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Dame
Dame
Edith Mary Evans, DBE (8 February 1888 - 14 October 1976) was an English actress. She was best known for her work on the stage, but also appeared in films at the beginning and towards the end of her career. Between 1964 and 1968, she was nominated for three Academy Awards. Evans's stage career spanned sixty years during which she played more than 100 roles, in classics by Shakespeare, Congreve, Goldsmith, Sheridan and Wilde, and plays by contemporary writers including Bernard Shaw, Enid Bagnold, Christopher Fry and Noël Coward. She created roles in two of Shaw's plays: Orinthia in The Apple Cart (1929), and Epifania in The Millionairess (1940) and was in the British premières of two others: Heartbreak House
Heartbreak House
(1921) and Back to Methuselah (1923). Evans became widely known for portraying haughty aristocratic women, as in two of her most famous roles: Lady Bracknell in The Importance of Being Earnest, and Miss Western in the 1963 film of Tom Jones. By contrast, she played a downtrodden maid in The Late Christopher Bean (1933), a deranged, impoverished old woman in The Whisperers
The Whisperers
(1967) and – one of her most celebrated roles – the Nurse in Romeo and Juliet, which she played in four productions between 1926 and 1961.

Contents

1 Life and career

1.1 Early years 1.2 Stardom 1.3 Postwar 1.4 1960s and 1970s

2 Honours and memorials

2.1 Academy Awards

3 Other film acting awards 4 See also 5 Notes and references 6 Sources 7 External links

Life and career[edit] For lists of Evans's roles see Edith Evans
Edith Evans
– stage and film roles Early years[edit] Evans was born in Pimlico, London, the daughter of Edward Evans, a junior civil servant in the General Post Office, and his wife, Caroline Ellen née Foster. She had one sibling, a brother who died at the age of four. She was educated at St Michael's Church of England School, Pimlico, before being apprenticed at the age of 15 in 1903 as a milliner. She commented in later years that she loved the rich and beautiful materials of the craft, but could not manage to make two hats alike.[1] While working in a milliner's shop in the City she began attending drama classes in Victoria; the classes developed into an amateur performing group, the Streatham Shakespeare Players, with whom she made her first stage appearance in October 1910, as Viola in Twelfth Night. In 1912, playing Beatrice in Much Ado About Nothing, she was spotted by the producer William Poel
William Poel
and made her first professional appearance for him in Cambridge
Cambridge
in August of that year; she played Gautami in a 6th-century Hindu classic, Sakuntalá, in a cast including the young Nigel Playfair.[2] Poel then cast her as Cressida in Troilus and Cressida
Troilus and Cressida
in London
London
and subsequently at Stratford-upon-Avon. The critic of The Manchester Guardian
The Manchester Guardian
found her diction inadequate, but otherwise approved: "Miss Edith Evans, who, without quite the invincible charm for Cressida, gave an interesting performance".[3]

In The Laughing Lady, 1922

Evans's West End debut was in George Moore's Elizabeth Cooper in 1913.[n 1] The play received poor notices, but Evans was praised: "In the very small part of a maid Miss Edith Evans
Edith Evans
made the success of the afternoon. She put more into her few minutes than most of our approved 'stars' can suggest in leading parts."[4] In January 1914 she made her professional Shakespearian debut as Gertrude in Hamlet.[5] In 1914, at Moore's instigation, Evans was given a year's contract by the Royalty Theatre
Royalty Theatre
in Soho.[6] She played character roles in comedies, as a junior member of casts that included Gladys Cooper
Gladys Cooper
and Lynn Fontanne.[5][7] Over the next ten years she polished her craft in a wide range of parts.[1] She played in a silent film called A Welsh Singer, directed by and featuring Henry Edwards in 1915.[n 2] For the same director she acted in East is East in 1917, but thereafter made no more films for over thirty years.[9] She toured in Shakespeare with Ellen Terry's company in 1918, appeared in light comedy alongside the young Noël Coward
Noël Coward
(Polly With a Past, 1921) and played five new Shavian roles, Lady Utterword in Heartbreak House
Heartbreak House
(1921)[n 3] and the Serpent, the Oracle, the She-Ancient and the ghost of the Serpent in Back to Methuselah
Back to Methuselah
(1923).[11] In 1922 she made what J T Grein in The Illustrated London
London
News called "a personal triumph" in Alfred Sutro's comedy The Laughing Lady.[12] Stardom[edit] For Evans's roles in this period see Edith Evans
Edith Evans
– roles from 1924 By this time Evans was well known to the critics, and frequently received excellent notices; with her performance as Millamant in The Way of the World in 1924 she achieved wide public fame for the first time.[13] Nigel Playfair
Nigel Playfair
cast her as the strong-willed and witty heroine in his revival of Congreve's Restoration comedy
Restoration comedy
at the Lyric Hammersmith, in 1924. The critics resorted to superlatives:

[T]he main pleasure of the evening is due to Miss Edith Evans's Millamant, a part in which she definitely "arrives." This actress imposes herself upon the audience first of all by her Rubens-like vitality. We have always known that she can fill the stage. Physically she may have no more affinity with Congreve than a fiower-girl of Piccadilly Circus, but she has the art and the wit that transfigure the woman and give us the great lady, the coquette, the rogue, and the lover all in one. It was delicious to hear her demand to be "sole empress of her tea-table," but sublime to see her "dwindle into a wife."[14]

James Agate wrote, "Let me not mince matters. Miss Edith Evans
Edith Evans
is the most accomplished of living and practising English actresses."[15] Arnold Bennett
Arnold Bennett
noted in his journals that this Millamant was the finest comedy performance he had ever seen.[16] Her colleagues too were struck by the performance. John Gielgud
John Gielgud
recalled:

It was as Millamant ... that she took the town by storm. It was a unique and exquisite performance. She purred and challenged, mocked and melted, showing her changing moods by subtly shifting the angles of her head, neck and shoulders. Poised and cool, like a porcelain figure in a vitrine, she used her fan – which she never opened – in the great love scene, as an instrument for attack or defence, now coquettishly pointing it upwards beneath her chin, now resting it languidly against her cheek. Her words flowed on, phrasing and diction balanced in perfect cadences, as she smiled and pouted in delivering her delicious sallies.[17]

