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''Collier's'' was an American general interest magazine founded in 1888 by Peter F. Collier, Peter Fenelon Collier. It was launched as ''Collier's Once a Week'', then renamed in 1895 as ''Collier's Weekly: An Illustrated Journal'', shortened in 1905 to ''Collier's: The National Weekly'' and eventually to simply ''Collier's''. The magazine ceased publication with the issue dated the week ending January 4, 1957, although a brief, failed attempt was made to revive the Collier's name with a new magazine in 2012.
As a result of Peter Collier's pioneering investigative journalism, ''Collier's'' established a reputation as a proponent of social reform. After lawsuits by several companies against ''Collier's'' ended in failure, other magazines joined in what Theodore Roosevelt described as "Muckraker, muckraking journalism." Sponsored by Nathan S. Collier (a descendant of Peter Collier), the Peter Fenelon Collier#The Collier Prize for State Government Accountability, Collier Prize for State Government Accountability was created in 2019. The annual US$25,000 prize is one of the largest List of American journalism awards, American journalism prizes, and it was established to honor Peter Collier’s legacy and contributions in the field of investigative reporting.
collectingoldmagazines.com. Also ''The American Magazine'' by Janello & Jones, 1991. With the issued dated April 28, 1888, ''Collier's Once a Week'' was launched as a magazine of "fiction, fact, sensation, wit, humor, news". It was sold with the biweekly Collier's Library of novels and popular books at bargain rates and as a stand-alone priced at seven cents. By 1892, with a circulation climbing past the 250,000 mark, ''Collier's Once a Week'' was one of the largest selling magazines in the United States. The name was changed to ''Collier's Weekly: An Illustrated Journal'' in 1895 or the longer title ''Collier's Weekly: An Illustrated Journal of Art, Literature & Current Events''. With an emphasis on news, the magazine became a leading exponent of the halftone news picture. To fully exploit the new technology, Collier recruited Jimmy Hare, James H. Hare, one of the pioneers of photojournalism. Collier's only son, Robert J. Collier, became a full partner in 1898. By 1904, the magazine was known as ''Collier's: The National Weekly''. Peter Collier died in 1909. When Robert Collier died in 1918, he left a will that turned the magazine over to three of his friends, Samuel Dunn, Harry Payne Whitney and Francis Patrick Garvan. Robert J. Collier won a lawsuit against Post Consumer Brands, Postum Cereal Company and was awarded $50,000 in damages, but in 1912 an appeals court then handed down a majority decision that Postum deserved a new trial. The Postum Company believed that Collier's weekly used magazine coverage to attack their company's products in retaliation for not advertising in Collier's after Collier's wrote against a Grape-Nuts's claim that it was an "A Food for Brain and Nerves." Postum then bought advertising pages in major newspapers in retaliation. The magazine was sold in 1919 to the Crowell Publishing Company, which in 1939 was renamed as Crowell Collier Publishing Company, Crowell-Collier Publishing Company. In 1924, Crowell moved the printing operations from New York to Springfield, Ohio, but kept the editorial and business departments in New York. Reasons given for moving print operations included conditions imposed by unions in the printing trade, expansion of the Gansevoort Market into the property occupied by the Collier plant, and "excessive postage involved in mailing from a seaboard city under wartime postal rates. After 1924, printing of the magazine was done at the Crowell-Collier printing plant on West High Street in Springfield, Ohio. The factory complex, much of which is no longer standing (finally razed in 2020), was built between 1899 and 1946, and incorporated seven buildings that together had more than ——of floor space.
mask design for that cover
was repeated by many other illustrators in subsequent adaptations and reprints. A 1951 condensed version of the book Day of the Triffids by John Wyndham also appeared.
When Norman Hapgood became editor of ''Collier's'' in 1903, he attracted many leading writers. In May 1906, he commissioned Jack London to cover the 1906 San Francisco earthquake, San Francisco earthquake, a report accompanied by 16 pages of pictures. Under Hapgood's guidance, ''Collier's'' began publishing the work of investigative journalists such as Samuel Hopkins Adams, Ray Stannard Baker, C.P. Connolly and Ida Tarbell. Hapgood's approach had great impact, resulting in such changes as the reform of the child labor laws, Slum clearance in the United States, slum clearance and women's suffrage. In April 1905, an article by Upton Sinclair, "Is Chicago Meat Clean?", persuaded the Senate to pass the 1906 Meat Inspection Act.
