Ella Fitzgerald Sings the Cole Porter Song Book
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''Ella Fitzgerald Sings the Cole Porter Song Book'' is a 1956 studio double album by American
jazz Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a m ...
singer
Ella Fitzgerald Ella Jane Fitzgerald (April 25, 1917June 15, 1996) was an American jazz singer, sometimes referred to as the "First Lady of Song", "Queen of Jazz", and "Lady Ella". She was noted for her purity of tone, impeccable diction, phrasing, timing, in ...
, accompanied by a studio orchestra conducted and arranged by
Buddy Bregman Louis Isidore "Buddy" Bregman (July 9, 1930 – January 8, 2017) was an American arranger and conductor. Biography Bregman was born in Chicago. His father was an executive in the steel industry. His uncle was songwriter Jule Styne. He spen ...
, focusing on the songs of Cole Porter.


Background

This was Fitzgerald's first album for the newly created
Verve Records Verve Records is an American record label owned by Universal Music Group (UMG). Founded in 1956 by Norman Granz, the label is home to the world's largest jazz catalogue, which includes recordings by artists such as Ella Fitzgerald, Nina Simon ...
(and the first album to be released by the label). Granz decided to have Fitzgerald record well-established popular works because
I was interested in how I could enhance Ella’s position, to make her a singer with more than just a cult following amongst jazz fans. So I proposed to Ella that the first Verve album would not be a jazz project, but rather a song book of the works of Cole Porter. I envisaged her doing a lot of composers. The trick was to change the backing enough so that, here and there, there would be signs of jazz.
Fitzgerald's time on the Verve label would see her produce her most highly acclaimed recordings, at the peak of her vocal powers. This album inaugurated Fitzgerald's ''Song Book'' series, each of the eight albums in the series focusing on a different composer of the canon known as the
Great American Songbook The Great American Songbook is the loosely defined canon of significant early-20th-century American jazz standards, popular songs, and show tunes. Definition According to the Great American Songbook Foundation: The "Great American Songbook" i ...
. The album was recorded February 7–9 and March 27, 1956, in
Hollywood, Los Angeles Hollywood is a neighborhood in the central region of Los Angeles, California. Its name has come to be a shorthand reference for the U.S. film industry and the people associated with it. Many notable film studios, such as Columbia Pictures, ...
. Fitzgerald's manager, and the producer of many of her albums,
Norman Granz Norman Granz (August 6, 1918 – November 22, 2001) was an American jazz record producer and concert promoter. He founded the record labels Clef, Norgran, Down Home, Verve, and Pablo. Granz was acknowledged as "the most successful impres ...
, visited Cole Porter at the
Waldorf-Astoria The Waldorf Astoria New York is a luxury hotel and condominium residence in Midtown Manhattan in New York City. The structure, at 301 Park Avenue between 49th and 50th Streets, is a 47-story Art Deco landmark designed by architects Schult ...
and played him this entire album. Afterwards, Porter merely remarked, "My, what marvelous diction that girl has."


Legacy and achievements

This album was inducted into the
Grammy Hall of Fame The Grammy Hall of Fame is a hall of fame to honor musical recordings of lasting qualitative or historical significance. Inductees are selected annually by a special member committee of eminent and knowledgeable professionals from all branches of ...
in 2000, which is a special Grammy award established in 1973 to honor recordings that are at least twenty-five years old, and that have "qualitative or historical significance."Grammy Hall of Fame Database
In 2003, it was one of 50 recordings chosen by the
Library of Congress The Library of Congress (LOC) is the research library that officially serves the United States Congress and is the ''de facto'' national library of the United States. It is the oldest federal cultural institution in the country. The library ...
to be added to the
National Recording Registry The National Recording Registry is a list of sound recordings that "are culturally, historically, or aesthetically significant, and/or inform or reflect life in the United States." The registry was established by the National Recording Preservati ...
. In 2000 it was voted number 490 in Colin Larkin's ''
All Time Top 1000 Albums ''All Time Top 1000 Albums'' is a book by Colin Larkin, creator and editor of the ''Encyclopedia of Popular Music''. The book was first published by Guinness Publishing in 1994. The list presented is the result of over 200,000 votes cast by th ...
''.


