The Info List - D. W. Griffith

David Wark Griffith (January 22, 1875 – July 23, 1948)[1] was an American director, writer, and producer who pioneered modern cinematic techniques. He is most remembered for The Birth of a Nation
The Birth of a Nation
(1915) and Intolerance (1916).[2] The Birth of a Nation
The Birth of a Nation
made use of advanced camera and narrative techniques, and its popularity set the stage for the dominance of the feature-length film in the United States. The film has sparked significant controversy surrounding racism in the United States,[3][4] focusing on its negative depiction of black people and the glorification of the Ku Klux Klan. Today, it is both acclaimed for its radical technique and condemned for its inherently racist philosophy.[1] The film was subject to boycotts by the NAACP; screenings caused riots at several theaters and it was censored in many cities, including New York City. Intolerance was an answer to his critics.[1] Several of Griffith's later films were also successful, including Broken Blossoms
Broken Blossoms
(1919), Way Down East
Way Down East
(1920), and Orphans of the Storm (1921), but his high costs for production, promotion, and roadshow often made his ventures commercial failures. He made roughly 500 films by the time of his final feature The Struggle (1931).[2] Griffith is one of the founders of the Academy of Motion Picture Arts and Sciences and among the most important figures in the history of film. He popularized the use of the close-up shot.[5][6]


1 Early life 2 Film career 3 Later film career 4 Death 5 Legacy 6 Film preservation 7 See also 8 References 9 Further reading 10 External links

Early life[edit]

Griffith (c. 1907)

Griffith was born on a farm in Oldham County, Kentucky, the son of Mary Perkins (née Oglesby) and Jacob Wark "Roaring Jake" Griffith[7] a Confederate Army colonel in the American Civil War
American Civil War
who was elected as a Kentucky state legislator. Griffith was raised a Methodist,[8] and he attended a one-room schoolhouse where he was taught by his older sister Mattie. His father died when he was ten, and the family struggled with poverty. When Griffith was 14, his mother abandoned the farm and moved the family to Louisville, Kentucky, where she opened a boarding house. It failed shortly after. Griffith then left high school to help support the family, taking a job in a dry goods store and later in a bookstore. He began his creative career as an actor in touring companies. Meanwhile, he was learning how to become a playwright, but had little success—only one of his plays was accepted for a performance.[9] He traveled to New York City
New York City
in 1907 in an attempt to sell a script to Edison Studios
Edison Studios
producer Edwin Porter;[9] Porter rejected the script but gave him an acting part in Rescued from an Eagle's Nest instead.[9] He then decided to become an actor and appeared in many films as an extra.[10] Film career[edit]

Griffith on the set of Birth of a Nation
Birth of a Nation
(1915) with actor Henry B. Walthall and others

In 1908, Griffith accepted a role as a stage extra in Professional Jealousy for the American Mutoscope and Biograph Company, where he met cameraman Billy Bitzer, and his career in the film industry changed forever.[11] In 1908, Biograph's main director Wallace McCutcheon, Sr. grew ill, and his son Wallace McCutcheon, Jr. took his place.[12] McCutcheon, Jr. did not bring the studio success;[11] Biograph co-founder Harry Marvin gave Griffith the position,[11] and he made the short The Adventures of Dollie. He directed a total of 48 shorts for the company that year. His short In Old California (1910) was the first film shot in Hollywood, California. Four years later, he produced and directed his first feature film Judith of Bethulia
Judith of Bethulia
(1914), one of the earliest to be produced in the US. Biograph believed that longer features were not viable at that point. According to Lillian Gish, the company thought that "a movie that long would hurt [the audience's] eyes".[13]

Left to right: Griffith, cameraman Billy Bitzer
Billy Bitzer
(behind Pathé camera), Dorothy Gish
Dorothy Gish
watching from behind Bitzer, Karl Brown keeping script, and Miriam Cooper
Miriam Cooper
in profile, in a production still for Intolerance (1916).

