...
(in today's Istanbul). In many monastery churches and chapels (though often not in the
katholikon A ''katholikon'' or catholicon ( gr, καθολικόν) or ''sobor'' ( Slavonic: съборъ) refers to one of three things in the Eastern Orthodox Church: * The cathedral of a diocese. * The major church building (temple) of a monastery corre ...
, the monastery's main church) one may find iconostases with only two doors: the Holy Doors and the North Door. These churches are used for simpler monastic observances when only a hieromonk would be serving alone.


Placement of icons

A number of guidelines or rubrics govern which icons are on which parts of the iconostasis, although there is some room for variation. In its fullest Slavic development, it comprised five tiers of icons: # The bottom tier is sometimes called ''Sovereign''. On the right side of the Beautiful Gates (from the nave facing forward) is an icon of Christ (often '' Pantokrator''), which symbolizes his Second Coming and on the left side is an icon of the
Theotokos ''Theotokos'' (Greek: ) is a title of Mary, mother of Jesus, used especially in Eastern Christianity. The usual Latin translations are ''Dei Genitrix'' or ''Deipara'' (approximately "parent (fem.) of God"). Familiar English translations are " ...
( Virgin Mary), symbolizing Christ's Incarnation, and entrance into this world. Therefore, all things take place between Christ's first and second coming. Other icons on this tier beside those on the doors themselves usually include depictions of the patron saint or
feast day The calendar of saints is the traditional Christian method of organizing a liturgical year by associating each day with one or more saints and referring to the day as the feast day or feast of said saint. The word "feast" in this context d ...
to which the church is dedicated,
St. John the Baptist John the Baptist or , , or , ;Wetterau, Bruce. ''World history''. New York: Henry Holt and Company. 1994. syc, ܝܘܿܚܲܢܵܢ ܡܲܥܡܕ݂ܵܢܵܐ, Yoḥanān Maʿmḏānā; he, יוחנן המטביל, Yohanān HaMatbil; la, Ioannes Bapti ...
, St. Nicholas, one or more of the Four Evangelists etc. Above this are two interchangeable tiers: the ''
Deisis In Byzantine art, and in later Eastern Orthodox art generally, the Deësis or Deisis (, ; el, δέησις, "prayer" or "supplication"), is a traditional iconic representation of Christ in Majesty or Christ Pantocrator: enthroned, carrying a boo ...
'' and the ''
Twelve Great Feasts In the Eastern Orthodox Church, the feast of the Resurrection of Jesus, called Pascha (Easter), is the greatest of all holy days and as such it is called the "feast of feasts". Immediately below it in importance, there is a group of Twelve Great Fe ...
'': # In the center of the ''
Deisis In Byzantine art, and in later Eastern Orthodox art generally, the Deësis or Deisis (, ; el, δέησις, "prayer" or "supplication"), is a traditional iconic representation of Christ in Majesty or Christ Pantocrator: enthroned, carrying a boo ...
'' is a large icon of Christ Enthroned. To the left and right are icons of John the Baptist and the Theotokos in attitudes of supplication. They are often flanked by icons of the Archangels
Michael Michael may refer to: People * Michael (given name), a given name * Michael (surname), including a list of people with the surname Michael Given name "Michael" * Michael (archangel), ''first'' of God's archangels in the Jewish, Christian an ...
and Gabriel, then Sts. Peter and Paul, and then any other important Church Fathers that may be desired for inclusion as space allows. # The ''Feasts'' tier contains icons of the twelve Great Feasts of the
liturgical year The liturgical year, also called the church year, Christian year or kalendar, consists of the cycle of liturgical seasons in Christian churches that determines when feast days, including celebrations of saints, are to be observed, and whi ...
. Above this, the top two tiers are also interchangeable with each other: # The
Old Testament The Old Testament (often abbreviated OT) is the first division of the Christian biblical canon, which is based primarily upon the 24 books of the Hebrew Bible or Tanakh, a collection of ancient religious Hebrew writings by the Israelites. The ...
Prophets and Patriarchs—the latter including the 12 sons of Jacob—often to either side of an icon of Our Lady of the Sign; and # the Twelve Apostles, often to either side of and icon depicting either Christ at the Second Coming or the
Holy Trinity The Christian doctrine of the Trinity (, from 'threefold') is the central dogma concerning the nature of God in most Christian churches, which defines one God existing in three coequal, coeternal, consubstantial divine persons: God the F ...
. It is also not uncommon to find an icon of the ''
Mystical Supper Image:The Last Supper - Leonardo Da Vinci - High Resolution 32x16.jpg, 400px, alt=''The Last Supper'' by Leonardo da Vinci - Clickable Image, Depictions of the Last Supper in Christian art have been undertaken by artistic masters for centuries, ...
'', which depicts the Last Supper, and by extension the Communion of Saints in the
Kingdom of God The concept of the kingship of God appears in all Abrahamic religions, where in some cases the terms Kingdom of God and Kingdom of Heaven are also used. The notion of God's kingship goes back to the Hebrew Bible, which refers to "his kingdom" b ...
, somewhere above the Beautiful Gates. The Sovereign (bottom) tier is found in all iconostases, but other tiers are somewhat optional. In general, preference is given to the
Deisis In Byzantine art, and in later Eastern Orthodox art generally, the Deësis or Deisis (, ; el, δέησις, "prayer" or "supplication"), is a traditional iconic representation of Christ in Majesty or Christ Pantocrator: enthroned, carrying a boo ...
or the Feasts tiers if only some of them can be included, and only the largest and most elaborate iconostases have all five tiers. Many modern iconostases in the Greek tradition only include the bottom ("Sovereign") tier, and on occasion a second tier of smaller icons, usually depicting either the Great Feasts or the Apostles (with an icon of the Mystical Supper, or occasionally the Hospitality of Abraham) above the Beautiful Gates. When the Iconostasis does not reach all the way to the ceiling, it is often surmounted by a central cross, centered directly above the Beautiful Gates. If the cross bears an iconographic depiction of Christ Crucified, it is often flanked by icons of the Theotokos and St. John the Evangelist standing at the foot of the cross.


