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The Bhimbetka rock shelters are an archaeological site in central
The Rock Shelters of Bhimbetka is 45 kilometres south-east of Bhopal and 9 km from Obedullaganj city in the
Encyclopædia Britannica The site consists of seven hills: Vinayaka, Bhonrawali, Bhimbetka, Lakha Juar (east and west), Jhondra and Muni Babaki Pahari.
Outlook, 22 June 2020.
W. Kincaid, a British India era official, first mentioned Bhimbetka in a scholarly paper in 1888. He relied on the information he gathered from local adivasis (tribals) about Bhojpur lake in the area and referred to Bhimbetka as a Buddhist site.Rock Shelters of Bhimbetka: Continuity through Antiquity, Art & Environment
Archaeological Survey of India, UNESCO, page 54 The first archaeologist to visit a few caves at the site and discover its prehistoric significance was V. S. Wakankar, who saw these rock formations and thought these were similar to those he had seen in Spain and France. He visited the area with a team of archaeologists and reported several prehistoric rock shelters in 1957. It was only in the 1970s that the scale and true significance of the Bhimbetka rock shelters was discovered and reported. Since then, more than 750 rock shelters have been identified. The Bhimbetka group contains 243 of these, while the Lakha Juar group nearby has 178 shelters. According to Archaeological Survey of India, the evidence suggests that there has been a continuous human settlement here from the Stone Age through the late Acheulian to the late Mesolithic until the 2nd century BCE in these caves. This is based on excavations at the site, the discovered artifacts and wares, pigments in deposits, as well as the rock paintings.Rock Shelters of Bhimbetka: Continuity through Antiquity, Art & Environment
Archaeological Survey of India, UNESCO, pages 15–16, 22–23, 45, 54–60 The site contains the world's oldest stone walls and floors. Barkheda, Raisen, Barkheda has been identified as the source of the raw materials used in some of the monoliths discovered at Bhimbetka. The site consisting of 1,892 hectares was declared as protected under Indian laws and came under the management of the Archaeological Survey of India in 1990. It was declared as a world heritage site by UNESCO in 2003.
Prehistoric Painting Of Bhimbetka
Page 214.M. L. Varad Pande, Manohar Laxman Varadpande, 1987
History of Indian Theatre
Volume 1, Page 57.Dance In Indian Painting
Page xv. Period III – (Chalcolithic) Similar to the paintings of the Mesolithic, these drawings reveal that during this period the cave dwellers of this area were in contact with the agricultural communities of the Malwa plains, exchanging goods with them. Period IV & V – (Early historic): The figures of this group have a schematic and decorative style and are painted mainly in red, white and yellow. The association is of riders, depiction of religious symbols, tunic-like dresses and the existence of scripts of different periods. The religious beliefs are represented by figures of yakshas, tree gods and magical sky chariots. Period VI & VII – (Medieval): These paintings are geometric linear and more schematic, but they show degeneration and crudeness in their artistic style. The colors used by the cave dwellers were prepared by combining black manganese oxides, red hematite and charcoal. One rock, popularly referred to as "Zoo Rock", depicts elephants, barasingha (swamp deer), bison and deer. Paintings on another rock show a peacock, a snake, a deer and the sun. On another rock, two elephants with tusks are painted. Hunting scenes with hunters carrying bows, arrows, swords, and shields also find their place in the community of these pre-historic paintings. In one of the caves, a bison is shown in pursuit of a hunter while his two companions appear to stand helplessly nearby; in another, some horsemen are seen, along with archers. In one painting, a large wild bovine (possibly a gaur or bison) is seen. The paintings are classified largely in two groups, one as depictions of hunters and food gatherers, and in others as fighters, riding on horses and elephant carrying metal weapons. The first group of paintings date to prehistoric times while second one dates to historic times. Most of the paintings from the historic period depict battles between rulers carrying swords, spears, bows and arrows. In one of the desolate rock shelters, the painting of a man holding a trident-like staff and dancing has been nicknamed "Nataraj" by archaeologist V. S. Wakankar. It is estimated that paintings in at least 100 rock shelters might have eroded away.