Griffith left Biograph because of company resistance to his goals and his cost overruns on the film. He took his company of actors with him and joined the Mutual Film Corporation. He formed a studio with Majestic Studio manager Harry Aitken[14] which became known as Reliance-Majestic Studios and was later renamed Fine Arts Studio.[15] His new production company became an autonomous production unit partner in Triangle Film Corporation
Triangle Film Corporation
along with Thomas H. Ince
Thomas H. Ince
and Keystone Studios' Mack Sennett. The Triangle Film Corporation
Triangle Film Corporation
was headed by Aitken, who was released from the Mutual Film Corporation,[14] and his brother Roy.

Play media

Birth of a Nation
Birth of a Nation
(1915), perhaps the most famous silent movie directed by Griffith and considered a landmark by film historians; adapted for the screen by Griffith and Frank E. Woods, based on the novel and play The Clansman: An Historical Romance of the Ku Klux Klan by Thomas Dixon, Jr.

Griffith directed and produced The Clansman
The Clansman
through Reliance-Majestic Studios in 1915, which became known as The Birth of a Nation
The Birth of a Nation
and is considered one of the first feature length American films.[16] The film was a success, but it aroused much controversy due to its depiction of slavery, the Ku Klux Klan, and race relations in the American Civil War
American Civil War
and the reconstruction era of the United States. It was based on Thomas Dixon, Jr.'s 1905 novel The Clansman; it depicts Southern slavery as benign, the enfranchisement of freedmen as a corrupt plot by the Republican party, and the Ku Klux Klan
Ku Klux Klan
as a band of heroes restoring the rightful order. This view of the era was popular at the time and was endorsed for decades by historians of the Dunning School, although it met with strong criticism from the National Association for the Advancement of Colored People
National Association for the Advancement of Colored People
(NAACP) and other groups. The NAACP
attempted to stop showings of the film. They were successful in some cities, but it was shown widely and became the most successful box office attraction of its time. It is considered among the first "blockbuster" motion pictures and broke all box office records that had been established until then. "They lost track of the money it made", Lillian Gish
Lillian Gish
remarked in a Kevin Brownlow interview.[17]

The first million dollar partners: Fairbanks, Pickford, Chaplin, and Griffith

Play media

Intolerance (1916), the second most famous silent movie directed by Griffith who co-wrote the screenplay with Frank E. Woods, Hettie Grey Baker, Tod Browning, Anita Loos, and Mary H. O'Connor.

Audiences in some major northern cities rioted over the film's racial content, which was filled with action and violence.[18] Griffith responded to his critics in his next film Intolerance. He portrayed the effects of intolerance in four different historical periods: the Fall of Babylon; the Crucifixion of Jesus; the events surrounding the St. Bartholomew's Day massacre
St. Bartholomew's Day massacre
(during religious persecution of French Huguenots); and a modern story. Intolerance was not a financial success, although it had good box office turn-outs; it did not bring in enough profits to cover the lavish road show that accompanied it.[19] Griffith put a huge budget into the film's production which could not be recovered in its box office.[20] He mostly financed Intolerance himself, contributing to his financial ruin for the rest of his life.[21]

Griffith's Intolerance

Griffith's production partnership was dissolved in 1917 and he went to Artcraft, part of Paramount Pictures, and then to First National Pictures (1919–1920). At the same time, he founded United Artists together with Charlie Chaplin, Mary Pickford, and Douglas Fairbanks. He continued to make films, but he never achieved box office grosses as high as either The Birth of a Nation
The Birth of a Nation
or Intolerance.[22] Later film career[edit] Though United Artists
United Artists
survived as a company, Griffith's association with it was short-lived. While some of his later films did well at the box office, commercial success often eluded him. Griffith features from this period include Broken Blossoms
Broken Blossoms
(1919), Way Down East
Way Down East
(1920), Orphans of the Storm
Orphans of the Storm
(1921), Dream Street (1921), One Exciting Night (1922) and America (1924). Of these, the first three were successes at the box office.[23] Griffith was forced to leave United Artists
United Artists
after Isn't Life Wonderful
Isn't Life Wonderful
(1924) failed at the box office.

United Artists
United Artists
founders, Griffith, Pickford, Chaplin, and Fairbanks sign their contract for the cameras (1919).