Rubrics

There are rules regarding who may enter or leave the sanctuary (altar), and by which door. Neither the Beautiful Gates (Holy/Royal Doors – central doors) nor the space between them and the altar table may be used by laity under any circumstances, although infants are either carried into the altar through them in the " churching" rite if they are boys, or if they are girls, the infant is simply presented at the doors. Bishops may enter through the Beautiful Gates at any time; priests and deacons may do so only at specific times during the services when the gates are open (but during Bright Week they always enter and exit through them). All others enter the sanctuary through the side doors. In a convent, only the abbess and elder
nuns A nun is a woman who vows to dedicate her life to religious service, typically living under vows of poverty, chastity, and obedience in the enclosure of a monastery or convent.''The Oxford English Dictionary'', vol. X, page 599. The term is o ...
are permitted to enter the sanctuary (altar), and they may only enter through the side doors. The abbess may enter at any time, but the other nuns need a blessing to enter. Male members of the laity who are usually allowed to enter the sanctuary include those involved in the running of the particular church, i.e., cantors and choristers,
altar server An altar server is a lay assistant to a member of the clergy during a Christian liturgy. An altar server attends to supporting tasks at the altar such as fetching and carrying, ringing the altar bell, helps bring up the gifts, brings up the bo ...
s/acolytes, church keepers and vestrymen, etc. In the Romanian tradition, on the day of the
consecration Consecration is the solemn dedication to a special purpose or service. The word ''consecration'' literally means "association with the sacred". Persons, places, or things can be consecrated, and the term is used in various ways by different grou ...
of the altar in the church, the laity, including women, were permitted to enter and venerate the altar until the beginning of the Vespers of Consecration. These guidelines were developed over the course of many centuries, with both theologically symbolic and practical reasons for them.


Theological implications

The iconostasis does not really "separate" the nave from the
Holy of Holies The Holy of Holies (Hebrew: ''Qōḏeš haqQŏḏāšīm'' or ''Kodesh HaKodashim''; also הַדְּבִיר ''haDəḇīr'', 'the Sanctuary') is a term in the Hebrew Bible that refers to the inner sanctuary of the Tabernacle, where God's prese ...
; rather, it brings them together. The iconostasis is the link between heaven (the Holy of Holies) and the nave (the Holy Place). Therefore, everything is symbolic upon the iconostasis. The icons of Christ, the Theotokos, and various saints and feasts are there because Christ, the Theotokos, the saints etc., lead us and guide us into the Holy of Holies. Therefore, the personages on the icons upon the iconostasis guide us into heaven, and therefore the iconostasis connects not separates. The icons upon the iconostasis also are windows and bridges into heaven (although all icons, no matter where, are windows and bridges into heaven). Therefore, in a sense the iconostasis represents Christ, who is the connection, the door, between both realms. The perfect explanation for the iconostasis, and its uniting purpose, is seen in Hebrews 10:19–20, "Therefore, brethren, since we have confidence to enter the sanctuary by the
blood of Jesus Blood of Christ, also known as the Most Precious Blood of Our Lord Jesus Christ, in Christian theology refers to (a) the physical blood actually shed by Jesus Christ primarily on the Christian Cross, Cross, and the salvation which Christianity t ...
, by the new and living way which he opened for us through the curtain, that is through his flesh.".


