Burlesque on Carmen
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''A Burlesque on Carmen'' is Charlie Chaplin's thirteenth film for Essanay Studios, originally released as ''Carmen'' on December 18, 1915. Chaplin played the leading man and
Edna Purviance Olga Edna Purviance (; October 21, 1895 – January 13, 1958) was an American actress of the silent film era. She was the leading lady in many of Charlie Chaplin's early films and in a span of eight years, she appeared in over 30 films with hi ...
played Carmen. The film is a parody of
Cecil B. DeMille Cecil Blount DeMille (; August 12, 1881January 21, 1959) was an American film director, producer and actor. Between 1914 and 1958, he made 70 features, both silent and sound films. He is acknowledged as a founding father of the American cine ...
's '' Carmen'' 1915, which was itself an interpretation of the popular novella '' Carmen'' by
Prosper Mérimée Prosper Mérimée (; 28 September 1803 – 23 September 1870) was a French writer in the movement of Romanticism, and one of the pioneers of the novella, a short novel or long short story. He was also a noted archaeologist and historian, and a ...
. Chaplin's original version was a tightly paced two-reeler, but in 1916 after he had moved to Mutual, Essanay reworked the film into a four-reel version called ''A Burlesque on Carmen'', or ''Charlie Chaplin's Burlesque on Carmen'', adding discarded footage and new scenes involving a subplot about a gypsy character played by
Ben Turpin Bernard "Ben" Turpin (September 19, 1869 – July 1, 1940) was an American comedian and actor, best remembered for his work in silent films. His trademarks were his cross-eyed appearance and adeptness at vigorous physical comedy. Turpin wo ...
. This longer version was deeply flawed in pacing and continuity, and not representative of Chaplin's initial conception. Chaplin sued Essanay but failed to stop the distribution of the longer version; Essanay's tampering with this and other of his films contributed significantly to Chaplin's bitterness about his time there. The presence of Essanay's badly redone version is likely the reason that ''A Burlesque on Carmen'' is among the least known of Chaplin's early works. Historian
Ted Okuda Ted Okuda (born December 8, 1953) is an American non-fiction author and film historian. He has many books and magazine features to his credit, under his own name and in collaboration with others. Career Okuda's long-held interest in movie comedies ...
calls the two-reel original version the best film of Chaplin's Essanay period, but derides the longer version as the worst. Further reissues followed, for instance a synchronized sound version in 1928 by Quality Amusement Corporation. It was re-edited from the 1916 Essanay reissue, with a newly shot introduction written by newspaper columnist Duke Bakrak. This version, with rewritten title cards, poor sequencing, and "fuzzy" in appearance from
generation loss Generation loss is the loss of quality between subsequent copies or transcodes of data. Anything that reduces the quality of the representation when copying, and would cause further reduction in quality on making a copy of the copy, can be consid ...
, can be found today on some budget home video releases. Film preservationist David Shepard studied Chaplin's court transcripts and other evidence to more closely reproduce the original Chaplin cut. This version was released on DVD by
Image Entertainment RLJ Entertainment (formerly Image Entertainment) is an American film production company and home video distributor, distributing film and television productions in North America, with approximately 3,200 exclusive DVD titles and approximately 34 ...
in 1999 and has since been restored a second time in HD.


Background

The story of Carmen was very popular in the 1910s, and two films under this title were released earlier in 1915. One was directed by Raoul Walsh, in which stage actress
Theda Bara Theda Bara ( ; born Theodosia Burr Goodman; July 29, 1885 – April 7, 1955) was an American silent film and stage actress. Bara was one of the more popular actresses of the silent era and one of cinema's early sex symbols. Her femme fatal ...
played Carmen, and
the other In phenomenology, the terms the Other and the Constitutive Other identify the other human being, in their differences from the Self, as being a cumulative, constituting factor in the self-image of a person; as acknowledgement of being real; h ...
by
Cecil B. DeMille Cecil Blount DeMille (; August 12, 1881January 21, 1959) was an American film director, producer and actor. Between 1914 and 1958, he made 70 features, both silent and sound films. He is acknowledged as a founding father of the American cine ...
, in which the part was played by opera star
Geraldine Farrar Alice Geraldine Farrar (February 28, 1882 – March 11, 1967) was an American lyric soprano who could also sing dramatic roles. She was noted for her beauty, acting ability, and "the intimate timbre of her voice." She had a large following a ...
. DeMille's film received positive reviews but Chaplin thought it was ripe for parody.