He made a part-talkie, Lady of the Pavements
Lady of the Pavements
(1929), and only two full-sound films, Abraham Lincoln (1930) and The Struggle (1931). Neither was successful, and after The Struggle he never made another film. In 1936, director Woody Van Dyke, who had worked as Griffith's apprentice on Intolerance, asked Griffith to help him shoot the famous earthquake sequence for San Francisco, but did not give him any film credit. Starring Clark Gable, Jeanette MacDonald
Jeanette MacDonald
and Spencer Tracy, it was the top-grossing film of the year.[24] In 1939, the producer Hal Roach
Hal Roach
hired Griffith to produce Of Mice and Men (1939) and One Million B.C.
One Million B.C.
(1940). He wrote to Griffith: "I need help from the production side to select the proper writers, cast, etc. and to help me generally in the supervision of these pictures."[25] Although Griffith eventually disagreed with Roach over the production and parted, Roach later insisted that some of the scenes in the completed film were directed by Griffith. This would make the film the final production in which Griffith was actively involved. But, cast members' accounts recall Griffith directing only the screen tests and costume tests. When Roach advertised the film in late 1939 with Griffith listed as producer, Griffith asked that his name be removed.[26] Although mostly forgotten by movie-goers of the time, Griffith was held in awe by many in the film industry. In the mid-1930s, he was given a special Oscar by the Academy of Motion Picture Arts and Sciences. In 1946, he made an impromptu visit to the film location of David O. Selznick's epic western Duel in the Sun, where some of his veteran actors, Lillian Gish, Lionel Barrymore
Lionel Barrymore
and Harry Carey, were cast members. Gish and Barrymore found their old mentor's presence distracting and became self-conscious. While the two were filming their scenes, Griffith hid behind set scenery.[27] Death[edit] On the morning of July 23, 1948, Griffith was discovered unconscious in the lobby at the Knickerbocker Hotel in Los Angeles, California, where he had been living alone. He died of a cerebral hemorrhage at 3:42 PM on the way to a Hollywood
hospital.[2] A large public service was held in his honor at the Hollywood
Masonic Temple, but few stars came to pay their last respects. He is buried at Mount Tabor Methodist Church Graveyard in Centerfield, Kentucky.[28] In 1950, The Directors Guild of America provided a stone and bronze monument for his gravesite.[29] Legacy[edit]

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Stamp issued by the United States Postal Service
United States Postal Service
commemorating D. W. Griffith

Performer and director Charlie Chaplin
Charlie Chaplin
called Griffith "The Teacher of us All". Filmmakers such as John Ford, Alfred Hitchcock,[30] Orson Welles, Lev Kuleshov,[31] Jean Renoir,[32] Cecil B. DeMille,[33] King Vidor,[34] Victor Fleming,[35] Raoul Walsh,[36] Carl Theodor Dreyer,[37] Sergei Eisenstein,[38] and Stanley Kubrick
Stanley Kubrick
have spoken of their respect for the director of Intolerance. Welles said "I have never really hated Hollywood
except for its treatment of D. W. Griffith. No town, no industry, no profession, no art form owes so much to a single man."[39]

Griffith's Star on the Hollywood
Walk of Fame at 6535 Hollywood

Griffith seems to have been the first to understand how certain film techniques could be used to create an expressive language; it gained popular recognition with the release of his The Birth of a Nation (1915). His early shorts—such as Biograph's The Musketeers of Pig Alley (1912), the first "gangster film"—show that Griffith's attention to camera placement and lighting heightened mood and tension. In making Intolerance, the director opened up new possibilities for the medium, creating a form that seems to owe more to music than to traditional narrative.

In the 1951 Philco Television Playhouse episode "The Birth of the Movies", events from Griffith's film career were depicted. Griffith was played by John Newland. In 1953, the Directors Guild of America
Directors Guild of America
(DGA) instituted the D. W. Griffith Award, its highest honor. On December 15, 1999, DGA President Jack Shea and the DGA National Board announced that the award would be renamed as the "DGA Lifetime Achievement Award". They stated that, although Griffith was extremely talented, they felt his film The Birth of a Nation
The Birth of a Nation
had "helped foster intolerable racial stereotypes", and that it was thus better not to have the top award in his name. In 1975, Griffith was honored on a ten-cent postage stamp by the United States. D.W. Griffith Middle School in Los Angeles is named after Griffith.[40] Because of the association of Griffith and the racist nature of The Birth of a Nation, attempts have been made to rename the 100% minority-enrolled school.[41] In 2008 the Hollywood
Heritage Museum hosted a screening of Griffith's earliest films, to commemorate the centennial of his start in film.[42] On January 22, 2009 the Oldham History Center in La Grange, Kentucky opened a 15-seat theatre in Griffith's honor. The theatre features a library of available Griffith films.

