Basic Instinct is a 1992 neo-noir erotic thriller film directed by Paul Verhoeven and written by Joe Eszterhas, and starring Michael Douglas and Sharon Stone. The film follows a police detective, Nick Curran (Douglas), who is investigating the brutal murder of a wealthy rock star. During the investigation Curran becomes involved in a torrid and intense relationship with the prime suspect, Catherine Tramell (Stone), an enigmatic writer.
Even before its release, Basic Instinct generated heated controversy due to its overt sexuality and graphic depiction of violence. It was strongly opposed by gay rights activists, who criticized the film's depiction of homosexual relationships and the portrayal of a bisexual woman as a murderous, narcissistic psychopath. In a 2006 interview, Stone alleged that the infamous leg-crossing scene in which her vulva was exposed was filmed without her knowledge.
Despite initial critical negativity and public protest, Basic Instinct became one of the most financially successful films of the 1990s, grossing $352 million worldwide. Several versions of the film have been released on videocassette, DVD, and Blu-ray including a director's cut with extended footage previously unseen in North American cinemas. The film has contemporarily been recognized for its groundbreaking depictions of sexuality in mainstream Hollywood cinema, and has been referred to by scholars as "a neo-noir masterpiece that plays with, and transgresses, the narrative rules of film noir." A 2006 sequel, Basic Instinct 2 starring Stone was made without Verhoeven's involvement, but received negative reviews from critics and was unsuccessful at the box office.
In San Francisco, homicide detective Nick Curran investigates the murder of retired rock star Johnny Boz, who has been stabbed with an ice pick during sex by a mysterious blonde woman. Nick's only suspect is Boz's bisexual girlfriend, crime novelist Catherine Tramell, who has written a novel that mirrors the crime. It is concluded that either Catherine is the murderer or someone is attempting to frame her. Catherine is uncooperative and taunting during the investigation, smoking and exposing herself during her interrogation. She has an alibi and passes a lie detector test. Nick discovers Catherine has a history of befriending murderers, including her girlfriend Roxy, who killed several young boys on impulse, and Hazel Dobkins, who killed her family.
Nick, who accidentally shot two tourists while high on cocaine, attends counseling sessions with police psychologist Dr. Beth Garner, with whom he once had an affair. Nick discovers that Catherine is basing the protagonist of her latest book on him, wherein his character is murdered after falling for the wrong woman. Catherine has bribed Lt. Nielsen for information from Nick's psychiatric file; Beth gives it to Nielsen after he recommends Nick's termination. After Nick assaults Nielsen, he becomes a prime suspect when Nielsen is killed. Nick suspects Catherine, and when he joins in her behavior in front of his co-workers, he is put on leave.
Nick and Catherine begin a torrid affair with the air of a cat-and-mouse game. Nick arrives at a club and witnesses Catherine doing coke with Roxy and another man. Nick and Catherine dance, make out, and are later observed having sex by Roxy. Catherine ties Nick to her bed with a white silk scarf the same way the blonde woman did with Boz, but does not kill him. Roxy, jealous of Nick, attempts to run him over with Catherine's car, but dies when the car crashes. Catherine grieves Roxy's death and tells Nick about a previous lesbian encounter at college that went awry. The girl became obsessed with her, causing Nick to believe that Catherine may not have killed Boz. Nick identifies the girl as Beth, who acknowledges the encounter, but claims it was Catherine who became obsessed.
Nick discovers the final pages of Catherine's book in which the fictional detective finds his partner's body. Catherine breaks off their affair; Nick becomes upset and suspicious. Nick later meets his partner Gus, who has arranged to meet with Catherine's college roommate at an office building to find out what really went on between Catherine and Beth. As Nick waits in the car, Gus is stabbed to death with an ice pick. Nick runs into the building, only to find Gus' body in a manner similar to the scene described in the book. Beth, standing in the hallway, explains that she received a message to meet Gus. Nick suspects she murdered Gus and, believing she is reaching for a gun, shoots her, only to find that Beth was only fingering an ornament on her key chain.
A search of the scene and Beth's apartment turns up the evidence needed to identify her as the killer. Despite knowing Catherine's apparent foreknowledge of Gus' death, that she must actually have been the killer, and that she must have set up Beth, Nick tells no one. He returns to his apartment where Catherine meets him. She explains her reluctance to commit to him and the two have sex. As they discuss their future, an ice pick is revealed to be under the bed.
The screenplay, written in the 1980s, was popular enough to prompt a bidding war; it was eventually purchased by Carolco Pictures, for a reported US$3 million. Eszterhas wrote the film in 13 days, and had been the creative source for several other blockbusters, including Flashdance (1983) and Jagged Edge (1985). Gary Goldman was subsequently hired to do a minor re-write on the script.