In the 1925–26 season, Evans joined the company of the Old Vic, playing Portia in The Merchant of Venice, Cleopatra in Antony and Cleopatra, Katherina in The Taming of the Shrew, Rosalind in As You Like It, Mistress Page in The Merry Wives of Windsor, Beatrice in Much Ado and the Nurse in Romeo and Juliet
Romeo and Juliet
– one of her most celebrated roles.[13][n 4] The schedule of rehearsals and performances was hectic. She recalled, "It was altogether a momentous season for me. I lost 17lb in weight and on the only free day from rehearsal ran off and got married."[13] Her husband was George (Guy) Booth (1882 or 1883–1935), an engineer whom she had known for more than twenty years; there were no children.[6] Marriage to someone unconnected with the theatre suited Evans, who did not share the taste of many of her colleagues for what Gielgud called "publicity, gossip and backstage intrigue".[19] Looking back in 1976 at Evans's career The Times observed that the two decades after her success as Millamant showed the range of her talent. The paper counted among her "performances of absolute assurance" in this period those in Tiger Cats (1924), The Beaux' Stratagem
The Beaux' Stratagem
(1927), The Lady with a Lamp (1929), and The Apple Cart
The Apple Cart
(1929) in which she played Orinthia, the king's mistress, a role written for her by Shaw.[1][n 5] During the 1930s she played in several Broadway seasons, some productions transferred from London
London
and others new.[5] While she was in New York playing the Nurse opposite the Juliet of Katharine Cornell her husband died suddenly in London. She returned, devastated, and encouraged by colleagues found solace by throwing herself into her work.[19] Evans's notable roles of the 1930s included Irela in Evensong (1932), Gwenny in The Late Christopher Bean (1933), four Shakespeare parts, and in 1939 Lady Bracknell in The Importance of Being Earnest.[1] She played the last of these on and off for seven years, on tour and in London, and by 1947, when a Broadway run was offered, she declined to act in the piece again.[19] She played Lady Bracknell on film (1952) and television (1960) but never again on the stage.[5] During the Second World War Evans joined an ENSA
ENSA
company travelling to Gibraltar
Gibraltar
to entertain Allied troops.[21] The following year she played in a West End revival of Heartbreak House, this time playing Hesione Hushabye.[22] She toured for ENSA
ENSA
in Britain, Europe and India in 1944 and 1945. Returning to London, at the end of the war she played Mrs Malaprop in The Rivals. The production was not liked by the critics, and Evans's performance drew respectful rather than ecstatic reviews.[23] Postwar[edit] For Evans's stage and film roles in this period see Edith Evans
Edith Evans
– postwar stage roles and Edith Evans
Edith Evans
– film roles Evans played Shakespeare's Cleopatra for the last time in 1946–47, in her late fifties. Her performance divided the critics: opinions varied from "an agonising disaster"[24] to "a joy to watch".[25] Kenneth Tynan
Kenneth Tynan
said, "Lady Bracknell has been involved in a low Alexandrian scandal".[13] Evans had never been classically good looking, but she was a great enough actress to "convey beauty without being conventionally beautiful".[13] What troubled many, including Agate and Gielgud, about her Cleopatra and other tragic heroines was not her appearance but a sense that tragedy came less naturally to her than comedy.[19] Some of the great Shakespearian tragic roles she constantly refused to play, notably Lady Macbeth. She told Gielgud, "I could never impersonate a woman who had such a peculiar notion of hospitality",[26] which he took to mean that she could not contemplate the character's "explicit admission of evil".[19] Evans once remarked, "I don't think there is anything extraordinary about me except this passion for the truth",[6] a passion revered by Gielgud and others, but one that prevented her from attempting a character whose essence she could not understand.[19] She said to Shaw that she had been asked to play Volumnia in Coriolanus, but "isn't she a bloodthirsty old harridan? I could never play her."[13][n 6] This did not mean that she had to like the characters she played, but she had to understand them. When she first read through the role of Lady Bracknell with Gielgud she commented, "I know those sort of women. They ring the bell and tell you to put a lump of coal on the fire."[17]

