''Ercole amante'' (''Hercules in Love'', French: ''Hercule amoureux'') is an

opera Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a libr ...

in a prologue and five acts by Francesco Cavalli. Its

Italian Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, an ethnic group or simply a citizen of the Italian Republic or Italian Kingdom ** Italian language, a Romance language *** Regional Ita ...

libretto is by Francesco Buti, based on

Sophocles Sophocles (; grc, Σοφοκλῆς, , Sophoklễs; 497/6 – winter 406/5 BC)Sommerstein (2002), p. 41. is one of three ancient Greek tragedians, at least one of whose plays has survived in full. His first plays were written later than, or c ...

' ''

The Trachiniae ''Women of Trachis'' or ''The Trachiniae'' ( grc, Τραχίνιαι, ) c. 450–425 BC, is an Athenian tragedy by Sophocles. ''Women of Trachis'' is generally considered to be less developed than Sophocles' other works, and its dating has been ...

'' and on the ninth book of

Ovid Pūblius Ovidius Nāsō (; 20 March 43 BC – 17/18 AD), known in English as Ovid ( ), was a Roman poet who lived during the reign of Augustus. He was a contemporary of the older Virgil and Horace, with whom he is often ranked as one of the th ...

's ''

Metamorphoses The ''Metamorphoses'' ( la, Metamorphōsēs, from grc, μεταμορφώσεις: "Transformations") is a Latin narrative poem from 8 CE by the Roman poet Ovid. It is considered his ''magnum opus''. The poem chronicles the history of the ...

''. The first performance took place on 7 February 1662 in the

Salle des Machines Salle is the French word for 'hall', 'room' or 'auditorium', as in: *Salle des Concerts Herz, a former Paris concert hall *Salle Favart, theatre of the Paris Opéra-Comique *Salle Le Peletier, former home of the Paris Opéra *Salle Pleyel, a Paris ...

of the

Tuileries The Tuileries Palace (french: Palais des Tuileries, ) was a royal and imperial palace in Paris which stood on the right bank of the River Seine, directly in front of the Louvre. It was the usual Parisian residence of most French monarchs, from ...

in Paris.

Background

Cardinal Mazarin Cardinal Jules Mazarin (, also , , ; 14 July 1602 – 9 March 1661), born Giulio Raimondo Mazzarino () or Mazarini, was an Italian cardinal, diplomat and politician who served as the chief minister to the Kings of France Louis XIII and Louis X ...

commissioned the opera to celebrate the June 1660 wedding of

Louis XIV , house = Bourbon , father = Louis XIII , mother = Anne of Austria , birth_date = , birth_place = Château de Saint-Germain-en-Laye, Saint-Germain-en-Laye, France , death_date = , death_place = Palace of Ver ...

and

Maria Theresa of Spain Maria Theresa of Spain ( es, María Teresa de Austria; french: Marie-Thérèse d'Autriche; 10 September 1638 – 30 July 1683) was Queen of France from 1660 to 1683 as the wife of King Louis XIV. She was born an Infanta of Spain and Portugal a ...

, but preparations for the staging were on a grand scale and caused a twenty-month delay, irritating the composer. Worse for him, eighteen ballet '' entrées'' and ''

intermède Intermède (also intermédie, intramède, entremets) is a French term for a musical or theatrical performance involving song and dance, also an 18th-century opera genre. The context in which the 'intermède' was performed has changed over time. ...

s'' with music by Isaac de Benserade and Jean-Baptiste Lully were inserted, mostly at the ends of Cavalli's acts, to cater to French taste. These were not merely diversions but also served to further the plot,; and in the event they met with greater approval from the audience than ''Ercole amante'' itself, helping boost Lully's position at the French court.

Performance history

After its premiere the opera was given another seven times: 14 and 18 February; 18, 22, 25, and 29 April; and 6 May. The theatre was built specifically to present the opera, and if the construction costs of the theatre are included, it was the most expensive of the French court's theatrical productions mounted up to that point.

Roles

References

Notes Sources * *

External links

* {{Authority control 1662 operas Heracles in fiction Operas by Francesco Cavalli Operas Operas based on classical mythology Operas based on works by Sophocles Operas based on Metamorphoses