Al Pacino, Harrison Ford, Wesley Snipes, Robert De Niro, Mel Gibson, Bruce Willis, Sylvester Stallone, Christopher Lloyd, Jack Nicholson, Charlie Sheen, Richard Gere, John Travolta, Nicolas Cage, Denzel Washington, and Kevin Costner were considered for the role of Nick Curran. In preparation for the car chase scene, Douglas reportedly drove up the steps on Kearny Street in San Francisco for four nights by himself. Douglas recommended Kim Basinger for the role of Catherine Tramell, but Basinger declined. He had also proposed Julia Roberts, Greta Scacchi and Meg Ryan, but they also turned down the role, as did Michelle Pfeiffer, Geena Davis, Kathleen Turner, Ellen Barkin, and Mariel Hemingway. Verhoeven considered Demi Moore. Stone, who was eventually selected for the role, was a relative unknown until the success of this movie; she was paid a minimal amount of $500,000, considering the film's extensive production budget. production of Maryland Public Television
Filming in San Francisco was attended by gay and lesbian rights activists and demonstrators, and San Francisco Police Department riot police were present at every location daily to deal with the crowds.
In the famous leg-crossing scene in which Stone's vulva was exposed on camera, Stone believed that the character's not wearing underwear would only be alluded to and not shown. She had been wearing white underwear until Verhoeven said they reflected light on the camera lens and asked her to take them off, assuring her that only shadow would be visible. It was not until Stone saw the film in a screening room with a test audience that she became aware of it, leading her to slap Verhoeven in the face and leave the screening. However Verhoeven strongly denied her claim, and said she was fully aware in advance that her vulva would be filmed.
|Basic Instinct (Original Motion Picture Soundtrack)|
|Soundtrack album by Jerry Goldsmith|
|Released||March 17, 1992|
The film score to Basic Instinct was composed by Jerry Goldsmith. The score to Basic Instinct garnered Goldsmith nominations for an Academy Award and a Golden Globe Award. Goldsmith described it as one of his most challenging efforts, later stating, "Basic Instinct was probably the most difficult I've ever done. It's a very convoluted story with very unorthodox characters. It's a murder mystery, but it isn't really a murder mystery. The director, Paul Verhoeven, had a very clear idea of how the woman should be, and I had a hard time getting it. Because of Paul pushing me, I think it's one of the best scores I've ever written. It was a true collaboration."
Apart from the score, professionally released music did not play a major part in the film. The scene in which source music plays a prominent role occurs during the club scene; Curran, Tramell, and Roxy are seen at Downtown San Francisco. It features "Blue" by Chicago house music performer LaTour and "Rave the Rhythm" by the group Channel X. It also features "Movin' on Up" by Jeff Barry and Janet DuBois.
The soundtrack was released on March 17, 1992. A considerably expanded release of Jerry Goldsmith's score, featuring previously omitted sections and alternative compositions of certain elements, was issued by Prometheus Records in 2004.
Original Motion Picture Soundtrack
The Complete Original Motion Picture Soundtrack
Basic Instinct is rated R for "strong violence and sensuality, and for drug use and language". It was initially given an NC-17 rating by the MPAA, but under pressure from TriStar, Verhoeven cut 35–40 seconds to gain an R rating. Verhoeven described the changes in a March 1992 article in The New York Times:
Actually, I didn't have to cut many things, but I replaced things from different angles, made it a little more elliptical, a bit less direct.
The film was subsequently re-released in its uncut format on video and later on DVD.
Following the theatrical version, the film was first released in its uncut format in an unrated version onto video in 1992, running at 129 minutes. This was followed by a DVD release in 1997, in a "barebones" format that contained the R-rated version. A Collector's Edition was released on DVD in 2001, containing the uncut version of the film with a commentary by Camille Paglia and a small ice-pick (the villain's weapon of choice). This version of the film, running 127 minutes, was re-released twice: in 2003 and 2006.[verification needed]
In March 2006, the unrated version (also known as the Director's Cut) was re-released on DVD and labeled as the Ultimate Edition. In 2007, the film was released on Blu-ray with the Director's Cut label.
The film was cut by 35–40 seconds to avoid an NC-17 rating on its theatrical release in 1992, with some violence and sexuality explicit content removed. The missing or censored material (later released on video and DVD unrated as the director's cut) included:
Basic Instinct opened in theaters in the United States and was one of the highest-grossing films of 1992, after its March 29 release. In its opening weekend, the film grossed $15 million. It was the fourth highest-grossing film of 1992, grossing $352,927,224 worldwide.
The film's critical reaction was mixed. On Rotten Tomatoes, the film holds a score of 53% based on 60 reviews with the consensus: "Unevenly echoing the work of Alfred Hitchcock, Basic Instinct contains a star-making performance from Sharon Stone, but is ultimately undone by its problematic, overly lurid plot." On Metacritic the film holds a score of 41 based on 28 critics, indicating "mixed or average" reviews. Audiences polled by CinemaScore gave the film an average grade of "B+" on an A+ to F scale.