Blue plaque
Blue plaque
at Evans's home

In 1948 Evans returned to the film studios after an absence of more than thirty years. At the instigation of Emlyn Williams
Emlyn Williams
she appeared in The Last Days of Dolwyn.[6] The cast included Williams, Richard Burton, in his first film,[27] and Allan Aynesworth, who had created the role of Algernon in The Importance of Being Earnest
The Importance of Being Earnest
in 1895. This was Aynesworth's last film; Evans went on to make eighteen more over the next three decades. She played an elderly Welsh woman,[n 7] and was well received by reviewers, although one wondered if she was yet quite at home before the camera: "there are indeed moments when she looks as disproportionate as a life-size Rembrandt in a one-room flatlet. But it is not, of course, the flatlet which stays in the memory".[28] In the same year she played Countess Ranevskaya in Thorold Dickinson's film version of The Queen of Spades.[9][n 8] In the theatre, Evans returned to The Way of the World
The Way of the World
in 1948, exchanging the role of Millamant for that of the formidable old Lady Wishfort. The production received mixed notices, and Evans's Wishfort – "like a preposterous caricature of Queen Elizabeth"[30] – though much admired, overshadowed the rest of the cast.[31] In November of the same year she made one of her rare appearances in Chekhov, as Ranevskaya in The Cherry Orchard. Her performance divided opinion: in The Observer Ivor Brown wrote of "the glorious impact of an authentic genius at the highest level of world-theatre",[32] but the anonymous reviewer in The Times thought that she "remains, a little mysteriously, outside of the character".[33] Over the next ten years Evans played in only six stage productions because she appeared in long-running West End plays. From March 1949 to November 1950 she appeared as Lady Pitts in Daphne Laureola in London
London
and then New York. At the Haymarket she played Helen Lancaster in Waters of the Moon, which ran for more than two years. In April 1954 she played Countess Rosmarin Ostenburg in The Dark Is Light Enough, and at the Haymarket she was Mrs St Maugham in The Chalk Garden from April 1956 to November 1957.[5] In May 1958 she returned to the Old Vic
Old Vic
company, playing Queen Katharine in Henry VIII in London
London
and then at the Shakespeare Memorial Theatre, Stratford-upon-Avon. At the same theatre in the 1959 season she played the Countess of Rousillon in All's Well That Ends Well, and, despite her earlier words to Shaw, Volumnia in Coriolanus.[5] In the 1950s she made three films, The Importance of Being Earnest
The Importance of Being Earnest
(1952), Look Back in Anger (1959) and The Nun's Story
The Nun's Story
(1959).[5] 1960s and 1970s[edit] In 1960 Evans played Judith Bliss in a television production of Noël Coward's Hay Fever.[34] In the 1961 Stratford season Evans played Queen Margaret in Richard III and appeared for the last time as the Nurse in Romeo and Juliet. At the Queen's Theatre in November 1963, she played Violet in Gentle Jack by Robert Bolt.[n 9] In 1964 in a production for the National Theatre, she returned to the role of Judith Bliss in Hay Fever, heading a cast that in Coward's words "could play the Albanian telephone directory".[36] Her films from the first half of the 1960s were Tom Jones (1963), The Chalk Garden and Young Cassidy
Young Cassidy
(both made in 1964).[5] Her biggest film part of the 1960s was the central character, Mrs Ross, in The Whisperers
The Whisperers
(1967) for which she received an Oscar nomination and five major awards.[n 10] After that her screen appearances were in supporting roles in ten more films. When she was 87 she played the Dowager Queen in The Slipper and the Rose (1975) in which she sang and danced.[6] Evans's last stage roles were Mrs Forrest in The Chinese Prime Minister at the Globe (1965), the Narrator in The Black Girl in Search of God at the Mermaid (1968), and Carlotta in Dear Antoine, Chichester Festival (1971). After she found learning new roles too much, she presented an anthology of prose, poetry and music under the title Edith Evans
Edith Evans
and Friends, both in the West End and elsewhere.[22] In this show she made her final performance on the West End stage, on 5 October 1974.[6] Her last public appearance was a BBC radio programme With Great Pleasure, a selection of her favourite works, given before an invited audience in August 1976. In The Guardian, Nicholas de Jongh wrote of her evident frailty, "Yet she can still give the single words and phrases an imperious or serene grandeur, as in her final speaking of Richard Church's poem where she welcomed 'that summoning touch of death our neighbour'. What a glorious star is going out."[37] Bryan Forbes, who had directed Edith Evans
Edith Evans
in The Whisperers
The Whisperers
and The Slipper and the Rose, wrote her biography Ned's Girl, first published in 1977 Evans died at her home in Kilndown, Kent, on 14 October 1976 at the age of 88.[6] Honours and memorials[edit] Evans was appointed Dame
Dame
Commander of the Order of the British Empire (DBE) in 1946. She received honorary degrees from the universities of London
London
(1950), Cambridge
Cambridge
(1951), Oxford (1954) and Hull (1968).[22] Evans was painted by Walter Sickert
Walter Sickert
as Katharina in Shakespeare's The Taming of the Shrew. For many years a sculpted head of Evans was on display at the Royal Court Theatre. In 1977 a portrait by Henry Glintenkamp [38] was sold as part of her estate. Evans's ashes are interred at St Paul's, Covent Garden, London.[39] A blue plaque was unveiled outside her house at 109 Ebury Street, London, in 1997.[40] Academy Awards[edit] Edith Evans
Edith Evans
was nominated three times for an Academy Award
Academy Award
between 1964 and 1968.[41]

Year Award Title of work Result

1964 Best Supporting Actress Tom Jones Nominated

1965 Best Supporting Actress The Chalk Garden Nominated

1968 Best Actress The Whisperers Nominated

Other film acting awards[edit] Edith Evans
Edith Evans
was cited as Best Supporting Actress by the National Board of Review (NBR) for The Nun's Story
The Nun's Story
in 1959. The NBR also cited her as Best Supporting Actress for The Chalk Garden in 1964 and as Best Actress for The Whisperers
The Whisperers
in 1967. Her role in The Whisperers
The Whisperers
also won her awards from the British Film Academy, the Hollywood Foreign Press Association, and the New York Film Critics Circle.[41] See also[edit]

Biography portal

List of actors with Academy Award
Academy Award
nominations

Notes and references[edit]

Notes

^ Moore had intended to cast Evans in the leading role, but was overruled by the theatre management. Instead she played the supporting role of Martin, a maid.[1] ^ According to one source (not recognised as a reliable source by Wikipedia, the Internet Movie Database), Evans appeared in another 1915 film, Honeymoon for Three, starring Charles Hawtrey. This cannot be verified on the British Film Institute's database.[8] ^ Evans did not create the role: the play had been given in New York, Vienna and Stockholm before its London
London
production.[10] ^ In The Daily Telegraph
The Daily Telegraph
W A Darlington called Evans's Nurse "as earthy as a potato, as slow as a cart-horse, and as cunning as a badger".[18] ^ The character was partly modelled on Shaw's leading lady of an earlier generation, Mrs Patrick Campbell. She encountered Evans before the premiere of the play, and was not pleased to learn that the younger actress was to some extent impersonating her.[20] Evans later admitted, "I don't like Orinthia very much."[13] ^ Evans eventually undertook the role in 1958 to the Coriolanus
Coriolanus
of Laurence Olivier.[5] ^ Despite her typically Welsh surname, and her roles in her first silent film and first talkie, Evans had no Welsh blood.[1] ^ Authorities differ on which of Evans's 1948 films was made first; The Queen of Spades was released first, in March 1949, with The Last Days of Dolwyn following in April.[28][29] ^ The title role was played by Kenneth Williams, according to whom Evans expressed reservations about his casting. He liked to mimic her characteristic swooping tones protesting, "He has such an extraordinary voice."[35] ^ See Edith Evans – stage and film roles#Filmography
Edith Evans – stage and film roles#Filmography
for the list of her film awards and nominations.

