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Eusebian canons, Eusebian sections or Eusebian apparatus, also known as Ammonian sections, are the system of dividing the four Gospels used between
late Antiquity Late antiquity is the time of transition from classical antiquity to the Middle Ages, generally spanning the 3rd–7th century in Europe and adjacent areas bordering the Mediterranean Basin. The popularization of this periodization in English ha ...
and the
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. The divisions into chapters and verses used in modern texts date only from the 13th and 16th centuries, respectively. The sections are indicated in the margin of nearly all Greek and Latin manuscripts of the
Bible The Bible (from Koine Greek , , 'the books') is a collection of religious texts or scriptures that are held to be sacred in Christianity, Judaism, Samaritanism, and many other religions. The Bible is an anthologya compilation of texts ...
, and usually summarized in canon tables at the start of the Gospels. There are about 1165 sections: 355 for Matthew, 235 for
Mark Mark may refer to: Currency * Bosnia and Herzegovina convertible mark, the currency of Bosnia and Herzegovina * East German mark, the currency of the German Democratic Republic * Estonian mark, the currency of Estonia between 1918 and 1927 * F ...
, 343 for Luke, and 232 for
John John is a common English name and surname: * John (given name) * John (surname) John may also refer to: New Testament Works * Gospel of John, a title often shortened to John * First Epistle of John, often shortened to 1 John * Secon ...
; the numbers, however, vary slightly in different manuscripts. The canon tables were made to create a sense of divinity within the reader’s soul, to understand and reflect upon the various colors and patterns to achieve a higher connection with God.


Authorship

Until the 19th century it was mostly believed that these divisions were devised by Ammonius of Alexandria, at the beginning of the 3rd century ( 220), in connection with a ''Harmony of the Gospels'', now lost, which he composed. It was traditionally believed that he divided the four Gospels into small numbered sections, which were similar in content where the narratives are parallel. He then wrote the sections of the three last Gospels, or simply the section numbers with the name of the respective evangelist, in parallel columns opposite the corresponding sections of the Gospel of Matthew, which he had chosen as the basis of his
gospel harmony A gospel harmony is an attempt to compile the canonical gospels of the Christian New Testament into a single account. This may take the form either of a single, merged narrative, or a tabular format with one column for each gospel, technically kn ...
. It is now believed that the work of Ammonius was restricted to what Eusebius of Caesarea (265-340) states concerning it in his letter to Carpianus, namely, that he placed the parallel passages of the last three Gospels alongside the text of Matthew, and the sections traditionally credited to Ammonius are now ascribed to Eusebius, who was always credited with the final form of the tables.


The Eusebian Tables

The harmony of Ammonius suggested to Eusebius, as he says in his letter, the idea of drawing up ten tables (''kanones'') in which the sections in question were so classified as to show at a glance where each Gospel agreed with or differed from the others. In the first nine tables he placed in parallel columns the numbers of the sections common to the four, or three, or two, evangelists; namely: (1) Matt., Mark, Luke, John; (2) Matt., Mark, Luke; (3) Matt., Luke, John; (4) Matt., Mark, John; (5) Matt., Luke; (6) Matt., Mark; (7) Matt., John; (8) Luke, Mark; (9) Luke, John. In the tenth he noted successively the sections special to each evangelist. Sections "Mark, Luke, John" and "Mark, John" are absent because no text is common to Mark and John without a parallel in at least Matthew. The usefulness of these tables for the purpose of reference and comparison soon brought them into common use, and from the 5th century the Ammonian sections, with references to the Eusebian tables, were indicated in the margin of the manuscripts. Opposite each section was written its number, and underneath this the number of the Eusebian table to be consulted in order to find the parallel texts or text; a reference to the tenth table would show that this section was proper to that evangelist. These marginal notes are reproduced in several editions of
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's New Testament. Eusebius's explanatory letter to Carpianus was also very often reproduced before the tables.


Illuminated canon tables

The tables themselves were usually placed at the start of a
Gospel Book A Gospel Book, Evangelion, or Book of the Gospels (Greek: , ''Evangélion'') is a codex or bound volume containing one or more of the four Gospels of the Christian New Testament – normally all four – centering on the life of Jesus of Nazareth ...
, and in
illuminated Illuminated may refer to: * "Illuminated" (song), by Hurts * Illuminated Film Company, a British animation house * ''Illuminated'', alternative title of Black Sheep (Nat & Alex Wolff album) * Illuminated manuscript See also * Illuminate (disambi ...
copies were placed in round-headed arcade-like frames of which the general form remained remarkably consistent through to the Romanesque period. This form was derived from
Late Antique Late antiquity is the time of transition from classical antiquity to the Middle Ages, generally spanning the 3rd–7th century in Europe and adjacent areas bordering the Mediterranean Basin. The popularization of this periodization in English has ...
book-painting frames like those in the
Chronography of 354 The ''Chronograph of 354'' (or "Chronography"), also known as the ''Calendar of 354'', is a compilation of chronological and calendrical texts produced in 354 AD for a wealthy Roman Christian named Valentinus by the calligrapher and illustrator ...
. In many examples the tables are the only decoration in the whole book, perhaps other than some initials. In particular, canon tables, with
Evangelist portrait Evangelist portraits are a specific type of miniature included in ancient and mediaeval illuminated manuscript Gospel Books, and later in Bibles and other books, as well as other media. Each Gospel of the Four Evangelists, the books of Matthew, Ma ...
s, are very important for the study of the development of manuscript painting in the earliest part of the
Early Medieval The Early Middle Ages (or early medieval period), sometimes controversially referred to as the Dark Ages, is typically regarded by historians as lasting from the late 5th or early 6th century to the 10th century. They marked the start of the Mi ...
period, where very few manuscripts survive, and even the most decorated of those have fewer pages illuminated than was the case later.


Images

File:Harleianus 5567 f. 10.jpg, Eusebian tables before text of the Gospels in Codex Harleianus 5567 (Gregory-Aland 116; 12th century) File:CodexBeneventanusCanonTable.jpg, One of the canon tables from the 8th century
Codex Beneventanus The Codex Beneventanus (British Library, Add MS 5463) is an 8th-century illuminated codex containing a Gospel Book. According to a subscription on folio 239 verso, the manuscript was written by a monk named Lupus for one Ato, who was probably At ...
. File:LondonCanonTables.JPG, The
London Canon Tables The London Canon Tables (British Library, Add MS 5111) is a Byzantine illuminated Gospel Book fragment on vellum from the sixth or seventh century. It was possibly made in Constantinople. The fragment consists of two folios of two illuminated ...
are two folios from a Byzantine manuscript of the 6th or 7th century, showing the typical arcaded frame.


See also

*
Chronicon (Eusebius) The ''Chronicon'' or ''Chronicle'' ( Greek: Παντοδαπὴ ἱστορία ''Pantodape historia'', "Universal history") was a work in two books by Eusebius of Caesarea. It seems to have been compiled in the early 4th century. It containe ...


Notes


References

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External links


British Library illuminated manuscripts - add "canon tables" to search box for many examples
{{Authority control Canonical Gospels Christian terminology Iconography of illuminated manuscripts