Dancing for eels
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''Dancing for eels'' was a dance competition activity that was practiced during the 19th century by African-Americans at the market in Catherine Street and Catherine Slip in
New York City New York, often called New York City or NYC, is the most populous city in the United States. With a 2020 population of 8,804,190 distributed over , New York City is also the most densely populated major city in the Un ...
. The dancing steps and gestures used were characterized by relatively fixed choreography. This activity is depicted in a number of folk paintings, and is described in Thomas F. De Voe’s 1862 ''The Market Book''. It is also analyzed in the 1998 book ''Raising Cain: Blackface performance from Jim Crow to Hip Hop'' by W.T. Lhamon, in connection with the development of blackface minstrelsy as well as
African-American music African-American music is an umbrella term covering a diverse range of music and musical genres largely developed by African Americans and their culture. Their origins are in musical forms that first came to be due to the condition of slaver ...
and African-American dance performances. According to Thomas de Voe's description, dancing for eels was a popular practice at Catherine Market, which in the 19th century was a destination place for African-American slaves from Long Island who would bring to the market berries, herbs, fish, clams and oysters in order to make a few shillings. Originally those African-Americans would be hired by the market people to dance for money or for fish (hence dancing for eels). The Catherine Market in the 19th century was a mixed meeting place for people of various backgrounds, and white working-class people were frequent spectators of the dancing contests. According to W. T. Lhamon, blackface performance was strongly influenced by Catherine Market dancing elements. Modern rap and hip-hop performance also contain traces of gestural continuity from the New York street dancers, which, for example, can be observed in
MC Hammer Stanley Kirk Burrell (born March 30, 1962), better known by his stage name MC Hammer (or simply Hammer), is an American rapper, dancer, record producer and entrepreneur. He is known for hit songs such as " U Can't Touch This", "2 Legit 2 Quit" ...
’s using the Market Step in his video
U Can't Touch This "U Can't Touch This" is a song co-written, produced, and performed by American rapper MC Hammer. It was released as the third single from his third album, ''Please Hammer Don't Hurt 'Em'' (1990), and has been considered his signature song. Alon ...
: a knees open, heel-to-toe rock, often accompanied by one or both hands overhead. This move traces back to ''Dancing for Eels 1820 Catherine Market'', one of the folk drawings depicting the old competition. This drawing is supposedly the source for a later painting, which dates to 1880-1890s. This painting is oil paint on canvas, laid over a tin backing. The subject and composition has a long popularity in American culture. According to an 1849 fishing manual, black men still would meet at the market at dawn to skin eels and engage in dance competition for bundles of fish. The audience would vote for the winner through making noises and cheering for their most favorited performance. This style of completion carried on throughout African American culture all the way to modern day freestyle rap competing. These forms of entertainment grew into routines that featured singing, dancing, and humor for more on stage acts performed by professions.


References

* ''The Market Book: containing a historical account of the public markets of the cities of New York, Boston, Philadelphia and Brooklyn, with a description of every item of human food sold therein, the introduction of cattle in America, and notices of many remarkable specimens'', 1862, Thomas F. De Voe, New York, available her

* ''Raising Cain: Blackface performance from Jim Crow to Hip Hop'', 1998, W. T. Lhamon Jr., 288 pages, Harvard University Press, ,


See also


"Dancing for Eels" oil painting ca. 1885, Antiques Roadshow, Washington DC, 21 August 2010 (Updated 2014)
{{African-American dance African-American dance African-American cultural history Dance in the United States Dance terminology Blackface minstrelsy