Battle in Seattle

''Battle in Seattle'' is a 2007 political action-thriller film written and directed by Stuart Townsend, in his directorial debut. The story is loosely based on the protest activity at the WTO Ministerial Conference of 1999. The film premiered on May 22, 2008 at the Seattle International Film Festival.

Plot

The film depicts the protest in 1999, as thousands of activists arrive in Seattle, Washington in masses to protest the WTO Ministerial Conference of 1999. Protesters believe the World Trade Organization contributes to widening the wealth gap between the rich and the poor, while the WTO claims to be fixing the disparity and decreasing world hunger, disease, and death.

The movie takes an in-depth look at several fictional characters during those five days in 1999 as demonstrators protested the meeting of the WTO in Seattle's streets. The movie portrays conflicts between the peaceful protesters and people committing property destruction whose actions were widely covered by the media. Although the protest began peacefully with a goal of stopping the WTO talks, police began teargassing the crowd after it refused to clear the streets and the situation escalated into a full-scale riot and a State of Emergency that pitted protesters against the Seattle Police Department and the Washington National Guard.

Cast

Though the film is based on actual events, the characters are fictional.

Production

Development

In 2002, Townsend became interested in making a film about the 1999 WTO protests when he read Anita Roddick s ''Take It Personally'', a book about globalization that contained an essay about the event. "The story interested me because the WTO considers a lot of issues that were diffused somewhat by 9/11," he said. For research, Townsend spent a year and half reading a number of books related to the event, including ''No Logo'' by Naomi Klein, Noreena Hertzs ''Silent Takeover'', Jagdish Bhagwatis ''In Defense of Globalization'', Joeseph Stiglitzs '' Making Globalization Work'', and Alexander Cockburns ''Five Days that Shook the World.'' Townsend said, "I definitely felt from all my research that most of the protesters were out there for the right reasons. My overall sense, just as a human being studying it all, I found that the people who advocated free trade, that kind of economic-shock therapy, I really found that hard to digest. I didn’t agree with them, and I ended up very much agreeing with the protesters asking for labor rights and good working standards, and good environmental standards, and safety standards."

When Townsend began showing an early draft of the script to studios in the early 2000s, he could not find anyone willing to finance the film. Townsend spent the next year retuning the script as he looked for producers. After making a fifteen-minute proof-of-concept film that spliced together three different documentaries, Townsend finally got the green-light to begin filming.

Major influences on Townsend's film were the documentary ''This Is What Democracy Looks Like'', the 1969 film ''Medium Cool'', and the 1976 film ''Network''. Townsend wanted to experiment with different film styles, such as playing with montage, docudrama style, and combining shot footage with actual footage. He decided on a ensemble structure for the film while he was retuning the script. One of the misconceptions about the protests Townsend wanted to counter in the film was that police officers began attacking the protesters only after the protesters became violent. Townsend said,

"Time and again, it was said that the police sprayed and pepper-gassed innocent, peaceful demonstrators. Time and again in the media, it was always referenced as the violent anarchists, and then the police responded, to which the mayor says, 'The police responded appropriately.' I wanted to give that context, show that the mayor makes that decision, and the police do gas indiscriminately. And then, yes, anarchists come smashing around, and the police continue. That was a very, very important distinction. I think that was probably the one major issue that activists had problems with in regards to mainstream media."

Among the concerns of Townsend was making sure to not vilify any one particular character. "One thing I liked about the research was that there were so many voices, and many of them were right and wrong at the same time. It was very hard to find a bad guy. I had big troubles with the film in the beginning because there was no antagonist, no singular bad guy, no villain. Then that kind of became interesting to me, because, the Mayor, he’s not really the villain, he’s more of a tragic character. In my research, that’s what I looked at him as. He wasn’t perfect, but I don’t think he was a bad guy. The police, plenty of people will say ' Fuck the police,' but I think most cops are just working-class joes doing a job. Some police are bad, but you can’t paint everyone with that brush." Townsend was also interested in the dissonance amongst the protesters themselves, who disagreed on matters like tactics.

Casting

André Benjamin was the first person Townsend cast in the role of Django. Early on, Susan Sarandon was rumored to be cast as a reporter who sympathizes with the demonstrators and comes into conflict with her editor. Michelle Rodriguez, Jennifer Carpenter, Channing Tatum and Tzi Ma were announced to have joined the cast in November 2006.

