Europa riconosciuta
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''Europa riconosciuta'' (; meaning "Europa revealed" or "Europa recognized") is an
opera Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a libr ...
in two acts by
Antonio Salieri Antonio Salieri (18 August 17507 May 1825) was an Italian classical composer, conductor, and teacher. He was born in Legnago, south of Verona, in the Republic of Venice, and spent his adult life and career as a subject of the Habsburg monarchy ...
, designated as a ''
dramma per musica Dramma per musica ( Italian, literally: ''drama for music'', plural: ''drammi per musica'') is a libretto. The term was used by dramatists in Italy and elsewhere between the mid-17th and mid-19th centuries. In modern times the same meaning of ''dra ...
'', set to an Italian
libretto A libretto (Italian for "booklet") is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or musical. The term ''libretto'' is also sometimes used to refer to the text of major li ...
by Mattia Verazi. The opera takes place in Tyre in
Phoenicia Phoenicia () was an ancient thalassocratic civilization originating in the Levant region of the eastern Mediterranean, primarily located in modern Lebanon. The territory of the Phoenician city-states extended and shrank throughout their his ...
and tells a story of love, violence and political discord in ancient times. The central character, Europa, was once the lover of Zeus and helps resolve all disagreements after she discloses her identity – thus the title "Europa Revealed". Though a traditional
opera seria ''Opera seria'' (; plural: ''opere serie''; usually called '' dramma per musica'' or '' melodramma serio'') is an Italian musical term which refers to the noble and "serious" style of Italian opera that predominated in Europe from the 1710s to ...
, the work differentiates itself from several of the typical characteristics of the genre. For example: a murder is seen onstage and an extended finale is used in both acts, a practice more typical of
opera buffa ''Opera buffa'' (; "comic opera", plural: ''opere buffe'') is a genre of opera. It was first used as an informal description of Italian comic operas variously classified by their authors as ''commedia in musica'', ''commedia per musica'', ''dram ...
. Musically, the opera is quite challenging, requiring four principal singers capable of spanning wide
tessitura In music, tessitura (, pl. ''tessiture'', "texture"; ) is the most acceptable and comfortable vocal range for a given singer or less frequently, musical instrument, the range in which a given type of voice presents its best-sounding (or characte ...
s, sustaining long phrases, and making dextrous leaps. For example, the roles of Europa and Semele go up to a high F sharp above high C a few times.


Performance history

The opera was first performed for the inauguration of
La Scala La Scala (, , ; abbreviation in Italian of the official name ) is a famous opera house in Milan, Italy. The theatre was inaugurated on 3 August 1778 and was originally known as the ' (New Royal-Ducal Theatre alla Scala). The premiere performan ...
on 3 August 1778. The opera was not performed again until 7 December 2004 for the re-opening of La Scala, after the theater had been closed for almost three years for major renovations. Since the work had not been performed for so long, La Scala had to re-print the score for ''Europa riconosciuta'' from scratch, working from the original manuscripts in its library. The premiere of the new ''Europa riconosciuta'' was broadcast live on a closed-circuit telecast and in 2017 became available on DVD.


Roles


Synopsis

Princess Europa of Tyre and Prince Isséo are engaged to be married. Their plans to wed are ruined when the king of Crete, Asterio, abducts Europa from her father’s palace and forces her to marry him. Europa's father King Agenore of Tyre, tries to find his daughter but fails. In despair, he leaves his throne to his niece Semele instead of Europa on the condition that Semele must marry the man who kills the first foreigner to enter the nation of Tyre. In this way Europa’s kidnapping will be avenged. After Agenore’s death, Asterio sails from Crete towards Tyre in the hopes of placing Europa on the Tyrian throne.


Act I


Scene 1: A shore on the coast of Tyre

A major storm devastates Asterio’s fleet and causes his own ship to shipwreck off the coast of Tyre. Asterio, his wife Europa, and their son step off their boat onto the shore and are startled by the appearance of Egisto and his band of armed soldiers. Asterio manages to hide Europa in a cave, but is unable to save himself, his men, and his son from capture. Upon seeing this, Europa emerges from her hiding-place and tries to defend her son. Her efforts fail and she is taken with the rest of the Cretan prisoners to the palace of Tyre by Egisto and his men.


Scene 2: Semele's royal pavilion

Isséo has recently returned from a successful attack against the Cypriot rebels. Semele is in love with Isséo and has decided to marry him. She asks Egisto to assemble the grand council so that she can announce the name of the man she has chosen to marry, who will become the next king of Tyre. Meanwhile, Egisto, is determined to grasp the throne for himself and decides to openly challenge his rival.


Scene 3: Triumphal scene

Isséo and his soldiers enter the throne room celebrating their victory. Semele informs Isséo of her desire to share the Tyrian throne with him, and then asks him to attend the grand council with her. Isséo refuses Semele's request because he is still in love with Europa, and therefore is not free to love Semele.


