Copyright law of Brazil
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The copyright law of Brazil is primarily based on Law Nº9,610 from 19 February 1998. Additionally,
Brazil Brazil ( pt, Brasil; ), officially the Federative Republic of Brazil (Portuguese: ), is the largest country in both South America and Latin America. At and with over 217 million people, Brazil is the world's fifth-largest country by area ...
has signed the
Berne Convention The Berne Convention for the Protection of Literary and Artistic Works, usually known as the Berne Convention, was an international assembly held in 1886 in the Swiss city of Bern by ten European countries with the goal to agree on a set of leg ...
and the
TRIPS Agreement The Agreement on Trade-Related Aspects of Intellectual Property Rights (TRIPS) is an international legal agreement between all the member nations of the World Trade Organization (WTO). It establishes minimum standards for the regulation by nat ...
.


History


Imperial period

Brazil's first constitution, the Imperial Constitution of 1824, did not deal with
creative work A creative work is a manifestation of creative effort including fine artwork (sculpture, paintings, drawing, sketching, performance art), dance, writing (literature), filmmaking, and composition. Legal definitions Creative works require a cre ...
s, and instead only mentioned
patent A patent is a type of intellectual property that gives its owner the legal right to exclude others from making, using, or selling an invention for a limited period of time in exchange for publishing an enabling disclosure of the invention."A ...
s: The first legal document to deal with the protection of creative works in Brazil was the Law of 11 August 1827, which gave jurist course professors exclusive publication rights to their course's
compendia A compendium (plural: compendia or compendiums) is a comprehensive collection of information and analysis pertaining to a body of knowledge. A compendium may concisely summarize a larger work. In most cases, the body of knowledge will concern a s ...
for the 10 years following their approval by the government. However, the general protection of creative works in Brazil first came from article 261 of the Criminal Code of 1830. It protected any text ("or stamp") which had been written, composed or translated by Brazilian citizens, for the lifetime of the author, plus 10 years if they had any heirs. If such works were made by corporations, the protection lasted for 10 years after publication. While it was a step in the direction of an all-encompassing copyright protection, the Code of 1830 protected only written works, not any other kind of artwork; this and other issues would be criticized by scholars in the decades that followed its enactment. For example, the then- barely invented photographs were also not considered for the 1830 text, and would likely not be illegal to reproduce in the following years as the technology developed. However, one must also consider the relative difficulty it would have been, in the mid to late 19th century, to copy or otherwise reproduce (a potentially single physical copy of) a photograph without authorization from the owner.


First Republic

Following the Proclamation of the Republic in 1889, copyright protections were expanded to encompass any type of artistic work – and no longer only literary works – in the Penal Code of 1890. The duration of copyright wasn't changed; it still lasted for the lifetime of the author, plus 10 years if they had any heirs. In 1891, copyright would finally become constitutional, in the first constitution of the Brazilian republic. That, in itself, was a landmark in terms of Brazilian copyright protections. The law had a clear separation of patents and copyright, and delegated the duration of copyright to the Penal Code – as such, it remained as lifetime of the author, plus 10 years if there were heirs. On 1 August 1898, Law Nº496 was promulgated, the first to explicitly mention "author's rights". It protected an author's right to reproduce (or authorize the reproduction of) their work – be it "literary, scientific or artistic" – through "publication, translation, representation or execution of any other kind". Counting from 1 January of the year of publication, the protection lasted 50 years for exact reproductions (i.e. exact copies), but it would only protect for 10 years the exclusive right to translate or otherwise represent the work in a non-reproductive way. For dead authors, owners of a posthumous work benefit from the author's rights, lasting 50 years counting from the date of death of the author. Author's rights of anonymous or
pseudonym A pseudonym (; ) or alias () is a fictitious name that a person or group assumes for a particular purpose, which differs from their original or true name (orthonym). This also differs from a new name that entirely or legally replaces an individua ...
works belong to the work's editor, but if the author is found or discovered, they obtain the rights. Crucially, this protection wasn't automatic: it was required that works be submitted to the
National Library of Brazil The Biblioteca Nacional do Brasil (English: ''National Library of Brazil'') is the depository of the bibliographic and documentary heritage of Brazil. It is located in Rio de Janeiro, the capital city of Brazil from 1822 to 1960, more specificall ...
until 31 December of the year following the publication. For printed works, photographs and lithographs, the submission required "a copy in perfect conservation status"; for paintings, drawings, sculptures or other, a "perfectly clear" photograph of the work. A side effect of this time limit is that it would have made works created before 1897 uncopyrightable, as they would need to have been registered before the law was even promulgated.