Starting October 7, 1905, Adams startled readers with "s:The Great American Fraud, The Great American Fraud", an 11-part ''Collier's'' series. Analyzing the contents of popular patent medicines, Adams pointed out that the companies producing these medicines were making false claims about their products and some were health hazards. Hapgood launched the series with the following editorial:
"The Great American Fraud" had a powerful impact and led to the first Pure Food and Drug Act (1906). The entire series was reprinted by the American Medical Association in a book, ''The Great American Fraud'', which sold 500,000 copies at 50 cents each.
Hapgood had a huge influence on public opinion, and between 1909 and 1912, he succeeded in doubling the circulation of ''Collier's'' from a half million to a million. When he moved on to ''Harper's Magazine, Harper's Weekly'' in 1912, he was replaced as editor for the next couple years by Robert J. Collier, the son of the founder. Arthur H. Vandenberg, later to become a prominent United States Senate, Senator, had a brief stint as a ''Collier's'' editor during the 1900s. H. C. Witwer was a war correspondent in France during World War I. Rob Wagner covered the film industry for ''Collier's'' during the 1920s. They reversed their position on prohibition in 1925. This was due to the difficulty in enforcing the referendum, and people's unwillingness to stay away from alcohol. The new law brought about bribing, thieving, corruption and other ills, which far exceeded their expectations. This new alignment gained favor with the public and helped to rebuild circulation.
Writers such as Martha Gellhorn and Ernest Hemingway, who reported on the Spanish Civil War, helped boost the circulation. Winston Churchill, who wrote an account of the World War I, First World War, was a regular contributor during the 1930s, but his series of articles ended in 1939 when he became a Minister (government), minister in the United Kingdom, British government. Carl Fick was a ''Collier's'' staff writer prior to World War II.
The circulation battle with ''The Saturday Evening Post'' led to the creation of ''The Collier Hour'', broadcast 1927–32 on the Blue Network, NBC Blue Network. It was radio's first major dramatic anthology series, adapting stories and serials from ''Collier's''. The hour-long program initially aired on the Wednesday before weekly publication, but switched to Sundays to avoid spoilers with stories that appeared simultaneously in the magazine. In 1929 the program began to incorporate music, news, sports and comedy with the dramatic content of the show.
Book
''Collier's: The National Weekly''
collection at the Internet Archive
Finding Aid, Crowell-Collier Publishing Company Records, 1931-1955
(PDF). The New York Public Library Humanities and Social Sciences Library Manuscripts and Archives Division.
''Collier's'' cartoons
First ''Collier's'' cartoon sale by Jack Cole
Online archive of ''Collier's'' covers
''Catalogue of the Collier collection, an important collection of original drawings and paintings by distinguished American painters and illustrators, works especially executed for and exclusively reproduced in Collier's weekly''
P. F. Collier & Son, 1905 {{Authority control Collier's, 1888 establishments in Ohio 1957 disestablishments in New York (state) Defunct literary magazines published in the United States Defunct political magazines published in the United States Magazines established in 1888 Magazines disestablished in 1957 Magazines published in New York City Magazines published in Ohio News magazines published in the United States Progressive Era in the United States Weekly magazines published in the United States
''Collier's'' was an American general interest magazine founded in 1888 by Peter F. Collier, Peter Fenelon Collier. It was launched as ''Collier's Once a Week'', then renamed in 1895 as ''Collier's Weekly: An Illustrated Journal'', shortened in 1905 to ''Collier's: The National Weekly'' and eventually to simply ''Collier's''. The magazine ceased publication with the issue dated the week ending January 4, 1957, although a brief, failed attempt was made to revive the Collier's name with a new magazine in 2012.
As a result of Peter Collier's pioneering investigative journalism, ''Collier's'' established a reputation as a proponent of social reform. After lawsuits by several companies against ''Collier's'' ended in failure, other magazines joined in what Theodore Roosevelt described as "Muckraker, muckraking journalism." Sponsored by Nathan S. Collier (a descendant of Peter Collier), the Peter Fenelon Collier#The Collier Prize for State Government Accountability, Collier Prize for State Government Accountability was created in 2019. The annual US$25,000 prize is one of the largest List of American journalism awards, American journalism prizes, and it was established to honor Peter Collier’s legacy and contributions in the field of investigative reporting.
