Doris (opera)
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''Doris'' is a "comedy opera" in three acts by
Alfred Cellier Alfred Cellier (1 December 184428 December 1891) was an English composer, orchestrator and conductor. In addition to conducting and music directing the original productions of several of the most famous Gilbert and Sullivan works and writing th ...
, with a libretto by
B. C. Stephenson Benjamin Charles Stephenson or B. C. Stephenson (1839 – 22 January 1906) was an English dramatist, lyricist and librettist. After beginning a career in the civil service, he started to write for the theatre, using the pen name "Bolton Row ...
. After the phenomenal success of Cellier and Stephenson's '' Dorothy'' (1886), the pair were hoping for another big hit. ''Doris'' turned out to be only modestly successful. It opened at the Lyric Theatre in London on 20 April 1889 and ran for 202 performances and was produced, like ''Dorothy'', by Henry J. Leslie. It starred Arthur Williams, Ben Davies,
Alice Barnett Alice Barnett (17 May 1846 – 14 April 1901) was an English singer and actress, best known for her performances in contralto roles of the Gilbert and Sullivan operas with the D'Oyly Carte Opera Company. Barnett began her career by 1873 in ...
,
Hayden Coffin Charles Hayden Coffin (22 April 1862 – 8 December 1935) was an English actor and singer known for his performances in many famous Edwardian musical comedies, particularly those produced by George Edwardes. Hayden achieved fame as Harry Sh ...
, Furneaux Cook and John Le Hay. The title character was first played by opera and concert singer Annette Albu (1858–1927), a fine singer, but she was not a great comic actress and not considered pretty; after two months, with the show already flagging, Leslie replaced her with his star from ''Dorothy'',
Marie Tempest Dame Mary Susan Etherington, (15 July 1864 – 15 October 1942), known professionally as Marie Tempest, was an English singer and actress. Tempest became a famous soprano in late Victorian light opera and Edwardian musical comedies. Later, s ...
. Gänzl, Kurt
"When a girl isn't pretty ... but she can sing!"
Kurt of Gerolstein, 4 May 2019, accessed 3 April 2020
''
The New York Times ''The New York Times'' (''the Times'', ''NYT'', or the Gray Lady) is a daily newspaper based in New York City with a worldwide readership reported in 2020 to comprise a declining 840,000 paid print subscribers, and a growing 6 million paid ...
'' review stated: :"Musically considered, the new
comic opera Comic opera, sometimes known as light opera, is a sung dramatic work of a light or comic nature, usually with a happy ending and often including spoken dialogue. Forms of comic opera first developed in late 17th-century Italy. By the 1730s, a n ...
is an English classic.... The composer does not descend at any time from his ideal plane. There is osacrifice of artistic form at any point to please the popular ear. All the numbers are charming, and several of them... are simply gems.... The libretto... is about as ingeniously bad a bit of construction as could be conceived.... The comic opportunities are few and very conventional; consequently... the opera is neither funny nor interesting...." Another critic concluded, "The libretto of ''Doris'' is so feeble that I misdoubt even Cellier's music, the splendid mounting of the piece, and the interesting
Elizabethan The Elizabethan era is the epoch in the Tudor period of the history of England during the reign of Queen Elizabeth I (1558–1603). Historians often depict it as the golden age in English history. The symbol of Britannia (a female personific ...
processions pulling it through. What judicious compression and unscrupulous 'gagging' may accomplish one cannot, of course, venture to prophesy. I understood that at the end of ''Dorothy's'' run very little if any of the original dialogue remained. It had been improved out of recognition. Still, both ''Dorothy'' and ''Falka'' rejoiced in plain straightforward stories everyone could understand. The difficulty is to make head or tail of ''Doris''."Review of ''Doris''
PapersPast, accessed 2008-07-07


Roles and original cast

*Doris Shelton – Annette Albu/
Marie Tempest Dame Mary Susan Etherington, (15 July 1864 – 15 October 1942), known professionally as Marie Tempest, was an English singer and actress. Tempest became a famous soprano in late Victorian light opera and Edwardian musical comedies. Later, s ...
*Lady Anne Jerningham –
Amy Augarde Amy Florence Augarde (7 July 1868 – 1 April 1959) was an English actress and singer in musical theatre and operetta. Born at Westminster, Augarde was a member of a musical family. Among her siblings, Louise Adele Augarde (later King, 1863–19 ...
*Mistress Shelton –
Alice Barnett Alice Barnett (17 May 1846 – 14 April 1901) was an English singer and actress, best known for her performances in contralto roles of the Gilbert and Sullivan operas with the D'Oyly Carte Opera Company. Barnett began her career by 1873 in ...
*Dolly Spigott – Effie Chapuy *Martin Bolder – Ben Davies *Sir Philip Carey –
C. Hayden Coffin Charles Hayden Coffin (22 April 1862 – 8 December 1935) was an English actor and singer known for his performances in many famous Edwardian musical comedies, particularly those produced by George Edwardes. Hayden achieved fame as Harry Sher ...
*Alderman Shelton – J. Furneaux Cook *Crook (Apprentice) – John Le Hay *Dormer (Apprentice) – W. T. Hemsley *Barnaby Spigott – Percy Compton *Dinniver – Arthur Williams