References

^ a b c d e f " Dame
Dame
Edith Evans
Edith Evans
– An actress of genius and dedication", 15 October 1976, p. 15 ^ "Sakuntala at Cambridge", The Manchester Guardian, 2 August 1912, p. 11 ^ "Mr. Joel's Production of Troilus And Cressida", The Manchester Guardian , 11 December 1912, p. 6 ^ "Mr George Moore's New Play", The Manchester Guardian, 25 June 1913, p. 10 ^ a b c d e f g h i Gaye, pp. 579–581 ^ a b c d e f g Forbes, Bryan. "Evans, Dame
Dame
Edith Mary (1888–1976)", Oxford Dictionary of National Biography, Oxford University Press, 2004; online edition, January 2011, accessed 1 August 2013 (subscription or UK public library membership required) ^ "Mr. Knoblauch's New Play: My Lady's Dress at The Royalty", The Manchester Guardian, 22 April 1914, p. 5 and "My Lady's Dress", The Observer, 26 April 1914, p. 9 ^ "Honeymoon for Three", British Film Institute, accessed 6 August 2013 ^ a b " Edith Evans
Edith Evans
filmography", British Film Institute, accessed 5 August 2013 ^ "Mr. Shaw on Heartbreak House", The Observer, 16 October 1921, p. 9 ^ "Back to Methuselah!" Archived 6 November 2013 at the Wayback Machine., Birmingham Repertory Theatre programme, October 1923 ^ Grein, J T. "The World of the Theatre", The Illustrated London
London
News, 2 December 1922, p. 906 ^ a b c d e f g Billington, Michael. " Dame
Dame
Edith Evans: 'The greatest actress of her times' died yesterday, aged 88", The Guardian, 15 October 1976, p. 17 ^ "Congreve at Hammersmith", The Manchester Guardian, 8 February 1924, p. 12 ^ Agate (1925), p. 83 ^ Bennett, p. 764 ^ a b Gielgud, p. 72 ^ Quoted in Agate (1976), p. 36 ^ a b c d e f Gielgud, John. "A very honest actress", The Observer, 17 October 1976, p. 15 ^ Holroyd, pp. 469–470 ^ Gielgud, p. 137 ^ a b c "Evans, Dame
Dame
Edith ( Dame
Dame
Edith Mary Booth)", Who Was Who, online edition, Oxford University Press, December 2012, accessed 5 August 2013 (subscription required) ^ "Criterion Theatre", The Times, 26 September 1945, p. 6; and Brown, Ivor. "Theatre and life", The Observer, 30 September 1945, p. 2 ^ Hart-Davis, p. 12 ^ "Piccadilly Theatre", The Times, 21 December 1946, p. 6 ^ Croall, p. 292 ^ "Richard Burton", British Film Institute, accessed 6 August 2013 ^ a b "New Films in London", The Manchester Guardian, 23 April 1949, p. 3 ^ "Warner Cinema", The Times, 18 March 1949, p. 6 ^ "New Theatre", The Times, 22 October 1948, p. 7 ^ Brown, Ivor. "Plots And Finery", The Observer, 24 October 1948, p. 2 ^ Brown, Ivor. "Assorted Fruits", 28 November 1948, p. 2 ^ "New Theatre", The Times, 26 November 1948, p. 2 ^ Crozier, Mary. "Television", The Guardian, 25 May 1960, p. 7 ^ Osborne, p. 305 and Gibbons, p. 80 ^ Coward, p. xiv ^ De Jongh, Nicholas. "Edith Evans", The Guardian, 16 August 1976, p. 8 ^ National Portrait Gallery collection ^ Memorial Service: Dame
Dame
Edith Evans", The Times, 10 December 1976, p. 19 ^ "Evans, Dame
Dame
Edith (1888–1976)", English Heritage, accessed 5 August 2013. ^ a b " Edith Evans
Edith Evans
Awards". Internet Movie Database. Retrieved 25 January 2014. 

Sources[edit]

Agate, James (1925). The Contemporary Theatre, 1924. London: Chapman & Hall. OCLC 7980480.  Agate, James; Tim Beaumont (1976). Beaumont, ed. The Selective Ego. London: Harrap. ISBN 0245528490.  Bennett, Arnold (1933). The Journal of Arnold Bennett. New York: Literary Guild. OCLC 363005.  Coward, Noël (1979). Plays: Volume One: The Mid-twenties. London: Methuen. ISBN 0413460509.  Croall, Jonathan (2011). John Gielgud
John Gielgud
– Matinee Idol to Movie Star. London: Methuen. ISBN 1408131064.  Gaye, Freda (ed) (1967). Who's Who in the Theatre (fourteenth ed.). London: Sir Isaac Pitman and Sons. OCLC 5997224. CS1 maint: Extra text: authors list (link) Gibbons, Brian (2011). ""He shifteth his speech": accents and dialects in plays by Shakespeare and his contemporaries". In Christa Jansohn, Lena Cowen Orlin and Stanley Wells (eds). Shakespeare Without Boundaries. Newark, NJ: University of Delaware Press. ISBN 0874130956. CS1 maint: Extra text: editors list (link) Gielgud, John; John Miller; John Powell (1979). An Actor and His Time. London: Sidgwick and Jackson. ISBN 0283985739.  Hart-Davis, Rupert; George Lyttelton (1987) [1983 and 1984]. Lyttelton/Hart-Davis Letters
Lyttelton/Hart-Davis Letters
Vol 5 (1960 letters) and Vol 6 (1961–62 letters). London: John Murray. ISBN 0719543819.  Holroyd, Michael (1997). Bernard Shaw. London: Chatto and Windus. ISBN 0701162791.  Osborne, Charles (1986). Giving It Away. London: Secker & Warburg. ISBN 0436354012. 