Evolution

Archaeological evidence from the St. John of Stoudios monastery in Constantinople suggests that the iconostasis evolved from the early templon. A basilica dedicated to John the Baptist was built in 463 AD. In it the chancel barrier surrounded the altar in a π shape, with one large door facing the nave and two smaller doors on the other sides. Twelve piers held chancel slabs of about 1.6 meters in length. The height of the slabs is not known. The chancel barrier was not merely a low parapet (a short wall); remains of
colonnette A colonnette is a small slender column, usually decorative, which supports a beam or lintel. Colonettes have also been used to refer to a feature of furnishings such as a dressing table and case clock, and even studied by archeologists in Roman ...
s have been found, suggesting that the barrier carried an
architrave In classical architecture, an architrave (; from it, architrave "chief beam", also called an epistyle; from Greek ἐπίστυλον ''epistylon'' "door frame") is the lintel or beam that rests on the capitals of columns. The term can ...
on top of the columns.Matthews, Thomas F. ''The Early Churches of Constantinople: Architecture and Liturgy''. PA: Pennsylvania State University Press, 1971. . In early churches, including the Hagia Sophia ("Great Church") in Constantinople, the altar, at least in large churches, was under a ciborium ("ciborion": κιβώριον in Greek), usually a structure with four columns and a domed canopy. This had curtains on rods on all four sides, which were closed for sections of the liturgy, as is still performed in the
Coptic Coptic may refer to: Afro-Asia * Copts, an ethnoreligious group mainly in the area of modern Egypt but also in Sudan and Libya * Coptic language, a Northern Afro-Asiatic language spoken in Egypt until at least the 17th century * Coptic alphabet ...
and Armenian churches, a comparison with the biblical
Veil of the Temple The Holy of Holies ( Hebrew: ''Qōḏeš haqQŏḏāšīm'' or ''Kodesh HaKodashim''; also הַדְּבִיר ''haDəḇīr'', 'the Sanctuary') is a term in the Hebrew Bible that refers to the inner sanctuary of the Tabernacle, where God's p ...
was intended. The small domed structures, usually with red curtains, that are often shown near the writing saint in early Evangelist portraits, especially in the East, represent a ciborium, as do the structures surrounding many manuscript portraits of medieval rulers.Grove, 2.1 As the iconostasis grew, the ciborium declined, although some late examples, by now invisible to the congregation, were produced. The templon gradually replaced all other forms of chancel barriers in Byzantine churches in the 6th, 7th, and 8th centuries, except in Cappadocia. The invention of the solid icon screen is ascribed to Saint Basil the Great. As late as the 10th century, a simple wooden chancel barrier separated the apse from the nave in the rock-cut churches in
Derinkuyu Derinkuyu ("deep well") (Cappadocian Greek: Μαλακοπή; Latin: ''Malakopí'') is a town and district of Nevşehir Province in the Central Anatolia region of Turkey. According to 2010 census, population of the district is 22,114 of which 10, ...
, although by the late 11th century, the templon had become standard. This may have been because of the veneration and imitation of the Great Church Hagia Sophia in Constantinople, though the columnar form of chancel barrier does predate Hagia Sophia. The
rood screen The rood screen (also choir screen, chancel screen, or jubé) is a common feature in late medieval church architecture. It is typically an ornate partition between the chancel and nave, of more or less open tracery constructed of wood, stone, or ...
s or pulpita that most large European Roman Catholic churches and cathedrals had acquired by late medieval times occupied a similar position between chancel and nave but served a different function. The choir was usually east of the screen. Many survive, often most completely in Scandinavia, and more were built in the
Gothic Revival Gothic Revival (also referred to as Victorian Gothic, neo-Gothic, or Gothick) is an architectural movement that began in the late 1740s in England. The movement gained momentum and expanded in the first half of the 19th century, as increasingly ...
, particularly in
Anglican Anglicanism is a Western Christian tradition that has developed from the practices, liturgy, and identity of the Church of England following the English Reformation, in the context of the Protestant Reformation in Europe. It is one of th ...
churches in England. In wooden examples, painted panels were typically waist-high, with a wooden tracery section above allowing a view through, and then a large carved beam supporting a rood cross crucifix, often life-size, above that. Larger churches had stone screens, which might impede virtually all view by the congregation.


See also

*
Ambon (liturgy) The ambon or ambo ( gr, ἄμβων, meaning "pulpit"; Slavonic: ''amvón'') in its modern usage is a projection coming out from the soleas (the walkway in front of the iconostasis) in an Eastern Orthodox, Oriental Orthodox and Eastern Catholic ...
*
Rood screen The rood screen (also choir screen, chancel screen, or jubé) is a common feature in late medieval church architecture. It is typically an ornate partition between the chancel and nave, of more or less open tracery constructed of wood, stone, or ...
* Soleas * Templon *
Iconostasis of the Cathedral of Hajdúdorog The iconostasis of the Cathedral of Hajdúdorog is the largest Greek Catholic icon screen in Hungary. It is 11 m (''36 ft.'') tall and 7 m (''23 ft.'') wide, holding 54 icons on five tiers. Creating such a monumental work of art requires a number o ...


Notes


References


Citations


Sources

* Bock, Franz Johann Joseph, ''The Hangings of the Ciborium of the Altar'' (translated section of his ''Organ für Christliche Kunst''), The Ecclesiologist, Volume 26, 1868, Ecclesiological Society/Stevenson
google books
* "Grove", van Hemeldonck, G., "Ciborium (ii)." In Grove Art Online. Oxford Art Online
subscription required
(accessed April 25, 2011). * Efthalia Rentetzi,
Le iconostasis Delle Chiese greche in Italia
', Athens 2008


External links


Photo of early iconostasis. Church of the Aposltes, Athens
1000 AD

{{Authority control Architectural elements Church architecture Eastern Orthodox icons Eastern Christian liturgical objects