History
Peter F. Collier (1849–1909) left Ireland for the U.S. at age 17. Although he went to a seminary to become a priest, he instead started work as a salesman for P. J. Kenedy, publisher of books for the Roman Catholic market. When Collier wanted to boost sales by offering books on a subscription plan, it led to a disagreement with Kenedy, so Collier left to start his own subscription service. ''P. F. Collier & Son'' began in 1875, expanding into the largest subscription house in America with sales of 30 million books during the 1900–1910 decade."Collier's Rise and Fall"collectingoldmagazines.com. Also ''The American Magazine'' by Janello & Jones, 1991. With the issued dated April 28, 1888, ''Collier's Once a Week'' was launched as a magazine of "fiction, fact, sensation, wit, humor, news". It was sold with the biweekly Collier's Library of novels and popular books at bargain rates and as a stand-alone priced at seven cents. By 1892, with a circulation climbing past the 250,000 mark, ''Collier's Once a Week'' was one of the largest selling magazines in the United States. The name was changed to ''Collier's Weekly: An Illustrated Journal'' in 1895 or the longer title ''Collier's Weekly: An Illustrated Journal of Art, Literature & Current Events''. With an emphasis on news, the magazine became a leading exponent of the halftone news picture. To fully exploit the new technology, Collier recruited Jimmy Hare, James H. Hare, one of the pioneers of photojournalism. Collier's only son, Robert J. Collier, became a full partner in 1898. By 1904, the magazine was known as ''Collier's: The National Weekly''. Peter Collier died in 1909. When Robert Collier died in 1918, he left a will that turned the magazine over to three of his friends, Samuel Dunn, Harry Payne Whitney and Francis Patrick Garvan. Robert J. Collier won a lawsuit against Post Consumer Brands, Postum Cereal Company and was awarded $50,000 in damages, but in 1912 an appeals court then handed down a majority decision that Postum deserved a new trial. The Postum Company believed that Collier's weekly used magazine coverage to attack their company's products in retaliation for not advertising in Collier's after Collier's wrote against a Grape-Nuts's claim that it was an "A Food for Brain and Nerves." Postum then bought advertising pages in major newspapers in retaliation. The magazine was sold in 1919 to the Crowell Publishing Company, which in 1939 was renamed as Crowell Collier Publishing Company, Crowell-Collier Publishing Company. In 1924, Crowell moved the printing operations from New York to Springfield, Ohio, but kept the editorial and business departments in New York. Reasons given for moving print operations included conditions imposed by unions in the printing trade, expansion of the Gansevoort Market into the property occupied by the Collier plant, and "excessive postage involved in mailing from a seaboard city under wartime postal rates. After 1924, printing of the magazine was done at the Crowell-Collier printing plant on West High Street in Springfield, Ohio. The factory complex, much of which is no longer standing (finally razed in 2020), was built between 1899 and 1946, and incorporated seven buildings that together had more than ——of floor space.
Fiction
''Collier's'' popularized the short-short story which was often planned to fit on a single page. Knox Burger was ''Collier's'' fiction editor from 1948 to 1951 when he left to edit books for Dell and Fawcett Publications; he was replaced by Eleanor Stierhem Rawson. The numerous authors who contributed fiction to ''Collier's'' included F. Scott Fitzgerald, Ray Bradbury, Eleanor Hoyt Brainerd, Willa Cather, Roald Dahl, Jack Finney, Erle Stanley Gardner, Zane Grey, Ring Lardner, Sinclair Lewis, E. Phillips Oppenheim, J. D. Salinger, Kurt Vonnegut, Louis L'Amour, Albert Payson Terhune and Walter Tevis. Humor writers included Parke Cummings and H. Allen Smith. Serializing novels during the late 1920s, ''Collier's'' sometimes simultaneously ran two ten-part novels, and non-fiction was also serialized. Between 1913 and 1949, Sax Rohmer's Fu Manchu serials, illustrated by Joseph Clement Coll and others, were hugely popular. The first three Fu Manchu novels by Rohmer were actually compilations of 29 short stories that Rohmer wrote for ''Collier’s''. ''The Mask of Fu Manchu'', which was adapted into The Mask of Fu Manchu, a 1932 film and a 1951 Wally Wood comic book, was first published as a 12-part ''Collier's'' serial, running from May 7 to July 23, 1932. The May 7 issue displayed a memorable cover illustration by famed maskmaker Władysław T. Benda, and himask design for that cover
was repeated by many other illustrators in subsequent adaptations and reprints. A 1951 condensed version of the book Day of the Triffids by John Wyndham also appeared.