Film preservation[edit] Griffith has five films preserved in the United States National Film Registry deemed as being "culturally, historically, or aesthetically significant." These are Lady Helen's Escapade (1909), A Corner in Wheat (1909), The Birth of a Nation
The Birth of a Nation
(1915), Intolerance: Love's Struggle Throughout the Ages (1916), and Broken Blossoms
Broken Blossoms
(1919). See also[edit]

Biography portal Film in the United States portal

D. W. Griffith
D. W. Griffith
filmography D. W. Griffith
D. W. Griffith
House List of Freemasons List of people from the Louisville metropolitan area


^ a b c "D.W. Griffith". Encyclopædia Britannica. Retrieved March 30, 2015.  ^ a b c "David W. Griffith, Film Pioneer, Dies; Producer Of 'Birth Of Nation,' 'Intolerance' And 'America' Made Nearly 500 Pictures Set, Screen Standards Co-Founder Of United Artists
United Artists
Gave Mary Pickford
Mary Pickford
And Fairbanks Their Starts". The New York Times. July 24, 1948.  ^ "'The Birth of a Nation': When Hollywood
Glorified the KKK HistoryNet". HistoryNet. Retrieved February 27, 2016.  ^ Brooks, Xan (July 29, 2013). "The Birth of a Nation: a gripping masterpiece … and a stain on history". The Guardian. ISSN 0261-3077. Retrieved February 27, 2016.  ^ "D.W. Griffith". Senses of Cinema. Retrieved February 27, 2016.  ^ "History of the Close Up in film".  ^ " D. W. Griffith
D. W. Griffith
(1875-1948)". Retrieved December 3, 2016.  ^ Blizek, William L. (2009). The Continuum Companion to Religion and Film. A&C Black. p. 126. ISBN 0-826-49991-0.  ^ a b c "D. W. Griffith". Spartacus.schoolnet.co.uk. Archived from the original on June 5, 2011. Retrieved June 5, 2011.  ^ "American Experience Mary Pickford". PBS. Retrieved June 5, 2011.  ^ a b c "D.W. Griffith Biography". Starpulse.com. July 23, 1948. Retrieved June 5, 2011.  ^ "Who's Who of Victorian Cinema". Victorian-cinema.net. Retrieved June 5, 2011.  ^ Kirsner, Scott (2008). Inventing the movies : Hollywood's epic battle between innovation and the status quo, from Thomas Edison to Steve Jobs (1st ed.). [s.l.]: CinemaTech Books. p. 13. ISBN 1438209991.  ^ a b "D. W. Griffith: Hollywood
Independent". Cobbles.com. June 26, 1917. Retrieved June 5, 2011.  ^ "Fine Arts Studio". Employees.oxy.edu. June 9, 1917. Archived from the original on May 14, 2011. Retrieved June 5, 2011.  ^ MJ Movie Reviews – Birth of a Nation, The (1915) by Dan DeVore Archived July 7, 2009, at the Wayback Machine. ^ " D. W. Griffith
D. W. Griffith
- New World Encyclopedia". via.hypothes.is. Retrieved 2018-01-16.  ^ "The Rise and Fall of Jim Crow . Jim Crow Stories . The Birth of a Nation". PBS. March 21, 1915. Retrieved June 5, 2011.  ^ ""Griffith's 20 Year Record", ''Variety'' (September 25, 1928), as edited by David Pierce for ''The Silent Film Bookshelf,'' on line". Cinemaweb.com. September 5, 1928. Archived from the original on July 12, 2011. Retrieved June 5, 2011.  ^ "Intolerance Movie Review". Contactmusic.com. May 29, 2011. Retrieved June 5, 2011.  ^ Georges Sadoul (1972 [1965]). Dictionary of Films, P. Morris, ed. & trans., p. 158. University of California Press. ^ "American Masters . D.W. Griffith". PBS. December 29, 1998. Retrieved June 5, 2011.  ^ "Last Dissolve". Time Magazine. August 2, 1948. Retrieved August 14, 2008.  ^ "Biggest Box Office Hits of 1936". Ultimate movie rankings. Retrieved 14 November 2017.  ^ Richard Lewis Ward, A History of the Hal Roach
Hal Roach
Studios, p. 109-110. Southern Illinois University, 2005. ISBN 0-8093-2637-X. In his Biograph days, Griffith had directed two films with prehistoric settings: Man's Genesis (1912) and Brute Force (1914). ^ Ward, p. 110. ^ Green, Paul (2011). Jennifer Jones: The Life and Films. McFarland. p. 69. ISBN 0-786-48583-3.  ^ Schickel, Richard (1996). D.W. Griffith: An American Life. Hal Leonard Corporation. p. 31. ISBN 0-879-10080-X.  ^ Schickel 1996 p. 605 ^ Leitch, Thomas; Poague, Leland (2011). A Companion to Alfred Hitchcock. John Wiley & Sons. p. 50. ISBN 1-444-39731-1.  ^ "Landmarks of Early Soviet Film". Archived from the original on April 23, 2012. Retrieved October 18, 2012.  ^ " Jean Renoir
Jean Renoir
Biography". biography.yourdictionary.com. Retrieved October 18, 2012.  ^ "Movie Review: Restored 'Intolerance' Launches Festival of Preservation". latimes.com. Retrieved October 18, 2012.  ^ "Overview for King Vidor". tcm.com. Retrieved October 18, 2012.  ^ "Victor Fleming: An American Movie Master". Archived from the original on September 14, 2013. Retrieved April 24, 2013.  ^ Moss, Marilyn (2011). Raoul Walsh: The True Adventures of Hollywood's Legendary Director. University Press of Kentucky. pp. 181, 242. ISBN 0-813-13394-7.  ^ "Matinee Classics - Carl Dreyer Biography & Filmography". matineeclassics.com. Archived from the original on December 15, 2013. Retrieved October 9, 2012.  ^ " Sergei Eisenstein
Sergei Eisenstein
- Biography". leninimports.com. Retrieved October 9, 2012.  ^ "MintyTees @ Amazon.com: vintage/celebrities/directors/dw_griffith/details/". Archived from the original on December 15, 2013.  ^ "Griffith Middle School: Home Page". Retrieved December 3, 2016.  ^ "Petition calls for Griffith Middle School name change over racism - LA School Report". Retrieved December 3, 2016.  ^ " Hollywood
Heritage". Hollywood
Heritage. Retrieved June 5, 2011. 