Janet Maslin of The New York Times praised the film, saying "Basic Instinct transfers Mr. Verhoeven's flair for action-oriented material to the realm of Hitchcockian intrigue, and the results are viscerally effective even when they don't make sense." Peter Travers of Rolling Stone also praised the film, saying it was a guilty pleasure film; he also expressed admiration for Verhoeven's direction, saying "[his] cinematic wet dream delivers the goods, especially when Sharon Stone struts on with enough come-on carnality to singe the screen," and praised Stone's performance: "Stone, a former model, is a knockout; she even got a rise out of Ah-nold in Verhoeven's Total Recall. But being the bright spot in too many dull movies (He Said, She Said; Irreconcilable Differences) stalled her career. Though Basic Instinct establishes Stone as a bombshell for the Nineties, it also shows she can nail a laugh or shade an emotion with equal aplomb."
The international critical reception was favorable, with Australian critic Shannon J. Harvey of the Sunday Times calling it one of the "1990s['] finest productions, doing more for female empowerment than any feminist rally. Stone – in her star-making performance – is as hot and sexy as she is ice-pick cold."
The film was not without its detractors. Roger Ebert of the Chicago Sun-Times dismissed the film, giving it two out of four stars, stating that the film is well crafted, yet dies down in the last half hour: "The film is like a crossword puzzle. It keeps your interest until you solve it. Then it's just a worthless scrap with the spaces filled in." Dave Kehr of the Chicago Tribune also gave a negative review, calling it psychologically empty: "Verhoeven does not explore the dark side, but merely exploits it, and that makes all the difference in the world." 
|Academy Awards||Best Film Editing||Frank J. Urioste||Nominated|
|Best Original Score||Jerry Goldsmith||Nominated|
|BMI Film & TV Award||Best Music||Won|
|Cannes Film Festival||Palme d'Or||Paul Verhoeven||Nominated|
|CFCA Award||Best Actress||Sharon Stone||Nominated|
|DVD Exclusive Award||Best Original Retrospective Documentary||Jeffrey Schwarz||Nominated|
|Golden Globe Awards||Best Actress in a Motion Picture – Drama||Sharon Stone||Nominated|
|Best Original Score||Jerry Goldsmith||Nominated|
|Golden Raspberry Awards||Worst Actor||Michael Douglas||Nominated|
|Worst Supporting Actress||Jeanne Tripplehorn||Nominated|
|Worst New Star||Sharon Stone||Nominated|
|Japan Academy Prize||Best Foreign Film||Nominated|
|MTV Movie Awards||Best Movie||Nominated|
|Best Male Performance||Michael Douglas||Nominated|
|Best On-Screen Duo||Nominated|
|Best Female Performance||Won|
|Most Desirable Female||Won|
|Nikkan Sports Film Award||Best Foreign Film||Won|
The film generated controversy due to its overt sexuality and graphic depiction of violence. During principal photography, the film was protested against by gay rights activists who felt that the film followed a pattern of negative depiction of homosexuals in film. Members of the lesbian and bisexual activist group LABIA protested against the film on its opening night. Others also picketed theatres to dissuade people from attending screenings, carrying signs saying "Kiss My Ice Pick", "Hollywood Promotes Anti-Gay Violence" and "Catherine Did It!"/"Save Your Money—The Bisexual Did It". Verhoeven himself defended the groups' right to protest, however he criticized the disruptions they caused, saying "Fascism is not in raising your voice; the fascism is in not accepting the no."
Film critic Roger Ebert mentioned the controversy in his review, saying "As for the allegedly offensive homosexual characters: The movie's protesters might take note of the fact that this film's heterosexuals, starting with Douglas, are equally offensive. Still, there is a point to be made about Hollywood's unremitting insistence on typecasting homosexuals—particularly lesbians—as twisted and evil." Camille Paglia denounced gay activist and feminist protests against Basic Instinct, and called Sharon Stone's performance "one of the great performances by a woman in screen history", praising her character as "a great vamp figure, like Mona Lisa herself, like a pagan goddess".
The film was also widely criticized for glamorizing cigarette smoking. Screenwriter Joe Eszterhas was later diagnosed with throat cancer and publicly apologized for glamorizing smoking in his films.
But the sexual content of the film helped determine the choice of its female star. Ms. Stone, who played Arnold Schwarzenegger's wife in 'Total Recall', was cast in 'Basic Instinct' only after better-known actresses like Michelle Pfeiffer, Kim Basinger, Geena Davis, Ellen Barkin and Mariel Hemingway rejected her part, largely because it demanded so much nudity and sexual simulation.
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