Track listing

All tracks written by Cole Porter, except when noted.


Disc one

Side one # " All Through the Night" – 3:15 # "
Anything Goes ''Anything Goes'' is a musical with music and lyrics by Cole Porter. The original book was a collaborative effort by Guy Bolton and P. G. Wodehouse, heavily revised by the team of Howard Lindsay and Russel Crouse. The story concerns madcap ant ...
" – 3:21 # "
Miss Otis Regrets "Miss Otis Regrets" is a song about the lynching of a society woman after she murders her unfaithful lover. It was composed by Cole Porter in 1934, and first performed by Douglas Byng in ''Hi Diddle Diddle'', a revue that opened on October 3, 19 ...
" – 3:00 # "
Too Darn Hot "Too Darn Hot" is a song written by Cole Porter for his musical ''Kiss Me, Kate'' (1948). In the stage version, it is sung at the start of Act 2, and in the 1948 original Broadway production, it was sung by Lorenzo Fuller (as Paul) and Eddie Sle ...
" – 3:47 # " In the Still of the Night" – 2:38 # "
I Get a Kick Out of You "I Get a Kick Out of You" is a song by Cole Porter, which was first sung in the 1934 Broadway musical '' Anything Goes'', and then in the 1936 film version. Originally sung by Ethel Merman, it has been covered by dozens of prominent performers, ...
" – 4:00 # " Do I Love You?" – 3:50 # "
Always True to You in My Fashion "Always True to You in My Fashion" is a 1948 show tune by Cole Porter, written for the musical ''Kiss Me, Kate''. It is based on ''Non Sum Qualis Eram Bonae sub Regno Cynarae,'' a similarly ironic poem by the English Decadent poet Ernest Dowson (1 ...
" – 2:48 Side two #
  • "
    Let's Do It, Let's Fall in Love "Let's Do It, Let's Fall in Love" (also known as "Let's Do It (Let's Fall in Love)" or simply "Let's Do It") is a popular song written in 1928 by Cole Porter. It was introduced in Porter's first Broadway success, the musical ''Paris'' (1928) by Fre ...
    " – 3:32
  • # " Just One of Those Things" – 3:30 # "
    Ev'ry Time We Say Goodbye "Ev'ry Time We Say Goodbye" is a popular jazz song with lyrics and music by Cole Porter. Part of the Great American Songbook, it was published by Chappell & Company and introduced by Nan Wynn and Jere McMahon in 1944 in Billy Rose's musical revue ...
    " – 3:32 # " All of You" – 1:43 # "
    Begin the Beguine "Begin the Beguine" is a popular song written by Cole Porter. Porter composed the song between Kalabahi, Indonesia, and Fiji during a 1935 Pacific cruise aboard Cunard's ocean liner ''Franconia''. In October 1935, it was introduced by June Kni ...
    " – 3:37 # " Get Out of Town" – 3:22 # " I Am in Love" – 4:06 # " From This Moment On" – 3:17


