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An emblem is an abstract or representational pictorial image that represents a
concept Concepts are defined as abstract ideas. They are understood to be the fundamental building blocks of the concept behind principles, thoughts and beliefs. They play an important role in all aspects of cognition. As such, concepts are studied by ...
, like a moral
truth Truth is the property of being in accord with fact or reality.Merriam-Webster's Online Dictionarytruth 2005 In everyday language, truth is typically ascribed to things that aim to represent reality or otherwise correspond to it, such as belie ...
, or an allegory, or a person, like a king or saint.


Emblems vs. symbols

Although the words ''emblem'' and '' symbol'' are often used interchangeably, an emblem is a pattern that is used to represent an
idea In common usage and in philosophy, ideas are the results of thought. Also in philosophy, ideas can also be mental representational images of some object. Many philosophers have considered ideas to be a fundamental ontological category of bei ...
or an individual. An emblem develops in concrete, visual terms some abstraction: a deity, a tribe or nation, or a virtue or vice. An emblem may be worn or otherwise used as an identifying
badge A badge is a device or accessory, often containing the insignia of an organization, which is presented or displayed to indicate some feat of service, a special accomplishment, a symbol of authority granted by taking an oath (e.g., police and ...
or
patch Patch or Patches may refer to: Arts, entertainment and media * Patch Johnson, a fictional character from ''Days of Our Lives'' * Patch (''My Little Pony''), a toy * "Patches" (Dickey Lee song), 1962 * "Patches" (Chairmen of the Board song) ...
. For example, in America, police officers' badges refer to their personal metal emblem whereas their woven emblems on uniforms identify members of a particular unit. A real or metal cockle shell, the emblem of St. James the Apostle, sewn onto the hat or clothes, identified a medieval pilgrim to his shrine at
Santiago de Compostela Santiago de Compostela is the capital of the autonomous community of Galicia, in northwestern Spain. The city has its origin in the shrine of Saint James the Great, now the Cathedral of Santiago de Compostela, as the destination of the Way of S ...
. In the Middle Ages, many saints were given emblems, which served to identify them in paintings and other images: St. Catherine had a wheel, or a sword, St. Anthony Abbot, a pig and a small bell. These are also called attributes, especially when shown carried by or close to the saint in art. Kings and other grand persons increasingly adopted
personal device A heraldic badge, emblem, impresa, device, or personal device worn as a badge indicates allegiance to, or the property of, an individual, family or corporate body. Medieval forms are usually called a livery badge, and also a cognizance. They are ...
s or emblems that were distinct from their family heraldry. The most famous include
Louis XIV of France , house = Bourbon , father = Louis XIII , mother = Anne of Austria , birth_date = , birth_place = Château de Saint-Germain-en-Laye, Saint-Germain-en-Laye, France , death_date = , death_place = Palace of Ver ...
's sun, the
salamander Salamanders are a group of amphibians typically characterized by their lizard-like appearance, with slender bodies, blunt snouts, short limbs projecting at right angles to the body, and the presence of a tail in both larvae and adults. All t ...
of
Francis I of France Francis I (french: François Ier; frm, Francoys; 12 September 1494 – 31 March 1547) was King of France from 1515 until his death in 1547. He was the son of Charles, Count of Angoulême, and Louise of Savoy. He succeeded his first cousin once ...
, the
boar The wild boar (''Sus scrofa''), also known as the wild swine, common wild pig, Eurasian wild pig, or simply wild pig, is a suid native to much of Eurasia and North Africa, and has been introduced to the Americas and Oceania. The species is ...
of Richard III of England and the armillary sphere of Manuel I of Portugal. In the fifteenth and sixteenth century, there was a fashion, started in Italy, for making large
medal A medal or medallion is a small portable artistic object, a thin disc, normally of metal, carrying a design, usually on both sides. They typically have a commemorative purpose of some kind, and many are presented as awards. They may be int ...
s with a portrait head on the
obverse Obverse and its opposite, reverse, refer to the two flat faces of coins and some other two-sided objects, including paper money, flags, seals, medals, drawings, old master prints and other works of art, and printed fabrics. In this usage, ...
and the emblem on the reverse; these would be given to friends and as diplomatic gifts. Pisanello produced many of the earliest and finest of these. A symbol, on the other hand, substitutes one thing for another, in a more concrete fashion: * The Christian cross is a symbol of the Crucifixion; it is an emblem of sacrifice. * The Red Cross is one of three symbols representing the International Red Cross and Red Crescent Movement, International Red Cross. A red cross on a white background is the emblem of humanitarian spirit. * The crescent shape is a symbol of the moon; it is an emblem of Islam. * The Skull and crossbones (poison), skull and crossbones is a symbol identifying a poison. The Skull (symbolism), skull is an Memento mori, emblem of the transitory nature of human life.