Synopsis

;Act I Sir Philip Carey is a fugitive, having been accused of participating in a plot against
Queen Elizabeth I Elizabeth I (7 September 153324 March 1603) was Queen of England and Ireland from 17 November 1558 until her death in 1603. Elizabeth was the last of the five House of Tudor monarchs and is sometimes referred to as the "Virgin Queen". Eli ...
. He loves Anne Jerningham, one of the Queen's maids of honor. At a picnic given by her father, Alderman Shelton, Doris playfully runs away from Martin, her father's chief apprentice, and with whom she is in love. Attempting to hide in a hollow tree, she finds Sir Philip, already concealed there. She takes pity on him and convinces Martin and two friends to aid his escape. Dinniver, a comical wicked servant, hides behind a bush, overhears the plan and tells the Alderman about it. While the Alderman goes for the authorities, Dinniver is forced to exchange clothing with Philip, and so Dinniver is arrested in Philip's place. Philip escapes. ;Act II Philip is posing as an apprentice to the Alderman, but he is betrayed by Martin. After drawing the wrong conclusion from a letter, Martin has become jealous of Philip and Doris. When Martin realises that his jealousy is unfounded, he remorsefully dons the fugitive's original clothes and is arrested in his place. Sir Philip escapes again! ;Act III Both lovers appear at a masque given at the Alderman's house. After a number of complications, the Queen pardons all political prisoners, including Philip, and all ends happily.


Musical numbers

;Act I - Highgate Hill *No. 1 - Opening Chorus - "A Gold! A Gold!" *No. 2 - Scena - Crook and Dormer - "My arrow's nearest to the centre, see?" *No. 3 - Song - Shelton, Mrs. Shelton and Chorus - "I hereby do require..." *No. 4 - Scena and Exit - "The cavalcade approaches..." *No. 5 - Song - Doris - "Love's race" *No. 6 - Duet - Doris and Sir Philip - "How hardly fate with some us us doth deal..." *No. 7 - Song - Martin - "I've sought the brake and bracken..." *No. 8 - Quartett - Doris, Dame Shelton, Martin and Philip - "Who are you, may I ask..." *No. 9 - Quartett - Doris, Mrs. Shelton, Martin and Philip - "True Heart." *No. 10 - Soli and Chorus - "Silently! Warily!" *No. 11 - Finale - Act I - "Where is the traitor who threaten'd Her Majesty?" ;Act II - Cheapside *No. 12 - Introduction and The Alderman's Glee *No. 13 - The Alderman's Song - Shelton - "What craven dares to talk of his home..." *No. 14 - Soli and Chorus - "Go to bed." *No. 15 - Song - Dinnever - "What has become of the door?" *No. 16 - Song - Anne Jerningham - "Sir Philip's Farewell." *No. 17 - Song - Sir Philip - "Honour bids me speed away..." *No. 18 - Recitative and Duet - Anne and Sir Philip - "The Parting." *No. 19 - Cavatina - Doris - "Learn to wait." *No. 20 - Soli and Chorus - "What do you lack, Ladies?" *No. 21 - Chorus of Beefeaters - "In many climes..." *No. 22 - Finale - Act II - "Ye Citizens of London." ;Act III - Interior of Alderman Shelton's House *No. 23 - Introduction and Chorus - "Who are you? What are you..." *No. 24 - Duet - Doris and Martin - "If I am dreaming..." *No. 25 - Quintett - Doris, Anne, Martin, Sir Philip and Shelton - "Fare thee well." *No. 26 - Entrance of the Masquers and Chorus - "Far from eastern seas..." *Nos. 27 and 28 - Recit. and Song - Doris and Martin - "I thank you for your gifts..." and "All the wealth..." *No. 29 - Finale - Act III - "She will, she won't..."


Notes


External links


Listing of Cellier works
{{Authority control English-language operas English comic operas 1889 musicals Operas 1889 operas Operas by Alfred Cellier