Esquerita

Eskew Reeder, Jr. (November 20, 1935 or 1938 – October 23, 1986), usually known by the stage name Esquerita, and occasionally as S.Q. Reeder or The Magnificent Malochi, was an American R&B singer, songwriter and pianist, known for his frenetic performances. He has been credited with influencing rock and roll pioneer Little Richard.

Early life

A native of Greenville, South Carolina, he was the son of Elizabeth and Eskew Reeder, and attended Sterling High School in Greenville from 1947 to 1950. Though most reliable sources give his birth name as Eskew Reeder, Jr., some give the name Stephen Quincy Reeder. Although most sources give the year of his birth as 1935, other reliable sources, and his social security records, state 1938.

Career

1950s–1960s

Reeder was a self-taught piano player whose roots were in gospel music. His music career started as a teenager, when he dropped out of high school and joined the gospel group "Heavenly Echoes" based in New York City. Little is known about Reeder's early career as a secular rock and roll piano player. As Esquerita, he often wore heavy makeup, sunglasses, and two wigs, piling his pompadour high on his head.

Reeder's first solo studio recordings came about when Paul Peek got him to record some demos at a Greenville radio station (WESC) around 1958. At that time, Peek was a member of the rockabilly group The Blue Caps, led by manic performer Gene Vincent. Peek even co-wrote "The Rock-Around" with Reeder, and Reeder played piano on the 1958 recording that launched the NRC ( National Recording Corporation) label. From these contacts and Paul Peek's influence with Capitol Records came a record contract for Reeder; Cub Koda described the results as "some of the most untamed and unabashed sides ever issued by a major label." At this point, Eskew Reeder, Jr. adopted the stage name ''Esquerita''.

The ensuing years found Reeder cutting several singles with various backing musicians in studios in Nashville, Dallas, New Orleans and Detroit. Capitol Records released the LP ''Esquerita'' in 1959, his only album in the traditional sense (that is, not a compilation of earlier singles, or re-issues). In 1962, he cut an iconic cover of the 1956 hit,
“Green Door”. Some of the musicians he recorded with during this era included Jimi Hendrix, Dr. John, Allen Toussaint, and The Jordanaires (Elvis Presley's backup singers). His best known songs from this time include: "Hey Miss Lucy", "Get Back Baby", "Getting’ Plenty of Lovin’", "Rockin’ the Joint", and "Oh Baby". In 1963, he recorded a session for Berry Gordy's Motown Records but those recordings were never released. In late 1967, Reeder changed his name to Magnificent Malochi and signed with Brunswick Records.
In 1968, for that label, he co-wrote Little Richard's adaptation of Bessie Smith's 1936 “I got what it takes “ , as “Stingy Jenny (Got what it takes but it breaks my heart to give it away)”.

1970s–1980s

Esquerita started the 1970s in a positive way, contributing “Dew Drop Inn” and a co-write on “Freedom Blues”, to Little Richard's acclaimed comeback album for Reprise Records, “The Rill Thing”. Both tunes did well as Richard's first top 40 Soul and Top 50 Pop hit since the 1950s, “Freedom Blues”, the A side . He played keyboards on "Takin' Care Of Business" by John Hammond in 1970. Shortly after this, he began to fade from the music scene, but Linda Hopkins released a song written by Reeder called "Seven Days and Seven Nights" in 1973. Around this time, Esquerita formed a new group, consisting of Charles Neville (the saxophone player of The Neville Brothers) who then resided in Brooklyn, New York, and drummer Jerry Katz of Queens, New York. They and a few other musicians played a steady gig at Tommy Smalls Night Club on 50th Street and 8th Avenue in New York City. Several months later the group disbanded.He gained notoriety but his own hit was still a dream.

According to an interview with Billy Miller and Miriam Linna in the ReSearch book '' Incredibly Strange Music'', Reeder occasionally performed at African-American gay clubs under the name Fabulash during the 1970s. He was eventually tracked down by a writer for ''Kicks Magazine'' in 1983 or 1984, who found him performing in second-rate New York City clubs. On October 17, 1984, Esquerita made an appearance with Little Richard, at the Red Parrott disco, in Manhattan, New York, at the Crown Publishing book launch for the biography written by BBC's Charles “Dr. Rock” White and Richard, “The Life and Times of Little Richard”, covered by NBC TV, who captured an impromptu “Thank You, Jesus”, Richard singing and Esquerita playing. According to an article ("Who Was Esquerita?") by music historian Johnny Carter in an international oldies magazine, music maven Bill Lowery (who originated National Recording Corporation and was involved in the Peek sessions for NRC) was approached by Esquerita on the street in New York in 1985 after a conference at Broadcast Music, Inc. Lowery confirmed that Esquerita was down on his luck and was working as a parking lot attendant but was still as flamboyant as ever.

Later years and death

A few months before his death he was seen washing car windshields for tips at an intersection in Brooklyn. In this same article, Esquerita's father, Eskew Reeder Sr., said that his son had died of complications brought on by AIDS in 1986. Esquerita's father (who was born on March 25, 1907) died in February 1989, a little over two years after his son's death. Eskew Sr.'s last known residence was Simpsonville, South Carolina.

Posthumous releases

On March 13, 2012, it was announced that Norton Records

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