Further reading[edit]

Lillian Gish, The Movies, Mr. Griffith and Me (Englewood, New Jersey: Prentice Hall, 1969) Karl Brown, Adventures with D. W. Griffith
D. W. Griffith
(New York: Farrar, Straus and Giroux, 1973) Richard Schickel, D. W. Griffith: An American Life (New York: Simon & Schuster, 1984) Robert M. Henderson, D. W. Griffith: His Life and Work (New York: Oxford University Press, 1972) William M. Drew, D. W. Griffith's "Intolerance:" Its Genesis and Its Vision (Jefferson, New Jersey: McFarland & Company, 1986) Kevin Brownlow, The Parade's Gone By (New York: Alfred A. Knopf, 1968) Seymour Stern, An Index to the Creative Work of D. W. Griffith, (London: The British Film Institute, 1944–47) David Robinson, Hollywood
in the Twenties (New York: A. S. Barnes & Co, Inc., 1968) Edward Wagenknecht and Anthony Slide, The Films of D. W. Griffith
D. W. Griffith
(New York: Crown, 1975) William K. Everson, American Silent Film (New York: Oxford University Press, 1978) Smith, Matthew (April 2008). "American Valkyries: Richard Wagner, D. W. Griffith, and the Birth of Classical Cinema". Modernism/modernity. 15 (2): 221–42. Retrieved September 14, 2014.  Iris Barry and Eileen Bowser, D. W. Griffith: American Film Master (Garden City, New York: Doubleday, 1965) Drew, William M. "D.W. Griffith (1875–1948)". Retrieved July 31, 2007. 