External links[edit]

Wikiquote has quotations related to: Edith Evans

Edith Evans
Edith Evans
Papers at the Harry Ransom Center, University of Texas at Austin

The Bryan Forbes
Bryan Forbes
Collection of Edith Evans The Henry Hurford Janes Collection of Edith Evans

Edith Evans
Edith Evans
on IMDb Edith Evans
Edith Evans
at the Internet Broadway Database
Internet Broadway Database
Edith Evans
Edith Evans
biography and credits at the British Film Institute's Screenonline Performances by Edith Evans
Edith Evans
listed in The Theatre Collection, University of Bristol The Collection of research material on Edith Evans, actress held by the Victoria and Albert Museum
Victoria and Albert Museum
Theatre and Performance Department.

Awards for Edith Evans

v t e

BAFTA Award for Best Actress in a Leading Role

1952–1967

Vivien Leigh
Vivien Leigh
British, Simone Signoret
Simone Signoret
Foreign (1952) Audrey Hepburn
Audrey Hepburn
British, Leslie Caron
Leslie Caron
Foreign (1953) Yvonne Mitchell
Yvonne Mitchell
British, Cornell Borchers
Cornell Borchers
Foreign (1954) Katie Johnson British, Betsy Blair
Betsy Blair
Foreign (1955) Virginia McKenna
Virginia McKenna
British, Anna Magnani
Anna Magnani
Foreign (1956) Heather Sears
Heather Sears
British, Simone Signoret
Simone Signoret
Foreign (1957) Irene Worth
Irene Worth
British, Simone Signoret
Simone Signoret
Foreign (1958) Audrey Hepburn
Audrey Hepburn
British, Shirley MacLaine
Shirley MacLaine
Foreign (1959) Rachel Roberts British, Shirley MacLaine
Shirley MacLaine
Foreign (1960) Dora Bryan
Dora Bryan
British, Sophia Loren
Sophia Loren
Foreign (1961) Leslie Caron
Leslie Caron
British, Anne Bancroft
Anne Bancroft
Foreign (1962) Rachel Roberts British, Patricia Neal
Patricia Neal
Foreign (1963) Audrey Hepburn
Audrey Hepburn
British, Anne Bancroft
Anne Bancroft
Foreign (1964) Julie Christie
Julie Christie
British, Patricia Neal
Patricia Neal
Foreign (1965) Elizabeth Taylor
Elizabeth Taylor
British, Jeanne Moreau
Jeanne Moreau
Foreign (1966) Edith Evans
Edith Evans
British, Anouk Aimée
Anouk Aimée
Foreign (1967)

1968–present

Katharine Hepburn
Katharine Hepburn
(1968) Maggie Smith
Maggie Smith
(1969) Katharine Ross
Katharine Ross
(1970) Glenda Jackson
Glenda Jackson
(1971) Liza Minnelli
Liza Minnelli
(1972) Stéphane Audran (1973) Joanne Woodward
Joanne Woodward
(1974) Ellen Burstyn
Ellen Burstyn
(1975) Louise Fletcher
Louise Fletcher
(1976) Diane Keaton
Diane Keaton
(1977) Jane Fonda
Jane Fonda
(1978) Jane Fonda
Jane Fonda
(1979) Judy Davis
Judy Davis
(1980) Meryl Streep
Meryl Streep
(1981) Katharine Hepburn
Katharine Hepburn
(1982) Julie Walters
Julie Walters
(1983) Maggie Smith
Maggie Smith
(1984) Peggy Ashcroft
Peggy Ashcroft
(1985) Maggie Smith
Maggie Smith
(1986) Anne Bancroft
Anne Bancroft
(1987) Maggie Smith
Maggie Smith
(1988) Pauline Collins
Pauline Collins
(1989) Jessica Tandy
Jessica Tandy
(1990) Jodie Foster
Jodie Foster
(1991) Emma Thompson
Emma Thompson
(1992) Holly Hunter
Holly Hunter
(1993) Susan Sarandon
Susan Sarandon
(1994) Emma Thompson
Emma Thompson
(1995) Brenda Blethyn
Brenda Blethyn
(1996) Judi Dench
Judi Dench
(1997) Cate Blanchett
Cate Blanchett
(1998) Annette Bening
Annette Bening
(1999) Julia Roberts
Julia Roberts
(2000) Judi Dench
Judi Dench
(2001) Nicole Kidman
Nicole Kidman
(2002) Scarlett Johansson
Scarlett Johansson
(2003) Imelda Staunton
Imelda Staunton
(2004) Reese Witherspoon
Reese Witherspoon
(2005) Helen Mirren
Helen Mirren
(2006) Marion Cotillard
Marion Cotillard
(2007) Kate Winslet
Kate Winslet
(2008) Carey Mulligan
Carey Mulligan
(2009) Natalie Portman
Natalie Portman
(2010) Meryl Streep
Meryl Streep
(2011) Emmanuelle Riva
Emmanuelle Riva
(2012) Cate Blanchett
Cate Blanchett
(2013) Julianne Moore
Julianne Moore
(2014) Brie Larson
Brie Larson
(2015) Emma Stone
Emma Stone
(2016) Frances McDormand
Frances McDormand
(2017)