File:Dancing painting at Bhimbetka.jpg, Mesolithic dancers
File:Rock Shelter 15, Bhimbetka 02.jpg, A man being attacked by a horned bovine.
File:Bhimbetka rock paintng1.jpg, people hunting animal
File:Bhimbetka Cave Paintings.jpg, People riding horses holding weapons
File:Rock Shelter at Bhimbetka.jpg, Man riding elephant
File:Bhimbetka Natraj painting.jpg, An eroded painting in the caves showing a man dancing and holding a trident-like staff
UNESCO World Heritage: Rock Shelters of Bhimbetka
The Rock Art of Central India
TRACCE Online Rock Art Bulletin photogallery by Sarbanidas Roy
{{DEFAULTSORT:Bhimbetka Rock Shelters World Heritage Sites in India Caves of Madhya Pradesh Archaeological sites in Madhya Pradesh Tourist attractions in Bhopal Prehistoric art in India Tourist attractions in Raisen district Rock art in India Caves containing pictograms in India Rock shelters World Heritage Sites in Madhya Pradesh
India
India, officially the Republic of India (Hindi: ), is a country in South Asia. It is the seventh-largest country by area, the second-most populous country, and the most populous democracy in the world. Bounded by the Indian Ocean on the so ...
that spans the Paleolithic and Mesolithic periods, as well as the historic period. It exhibits the earliest traces of human life in India and evidence of Stone Age starting at the site in Acheulian times. It is located in the Raisen District
Raisen District is a district of Madhya Pradesh state of India. The town of Raisen is the district headquarters. The district is part of Bhopal Division. Sanchi University of Buddhist-Indic Studies is the first international university located ...
in the Indian States and union territories of India, state of Madhya Pradesh about south-east of Bhopal. It is a UNESCO World Heritage Site that consists of seven hills and over 750 rock shelters distributed over .Javid, Ali and Javeed, Tabassum (2008), ''World Heritage Monuments and Related Edifices in India'', Algora Publishing, 2008, pages 15–19 At least some of the shelters were inhabited more than 100,000 years ago. The rock shelters and caves provide evidence of, according to Encyclopædia Britannica, a "rare glimpse" into human settlement and cultural evolution from hunter-gatherers, to agriculture, and expressions of Prehistoric religion, prehistoric spirituality.
Some of the Bhimbetka rock shelters feature prehistoric cave paintings and the earliest are about 10,000 years old (c. 8,000 BCE), corresponding to the Indian Mesolithic. These cave paintings show themes such as animals, early evidence of dance and hunting from the Stone Age as well as of warriors on horseback from a later time (perhaps the Bronze Age). The Bhimbetka site has the oldest-known rock art in India, as well as is one of the largest prehistoric complexes.
The Bhimbetka shelters also contain fossils from the Precambrian, hundreds of millions of years before the human era, including the enigmatic basal animal Dickinsonia.
Location
The Rock Shelters of Bhimbetka is 45 kilometres south-east of Bhopal and 9 km from Obedullaganj city in the Raisen District
Raisen District is a district of Madhya Pradesh state of India. The town of Raisen is the district headquarters. The district is part of Bhopal Division. Sanchi University of Buddhist-Indic Studies is the first international university located ...
of Madhya Pradesh at the southern edge of the Vindhya Range, Vindhya Range. South of these rock shelters are successive ranges of the Satpura hills. It is inside the ''Ratapani Wildlife Sanctuary'', embedded in sandstone rocks, in the foothills of the Vindhya Range.Bhimbetka rock sheltersEncyclopædia Britannica The site consists of seven hills: Vinayaka, Bhonrawali, Bhimbetka, Lakha Juar (east and west), Jhondra and Muni Babaki Pahari.
Background
Etymology
Bhimbetka meaning ''"Bhima's resting place"'' or ''"Bhima's lounge"'', is compound word made of ''Bhima'' (second brother among the five Pandavas of Mahabharata) and ''Baithaka'' (seat or lounge). According to the native belief, Bhima during his exile used to rest here to interact with the locals.himbetka: An Accidental FindOutlook, 22 June 2020.