External links[edit]

Wikimedia Commons has media related to David Wark Griffith.

Bibliography of books and articles about Griffith via UC Berkeley Media Resources Center Works by or about D. W. Griffith
D. W. Griffith
at Internet Archive Works by D. W. Griffith
D. W. Griffith
at LibriVox
(public domain audiobooks) D. W. Griffith
D. W. Griffith
on IMDb "The Box in the Screen" Griffith and television Photo of Griffith as a young man in the 1890s

v t e

Films directed by D. W. Griffith

Only films from 1913 onwards included below. See complete D. W. Griffith filmography

Three Friends (1913) The Telephone Girl and the Lady (1913) An Adventure in the Autumn Woods (1913) A Misappropriated Turkey (1913) Brothers (1913) Oil and Water (1913) A Chance Deception (1913) Love in an Apartment Hotel
Love in an Apartment Hotel
(1913) Broken Ways (1913) A Girl's Stratagem (1913) The Unwelcome Guest
The Unwelcome Guest
(1913) Near to Earth (1913) Fate (1913) The Sheriff's Baby
The Sheriff's Baby
(1913) The Hero of Little Italy (1913) A Misunderstood Boy (1913) The Left-Handed Man (1913) The Lady and the Mouse (1913) If We Only Knew (1913) The Wanderer (1913) The Stolen Loaf (1913) The House of Darkness (1913) Just Gold (1913) The Ranchero's Revenge (1913) A Timely Interception
A Timely Interception
(1913) Death's Marathon (1913) The Mothering Heart
The Mothering Heart
(1913) The Sorrowful Shore (1913) The Enemy's Baby (1913) The Mistake (1913) Two Men of the Desert (1913) Madonna of the Storm (1913) The Battle at Elderbush Gulch
The Battle at Elderbush Gulch
(1913) The Conscience of Hassan Bey
The Conscience of Hassan Bey
(1913) The Massacre (1914) Judith of Bethulia
Judith of Bethulia
(1914) Battle of the Sexes (1914, lost) Brute Force (1914) Home, Sweet Home (1914) The Escape (1914, lost) The Avenging Conscience: or 'Thou Shalt Not Kill' (1914) The Birth of a Nation
The Birth of a Nation
(1915) Intolerance: Love's Struggle Throughout the Ages (1916) Hearts of the World
Hearts of the World
(1918) The Great Love (1918, lost) Lillian Gish
Lillian Gish
in a Liberty Loan Appeal (1918, lost) The Greatest Thing in Life
The Greatest Thing in Life
(1919, lost) A Romance of Happy Valley
A Romance of Happy Valley
(1919) The Girl Who Stayed at Home
The Girl Who Stayed at Home
(1919) Broken Blossoms
Broken Blossoms
(1919) True Heart Susie
True Heart Susie
(1919) Scarlet Days
Scarlet Days
(1919) The Greatest Question
The Greatest Question
(1919) The Idol Dancer
The Idol Dancer
(1920) Remodeling Her Husband
Remodeling Her Husband
(1920) The Love Flower
The Love Flower
(1920) Way Down East
Way Down East
(1920) Dream Street (1921) Orphans of the Storm
Orphans of the Storm
(1921) One Exciting Night
One Exciting Night
(1922) The White Rose (1923) America (1924) Isn't Life Wonderful
Isn't Life Wonderful
(1924) Sally of the Sawdust
Sally of the Sawdust
(1925) That Royle Girl (1925) The Sorrows of Satan (1926) Drums of Love
Drums of Love
(1928) The Battle of the Sexes (1928) Lady of the Pavements
Lady of the Pavements
(1929) Abraham Lincoln (1930) The Struggle (1931)

