Music career
Kress started on piano before picking up the banjo. Beginning in 1926, he played guitar during his brief period in Paul Whiteman's orchestra. For most of his career, he was a studio musician and sideman buried in large orchestras, and his name was little known. His work in the 1920s and 1930s included sessions with The Boswell Sisters, The Dorsey Brothers, Bix Beiderbecke, Hoagy Carmichael, Miff Mole, Red Nichols, Adrian Rollini, and Frankie Trumbauer. Outside of orchestras, Kress played in several guitar duets with Eddie Lang (1932), Dick McDonough (1934, 1937), Tony Mottola (1941), and George Barnes (musician), George Barnes (1961–1965). In 1938 and 1939, he made some solo recordings, the songs "Peg Leg Shuffle", "Helena", "Love Song", "Sutton Mutton", and "Afterthoughts". During the 1940s, he played Dixieland jazz with Bobby Hackett, Pee Wee Russell, and Muggsy Spanier. Kress was married to Helen Carroll, a native of Bloomington, Indiana, Bloomington, Indiana, who moved to New York City to become a singer. She was a member of the Satisifiers and sang with Perry Como, Frank Sinatra, and Jo Stafford. Carl and Helen Kress lived in Manhasset, New York, Manhasset, New York. Carl Kress died of a heart attack in 1965 while he was on tour with George Barnes (musician) in Reno, Nevada.Technique
Like many early jazz guitarists, Kress played banjo before Jazz guitarist#Replacing the banjo, switching to guitar. The tenor banjo tunes its consecutive strings in musical interval, intervals of perfect fifth, fifths, : C-G-D-A, and Kress adapted this all-fifths tuning for his guitar : B-F-C-G-D-A,: : : although he reentrant tuning, down-tuned the A-string an octave. Before switching to fifths tuning, Kress used other tunings on the banjo and tenor guitar. His fifths-tuning gave Kress's playing "fuller chords and basslines", according to Richard Lieberson. When Kress's duets with Dick McDonough were published, they were transposition (music), transposed from his fifths tuning to guitar tuning, standard tuning. All-fifths tuning is used by other instruments besides tenor banjos. For example, it is used by mandolins, violins, mandolas, violas, mandocellos, and cellos.Discography
As leader
* ''Original Guitar Solos'' (Decca Records, Decca, 1940) * ''Something Tender'' with George Barnes (musician), George Barnes (United Artists Records, United Artists, 1962) * ''Guitar Galaxies'' (Mercury, 1962) * ''Town Hall Concert'' with George Barnes (United Artists, 1963) * ''Guitars, Anyone? Why Not Start at the Top?'' with George Barnes (Carney, 1963) * ''The Guitar Genius of Dick McDonough & Carl Kress in the Thirties'' (Jazz Archives, 1976) * ''Two Guitars Volume 1'' with George Barnes (Stash Records, Stash, 1983) * ''Two Guitars and a Horn Volume II'' with George Barnes, Bud Freeman (Stash, 1983) * ''Pioneers of the Jazz Guitar'' (Yazoo Records, Yazoo, 1992)As sideman
* Louis Armstrong, ''Satchmo in Style'' (1959) * Bix Beiderbecke, ''The Bix Beiderbecke Story Volume 2: Bix and Tram'' (Columbia, 1952) * Erskine Butterfield, ''Just for Kicks'' (Livingston, 1955) * Helen Carroll and the Satisfiers, Helen Caroll, ''Singin' & Swingin' '' (Stere-O-Craft, 1958) * Bob Crosby, ''South Pacific Blows Warm'' (1958) * Jimmy Dorsey, ''Dixie by Dorsey'' (1950) * Jimmy McPartland, ''Shades of Bix'' (Brunswick, 1953) * Red Nichols, ''Rhythm of the Day'' (1983) * Jack Teagarden, ''Jazz Great'' (Bethlehem, 1955) * Jack Teagarden/Maxine Sullivan, ''My Memories of You'' (Everest, 1956)References
{{DEFAULTSORT:Kress, Carl 1907 births 1965 deaths Musicians from Newark, New Jersey Guitarists from New Jersey American jazz guitarists Inventors of musical tunings 20th-century American guitarists The Dorsey Brothers members