History
W. Kincaid, a British India era official, first mentioned Bhimbetka in a scholarly paper in 1888. He relied on the information he gathered from local adivasis (tribals) about Bhojpur lake in the area and referred to Bhimbetka as a Buddhist site.Rock Shelters of Bhimbetka: Continuity through Antiquity, Art & EnvironmentArchaeological Survey of India, UNESCO, page 54 The first archaeologist to visit a few caves at the site and discover its prehistoric significance was V. S. Wakankar, who saw these rock formations and thought these were similar to those he had seen in Spain and France. He visited the area with a team of archaeologists and reported several prehistoric rock shelters in 1957. It was only in the 1970s that the scale and true significance of the Bhimbetka rock shelters was discovered and reported. Since then, more than 750 rock shelters have been identified. The Bhimbetka group contains 243 of these, while the Lakha Juar group nearby has 178 shelters. According to Archaeological Survey of India, the evidence suggests that there has been a continuous human settlement here from the Stone Age through the late Acheulian to the late Mesolithic until the 2nd century BCE in these caves. This is based on excavations at the site, the discovered artifacts and wares, pigments in deposits, as well as the rock paintings.Rock Shelters of Bhimbetka: Continuity through Antiquity, Art & Environment
Archaeological Survey of India, UNESCO, pages 15–16, 22–23, 45, 54–60 The site contains the world's oldest stone walls and floors. Barkheda, Raisen, Barkheda has been identified as the source of the raw materials used in some of the monoliths discovered at Bhimbetka. The site consisting of 1,892 hectares was declared as protected under Indian laws and came under the management of the Archaeological Survey of India in 1990. It was declared as a world heritage site by UNESCO in 2003.
Dickinsonia fossils
Dickinsonia fossils found at Bhimbetka , the first discovery of the ''Late Ediacaran, Late (c. 635–541 myr, mya) fossil Dickinsonia'' in India, are similar to Dickinsonia tenuis from the Ediacaran biota, Ediacara Member of Ediacara Hills in South Australia. Fossils were found within the sandstone of Bhander Plateau, Bhander Group of Vindhya Range#Geology and paleontology, Vindhyan Supergroup mixed with sand deposits (aeolian processes , tsunami deposits (tsunamite), and Intertidal zone, intertidal facies (rock deposits in intertidal zone). The research findings support the conclusion about the Gondwana#Formation, formation of Gondwanaland by 550 Ma, but does not support the true polar wander (movement of earth's magnetic poles relative to the Earth's rotation axis) as the conclusion show that the Cloudinidae#Fossil locations, Cloudina lived in tropical to subtropical climates, whereas Dickinsonia lived in temperate to subtropical.Auditorium cave
Of the numerous shelters, the Auditorium cave is one of the significant features of this site. Surrounded by quartzite towers which are visible from several kilometres' distance, the Auditorium rock is the largest shelter at Bhimbetka. Robert G. Bednarik describes the prehistoric Auditorium cave as one with a "cathedral-like" atmosphere, with "its Gothic arches and soaring spaces". Its plan resembles a "right-angled cross" with four of its branches aligned to the four cardinal directions. The main entrance points to the east. At the end of this eastern passage, at the cave's entrance, is a boulder with a near-vertical panel that is distinctive, one visible from distance and all directions. In archaeology literature, this boulder has been dubbed as "Chief's Rock" or "King's Rock", though there is no evidence of any rituals or its role as such. The boulder with the Auditorium cave is the central feature of the Bhimbetka, midst its 754 numbered shelters spread over few kilometres on either side, and nearly 500 locations where rock paintings can be found, states Bednarik.Robert G Bednarik (1996), The cupules on Chief's Rock, Auditorium Cave, Bhimbetka, The Artifact: Journal of the Archaeological and Anthropological Society of Victoria, Volume 19, pages 63–71Rock art and paintings