v t e

Silver Bear for Best Actress

Elsa Martinelli
Elsa Martinelli
(1956) Yvonne Mitchell
Yvonne Mitchell
(1957) Anna Magnani
Anna Magnani
(1958) Shirley MacLaine
Shirley MacLaine
(1959) Juliette Mayniel (1960) Anna Karina
Anna Karina
(1961) Rita Gam
Rita Gam
/ Viveca Lindfors
Viveca Lindfors
(1962) Bibi Andersson
Bibi Andersson
(1963) Sachiko Hidari
Sachiko Hidari
(1964) Madhur Jaffrey
Madhur Jaffrey
(1965) Lola Albright
Lola Albright
(1966) Edith Evans
Edith Evans
(1967) Stéphane Audran (1968) Simone Signoret
Simone Signoret
/ Shirley MacLaine
Shirley MacLaine
(1971) Elizabeth Taylor
Elizabeth Taylor
(1972) Kinuyo Tanaka (1975) Jadwiga Barańska
Jadwiga Barańska
(1976) Lily Tomlin
Lily Tomlin
(1977) Gena Rowlands
Gena Rowlands
(1978) Hanna Schygulla
Hanna Schygulla
(1979) Renate Krößner (1980) Barbara Grabowska (1981) Katrin Sass
Katrin Sass
(1982) Yevgeniya Glushenko (1983) Inna Churikova
Inna Churikova
(1984) Jo Kennedy (1985) Charlotte Valandrey
Charlotte Valandrey
/ Marcélia Cartaxo (1986) Ana Beatriz Nogueira (1987) Holly Hunter
Holly Hunter
(1988) Isabelle Adjani
Isabelle Adjani
(1989) Victoria Abril
Victoria Abril
(1991) Maggie Cheung
Maggie Cheung
(1992) Michelle Pfeiffer
Michelle Pfeiffer
(1993) Crissy Rock (1994) Josephine Siao (1995) Anouk Grinberg
Anouk Grinberg
(1996) Juliette Binoche
Juliette Binoche
(1997) Fernanda Montenegro
Fernanda Montenegro
(1998) Juliane Köhler
Juliane Köhler
(1999) Bibiana Beglau
Bibiana Beglau
(2000) Kerry Fox
Kerry Fox
(2001) Halle Berry
Halle Berry
(2002) Nicole Kidman
Nicole Kidman
/ Julianne Moore
Julianne Moore
/ Meryl Streep
Meryl Streep
(2003) Charlize Theron
Charlize Theron
/ Catalina Sandino Moreno
Catalina Sandino Moreno
(2004) Julia Jentsch
Julia Jentsch
(2005) Sandra Hüller
Sandra Hüller
(2006) Nina Hoss
Nina Hoss
(2007) Sally Hawkins
Sally Hawkins
(2008) Birgit Minichmayr
Birgit Minichmayr
(2009) Shinobu Terajima
Shinobu Terajima
(2010) Sareh Bayat
Sareh Bayat
/ Sarina Farhadi / Leila Hatami
Leila Hatami
/ Kimia Hosseini (2011) Rachel Mwanza
Rachel Mwanza
(2012) Paulina García
Paulina García
(2013) Haru Kuroki
Haru Kuroki
(2014) Charlotte Rampling
Charlotte Rampling
(2015) Trine Dyrholm
Trine Dyrholm
(2016) Kim Min-hee (2017)

v t e

Golden Globe Award for Best Actress in a Motion Picture – Drama

Jennifer Jones
Jennifer Jones
(1943) Ingrid Bergman
Ingrid Bergman
(1944) Ingrid Bergman
Ingrid Bergman
(1945) Rosalind Russell
Rosalind Russell
(1946) Rosalind Russell
Rosalind Russell
(1947) Jane Wyman
Jane Wyman
(1948) Olivia de Havilland
Olivia de Havilland
(1949) Gloria Swanson
Gloria Swanson
(1950) Jane Wyman
Jane Wyman
(1951) Shirley Booth
Shirley Booth
(1952) Audrey Hepburn
Audrey Hepburn
(1953) Grace Kelly
Grace Kelly
(1954) Anna Magnani
Anna Magnani
(1955) Ingrid Bergman
Ingrid Bergman
(1956) Joanne Woodward
Joanne Woodward
(1957) Susan Hayward
Susan Hayward
(1958) Elizabeth Taylor
Elizabeth Taylor
(1959) Greer Garson
Greer Garson
(1960) Geraldine Page
Geraldine Page
(1961) Geraldine Page
Geraldine Page
(1962) Leslie Caron
Leslie Caron
(1963) Anne Bancroft
Anne Bancroft
(1964) Samantha Eggar
Samantha Eggar
(1965) Anouk Aimée
Anouk Aimée
(1966) Edith Evans
Edith Evans
(1967) Joanne Woodward
Joanne Woodward
(1968) Geneviève Bujold
Geneviève Bujold
(1969) Ali MacGraw
Ali MacGraw
(1970) Jane Fonda
Jane Fonda
(1971) Liv Ullmann
Liv Ullmann
(1972) Marsha Mason
Marsha Mason
(1973) Gena Rowlands
Gena Rowlands
(1974) Louise Fletcher
Louise Fletcher
(1975) Faye Dunaway
Faye Dunaway
(1976) Jane Fonda
Jane Fonda
(1977) Jane Fonda
Jane Fonda
(1978) Sally Field
Sally Field
(1979) Mary Tyler Moore
Mary Tyler Moore
(1980) Meryl Streep
Meryl Streep
(1981) Meryl Streep
Meryl Streep
(1982) Shirley MacLaine
Shirley MacLaine
(1983) Sally Field
Sally Field
(1984) Whoopi Goldberg
Whoopi Goldberg
(1985) Marlee Matlin
Marlee Matlin
(1986) Sally Kirkland
Sally Kirkland
(1987) Jodie Foster
Jodie Foster
/ Shirley MacLaine
Shirley MacLaine
/ Sigourney Weaver
Sigourney Weaver
(1988) Michelle Pfeiffer
Michelle Pfeiffer
(1989) Kathy Bates
Kathy Bates
(1990) Jodie Foster
Jodie Foster
(1991) Emma Thompson
Emma Thompson
(1992) Holly Hunter
Holly Hunter
(1993) Jessica Lange
Jessica Lange
(1994) Sharon Stone
Sharon Stone
(1995) Brenda Blethyn
Brenda Blethyn
(1996) Judi Dench
Judi Dench
(1997) Cate Blanchett
Cate Blanchett
(1998) Hilary Swank
Hilary Swank
(1999) Julia Roberts
Julia Roberts
(2000) Sissy Spacek
Sissy Spacek
(2001) Nicole Kidman
Nicole Kidman
(2002) Charlize Theron
Charlize Theron
(2003) Hilary Swank
Hilary Swank
(2004) Felicity Huffman
Felicity Huffman
(2005) Helen Mirren
Helen Mirren
(2006) Julie Christie
Julie Christie
(2007) Kate Winslet
Kate Winslet
(2008) Sandra Bullock
Sandra Bullock
(2009) Natalie Portman
Natalie Portman
(2010) Meryl Streep
Meryl Streep
(2011) Jessica Chastain
Jessica Chastain
(2012) Cate Blanchett
Cate Blanchett
(2013) Julianne Moore
Julianne Moore
(2014) Brie Larson
Brie Larson
(2015) Isabelle Huppert
Isabelle Huppert
(2016) Frances McDormand
Frances McDormand
(2017)