Other terminology

A totem is specifically an animal emblem that expresses the spirit of a clan. Emblems in heraldry are known as Charge (heraldry), charges. The lion passant serves as the emblem of England, the lion rampant as the emblem of Scotland. An icon consists of an image (originally a religious image), that has become standardized by convention. A logo is an impersonal, secular icon, usually of a corporation, corporate entity.


Emblems in history

Since the 15th century the terms of emblem (''emblema''; from el, ἔμβλημα, meaning "embossed ornament") and emblematura belong to the ''termini technici'' of architecture. They mean an iconic painted, drawn, or sculptural representation of a concept affixed to houses and belong—like the inscriptions—to the architectural ornaments (ornamenta). Since the publication of ''De Re Aedificatoria'' (1452, Ten Books of Architecture),[8] by Leon Battista Alberti (1404–1472), patterned after the ''De architectura'' by the Roman architect and engineer Vitruvius, ''emblema'' are related to Egyptian hieroglyphics and are considered as being the lost universal language. Therefore, the emblems belong to the Renaissance knowledge of antiquity which comprises not only Greek and Roman antiquity but also Egyptian antiquity as proven by the numerous obelisks built in 16th and 17th century Rome. The 1531 publication in Augsburg of the first emblem book, the ''Emblemata'' of the Italian jurist Andrea Alciato launched a fascination with emblems that lasted two centuries and touched most of the countries of western Europe. "Emblem" in this sense refers to a didactic or moralizing combination of picture and text intended to draw the reader into a self-reflective examination of his or her own personal life, life. Complicated associations of emblems could transmit information to the culturally-informed viewer, a characteristic of the 16th-century artistic movement called Mannerism. A popular collection of emblems, which ran to many editions, was presented by Francis Quarles in 1635. Each of the emblems consisted of a paraphrase from a passage of Scripture, expressed in ornate and metaphorical language, followed by passages from the Christian Fathers, and concluding with an epigram of four lines. These were accompanied by an emblem that presented the symbols displayed in the accompanying passage.


Emblems in speech

Emblems are certain gestures which have a specific meaning attached to them. These meanings usually are associated with the culture they are established in. Using emblems creates a way for humans to communicate with one another in a non-verbal way. An individual waving their hand at a friend, for example, would communicate "hello" without having to verbally say anything.


Emblems vs. sign language

Although sign language uses hand gestures to communicate words in a non-verbal way, it should not be confused with emblems. Sign language contains linguistic properties, similar to those used in verbal languages, and is used to communicate entire conversations. Linguistic properties are verbs, nouns, pronouns, adverbs, adjectives, etc... In contrast with sign language, emblems are a non-linguistic form of communication. Emblems are single gestures which are meant to get a short non-verbal message to another individual.


Emblems in culture

Emblems are associated with the culture they are established in and are subjective to that culture. For example, the sign made by forming a circle with the thumb and forefinger is used in America to communicate "OK" in a non-verbal way, in Japan to mean "money", and in some southern European countries to mean something sexual. Furthermore, the thumbs up sign in America means "good job ", but in some parts of the Middle East the thumbs up sign means something highly offensive.


See also

* Coat of arms * Crest (heraldry), Crest * Emblem book * Meme * Mission patch * National emblem * Saint symbology * Seal (emblem) * Symbol * Badge * Icon


References


Further reading


Emblematica Online.
University of Illinois at Urbana Champaign Libraries. 1,388 facsimiles of emblem books. * Charles Moseley (writer), Moseley, Charles, ''A Century of Emblems: An Introduction to the Renaissance Emblem'' (Aldershot: Scolar Press, 1989)


Notes


External links

*Camerarius, Joachim (1605
''Symbolorum & emblematum''
- digital facsimile of book of emblems, from the website of the Linda Hall Library {{Authority control Symbols, *