Filming

While some activists, such as David Solnit and Rice Baker Yeboah, who appeared in the ''This Is What Democracy Looks Like'' documentary, were wary of a film being made about the events from the perspective of the perceived mainstream media, other activists who participated in the protests assisted during filming by providing details for accuracy.

Benjamin's character had a line of dialogue in that was excised from the film's final cut. In the scene, Django, dressed up in a turtle outfit during the protests, says "The police, if they see a black guy, they’re going to arrest him. They see a turtle, and they’re not going to do anything like that."

Nine minutes of footage from the actual protests were edited into the film.

Principal photography began on October 23, 2006. Filming was done in Vancouver, British Columbia, with locations including the Point Grey Campus of University of British Columbia, Granville Square, the foot of Vancouver Public Library, Fraser Street between 41st and 49th Avenues, the corner of Hastings and Hornby, and the corner of Hastings and Howe (corner of Hastings and Howe Leone and L2). Some filming was also done on location in Seattle.

Reception

On review aggregator site Rotten Tomatoes, the film holds a 56% approval rating based on 62 reviews. The site's critics consensus reads, "Well intentioned and passionate, this docu-drama about the 1999 WTO protests is heavier on politics than character development".

''New York Magazine'' called the film "a triumph", while ''Chicago Sun-Times'' film critic Roger Ebert gave the film 3 out of 4 stars and described it as "not quite a documentary and not quite a drama, but interesting all the same" and compared it to past political films like ''Medium Cool''. According to Owen Gleiberman of EW.com, the film "sounds like a bad TV movie: a drama based on the protests that halted the 1999 World Trade Organization summit in Seattle. Yet Stuart Townsend re-creates it all with stunning passion and skill".

The film also received positive reviews from ''The Hollywood Reporter'' and ''Variety''.

Reaction from activists

Some activists did not feel the protests were depicted accurately. David Solnit, who felt the film was a sanitized, Hollywood-style version of the story, set up a website and co-wrote a book purporting to provide his own account of the protests. The film was also criticized by anarchist collective CrimethInc. for what they saw as its sensationalistic portrayal of events. In a pamphlet titled "And What About Tomorrow?", the collective allege that the protests were characterized in the film as an isolated spontaneous uprising in which a "small fringe group" of black bloc anarchists "stole the show", whereas CrimethInc. contend that "anarchists were involved in all different aspects of the protests", including nonviolent organizations and Food Not Bombs, and credit the adoption of anarchist direct action tactics with the success of the uprising. A review published by Anarkismo praised the film as "clearly well-researched", citing the pacing and general narrative as quite accurate, but criticized the presentation of anarchist politics as one-dimensional and a caricature.

In response to some of the criticism, Townsend emphasized his film is not meant to be a documentary and said, "Although I don’t call my own film a Hollywood movie, because I don’t think it is—it’s absolutely independent and there’s a big distinction—what I am trying to do is make this a mainstream movie as much as possible. I think most activists realize that my intentions are good, and that this is a chance to reignite a debate, it’s a chance to refocus the spotlight. So it’s been really great. And then obviously there are just a few people who feel different, and that’s fine."

See also

* '' 30 Frames a Second: The WTO in Seattle 2000'', a photojournalist's first person documentary film shot during the protests and released in 2000
* '' Showdown in Seattle'', a 1999 documentary about the protests
* Lee Kyung Hae, a Korean farmer cited at the end of the film
* Farmers' suicides in India, a statistic cited at the end of the film
* Protests against the Iraq War, cited at the end of the film
* List of American films of 2007

Bibliography

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References

External links

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Official trailer
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{{DEFAULTSORT:Battle in Seattle, A
Canadian political thriller films
2007 films
2007 independent films
Anti-modernist films
2007 action thriller films
American docudrama films
American political thriller films
German political thriller films
English-language Canadian films
English-language German films
Thriller films based on actual events
Films directed by Stuart Townsend
Films set in Seattle
Films set in Washington (state)
Films set in the 1990s
Films shot in Washington (state)
Films shot in Vancouver
Documentary films about American politics
Documentary films about globalization
American independent films
Canadian independent films
German independent films
2007 directorial debut films
2000s English-language films
2000s American films
2000s Canadian films
2000s German films