Eduardo Viana
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Eduardo Afonso Viana (28 November 1881, in Lisbon, Portugal – 21 February 1967, in Lisbon) was a Portuguese painter. He was one of the members of the first modern generation in Portuguese painting, like
Amadeo de Souza Cardoso Amadeo de Souza-Cardoso (14 November 1887 – 25 October 1918) was a Portuguese painter. Belonging to the first generation of Portuguese modernist painters, Amadeo de Souza-Cardoso stands out among all of them for the exceptional quality of ...
and
Almada Negreiros José Sobral de Almada Negreiros (7 April 1893 – 15 June 1970) was a Portuguese artist. He was born in the colony of Portuguese São Tomé and Príncipe, the son of a Portuguese father, António Lobo de Almada Negreiros, and a Santomean mother ...
. He was more conservative in his approach to modern painting. The best examples of his assimilation of the modern styles in his work appears in the paintings he did in 1916, due to the influence of both
Robert Delaunay Robert Delaunay (12 April 1885 – 25 October 1941) was a French artist who, with his wife Sonia Delaunay and others, co-founded the Orphism art movement, noted for its use of strong colours and geometric shapes. His later works were more abstra ...
and
Sonia Delaunay Sonia Delaunay (13 November 1885 – 5 December 1979) was a French artist, who spent most of her working life in Paris. She was born in Odessa (then part of Russian Empire), and formally trained in Russian Empire and Germany before moving to Fr ...
, who he befriended during their presence in Portugal. He latter followed the post-impressionist style inspired by Cézanne in some of his best paintings. He's represented in some of the best Portuguese museums, like
Chiado Museum The National Museum of Contemporary Art (Chiado Museum, in Portuguese: ''Museu Nacional de Arte Contemporânea do Chiado'' – MNAC) is an art museum located in the Chiado neighbourhood of Lisbon, Portugal. It was created in 1911 and re-inaug ...
, in Lisbon, and the National Museum Soares dos Reis, in
Porto Porto or Oporto () is the second-largest city in Portugal, the capital of the Porto District, and one of the Iberian Peninsula's major urban areas. Porto city proper, which is the entire municipality of Porto, is small compared to its metropol ...
. From 1905 Eduardo Afonso Viana studied in Paris with
Jean-Paul Laurens Jean-Paul Laurens (; 28 March 1838 – 23 March 1921) was a French painter and sculptor, and one of the last major exponents of the French Academic style. Biography Laurens was born in Fourquevaux and was a pupil of Léon Cogniet and Alexa ...
. During this time, he mostly painted natural landscapes. When World War I broke out he returned to Lisbon with his friend
Amadeo de Souza Cardoso Amadeo de Souza-Cardoso (14 November 1887 – 25 October 1918) was a Portuguese painter. Belonging to the first generation of Portuguese modernist painters, Amadeo de Souza-Cardoso stands out among all of them for the exceptional quality of ...
and other fellow Portuguese. He spent 1915-16 working with the Orphist painters
Robert The name Robert is an ancient Germanic given name, from Proto-Germanic "fame" and "bright" (''Hrōþiberhtaz''). Compare Old Dutch ''Robrecht'' and Old High German ''Hrodebert'' (a compound of '' Hruod'' ( non, Hróðr) "fame, glory, honou ...
and
Sonia Delaunay Sonia Delaunay (13 November 1885 – 5 December 1979) was a French artist, who spent most of her working life in Paris. She was born in Odessa (then part of Russian Empire), and formally trained in Russian Empire and Germany before moving to Fr ...
in
Vila do Conde Vila do Conde (, ; "the Count's Town") is a municipality in the Norte Region of Portugal. The population in 2011 was 79,533, in an area of 149.03 km². The urbanized area of Vila do Conde, which includes the parishes of Vila do Conde, Azurar ...
. He was fascinated by their experiments in simultaneity. Viana's painting were a mirror of the life of his country. One of the best examples of this motif is his 1916 painting 'In Revolt', in which he showed Portuguese life through colorful arcs. But Viana was fond of Nature. He had a strong attachment to naturalism. In 1917, he painting 'K4: The Blue Square', considered a homage to Portuguese modernism, was inspired by the book of the same name by Almada Negreiros and was dedicated to Amadeo.


References

1881 births 1967 deaths Portuguese painters Portuguese male painters Post-impressionist painters People from Lisbon Orphism (art) {{Portugal-painter-stub