Illustrators
Leading illustrators contributed to the covers of ''Collier's''. They included C. C. Beall, Wladyslaw T. Benda, W.T. Benda, Chesley Bonestell, Charles R. Chickering, Howard Chandler Christy, Arthur Crouch, Harrison Fisher, James Montgomery Flagg, Alan Foster, Charles Dana Gibson, Vernon Simeon Plemion Grant, Vernon Grant, Emil Hering, Earl Oliver Hurst, Alonzo Myron Kimball (artist), Alonzo Myron Kimball, Percy Leason, Frank Xavier Leyendecker, Frank X. Leyendecker, Joseph Christian Leyendecker, J. C. Leyendecker, Paul Martin (illustrator), Paul Martin, John Alan Maxwell, Ronald McLeod, John Cullen Murphy, Maxfield Parrish, Edward Penfield, Robert O. Reed, Frederic Remington, Anthony Saris, John French Sloan, John Sloan, Jessie Willcox Smith, Frederic Dorr Steele, Emmett Watson (illustrator), Emmett Watson, Jon Whitcomb and Lawson Wood. Other top illustrators contributed prolifically to their short stories. They included Harold Mathews Brett, Richard V. Culter, Robert Fawcett, Denver Gillen and Quentin Reynolds. In 1903, Charles Dana Gibson, Gibson signed a $100,000 contract, agreeing to deliver 100 pictures (at $1000 each) during the next four years. From 1904 to 1910, Maxfield Parrish, Parrish was under exclusive contract to ''Collier's'', which published his famed ''Arabian Nights'' paintings in 1906-07.Investigative journalism
When Norman Hapgood became editor of ''Collier's'' in 1903, he attracted many leading writers. In May 1906, he commissioned Jack London to cover the 1906 San Francisco earthquake, San Francisco earthquake, a report accompanied by 16 pages of pictures. Under Hapgood's guidance, ''Collier's'' began publishing the work of investigative journalists such as Samuel Hopkins Adams, Ray Stannard Baker, C.P. Connolly and Ida Tarbell. Hapgood's approach had great impact, resulting in such changes as the reform of the child labor laws, Slum clearance in the United States, slum clearance and women's suffrage. In April 1905, an article by Upton Sinclair, "Is Chicago Meat Clean?", persuaded the Senate to pass the 1906 Meat Inspection Act.
Starting October 7, 1905, Adams startled readers with "s:The Great American Fraud, The Great American Fraud", an 11-part ''Collier's'' series. Analyzing the contents of popular patent medicines, Adams pointed out that the companies producing these medicines were making false claims about their products and some were health hazards. Hapgood launched the series with the following editorial:
"The Great American Fraud" had a powerful impact and led to the first Pure Food and Drug Act (1906). The entire series was reprinted by the American Medical Association in a book, ''The Great American Fraud'', which sold 500,000 copies at 50 cents each.
Hapgood had a huge influence on public opinion, and between 1909 and 1912, he succeeded in doubling the circulation of ''Collier's'' from a half million to a million. When he moved on to ''Harper's Magazine, Harper's Weekly'' in 1912, he was replaced as editor for the next couple years by Robert J. Collier, the son of the founder. Arthur H. Vandenberg, later to become a prominent United States Senate, Senator, had a brief stint as a ''Collier's'' editor during the 1900s. H. C. Witwer was a war correspondent in France during World War I. Rob Wagner covered the film industry for ''Collier's'' during the 1920s. They reversed their position on prohibition in 1925. This was due to the difficulty in enforcing the referendum, and people's unwillingness to stay away from alcohol. The new law brought about bribing, thieving, corruption and other ills, which far exceeded their expectations. This new alignment gained favor with the public and helped to rebuild circulation.
Writers such as Martha Gellhorn and Ernest Hemingway, who reported on the Spanish Civil War, helped boost the circulation. Winston Churchill, who wrote an account of the World War I, First World War, was a regular contributor during the 1930s, but his series of articles ended in 1939 when he became a Minister (government), minister in the United Kingdom, British government. Carl Fick was a ''Collier's'' staff writer prior to World War II.
