"Because I could not stop for Death" is a lyrical poem by

Emily Dickinson Emily Elizabeth Dickinson (December 10, 1830 – May 15, 1886) was an American poet. Little-known during her life, she has since been regarded as one of the most important figures in American poetry. Dickinson was born in Amherst, Massac ...

first published posthumously in ''Poems: Series 1'' in 1890. Dickinson's work was never authorized to be published, so it is unknown whether "Because I could not stop for Death" was completed or "abandoned". The speaker of Dickinson's poem meets personified Death. Death is a gentleman who is riding in the horse carriage that picks up the speaker in the poem and takes the speaker on her journey to the afterlife. According to Thomas H. Johnson's variorum edition of 1955 the number of this poem is "712". The poet's persona speaks about Death and Afterlife, the peace that comes along with it without haste. She personifies Death as a young man riding along with her in a carriage. As she goes through to the afterlife she briefs us of her past life while she was still alive.

Summary

The poem was published posthumously in 1890 in ''Poems: Series 1'', a collection of Dickinson's poems assembled and edited by her friends

Mabel Loomis Todd Mabel Loomis Todd or Mabel Loomis (November 10, 1856 – October 14, 1932) was an American editor and writer. She is remembered as the editor of posthumously published editions of Emily Dickinson and also wrote several novels and logs of her ...

and Thomas Wentworth Higginson. The poem was published under the title "The Chariot". It is composed in six

quatrains A quatrain is a type of stanza, or a complete poem, consisting of four lines. Existing in a variety of forms, the quatrain appears in poems from the poetic traditions of various ancient civilizations including Persia, Ancient India, Ancient Gree ...

common metre Common metre or common measure—abbreviated as C. M. or CM—is a poetic metre consisting of four lines that alternate between iambic tetrameter (four metrical feet per line) and iambic trimeter (three metrical feet per line), with each foot con ...

. Stanzas 1, 2, 4, and 6 employ

end rhyme A rhyme is a repetition of similar sounds (usually, the exact same phonemes) in the final stressed syllables and any following syllables of two or more words. Most often, this kind of perfect rhyming is consciously used for a musical or aesthetic ...

in their second and fourth lines, but some of these are only close rhyme or eye rhyme. In the third stanza, there is no end rhyme, but "ring" in line 2 rhymes with "gazing" and "setting" in lines 3 and 4 respectively. Internal rhyme is scattered throughout.

Figures of speech A figure of speech or rhetorical figure is a word or phrase that intentionally deviates from ordinary language use in order to produce a rhetorical effect. Figures of speech are traditionally classified into '' schemes,'' which vary the ordinary ...

include

alliteration Alliteration is the conspicuous repetition of initial consonant sounds of nearby words in a phrase, often used as a literary device. A familiar example is "Peter Piper picked a peck of pickled peppers". Alliteration is used poetically in various ...

, anaphora,

paradox A paradox is a logically self-contradictory statement or a statement that runs contrary to one's expectation. It is a statement that, despite apparently valid reasoning from true premises, leads to a seemingly self-contradictory or a logically u ...

, and

personification Personification occurs when a thing or abstraction is represented as a person, in literature or art, as a type of anthropomorphic metaphor. The type of personification discussed here excludes passing literary effects such as "Shadows hold their ...

. The poem personifies Death as a gentleman caller who takes a leisurely carriage ride with the poet to her grave. She also personifies immortality. A Volta, or turn, occurs in the fourth stanza. Structurally, the syllables shift from its regular 8-6-8-6 scheme to 6-8-8-6. This parallels with the undertones of the sixth quatrain. The personification of death changes from one of pleasantry to one of ambiguity and morbidity: "Or rather--He passed Us-- / The Dews drew quivering and chill--" (13–14). The imagery changes from its original nostalgic form of children playing and setting suns to Death's real concern of taking the speaker to the afterlife.

Text

Critique and interpretation

There are various interpretations of Dickinson's poem surrounding the Christian belief in the afterlife and read the poem as if it were from the perspective of a "delayed final reconciliation of the soul with God." Dickinson has been classified by critics before as a Christian poet as her other works have been interpreted as contemplation of the "merits of Christ and his past, present, and future relation to herself." The speaker joins both "Death" and "Immortality" inside the carriage that collects her, thus personifying the two part process, according to the Christian faith, that first life stops and following death we encounter immortality through our existence in the after life. While death is the guaranteed of the two, immortality "remains ... an expectation." The horses that lead the carriage are only facing "toward Eternity," which indicates either that the speaker has yet to reach it or that it can never be reached at all. Dickinson's tone contributes to the poem as well. In describing a traditionally frightening experience, the process of dying and passing into eternity, she uses a passive and calm tone. Critics attribute the lack of fear in her tone as her acceptance of death as "a natural part of the endless cycle of nature," due to the certainty in her belief in Christ. In 1936

Allen Tate John Orley Allen Tate (November 19, 1899 – February 9, 1979), known professionally as Allen Tate, was an American poet, essayist, social commentator, and poet laureate from 1943 to 1944. Life Early years Tate was born near Winchester, ...

wrote,

Musical settings

The poem has been set to music by

Aaron Copland Aaron Copland (, ; November 14, 1900December 2, 1990) was an American composer, composition teacher, writer, and later a conductor of his own and other American music. Copland was referred to by his peers and critics as "the Dean of American Com ...

as the twelfth song of his

song cycle A song cycle (german: Liederkreis or Liederzyklus) is a group, or cycle, of individually complete songs designed to be performed in a sequence as a unit.Susan Youens, ''Grove online'' The songs are either for solo voice or an ensemble, or rare ...

'' Twelve Poems of Emily Dickinson''. And again, by

John Adams John Adams (October 30, 1735 – July 4, 1826) was an American statesman, attorney, diplomat, writer, and Founding Fathers of the United States, Founding Father who served as the second president of the United States from 1797 to 1801. Befor ...

as the second movement of his

choral symphony A choral symphony is a musical composition for orchestra, choir, and sometimes solo vocalists that, in its internal workings and overall musical architecture, adheres broadly to symphonic musical form. The term "choral symphony" in this contex ...

Harmonium The pump organ is a type of free-reed organ that generates sound as air flows past a vibrating piece of thin metal in a frame. The piece of metal is called a reed. Specific types of pump organ include the reed organ, harmonium, and melodeon. Th ...

'', and also set to music by Nicholas J. White as a single movement piece for chorus and chamber orchestra. Natalie Merchant and Susan McKeown have created a song of the same name while preserving Dickinson's exact poem in its lyrics.

References

External links

Critical essays on "Because I could not stop for Death"

The poem, set to music
{{Emily Dickinson American poems Poetry by Emily Dickinson Poems about death 1890 poems Poems published posthumously