    Disc two

    Side three # " I Love Paris" – 4:57 # " You Do Something to Me" – 2:21 # " Ridin' High" – 3:20 # "
    You'd Be So Easy to Love "(You'd Be So) Easy to Love" is a popular song written by Cole Porter for William Gaxton to sing in the 1934 Broadway show '' Anything Goes''. However Gaxton was unhappy about its wide vocal range and it was cut from the musical. Porter re-wrote ...
    " – 3:24 # "
    It's All Right with Me "It's All Right with Me" is a popular song written by Cole Porter, for his 1953 musical '' Can-Can'', where it was introduced by Peter Cookson as the character Judge Aristide Forestier. The song is also used in the Cole Porter musical '' High S ...
    " – 3:07 # " Why Can't You Behave?" – 5:04 # "
    What Is This Thing Called Love? "What Is This Thing Called Love?" is a 1929 popular song written by Cole Porter, for the musical '' Wake Up and Dream''. It was first performed by Elsie Carlisle in March 1929. The song has become a popular jazz standard and one of Porter's most ...
    " – 2:02 # "
    You're the Top "You're the Top" is a Cole Porter song from the 1934 musical '' Anything Goes''. It is about a man and a woman who take turns complimenting each other. The best-selling version was Paul Whiteman's Victor single, which made the top five. It was th ...
    " – 3:33 Side four #
  • " Love for Sale" – 5:52
  • # "
    It's De-Lovely "It's De-Lovely" is one of Cole Porter's hit songs, originally appearing in his 1936 musical, '' Red Hot and Blue''. It was introduced by Ethel Merman and Bob Hope. The song was later used in the musical ''Anything Goes'', first appearing in the ...
    " – 2:42 # " Night and Day" – 3:04 # " Ace in the Hole" – 1:58 # "
    So in Love "So in Love" is a popular song, written by Cole Porter, from his musical ''Kiss Me, Kate'' (opening on Broadway in 1948), which was based on Shakespeare's ''The Taming of the Shrew''. It was sung in the show by Patricia Morison, reprised by Al ...
    " – 3:50 # "
    I've Got You Under My Skin "I've Got You Under My Skin" is a song written by American composer Cole Porter in 1936. It was introduced that year in the Eleanor Powell musical film ''Born to Dance'' in which it was performed by Virginia Bruce. It was nominated for the Aca ...
    " – 2:42 # "
    I Concentrate on You "I Concentrate on You" is a song written by Cole Porter for the 1940 film '' Broadway Melody of 1940'', where it was introduced by Douglas McPhail. Notable recordings * Franck Amsallem - ''Amsallem Sings'' (2009) * Fred Astaire - ''The Astaire St ...
    " – 3:11 # " Don't Fence Me In" – 3:19 ( Robert Fletcher, co-lyricist) 1997 reissue, previously unreleased bonus tracks #
  • "You're the Top" (Alternative take) – 2:08
  • #"I Concentrate on You" (Alternative take) – 3:00 #"Let's Do It, Let's Fall in Love" (Alternative take) – 5:25