Cartoonists
The magazine's roster of top cartoonists included Charles Addams, Carl Thomas Anderson, Carl Anderson, Stan and Jan Berenstain, Sam Berman, Sam Cobean, Jack Cole (artist), Jack Cole, A. B. Frost, Ralph Fuller, Dave Gerard (cartoonist), Dave Gerard, Vernon Simeon Plemion Grant, Vernon Grant, Jay Irving, Crockett Johnson, E. W. Kemble, Hank Ketcham, George Lichty, David Low (cartoonist), David Low, Bill Mauldin, Virgil Partch, Mischa Richter, William Steig, Charles Henry "Bill" Sykes, Richard Taylor, Gluyas Williams, Gahan Wilson and Rowland B. Wilson. Irving's association with ''Collier's'' began in 1932, and his "Collier's Cops" became a mainstay of the magazine during his 13-year association with it. Kate Osann's ''Tizzy'' cartoons first appeared in ''Collier's''. The redheaded Tizzy was a teenage American girl who wore horn-rimmed glasses with triangular lenses. ''Tizzy'' was syndicated by United Media, NEA after ''Collier's'' folded. The cartoons were in color in ''Collier's'' but black-and-white in syndication and paperback reprints. After World War II, Harry Devlin became the top editorial cartoonist at ''Collier's'', one of the few publications then displaying editorial cartoons in full color. During the 1940s, Gurney Williams was the cartoon editor for ''Collier's'', ''American Magazine'' and ''Woman's Home Companion'', paying $40 to $150 for each cartoon. From a staggering stack of some 2000 submissions each week, Williams made a weekly selection of 30 to 50 cartoons, lamenting: Joseph Barbera, before he found fame in animation, had several cartoons published in ''Collier's'' in the late 1920s and early 1930s.Radio
The circulation battle with ''The Saturday Evening Post'' led to the creation of ''The Collier Hour'', broadcast 1927–32 on the Blue Network, NBC Blue Network. It was radio's first major dramatic anthology series, adapting stories and serials from ''Collier's''. The hour-long program initially aired on the Wednesday before weekly publication, but switched to Sundays to avoid spoilers with stories that appeared simultaneously in the magazine. In 1929 the program began to incorporate music, news, sports and comedy with the dramatic content of the show.
Later years
During World War II with William L. Chenery as editor (1941), ''Collier's'' readership reached 2.5 million. In the October 14, 1944, issue, the magazine published one of the first articles about concentration camps. It was Jan Karski's "Polish Death Camp," a harrowing account of his visit to Belzec extermination camp, Belzec. The now problematic title is explored in "Polish death camp" controversy, "Polish death camp controversy" (under heading "use and reactions"). Karski's book ''Story of a Secret State'' (which contained the ''Collier's'' excerpt), was published later that year by Houghton Mifflin. It became a Book of the Month Club selection, and bestseller with 400,000 copies sold in 1944-45. The ''Collier's'' selection was reprinted in Robert H. Abzug's ''America Views the Holocaust: 1933-1945'' (Palgrave, 1999). ''Collier's'' had a circulation of 2,846,052 when Walter Davenport took over as editor in 1946, but the magazine began to lose readers during the post-World War II years. ''Collier's'' published a regular men's fashion feature contributed by ''Esquire (magazine), Esquire'' co-founder Henry L. Jackson and also published long-awaited images from the 200-inch (5.08 m) Hale telescope's first light (astronomy), first light in 1949. In the early 1950s, ''Collier's'' ran a groundbreaking series of science-based articles speculating on space flight, ''Man Will Conquer Space Soon!'', which prompted the general public to seriously consider the possibility of a trip to the moon, with the percentage of Americans who believed a manned lunar trip could happen within 50 years changing from 15% to 38% by 1955. In 1951, an entire issue described the events and outcome of a hypothetical war between the United States and the Soviet Union, entitled ''Preview of the War We Do Not Want''. ''Collier's'' changed from a weekly to a biweekly in August 1953, but it continued to lose money. In 1954, John O'Hara became a columnist with his "Appointment with O'Hara" column. The magazine ceased publication with the issue for the week ending January 4, 1957. Grace Kelly, Princess Grace of Monaco was featured on the cover, pregnant with her first child Caroline, Princess of Hanover, Caroline.Books