Synopsis

Carmen, a gypsy seductress is sent to convince Darn Hosiery, the goofy officer in charge of guarding one of the entrances to the city of Sevilla, to allow a smuggling run. She first tries to bribe him but he takes the money and refused to let the smuggled goods in. She then invites him to Lillas Pastia's inn where she seduces him. After a fight at the tobacco factory where Carmen works, he has to arrest her but later lets her escape. At Lillas Pastia's inn, he kills an officer who is also in love with her and has to go into hiding and he joins the gang of smugglers. Carmen meets the famous toreador Escamillo and falls in love with him. She accompanies him to a bullfight but Darn Hosiery waits for her and when she tells him that she no longer loves him, he stabs her to death. But it is not for real, Chaplin shows that the knife was fake and both smile at the camera.


Review

In reviewing the four-reel version of this film that Essanay released in April 1916, four months after Chaplin's contract had expired with the studio, Julian Johnson of Photoplay panned the lengthy re-release of this comedy. Johnson declared, "In two reels this would be a characteristic Chaplin uproar. Four reels is watering the cream."


Cast

*
Charles Chaplin Sir Charles Spencer Chaplin Jr. (16 April 188925 December 1977) was an English comic actor, filmmaker, and composer who rose to fame in the era of silent film. He became a worldwide icon through his screen persona, the Tramp, and is consid ...
- Darn Hosiery *
Edna Purviance Olga Edna Purviance (; October 21, 1895 – January 13, 1958) was an American actress of the silent film era. She was the leading lady in many of Charlie Chaplin's early films and in a span of eight years, she appeared in over 30 films with hi ...
- Carmen * Jack Henderson - Lillas Pastia *
Leo White Leo White (November 10, 1882 – September 20, 1948), Leo Weiss, was a German-born British-American film and stage actor who appeared as a character actor in many Charlie Chaplin films. Biography Born in Germany, White grew up in England where ...
- Morales, Officer of the Guard * John Rand - Escamillo the Toreador *
May White May is the fifth month of the year in the Julian and Gregorian calendars and is the third of seven months to have a length of 31 days. May is a month of spring in the Northern Hemisphere, and autumn in the Southern Hemisphere. Therefore, May ...
- Frasquita *
Bud Jamison William Edward "Bud" Jamison (February 15, 1894 – September 30, 1944)Okuda, Ted, and Edward Watz. 1999. The Columbia Comedy Shorts: Two-reel Hollywood Film Comedies 1933–1958'. Jefferson, N.C.: McFarland. . was an American film actor. ...
- Soldier of the Guard * Lawrence A. Bowes - Gypsy * Frank J. Coleman - Soldier


Production

In his sequencing, Chaplin followed closely the structure of the DeMille production, using very similar sets and costumes, and he used Riesenfeld's music. At the end, Chaplin indulges in an early example of breaking the fourth wall, turning to the camera to show laughingly that his character had not really killed Carmen. The film was released as a two-reeler at the end of 1915, when Chaplin's contract with Essanay Studios was up. After he had left, the studio added two reels' worth of non-Chaplin material and re-released the film in 1916.


Music

David Shepard's 1999 restoration was released with a Robert Israel score, based on Bizet's music. A score was commissioned from Timothy Brock by ''Teatro de la Zarzuela de Madrid'', and released in 2013 by the ''Cineteca di Bologna'' and Lobster Films for their Chaplin Essanay Project restoration. Brock also based his score on the opera by Bizet, but performed in a 1920s style. Both versions have been released numerous times on home video.


References


External links

* * – reissue version with Ben Turpin
''A Burlesque on Carmen'' at SilentEra''A Burlesque on Carmen'' at Brenton Film
{{DEFAULTSORT:Burlesque On Carmen 1915 films 1915 short films 1915 comedy films Silent American comedy films American silent short films Short films directed by Charlie Chaplin American black-and-white films American parody films Films based on Carmen Films set in Spain Films set in the 19th century Essanay Studios films Articles containing video clips American silent feature films Romani films Bullfighting films 1910s American films