Die Straße
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''The Street'' (german: Die Straße) is a 1923 German silent
drama film In film and television, drama is a category or genre of narrative fiction (or semi-fiction) intended to be more serious than humorous in tone. Drama of this kind is usually qualified with additional terms that specify its particular super- ...
directed by
Karl Grune Karl Grune (22 January 1890 – 2 October 1962) was an Austrian film director and writer who made many silent films in the 1920s. Grune was born into a Jewish familySiegbert Salomon Prawer, ''Between Two Worlds: The Jewish Presence in German ...
and starring
Anton Edthofer Anton Franz Edthofer (18 September 1883 – 21 February 1971) was an Austria Austria, , bar, Östareich officially the Republic of Austria, is a country in the southern part of Central Europe, lying in the Eastern Alps. It is a feder ...
, Aud Egede-Nissen, and
Leonhard Haskel Leonhard Haskel (7 April 1872 – 30 December 1923) was a German stage and film actor and drama teacher. Haskel was born in Seelow, in the Prussian Province of Brandenburg, and died in Berlin. Selected filmography * ''Europe, General Deliver ...
. The film's sets were designed by the
art director Art director is the title for a variety of similar job functions in theater, advertising, marketing, publishing, fashion, film and television, the Internet, and video games. It is the charge of a sole art director to supervise and unify the vis ...
Karl Görge Karl may refer to: People * Karl (given name), including a list of people and characters with the name * Karl der Große, commonly known in English as Charlemagne * Karl Marx, German philosopher and political writer * Karl of Austria, last Austri ...
.


Cast


Synopsis

This was the first of the German "street" films. Prints of the film do exist, distributed by
Transit Film GmbH Transit Film GmbH is a German film licensing company located in Munich. The company licenses film documents held by the German Federal Archives (Bundesarchiv), as well as its own filmstock. History Transit Film was founded on January 18, 19 ...
for commercial screenings,Film Stock P-S
. transitfilm.de despite claims to the contrary. There are few intertitles throughout the film, adding to the predominantly visual story-telling approach. It tells the story of one night in which a middle-aged man is lured away from his happy home into the thrills and dangers of the city streets. The city is an
expressionistic Expressionism is a modernist movement, initially in poetry and painting, originating in Northern Europe around the beginning of the 20th century. Its typical trait is to present the world solely from a subjective perspective, distorting it r ...
nightmare, a dangerous and chaotic place. The unfortunate man encounters thieves,
prostitute Prostitution is the business or practice of engaging in Sex work, sexual activity in exchange for payment. The definition of "sexual activity" varies, and is often defined as an activity requiring physical contact (e.g., sexual intercourse, n ...
s, and other predators; two other stories happen in as well involving a country bumpkin joining in on a game of cards and a child of a pimp looking for their father after being left with an old blind man. But the real threat to security and order is the street itself. In an early scene, the man sees a pretty girl and the face turns into a skull. In another scene, the bumbling man passes an
optometrist Optometry is a specialized health care profession that involves examining the eyes and related structures for defects or abnormalities. Optometrists are health care professionals who typically provide comprehensive primary eye care. In the Un ...
's shop on a crooked, deserted street. The moment his back is turned, an enormous
neon sign In the signage industry, neon signs are electric signs lighted by long luminous gas-discharge tubes that contain rarefied neon or other gases. They are the most common use for neon lighting, which was first demonstrated in a modern form in D ...
of a pair of eyeglasses, blinks on. He is soon hooked into playing cards with a prostitute and her company, and he ends up tied in a murder case when he is caught near the scene of a death of the bumpkin, narrowly escaping staying in jail. Afterwards, he goes home to his wife as the sun rises, resting his head on her shoulder.


Plot

The movie follows two distinct plot lines until the two eventually merge: the first is that of the bored middle-aged man seeking a departure from monotony in his life; the second is that of the blind man and the little boy, his grandson, who are interdependent. None of the characters have been given names and are therefore referred to only by description. The film opens with a middle-aged man lying on his couch with a look of discontent as his wife finishes cooking their dinner on a rather uneventful night. As she rushes back and forth setting the table, he sluggishly rises and walks across the room to the window and gazes out onto the busy streets. His wife eventually walks over and gazes too, but quickly sits at the table and begins to eat dinner. The man takes one look at the food and then casually leaves the apartment and begins to wander the streets in search of something exciting. The scene switches to a man sitting in a chair holding a little boy about four or five years old. Another, younger-looking man enters the room through a door on the left of the screen towards another door on the right of the screen. The little boy jumps from the man's arms to the younger man, and the older man reaches out for him; it is here that we see that the older man is blind. The little boy runs to the younger man and grasps his leg, saying, "Daddy!" He looks at him briefly, then makes a hasty exit. The little boy begins to cry and the blind man sits him up on his lap and comforts him, stroking his hair and talking to him. Then the little boy helps the blind man put on his coat and hat to go out. The middle-aged man eventually encounters a pimp and a harlot. The middle-aged man, the harlot, and the pimp run all around town getting into all sorts of scenarios: scuffling over a seat on a park bench, falsely claiming to have been robbed, going to a dance, and gambling in a card game. They all end up at a party and are seen eating at a table all together. The middle-aged man looks at his wedding ring, and inside of it he sees an image of his wife walking backwards away from him. He begins to miss her and his regular life. Around the same time, the blind man and the little boy have left the house and are standing outside a shop along the busy street. The blind man is holding the little boy's hand, but he is distracted by a dog and breaks his grip to chase the dog. The blind man is startled and calls out for him in a slight panic. The little boy is stranded on a traffic island in the chaotic, bustling street, surrounded by horses, bicycles, pedestrians, and cars whizzing by. A police officer stops the traffic and walks the little boy across the street into the police station. Meanwhile, the blind man is sliding along a wall, looking desperately for the little boy. He mistakenly steps too far into the street and falls down onto the sidewalk after being nearly run over by a car. He pants heavily, upset and disoriented. A passing pedestrian stops and helps the blind man up and offers to help him get home. The police take the little boy home and put him to bed. Later, the blind man arrives home and sighs in relief at finding the little boy safe at home. The harlot takes one of the men home and when another man sees him in the house, the other man is murdered. Unbeknownst to both parties, both the middle-aged man's group and the blind man's group are in the same house. The little boy wakes up and hears his father's voice and runs out to him. He again leaves in a haste, but this time the little boy follows him. The blind man wakes up hearing the little boy's cries and stumbles upon the murdered man. He is visibly frightened and breathes heavily. A policeman finds the little boy and brings him home again and the murder scene is discovered. The blind man comforts the little boy as the police take in suspects. The middle-aged man is imprisoned, after being surprised by the murder scene. He is about to commit suicide by hanging himself from the window with his tie, when the little boy reveals that it was his father who committed the crime. A policeman enters and allows the middle-aged man to go. He returns to his home and leans upon the shoulder of his wife, defeated. She reheats the soup from the night before and normal domesticity returns.


References


Bibliography

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External links

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Die Straße
at German-films.de * {{DEFAULTSORT:Street, The 1923 films German black-and-white films 1923 crime drama films Films of the Weimar Republic German silent feature films Films directed by Karl Grune German crime drama films German Expressionist films UFA GmbH films Films set in Berlin Films shot in Berlin Silent drama films 1920s German films