v t e

National Board of Review
National Board of Review
Award for Best Actress

Joan Crawford
Joan Crawford
(1945) Anna Magnani
Anna Magnani
(1946) Celia Johnson
Celia Johnson
(1947) Olivia de Havilland
Olivia de Havilland
(1948) Gloria Swanson
Gloria Swanson
(1950) Jan Sterling
Jan Sterling
(1951) Shirley Booth
Shirley Booth
(1952) Jean Simmons
Jean Simmons
(1953) Grace Kelly
Grace Kelly
(1954) Anna Magnani
Anna Magnani
(1955) Dorothy McGuire
Dorothy McGuire
(1956) Joanne Woodward
Joanne Woodward
(1957) Ingrid Bergman
Ingrid Bergman
(1958) Simone Signoret
Simone Signoret
(1959) Greer Garson
Greer Garson
(1960) Geraldine Page
Geraldine Page
(1961) Anne Bancroft
Anne Bancroft
(1962) Patricia Neal
Patricia Neal
(1963) Kim Stanley
Kim Stanley
(1964) Julie Christie
Julie Christie
(1965) Elizabeth Taylor
Elizabeth Taylor
(1966) Edith Evans
Edith Evans
(1967) Liv Ullmann
Liv Ullmann
(1968) Geraldine Page
Geraldine Page
(1969) Glenda Jackson
Glenda Jackson
(1970) Irene Papas
Irene Papas
(1971) Cicely Tyson
Cicely Tyson
(1972) Liv Ullmann
Liv Ullmann
(1973) Gena Rowlands
Gena Rowlands
(1974) Isabelle Adjani
Isabelle Adjani
(1975) Liv Ullmann
Liv Ullmann
(1976) Anne Bancroft
Anne Bancroft
(1977) Ingrid Bergman
Ingrid Bergman
(1978) Sally Field
Sally Field
(1979) Sissy Spacek
Sissy Spacek
(1980) Glenda Jackson
Glenda Jackson
(1981) Meryl Streep
Meryl Streep
(1982) Shirley MacLaine
Shirley MacLaine
(1983) Peggy Ashcroft
Peggy Ashcroft
(1984) Whoopi Goldberg
Whoopi Goldberg
(1985) Kathleen Turner
Kathleen Turner
(1986) Lillian Gish
Lillian Gish
/ Holly Hunter
Holly Hunter
(1987) Jodie Foster
Jodie Foster
(1988) Michelle Pfeiffer
Michelle Pfeiffer
(1989) Mia Farrow
Mia Farrow
(1990) Geena Davis
Geena Davis
/ Susan Sarandon
Susan Sarandon
(1991) Emma Thompson
Emma Thompson
(1992) Holly Hunter
Holly Hunter
(1993) Miranda Richardson
Miranda Richardson
(1994) Emma Thompson
Emma Thompson
(1995) Frances McDormand
Frances McDormand
(1996) Helena Bonham Carter
Helena Bonham Carter
(1997) Fernanda Montenegro
Fernanda Montenegro
(1998) Janet McTeer
Janet McTeer
(1999) Julia Roberts
Julia Roberts
(2000) Halle Berry
Halle Berry
(2001) Julianne Moore
Julianne Moore
(2002) Diane Keaton
Diane Keaton
(2003) Annette Bening
Annette Bening
(2004) Felicity Huffman
Felicity Huffman
(2005) Helen Mirren
Helen Mirren
(2006) Julie Christie
Julie Christie
(2007) Anne Hathaway
Anne Hathaway
(2008) Carey Mulligan
Carey Mulligan
(2009) Lesley Manville
Lesley Manville
(2010) Tilda Swinton
Tilda Swinton
(2011) Jessica Chastain
Jessica Chastain
(2012) Emma Thompson
Emma Thompson
(2013) Julianne Moore
Julianne Moore
(2014) Brie Larson
Brie Larson
(2015) Amy Adams
Amy Adams
(2016) Meryl Streep
Meryl Streep
(2017)

v t e

National Board of Review
National Board of Review
Award for Best Supporting Actress

Nina Foch
Nina Foch
(1954) Marjorie Rambeau
Marjorie Rambeau
(1955) Debbie Reynolds
Debbie Reynolds
(1956) Sybil Thorndike
Sybil Thorndike
(1957) Kay Walsh
Kay Walsh
(1958) Edith Evans
Edith Evans
(1959) Shirley Jones
Shirley Jones
(1960) Ruby Dee
Ruby Dee
(1961) Angela Lansbury
Angela Lansbury
(1962) Margaret Rutherford
Margaret Rutherford
(1963) Edith Evans
Edith Evans
(1964) Joan Blondell
Joan Blondell
(1965) Vivien Merchant (1966) Marjorie Rhodes
Marjorie Rhodes
(1967) Virginia Maskell
Virginia Maskell
(1968) Pamela Franklin
Pamela Franklin
(1969) Karen Black
Karen Black
(1970) Cloris Leachman
Cloris Leachman
(1971) Marisa Berenson
Marisa Berenson
(1972) Sylvia Sidney
Sylvia Sidney
(1973) Valerie Perrine
Valerie Perrine
(1974) Ronee Blakley
Ronee Blakley
(1975) Talia Shire
Talia Shire
(1976) Diane Keaton
Diane Keaton
(1977) Angela Lansbury
Angela Lansbury
(1978) Meryl Streep
Meryl Streep
(1979) Eva Le Gallienne
Eva Le Gallienne
(1980) Mona Washbourne
Mona Washbourne
(1981) Glenn Close
Glenn Close
(1982) Linda Hunt
Linda Hunt
(1983) Sabine Azéma
Sabine Azéma
(1984) Anjelica Huston
Anjelica Huston
(1985) Dianne Wiest
Dianne Wiest
(1986) Olympia Dukakis
Olympia Dukakis
(1987) Frances McDormand
Frances McDormand
(1988) Mary Stuart Masterson
Mary Stuart Masterson
(1989) Winona Ryder
Winona Ryder
(1990) Kate Nelligan (1991) Judy Davis
Judy Davis
(1992) Winona Ryder
Winona Ryder
(1993) Rosemary Harris
Rosemary Harris
(1994) Mira Sorvino
Mira Sorvino
(1995) Juliette Binoche
Juliette Binoche
/ Kristin Scott Thomas
Kristin Scott Thomas
(1996) Anne Heche
Anne Heche
(1997) Christina Ricci
Christina Ricci
(1998) Julianne Moore
Julianne Moore
(1999) Lupe Ontiveros
Lupe Ontiveros
(2000) Cate Blanchett
Cate Blanchett
(2001) Kathy Bates
Kathy Bates
(2002) Patricia Clarkson
Patricia Clarkson
(2003) Laura Linney
Laura Linney
(2004) Gong Li
Gong Li
(2005) Catherine O'Hara
Catherine O'Hara
(2006) Amy Ryan
Amy Ryan
(2007) Penélope Cruz
Penélope Cruz
(2008) Anna Kendrick
Anna Kendrick
(2009) Jacki Weaver
Jacki Weaver
(2010) Shailene Woodley
Shailene Woodley
(2011) Ann Dowd
Ann Dowd
(2012) Octavia Spencer
Octavia Spencer
(2013) Jessica Chastain
Jessica Chastain
(2014) Jennifer Jason Leigh
Jennifer Jason Leigh
(2015) Naomie Harris
Naomie Harris
(2016) Laurie Metcalf
Laurie Metcalf
(2017)

