César Vezzani (8 August 1888 – 11 November 1951) was a
French/Corsican operatic tenor who became a leading exponent of French
grand opera through several decades. (Some sources give his date of
birth as 1886.)
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César Vezzani was born in
Bastia in Corsica; his father died shortly
before his birth. Soon after 1900 his family moved to Toulon on the
French mainland, but little is known about his early musical training.
In 1908 he went to Paris to study singing and was taught by the
Corsican soprano Agnès Borgo (1879 - 1958). He then made his operatic
début at the
Opéra-Comique in 1911 in the title-role of Richard
Coeur-de-Lion by Grétry. He continued singing there in such works as
Dinorah by Meyerbeer and Erlanger's La sorcière, as well as Italian
operas such as
Tosca and Cavalleria Rusticana.
In 1913 Vezzani and Agnès Borgo were married, and they had one
daughter. (They later divorced in 1919, and Vezzani had two subsequent
marriages.) Vezzani and Borgo were contracted to sing in the USA
(including Boston) in 1914/1915 but were prevented by the outbreak of
the First World War. Vezzani was called up and was wounded in action.
He resumed his singing career during the later years of the war, but
most of his subsequent engagements were in provincial opera houses,
especially in the south of France, though he also sang in Brussels. He
returned to the
Opéra-Comique in Paris in 1921/1922 and probably
appeared there again during the 1920s, but he never sang at the Paris
Opéra. The ringing and heroic quality of his voice made him an ideal
choice for certain heavy and dramatic tenor parts, but he never
abandoned some of the more lyrical roles of the French repertoire.
During World War II Vezzani spent time in North Africa, singing
frequently in Algiers. He continued as principal tenor in Toulon until
1948 when he suffered a stroke which left him paralyzed. He returned
to Bastia, but now without an income he spent the last three years of
his life in some poverty and assisted by the generosity of friends. He
died in hospital in Marseille and was buried in Bastia, where a street
is named after him.
The potential of Vezzani's outstanding voice for recording was quickly
recognised, and from 1912 to 1914 he made a series of recordings for
French Odéon, including excerpts from Pagliacci. Tosca, and Werther.
Then from 1923 until the early 1930s he recorded for French
arias from many of his favourite roles, including Reyer's Sigurd,
Halévy's La Juive, and Meyerbeer's L'Africaine. There was also a
complete recording of Gounod's Faust in 1930 with Mireille Berthon and
Marcel Journet. It is unclear whether and when Vezzani sang Wagner on
stage, but he recorded a number of pieces from Lohengrin and The Ring.
In total he recorded over 170 sides. Most of these were originally
released only in France, but there have been several selections
transferred to CD, and a systematic reissue of his recordings has been
launched by Marston Records.
Critics have shown universal recognition of the exceptional quality of
Vezzani's voice, though they have sometimes expressed reservations
about the subtlety of his approach, which was generally robust.
His recording of Faust has occasioned the following comments: "Vezzani
is a noble representative of that vanished breed, the French spinto
tenor... Unforced lyricism was not Vezzani's greatest strength...
[but] where ringing excitement is called for, his only equals are
Caruso and, more recently, Franco Corelli." Referring to his
recording of excerpts from Roméo et Juliette, another critic has
said: "He was a real ténor de force and still singing well at sixty.
There is little nuance here, but the voice is healthy and brilliant,
somehow typically Corsican." Reflecting on the fact that Vezzani's
career did not take him to the world's major opera houses, another has
said: "He seems to be one of those whose gifts exceeded his
attainments." The generous attention that he received from
recording companies allows later generations to form their own
^ e.g. Grove Music Online; ed. by L. Macy; article on César Vezzani
(accessed 11 November 2007).
^ Kenneth Furie, in: Opera on record, v.1; ed. by
Alan Blyth (London,
Hutchinson, 1979), pp.453-454.
^ Richard Law, in: Opera on record, v.2; ed. by
Alan Blyth (London,
Hutchinson, 1983), p.204.
^ John Steane, in: Grove Music Online; ed. by L. Macy; article on
César Vezzani (accessed 22 February 2007).
Marston CD notes (by Tom Kaufman and Vincent Giroud)
History of the
Tenor - Sound Clips and Narration
ISNI: 0000 0001 1655 6132
BNF: cb13900832z (data)