v t e

Academy Honorary Award


Warner Bros.
Warner Bros.
/ Charlie Chaplin
Charlie Chaplin
(1928) Walt Disney
Walt Disney
(1932) Shirley Temple
Shirley Temple
(1934) D. W. Griffith
D. W. Griffith
(1935) The March of Time
The March of Time
/ W. Howard Greene and Harold Rosson (1936) Edgar Bergen
Edgar Bergen
/ W. Howard Greene / Museum of Modern Art
Museum of Modern Art
Film Library / Mack Sennett
Mack Sennett
(1937) J. Arthur Ball / Walt Disney
Walt Disney
/ Deanna Durbin
Deanna Durbin
and Mickey Rooney
Mickey Rooney
/ Gordon Jennings, Jan Domela, Devereaux Jennings, Irmin Roberts, Art Smith, Farciot Edouart, Loyal Griggs, Loren L. Ryder, Harry D. Mills, Louis Mesenkop, Walter Oberst / Oliver T. Marsh and Allen Davey / Harry Warner
Harry Warner
(1938) Douglas Fairbanks
Douglas Fairbanks
/ Judy Garland
Judy Garland
/ William Cameron Menzies / Motion Picture Relief Fund (Jean Hersholt, Ralph Morgan, Ralph Block, Conrad Nagel)/ Technicolor Company (1939) Bob Hope
Bob Hope
/ Nathan Levinson (1940) Walt Disney, William Garity, John N. A. Hawkins, and the RCA Manufacturing Company / Leopold Stokowski
Leopold Stokowski
and his associates / Rey Scott / British Ministry of Information (1941) Charles Boyer
Charles Boyer
/ Noël Coward
Noël Coward
/ Metro-Goldwyn-Mayer
(1942) George Pal
George Pal
(1943) Bob Hope
Bob Hope
/ Margaret O'Brien
Margaret O'Brien
(1944) Republic Studio, Daniel J. Bloomberg, and the Republic Studio Sound Department / Walter Wanger
Walter Wanger
/ The House I Live In / Peggy Ann Garner (1945) Harold Russell
Harold Russell
/ Laurence Olivier
Laurence Olivier
/ Ernst Lubitsch
Ernst Lubitsch
/ Claude Jarman Jr. (1946) James Baskett
James Baskett
/ Thomas Armat, William Nicholas Selig, Albert E. Smith, and George Kirke Spoor
George Kirke Spoor
/ Bill and Coo / Shoeshine (1947) Walter Wanger
Walter Wanger
/ Monsieur Vincent
Monsieur Vincent
/ Sid Grauman
Sid Grauman
/ Adolph Zukor
Adolph Zukor
(1948) Jean Hersholt
Jean Hersholt
/ Fred Astaire
Fred Astaire
/ Cecil B. DeMille
Cecil B. DeMille
/ The Bicycle Thief (1949) Louis B. Mayer
Louis B. Mayer
/ George Murphy
George Murphy
/ The Walls of Malapaga (1950)


Gene Kelly
Gene Kelly
/ Rashomon
(1951) Merian C. Cooper
Merian C. Cooper
/ Bob Hope
Bob Hope
/ Harold Lloyd
Harold Lloyd
/ George Mitchell / Joseph M. Schenck / Forbidden Games
Forbidden Games
(1952) 20th Century-Fox Film Corporation / Bell & Howell Company / Joseph Breen / Pete Smith (1953) Bausch & Lomb Optical Company / Danny Kaye
Danny Kaye
/ Kemp Niver / Greta Garbo / Jon Whiteley
Jon Whiteley
/ Vincent Winter / Gate of Hell (1954) Samurai I: Musashi Miyamoto (1955) Eddie Cantor
Eddie Cantor
(1956) Society of Motion Picture and Television Engineers
Society of Motion Picture and Television Engineers
/ Gilbert M. "Broncho Billy" Anderson / Charles Brackett / B. B. Kahane (1957) Maurice Chevalier
Maurice Chevalier
(1958) Buster Keaton
Buster Keaton
/ Lee de Forest
Lee de Forest
(1959) Gary Cooper
Gary Cooper
/ Stan Laurel
Stan Laurel
/ Hayley Mills
Hayley Mills
(1960) William L. Hendricks / Fred L. Metzler / Jerome Robbins
Jerome Robbins
(1961) William J. Tuttle
William J. Tuttle
(1964) Bob Hope
Bob Hope
(1965) Yakima Canutt
Yakima Canutt
/ Y. Frank Freeman
Y. Frank Freeman
(1966) Arthur Freed (1967) John Chambers / Onna White (1968) Cary Grant
Cary Grant
(1969) Lillian Gish
Lillian Gish
/ Orson Welles
Orson Welles
(1970) Charlie Chaplin
Charlie Chaplin
(1971) Charles S. Boren / Edward G. Robinson
Edward G. Robinson
(1972) Henri Langlois
Henri Langlois
/ Groucho Marx
Groucho Marx
(1973) Howard Hawks
Howard Hawks
/ Jean Renoir
Jean Renoir
(1974) Mary Pickford
Mary Pickford