v t e

New York Film Critics Circle Award for Best Actress

Greta Garbo
Greta Garbo
(1935) Luise Rainer
Luise Rainer
(1936) Greta Garbo
Greta Garbo
(1937) Margaret Sullavan
Margaret Sullavan
(1938) Vivien Leigh
Vivien Leigh
(1939) Katharine Hepburn
Katharine Hepburn
(1940) Joan Fontaine
Joan Fontaine
(1941) Agnes Moorehead
Agnes Moorehead
(1942) Ida Lupino
Ida Lupino
(1943) Tallulah Bankhead
Tallulah Bankhead
(1944) Ingrid Bergman
Ingrid Bergman
(1945) Celia Johnson
Celia Johnson
(1946) Deborah Kerr
Deborah Kerr
(1947) Olivia de Havilland
Olivia de Havilland
(1948) Olivia de Havilland
Olivia de Havilland
(1949) Bette Davis
Bette Davis
(1950) Vivien Leigh
Vivien Leigh
(1951) Shirley Booth
Shirley Booth
(1952) Audrey Hepburn
Audrey Hepburn
(1953) Grace Kelly
Grace Kelly
(1954) Anna Magnani
Anna Magnani
(1955) Ingrid Bergman
Ingrid Bergman
(1956) Deborah Kerr
Deborah Kerr
(1957) Susan Hayward
Susan Hayward
(1958) Audrey Hepburn
Audrey Hepburn
(1959) Deborah Kerr
Deborah Kerr
(1960) Sophia Loren
Sophia Loren
(1961) No Award (1962) Patricia Neal
Patricia Neal
(1963) Kim Stanley
Kim Stanley
(1964) Julie Christie
Julie Christie
(1965) Elizabeth Taylor/ Lynn Redgrave
Lynn Redgrave
(1966) Edith Evans
Edith Evans
(1967) Joanne Woodward
Joanne Woodward
(1968) Jane Fonda
Jane Fonda
(1969) Glenda Jackson
Glenda Jackson
(1970) Jane Fonda
Jane Fonda
(1971) Liv Ullmann
Liv Ullmann
(1972) Joanne Woodward
Joanne Woodward
(1973) Liv Ullmann
Liv Ullmann
(1974) Isabelle Adjani
Isabelle Adjani
(1975) Liv Ullmann
Liv Ullmann
(1976) Diane Keaton
Diane Keaton
(1977) Ingrid Bergman
Ingrid Bergman
(1978) Sally Field
Sally Field
(1979) Sissy Spacek
Sissy Spacek
(1980) Glenda Jackson
Glenda Jackson
(1981) Meryl Streep
Meryl Streep
(1982) Shirley MacLaine
Shirley MacLaine
(1983) Peggy Ashcroft
Peggy Ashcroft
(1984) Norma Aleandro
Norma Aleandro
(1985) Sissy Spacek
Sissy Spacek
(1986) Holly Hunter
Holly Hunter
(1987) Meryl Streep
Meryl Streep
(1988) Michelle Pfeiffer
Michelle Pfeiffer
(1989) Joanne Woodward
Joanne Woodward
(1990) Jodie Foster
Jodie Foster
(1991) Emma Thompson
Emma Thompson
(1992) Holly Hunter
Holly Hunter
(1993) Linda Fiorentino (1994) Jennifer Jason Leigh
Jennifer Jason Leigh
(1995) Emily Watson
Emily Watson
(1996) Julie Christie
Julie Christie
(1997) Cameron Diaz
Cameron Diaz
(1998) Hilary Swank
Hilary Swank
(1999) Laura Linney
Laura Linney
(2000) Sissy Spacek
Sissy Spacek
(2001) Diane Lane
Diane Lane
(2002) Hope Davis
Hope Davis
(2003) Imelda Staunton
Imelda Staunton
(2004) Reese Witherspoon
Reese Witherspoon
(2005) Helen Mirren
Helen Mirren
(2006) Julie Christie
Julie Christie
(2007) Sally Hawkins
Sally Hawkins
(2008) Meryl Streep
Meryl Streep
(2009) Annette Bening
Annette Bening
(2010) Meryl Streep
Meryl Streep
(2011) Rachel Weisz
Rachel Weisz
(2012) Cate Blanchett
Cate Blanchett
(2013) Marion Cotillard
Marion Cotillard
(2014) Saoirse Ronan
Saoirse Ronan
(2015) Isabelle Huppert
Isabelle Huppert
(2016) Saoirse Ronan
Saoirse Ronan
(2017)

Authority control

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