Current copyright terms

For works where the author is known,
copyright A copyright is a type of intellectual property that gives its owner the exclusive right to copy, distribute, adapt, display, and perform a creative work, usually for a limited time. The creative work may be in a literary, artistic, educatio ...
lasts for the lifetime of the author plus 70 years, counting from 1 January of the subsequent year after their death. If the author is unknown or anonymous, any unpublished work is in the
public domain The public domain (PD) consists of all the creative work to which no exclusive intellectual property rights apply. Those rights may have expired, been forfeited, expressly waived, or may be inapplicable. Because those rights have expired, ...
. For published works where the author is anonymous or a
pseudonym A pseudonym (; ) or alias () is a fictitious name that a person or group assumes for a particular purpose, which differs from their original or true name (orthonym). This also differs from a new name that entirely or legally replaces an individua ...
, the publishing party retains copyright for 70 years after publication, again counting from 1 January of the subsequent year. If the author is found or discovered before the work's copyright expires, it reverts to being lifetime plus 70 years. Audiovisual works (such as films) and photographs are protected for 70 years after their publication, counting from 1 January of the subsequent year. Apart from expired copyright and unknown authors, works in the
public domain The public domain (PD) consists of all the creative work to which no exclusive intellectual property rights apply. Those rights may have expired, been forfeited, expressly waived, or may be inapplicable. Because those rights have expired, ...
include those from authors who have died and left no successors.


Limitations

However, copyright is not all-encompassing in Brazil – it has some limitations. The following are not considered copyright infringements: * The reproduction of: ** Laws and technical standards; ** News or informative articles, in Periodical literature, periodicals, as long as the name of the original author (if there is one) and of the original publication are mentioned; ** Public speeches, in periodicals; ** Portraits or any other form of image representation, made-to-order, when reproduced by the owner, given that there is no opposition by the person represented in them or by their heirs; ** Literary work, Literary, Work of art, artistic or scientific works, for exclusive use by the visually impaired, as long as the reproduction is noncommercial and uses braille or other appropriated procedure; * The nonprofit reproduction, in a single exemplar of few excerpts, for private use by the copyist, if made by themself; * The quotation in books, newspapers, magazines or any other means of communication, of sections of any work, for the purpose of study, criticism or controversy, of a justifiable amount of content, indicating the name of the author and the source of the work; * The collection of Note-taking, lecture notes in an education institution by who they are directed to, barred their publication, in whole or in part, without authorization by the lecturer; * The use of literary, artistic or scientific works, audio recordings and radio or television transmissions in commercial establishments, exclusively for demonstration to clients, as long as these establishments Commerce, commercialize support or equipments that allow for its use; * Performing arts, Theatrical representation and musical execution, when done at home or for exclusively Teaching, didactic reasons in education establishments, given it is not-for-profit; * The use of literary, artistic or scientific works to produce judiciary or administrative Evidence (law), evidence; * The reproduction, in any work, of small sections of existing works, of any nature, or of the full work, when dealing with plastic arts, whenever the reproduction itself is not the main purpose of the new work and that it does not harm the normal exploration of the reproduced work or cause unjustifiable loss to the interests of the original authors. Paraphrase, Paraphrasing and parodying are also allowed, given that they are neither faithful reproductions of the originating work, nor disparaging to it. Additionally, Brazilian law has a freedom of panorama clause, concerning permanently displayed works in the public space. It allows for their reproduction through paintings, drawings, photographs and "audiovisual procedures".


Fair dealing

Brazilian copyright law does not refer to its self-imposed limitations as "fair dealing" (or "fair use"), although some of them – such as the right to quote – could be considered as such. That said, the law has a specific clause preventing what is most commonly referred to, usually in online spaces, as "fair use":


Notes


References


Bibliography

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External links


Portal Domínio Público
– Government's public domain portal
Brasiliana Fotográfica
– Portal for the National Library's photographic collection, Copyright law by country, Brazil Brazilian intellectual property law {{Brazil-law-stub