    Personnel

    Personnel adapted from the liner notes of CD reissue. Performance *
    Ella Fitzgerald Ella Jane Fitzgerald (April 25, 1917June 15, 1996) was an American jazz singer, sometimes referred to as the "First Lady of Song", "Queen of Jazz", and "Lady Ella". She was noted for her purity of tone, impeccable diction, phrasing, timing, in ...
    – vocals * Paul Smith
    piano The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keybo ...
    , celeste (on all tracks except 2.11) Brass and woodwind members
    (on tracks 1.1–2, 4–5, 8, 10, 13, 16, 2.2–3, 5, 8–13, 15) *
    Herb Geller Herbert Arnold Geller (November 2, 1928 – December 19, 2013) was an American jazz saxophonist, composer and arranger. He was born in Los Angeles, California, United States. Early life His mother, Frances ''(née'' Frances Mildred Fullman, al ...
    clarinet, alto saxophone *Chuck Gentry – bass clarinet, baritone saxophone *
    Bud Shank Clifford Everett "Bud" Shank Jr. (May 27, 1926 – April 2, 2009) was an American alto saxophonist and flautist. He rose to prominence in the early 1950s playing lead alto and flute in Stan Kenton's Innovations in Modern Music Orchestra and thro ...
    – clarinet, flute, alto saxophone Additional members on 1.7, 11, 15, 2.1, 6 * Bob Cooper – clarinet,
    oboe The oboe ( ) is a type of double reed woodwind instrument. Oboes are usually made of wood, but may also be made of synthetic materials, such as plastic, resin, or hybrid composites. The most common oboe plays in the treble or soprano range. ...
    ,
    tenor saxophone The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while ...
    * Ted Nash – clarinet, flute, tenor saxophone Additional members on 1.12 *
    Pete Candoli Pete Candoli (born Walter Joseph Candoli; June 28, 1923 – January 11, 2008) was an American jazz trumpeter. He played with the big bands of Woody Herman and Stan Kenton and worked in the studios of the recording and television industries. Ca ...
    trumpet The trumpet is a brass instrument commonly used in classical and jazz ensembles. The trumpet group ranges from the piccolo trumpet—with the highest register in the brass family—to the bass trumpet, pitched one octave below the standard ...
    *
    Harry "Sweets" Edison Harry "Sweets" Edison (October 10, 1915 – July 27, 1999) was an American jazz trumpeter and a member of the Count Basie Orchestra. His most important contribution was as a Hollywood studio musician, whose muted trumpet can be heard bac ...
    – trumpet * Maynard Ferguson – trumpet *
    Conrad Gozzo Conrad Joseph Gozzo (February 6, 1922October 8, 1964) was an American trumpet player. He was a member of the NBC Hollywood staff orchestra at the time of his death. Early life Gozzo was born in New Britain, Connecticut on February 6, 1922, ...
    – trumpet Additional members on 1.12, 2.7 & 14 *
    Milt Bernhart Milt Bernhart (May 25, 1926 – January 22, 2004) was a West Coast jazz trombonist who worked with Stan Kenton, Frank Sinatra, and others. He supplied the solo in the middle of Sinatra's 1956 recording of '' I've Got You Under My Skin'' conducted ...
    trombone The trombone (german: Posaune, Italian, French: ''trombone'') is a musical instrument in the brass family. As with all brass instruments, sound is produced when the player's vibrating lips cause the air column inside the instrument to vibrate ...
    *Joe Howard – trombone *Lloyd Ulyate – trombone * George Robertsbass and baritone trombone Rhythm members
    (on all tracks except 1.3, 8, 2.2, 8, 12) * Barney Kessel
    Guitar The guitar is a fretted musical instrument that typically has six strings. It is usually held flat against the player's body and played by strumming or plucking the strings with the dominant hand, while simultaneously pressing selected strin ...
    * Joe Mondragon
    Double bass The double bass (), also known simply as the bass () (or by other names), is the largest and lowest-pitched bowed (or plucked) string instrument in the modern symphony orchestra (excluding unorthodox additions such as the octobass). Similar i ...
    *
    Alvin Stoller Alvin Stoller (October 7, 1925 – October 19, 1992) was an American jazz drummer. Though he seems to have been largely forgotten, he was held in high regard in the 1940s and 1950s. He was best known for playing drums on both Mitch Miller's ...
    Drums, percussion Rudimental string members
    (on tracks 1.1–2, 5, 7–8, 11, 13, 15, 2.1–2, 6, 8–13, 15) *Corky Hale – harp *Robert LaMarchina –
    cello The cello ( ; plural ''celli'' or ''cellos'') or violoncello ( ; ) is a bowed (sometimes plucked and occasionally hit) string instrument of the violin family. Its four strings are usually tuned in perfect fifths: from low to high, C2, G ...
    *Edgar Lustgarten – cello Technical *
    Buddy Bregman Louis Isidore "Buddy" Bregman (July 9, 1930 – January 8, 2017) was an American arranger and conductor. Biography Bregman was born in Chicago. His father was an executive in the steel industry. His uncle was songwriter Jule Styne. He spen ...
    – arranger, conductor *
    Norman Granz Norman Granz (August 6, 1918 – November 22, 2001) was an American jazz record producer and concert promoter. He founded the record labels Clef, Norgran, Down Home, Verve, and Pablo. Granz was acknowledged as "the most successful impres ...
    – producer Reissue *Suha Gur – mastering * Michael Lang – producer *Fred W. Meyer – mastering


    Release history


    References


    External links


    Buddy Bregman's memories of working with Ella on the ''Cole Porter Song Book''
    {{Authority control 1956 albums Ella Fitzgerald albums Verve Records albums United States National Recording Registry recordings Albums arranged by Buddy Bregman Albums produced by Norman Granz Grammy Hall of Fame Award recipients Cole Porter tribute albums Albums conducted by Buddy Bregman United States National Recording Registry albums