Brazilian jazz
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Brazilian jazz can refer to both a genre, largely influenced by
bossa nova Bossa nova () is a style of samba developed in the late 1950s and early 1960s in Rio de Janeiro, Brazil. It is mainly characterized by a "different beat" that altered the harmonies with the introduction of unconventional chords and an innovat ...
and
samba Samba (), also known as samba urbano carioca (''urban Carioca samba'') or simply samba carioca (''Carioca samba''), is a Brazilian music genre that originated in the Afro-Brazilian communities of Rio de Janeiro in the early 20th century. Havi ...
, that exists in many nations and the jazz music of Brazil itself.


Música instrumental Brasileira

The term "música instrumental Brasileira", which literally means "Brazilian instrumental music", is used in Brazil as a generalized term to refer to jazz as well as several instrumental forms of art music drawing on national styles such as
choro ''Choro'' (, "cry" or "lament"), also popularly called ''chorinho'' ("little cry" or "little lament"), is an instrumental Brazilian popular music genre which originated in 19th century Rio de Janeiro. Despite its name, the music often has a f ...
,
samba Samba (), also known as samba urbano carioca (''urban Carioca samba'') or simply samba carioca (''Carioca samba''), is a Brazilian music genre that originated in the Afro-Brazilian communities of Rio de Janeiro in the early 20th century. Havi ...
and
bossa nova Bossa nova () is a style of samba developed in the late 1950s and early 1960s in Rio de Janeiro, Brazil. It is mainly characterized by a "different beat" that altered the harmonies with the introduction of unconventional chords and an innovat ...
. The term's ambiguity allows for the fact that Brazilian musicians themselves do not always have much in common with each other and might be willing to play in several genres. Terms for subgenres such as ''brazuca'', ''ecm'', and ''fusion'' are more specific to jazz. Examples of musicians associated with this instrumental style include
Hermeto Pascoal Hermeto Pascoal (born June 22, 1936) is a Brazilian composer and multi-instrumentalist. He was born in Lagoa da Canoa, Alagoas, Brazil. Pascoal is a significant figure in the history of Brazilian music, mainly known for his abilities in orches ...
, Egberto Gismonti, Moacir Santos, and
Zimbo Trio The Zimbo Trio is a Brazilian instrumental ensemble, established in 1964 in São Paulo, and originally comprising Amilton Godoy (piano), Luís Chaves (bass) and Rubinho Barsotti (drums). The Trio was one of the most influential groups of Brazilia ...
. Jazz or jazz-influenced music has at times been controversial for being seen as representing a foreign "contamination" of native forms like
choro ''Choro'' (, "cry" or "lament"), also popularly called ''chorinho'' ("little cry" or "little lament"), is an instrumental Brazilian popular music genre which originated in 19th century Rio de Janeiro. Despite its name, the music often has a f ...
. On the other hand bossa nova, a jazz influenced form of Brazilian music, was popular among the upper-class and sometimes faced criticism for being "bourgeois."


Bossa nova and jazz

Bossa's relationship to jazz, and popularity with American jazz musicians, led to Brazilian musicians, such as
Airto Moreira Airto Guimorvan Moreira (born August 5, 1941) is a Brazilian jazz drummer and percussionist. He is married to jazz singer Flora Purim, and their daughter Diana Moreira is also a singer. Coming to prominence in the late 1960s as a member of the B ...
and
Flora Purim Flora Purim (born March 6, 1942) is a Brazilian jazz singer known primarily for her work in the jazz fusion style. She became prominent for her part in Return to Forever with Chick Corea and Stanley Clarke. She has recorded and performed with ...
, spending time in the United States and connecting to its jazz scene. This, combined with earlier collaborations between America jazz musicians and bossa nova artists, also led to "Brazilian jazz" as a kind of genre American musicians, notably
Stan Getz Stanley Getz (February 2, 1927 – June 6, 1991) was an American jazz saxophonist. Playing primarily the tenor saxophone, Getz was known as "The Sound" because of his warm, lyrical tone, with his prime influence being the wispy, mellow timbre ...
and
Charlie Byrd Charlie Lee Byrd (September 16, 1925 – December 2, 1999) was an American jazz guitarist. Byrd was best known for his association with Brazilian music, especially bossa nova. In 1962, he collaborated with Stan Getz on the album ''Jazz Samba'', ...
played.


See also

*
Bossa nova Bossa nova () is a style of samba developed in the late 1950s and early 1960s in Rio de Janeiro, Brazil. It is mainly characterized by a "different beat" that altered the harmonies with the introduction of unconventional chords and an innovat ...
* Samba-jazz


References

{{Lusophonemusic
Jazz Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a m ...