Clara Weaver Parrish
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Clara Minter Parrish ( Weaver; March 16, 1861 – November 11, 1925) was an American artist from
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. Although she produced a large amount of work in a wide array of
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, she is best known for her paintings and stained glass window designs. She was inducted into the Alabama Women's Hall of Fame in 1983.


Early life

Clara Minter Weaver was born at the Minter family's
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plantation, Emerald Place, near
Sardis Sardis () or Sardes (; Lydian: 𐤳𐤱𐤠𐤭𐤣 ''Sfard''; el, Σάρδεις ''Sardeis''; peo, Sparda; hbo, ספרד ''Sfarad'') was an ancient city at the location of modern ''Sart'' (Sartmahmut before 19 October 2005), near Salihli, ...
(southeast of
Selma Selma may refer to: Places *Selma, Algeria *Selma, Nova Scotia, Canada *Selma, Switzerland, village in the Grisons United States: *Selma, Alabama, city in Dallas County, best known for the Selma to Montgomery marches *Selma, Arkansas *Selma, Cali ...
), on March 16, 1861. Her parents were William M. Weaver and Lucia Frances Minter, both from locally prominent families. Her paternal grandparents were Phillip J. Weaver and Ann P. Gardner. Her maternal grandparents were William T. Minter and Susan A. Bell. William and Lucia Weaver cultivated their daughter's talent in the arts. She excelled in her artistic endeavors and was sent in the early 1880s to study at the Art Students League of New York. She was taught by the likes of
William Merritt Chase William Merritt Chase (November 1, 1849October 25, 1916) was an American painter, known as an exponent of Impressionism and as a teacher. He is also responsible for establishing the Chase School, which later would become Parsons School of Design. ...
,
Kenyon Cox Kenyon Cox (October 27, 1856 – March 17, 1919) was an American painter, illustrator, muralist, writer, and teacher. Cox was an influential and important early instructor at the Art Students League of New York. He was the designer of the League ...
,
Henry Siddons Mowbray Harry Siddons Mowbray (August 5, 1858 – 1928) was an American artist. He executed various painting commissions for J.P. Morgan, F.W. Vanderbilt, and other clients. He served as director of the American Academy in Rome from 1902–1904. Bio ...
, and Julian Alden Weir. During this time she frequently returned to Selma, where she met her future husband, William Peck Parrish, a native of nearby
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. They were married in October 1889 in Selma.


Marriage and career

The Parrish couple relocated to New York in 1890, where Clara continued her artistic pursuits and William worked as a stockbroker in the
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. She was exhibiting her paintings widely within a few years, including the
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in
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in 1893. During the 1890s, she also began promoting women artists while serving as an officer in the
Woman's Art Club of New York The Woman's Art Club of New York was founded in New York City in 1889 and provided a means for social interaction and marketing of women's works of art. The club accepted members from the United States and abroad. In 1913, the group changed its name ...
. The couple eventually had two daughters, both of whom died very young. Following the death of one of these children she developed an interest in mosaic, mural, and stained glass design. She became a designer for
Louis Comfort Tiffany Louis Comfort Tiffany (February 18, 1848 – January 17, 1933) was an American artist and designer who worked in the decorative arts and is best known for his work in stained glass. He is the American artist most associated with the Art NouveauL ...
at his Tiffany Glass & Decorating Company (later renamed
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) and worked on many of his commissions, including the windows for New York's St. Michael's Church in 1895. She also designed a number of windows for Alabama churches during this period, including the Church of the Holy Cross in Uniontown, Christ Episcopal Church, Tuscaloosa, Alabama, and, in Selma, both First Baptist Church and St. Paul's Episcopal Church. She illustrated a book of African American folklore by Martha Sawyer Gielow in 1898. Gielow, another Alabama native, was known for her
slave narrative The slave narrative is a type of literary genre involving the (written) autobiographical accounts of enslaved Africans, particularly in the Americas. Over six thousand such narratives are estimated to exist; about 150 narratives were published as s ...
s and children's stories. Parrish's husband died from a heart attack while on a train from Washington D.C. to their home in New York on April 29, 1901. This left her a widow at age forty. She continued her work, exhibiting at the Exposition Universelle in Paris during 1900. Her painting, in the Art Nouveau style, was influenced by her work in stained glass.


Later life and death

Although Parrish had previously traveled back and forth between New York and France often, she relocated for several years beginning in 1910. She exhibited at the Salon in Paris and Royal Academy in London. While there she studied at the Académie Colarossi and visited cathedrals to study medieval stained glass. She traveled extensively in France and Italy. For many years she maintained a studio in Paris at No. 83
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. She returned to New York in 1914. She died on November 11, 1925 at her New York City home. She was interred beside her husband in the Weaver plot at Old Live Oak Cemetery in Selma, Alabama. Her will established the Weaver-Parrish Memorial Trust, which provides aid to the needy of Selma and Dallas County to the present day. It also provides a college scholarship every other year to a graduate of Selma High School.


References

{{DEFAULTSORT:Parrish, Clara Weaver 1861 births 1925 deaths Artists from Alabama People from Selma, Alabama Art Students League of New York alumni Académie Colarossi alumni Art Nouveau painters Art Nouveau designers Art Nouveau illustrators 20th-century American painters American stained glass artists and manufacturers American illustrators Tonalism 20th-century American women artists