The company also published the ''Collier's Encyclopedia'', Collier Books and the ''Collier's Year Book''. Patricia Fulford edited ''Over 100 Best Cartoons from Collier's, Ladies Home Journal, Redbook, The American Magazine, Saturday Evening Post, The New Yorker, Argosy, Sport'' (Checkerbooks, 1949), and ''Collier's'' cartoon editor Gurney Williams edited ''Collier's Kids: Cartoons from Collier's About Your Children'', Holt, 1952. ''Collier's'' fiction editor Knox Burger chose 19 stories for ''Collier's Best'' (Harper & Bros., 1951), and he also selected ''Best Stories from Collier's'' (William Kimber, 1952). A huge history and collection appeared with the publication of the 558-page ''A Cavalcade of Collier's'', edited by Kenneth McArdle (Barnes, 1959). Cornelius Ryan's 1957 book ''One Minute to Ditch!'', about the successful ocean ditching of a Pan American Boeing 377 Stratocruiser, was an expansion of his ''Collier's'' article in the December 21, 1956. Ryan was an associate editor of the magazine during the mid-1950s, and the novelist Lonnie Coleman was an editorial associate during that same period.Facts
Titles
* Collier's Once a Week (1888-1889) * Once a Week, an Illustrated Weekly Newspaper (1889-1895) * Collier's Weekly, an Illustrated Journal (1895-1904) * Collier's, The National Weekly (1905-1957)First and Last Issues
* First Issue: April 28, 1888 * Last Issue: January 4, 1957Publishing Frequency
* Weekly (1888-1935) * Fortnightly (1953-1957)Publishers
* P.F. Collier, New York (1888-1900) * P.F. Collier and Son, New York (1900-1919) * P.F. Collier & Son Company, editorial offices, New York; publication offices, Springfield, Ohio (1919-1934) * Crowell Publishing Company, editorial offices, New York; publication offices, Springfield, Ohio (1934-1939) * Crowell-Collier Publishing Company, editorial offices, New York; publication offices, Springfield, Ohio (1939-1957)Editors
* Nugent Robinson (1888-1890) * Mayo Williamson Hazeltine (1891) * Julius Chambers (1892-1893) * T.B. Connory (1893-1896) * Daniel Lyons (1896-1898) * Robert Joseph Collier (1898-1902) * Norman Hapgood (1902-1913) * Mark Sullivan (journalist), Mark Sullivan (1913-1917) * Finley Peter Dunne (1917-1919) * Harford Powel Jr. (1919-1922) * Richard J. Walsh (1922-1924) * Loren Palmer (1924-1925) * William L. Chenery (1925-1943) * Charles Colebaugh (1943-1944) * Henry La Cossitt (1944-1946) * Walter Davenport (1946-1949) * Louis Ruppel (1949-1952) * Roger Dakin (1952-1955) * Kenneth McArdle (1955-1957) * Paul Clifford Smith, editor-in-chief, (1954-1957)See also
* "Mnemonics (short story), Mnemonics" by Kurt Vonnegut * "The Mother Hive" by Rudyard Kipling * "The Package (short story), The Package" by Kurt Vonnegut * "Poison (story), Poison" by Roald Dahl * "Thanasphere" by Kurt Vonnegut * "There Will Come Soft Rains (short story), There Will Come Soft Rains" by Ray BradburyReferences
Sources
*Book
External links
''Collier's: The National Weekly''
collection at the Internet Archive
Finding Aid, Crowell-Collier Publishing Company Records, 1931-1955
(PDF). The New York Public Library Humanities and Social Sciences Library Manuscripts and Archives Division.
''Collier's'' cartoons
First ''Collier's'' cartoon sale by Jack Cole
Online archive of ''Collier's'' covers
''Catalogue of the Collier collection, an important collection of original drawings and paintings by distinguished American painters and illustrators, works especially executed for and exclusively reproduced in Collier's weekly''
P. F. Collier & Son, 1905 {{Authority control Collier's, 1888 establishments in Ohio 1957 disestablishments in New York (state) Defunct literary magazines published in the United States Defunct political magazines published in the United States Magazines established in 1888 Magazines disestablished in 1957 Magazines published in New York City Magazines published in Ohio News magazines published in the United States Progressive Era in the United States Weekly magazines published in the United States