Margaret Booth (1977) Walter Lantz
Walter Lantz
/ Laurence Olivier
Laurence Olivier
/ King Vidor
King Vidor
/ Museum of Modern Art Department of Film (1978) Hal Elias / Alec Guinness
Alec Guinness
(1979) Henry Fonda
Henry Fonda
(1980) Barbara Stanwyck
Barbara Stanwyck
(1981) Mickey Rooney
Mickey Rooney
(1982) Hal Roach
Hal Roach
(1983) James Stewart
James Stewart
/ National Endowment for the Arts
National Endowment for the Arts
(1984) Paul Newman
Paul Newman
/ Alex North (1985) Ralph Bellamy
Ralph Bellamy
(1986) Eastman Kodak
Company / National Film Board of Canada
National Film Board of Canada
(1988) Akira Kurosawa
Akira Kurosawa
(1989) Sophia Loren
Sophia Loren
/ Myrna Loy
Myrna Loy
(1990) Satyajit Ray
Satyajit Ray
(1991) Federico Fellini
Federico Fellini
(1992) Deborah Kerr
Deborah Kerr
(1993) Michelangelo Antonioni
Michelangelo Antonioni
(1994) Kirk Douglas
Kirk Douglas
/ Chuck Jones
Chuck Jones
(1995) Michael Kidd
Michael Kidd
(1996) Stanley Donen
Stanley Donen
(1997) Elia Kazan
Elia Kazan
(1998) Andrzej Wajda
Andrzej Wajda
(1999) Jack Cardiff
Jack Cardiff
/ Ernest Lehman (2000)


Sidney Poitier
Sidney Poitier
/ Robert Redford
Robert Redford
(2001) Peter O'Toole
Peter O'Toole
(2002) Blake Edwards
Blake Edwards
(2003) Sidney Lumet
Sidney Lumet
(2004) Robert Altman
Robert Altman
(2005) Ennio Morricone
Ennio Morricone
(2006) Robert F. Boyle (2007) Lauren Bacall
Lauren Bacall
/ Roger Corman
Roger Corman
/ Gordon Willis
Gordon Willis
(2009) Kevin Brownlow / Jean-Luc Godard
Jean-Luc Godard
/ Eli Wallach
Eli Wallach
(2010) James Earl Jones
James Earl Jones
/ Dick Smith (2011) D. A. Pennebaker
D. A. Pennebaker
/ Hal Needham
Hal Needham
/ George Stevens Jr.
George Stevens Jr.
(2012) Angela Lansbury
Angela Lansbury
/ Steve Martin
Steve Martin
/ Piero Tosi (2013) Jean-Claude Carrière
Jean-Claude Carrière
/ Hayao Miyazaki
Hayao Miyazaki
/ Maureen O'Hara
Maureen O'Hara
(2014) Spike Lee
Spike Lee
/ Gena Rowlands
Gena Rowlands
(2015) Jackie Chan
Jackie Chan
/ Lynn Stalmaster / Anne V. Coates / Frederick Wiseman (2016) Charles Burnett / Owen Roizman / Donald Sutherland
Donald Sutherland
/ Agnès Varda (2017)

Authority control

WorldCat Identities VIAF: 59091371 LCCN: n79083582 ISNI: 0000 0001 2101 6472 GND: 118718851 SELIBR: 238796 SUDOC: 027753603 BNF: cb11972874j (data) NLA: 35151368 NDL: 00620765 NKC: xx0057549 BNE: XX1008229 SNAC: w69s2cnc


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