Scene 4: A council chamber in Semele's palace

The council members pray for Temide's aid. Semele proclaims that she is prepared to choose the new king. Egisto foils her plan by reminding Semele of her promise to Agenore to marry the man that kills the first foreigner to set foot on Tyrian soil. Egisto produces Asterio in chains and hopes that he can execute Asterio in order that he might marry Semele and become king. Asterio, however, does not cooperate when questioned about his identity and origins. Frustrated, the council decides to interrogate Europa. She astounds everyone by proclaiming herself to be the missing princess of Tyre and rightful heir to the throne. Egisto is furious that his plan to obtain the throne is thwarted, while Isséo is greatly disturbed by Europa's reappearance. Seeing Isséo's response to Europa causes Semele to become full of jealous anger.


Act II


Scene 1: A prison

Asterio is in prison and is anxiously awaiting the council's decision on his fate. Concurrently, Egisto tries to convince Isséo that Europa may still love him. Europa enters and makes a plea for her family's lives. She does not express her feelings for Isséo but rather tells him that her loyalties are to her family as a wife and mother. Europa offers to relinquish the throne of Tyre to Semele, in exchange for the lives of her husband and son. She further begs Isséo to no longer remember the love they once had – as she herself has already forgotten – and to become king by marrying Semele. Isséo leaves Europa and she falls to the ground in tears.


Scene 2: A private room in the palace

Semele is highly jealous of Europa. She informs Isséo that the council has decided to execute the king of Crete and imprison his wife. In response, Isséo tells Semele that Europa no longer claims the throne. Furthermore, Isséo reveals Egisto’s treachery and informs Semele that he will marry her. Semele agrees to stop Asterio’s execution and sends Isséo to disband the proceedings.


Scene 3: The Temple of Vengeance

Asterio is about to be executed at the tomb of Agenore. Egisto offers Europa and her son their freedom if they are willing to flee. Europa rejects his offer, proclaiming that she prefers to die with her husband. Asterio begs them to accept Egisto's offer in order that they might live. The priests of Nemesi lead Asterio to the place of sacrifice, but they are interrupted by the emergence of Cretan soldiers. These soldiers are Asterio's men who got lost in the great storm but managed to survive. They have come, unexpectedly, to save Asterio's life. A tumultuous combat ensues between the Cretans and Egisto’s guards. Isséo appears with some of his men and joins the Cretan soldiers in fighting Egisto and his guards.


Scene 4: A courtyard

The Tyrian soldiers have been defeated but Egisto still fights on. Isséo and Egisto clash in a desperate fight and Egisto is killed. To the relief of Semele, Isséo is not wounded. Meanwhile, Europa is proclaimed the rightful heir to the throne by the people of Tyre. Semele is very upset until Isséo assures her that Europa will keep her promise.


Scene 5: A ceremonial chamber in the palace

Europa is proclaimed the new queen of Tyre, but her one and only act as queen is to marry Isséo and Semele and turn the throne over to them. Isséo and Semele happily accept. Synopsis based on Rodney Stringer's translation.Synopsis of ''Europa riconosciuta'' from th
official web site
of La Scala


Recordings

*2004 performance -
Diana Damrau Diana Damrau (; born 31 May 1971) is a German soprano who achieved international fame for her performances, primarily in opera, but also in concert and lieder. She has been successful in coloratura soprano roles since her early career, and gradua ...
, Desiree Rancatore, Genia Kühmeier,
Daniela Barcellona Daniela Barcellona (born 28 March 1969) is an Italian operatic mezzo-soprano. Biography Barcellona was born in Trieste, where she completed her musical studies under the guidance of Alessandro Vitiello, pianist and conductor. She married Viti ...
,
Giuseppe Sabbatini Giuseppe Sabbatini (born 11 May 1957 in Rome, Italy) is a lyric tenor, conductor, and double-bassist. His opera repertoire includes ''Idomeneo'', '' Mitridate, re di Ponto'', '' Don Giovanni'', '' Linda di Chamounix'', ''La favorita'', ''L'eli ...
,
La Scala La Scala (, , ; abbreviation in Italian of the official name ) is a famous opera house in Milan, Italy. The theatre was inaugurated on 3 August 1778 and was originally known as the ' (New Royal-Ducal Theatre alla Scala). The premiere performan ...
Orchestra,
Riccardo Muti Riccardo Muti, (; born 28 July 1941) is an Italian conductor. He currently holds two music directorships, at the Chicago Symphony Orchestra and at the Orchestra Giovanile Luigi Cherubini. Muti has previously held posts at the Maggio Musicale ...
Erato, DVD 2017


References

; Other sources * Elena Biggi Parodi, ''Teatro alla Scala 1778: «Europa riconosciuta» inaugura a Milano l’opera europea'', in ''Salieri sulle tracce di Mozart'', Catalogo della Mostra, Milano, Palazzo Reale 2 dicembre 2004-30 gennaio Bärenreiter, 2004, pp. 35–44. . * Elena Biggi Parodi, ''Preliminary observations on the «Ballo primo» of «Europa riconosciuta» by Antonio Salieri: Milan, The Scala Theatre, 1778'', «Recercare», XVI 2004 (giugno 2005), pp. 263–303. .


External links

*
Libretto
in pdf format * Photo gallery: Opening night of ''Europa riconosciuta'' at La Scala, December 7, 2004 i


Excerpt of the performance
{{authority control Operas by Antonio Salieri 1778 operas Operas based on classical mythology Operas Opera world premieres at La Scala