The rock shelters and caves of Bhimbetka have a large number of paintings. The oldest paintings are found to be 10,000 years old, but some of the geometric figures date to as recently as the Middle Ages, medieval period. The colours used are vegetable colours which have endured through time because the drawings were generally made deep inside a niche or on inner walls. The drawings and paintings can be classified under seven different periods. Period I – (Upper Paleolithic): These are linear representations in green of humans dancing and hunting. Period II – ( Mesolithic): Comparatively small in size the stylised figures in this group show linear decorations on the body. In addition to animals there are human figures and hunting scenes, giving a clear picture of the weapons they used: barbed spears, pointed sticks, bow and arrow, bows and arrows. Some scenes are interpreted as depicting tribal war between three tribes symbolised by their animal totems. The depiction of communal dances, birds, musical instruments, mothers and children, pregnant women, men carrying dead animals, drinking and burials appear in rhythmic movement.Yashodhar Mathpal, 1984Prehistoric Painting Of Bhimbetka
Page 214.M. L. Varad Pande, Manohar Laxman Varadpande, 1987
History of Indian Theatre
Volume 1, Page 57.Dance In Indian Painting
Page xv. Period III – (Chalcolithic) Similar to the paintings of the Mesolithic, these drawings reveal that during this period the cave dwellers of this area were in contact with the agricultural communities of the Malwa plains, exchanging goods with them. Period IV & V – (Early historic): The figures of this group have a schematic and decorative style and are painted mainly in red, white and yellow. The association is of riders, depiction of religious symbols, tunic-like dresses and the existence of scripts of different periods. The religious beliefs are represented by figures of yakshas, tree gods and magical sky chariots. Period VI & VII – (Medieval): These paintings are geometric linear and more schematic, but they show degeneration and crudeness in their artistic style. The colors used by the cave dwellers were prepared by combining black manganese oxides, red hematite and charcoal. One rock, popularly referred to as "Zoo Rock", depicts elephants, barasingha (swamp deer), bison and deer. Paintings on another rock show a peacock, a snake, a deer and the sun. On another rock, two elephants with tusks are painted. Hunting scenes with hunters carrying bows, arrows, swords, and shields also find their place in the community of these pre-historic paintings. In one of the caves, a bison is shown in pursuit of a hunter while his two companions appear to stand helplessly nearby; in another, some horsemen are seen, along with archers. In one painting, a large wild bovine (possibly a gaur or bison) is seen. The paintings are classified largely in two groups, one as depictions of hunters and food gatherers, and in others as fighters, riding on horses and elephant carrying metal weapons. The first group of paintings date to prehistoric times while second one dates to historic times. Most of the paintings from the historic period depict battles between rulers carrying swords, spears, bows and arrows. In one of the desolate rock shelters, the painting of a man holding a trident-like staff and dancing has been nicknamed "Nataraj" by archaeologist V. S. Wakankar. It is estimated that paintings in at least 100 rock shelters might have eroded away.
Similar sites in India
Other misolithic sites with cave art, tools, paintings, etc are Anangpur#Cave, Anangpur caves (Faridabad) and Mangar Bani#Cave, Mangar Bani Caves (Gurugram) in Delhi NCR, and Pahargarh caves (Morena) in Madhya Pradesh.See also
* Belum Caves * List of Stone Age art#Cave paintings and Rock art, Cave paintings and other rock art * Cave paintings in India * Cumbe Mayo, Peru * Pahargarh caves * Petroglyph National Monument * Rock art * Rock carvings at AltaReferences
External links
UNESCO World Heritage: Rock Shelters of Bhimbetka
The Rock Art of Central India
TRACCE Online Rock Art Bulletin photogallery by Sarbanidas Roy
{{DEFAULTSORT:Bhimbetka Rock Shelters World Heritage Sites in India Caves of Madhya Pradesh Archaeological sites in Madhya Pradesh Tourist attractions in Bhopal Prehistoric art in India Tourist attractions in Raisen district Rock art in India Caves containing pictograms in India Rock shelters World Heritage Sites in Madhya Pradesh