Barravento
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''Barravento'' (lit. "The Turning Wind") is a 1962 Brazilian
drama film In film and television, drama is a category or genre of narrative fiction (or semi-fiction) intended to be more serious than humorous in tone. Drama of this kind is usually qualified with additional terms that specify its particular super ...
directed by
Glauber Rocha Glauber de Andrade Rocha (; 14 March 1939 – 22 August 1981) was a Brazilian film director, actor and screenwriter. He was one of the most influential moviemakers of Brazilian cinema and a key figure of Cinema Novo. His films ''Black God, White ...
. The directorial debut of Rocha, it stars
Antonio Pitanga Antonio is a masculine given name of Etruscan origin deriving from the root name Antonius. It is a common name among Romance language-speaking populations as well as the Balkans and Lusophone Africa. It has been among the top 400 most popular male ...
, Luíza Maranhão, Lucy Carvalho, and Aldo Teixeira. It is one of the most important films of the
Cinema Novo Cinema Novo (), "New Cinema" in English, is a genre and movement of film noted for its emphasis on social equality and intellectualism that rose to prominence in Brazil during the 1960s and 1970s.Dixon & Foster, 293. Cinema Novo formed in respo ...
movement, which addressing the socio-political problems of Brazil. It was enterly shot on locations of Salvador, Bahia between 1959 and September 1960.


Plot

In a village of xaréu (Kingfish) fishermen, whose ancestors came as slaves from Africa, persist old mystic cults connected to candomblé. The arrival of Firmino, a former inhabitant who moved to Salvador, running away from poverty, transforms the peaceable panorama of the place, and polarizes tensions. Firmino is attracted to Cota, but he is not able to forget Naína who, on her part, likes Aruã. Firmino orders dispatch against Aruã, that isn’t attained, in opposite to the village that sees the cut net, impeding the fishing. Firmino stirs up the fishermen to revolt against the owner of the net, coming to destroy it. Policemen arrive at the village to control the equipment. In his fight against exploitation, Firmino argues against the master, mediator between the fishermen and the owner of the net. A fisherman convinces Aruã of fishing without the net, since his chastity would make him a protected man of Iemanjá. The fishermen are successful in their piecework, under the leadership of Aruã. Naína reveals her impossible love for Aruã to an old black woman. In his defeat against mysticism, Firmino convinces Cota of taking away Aruã’s virginity, and consequently breaking the religious enchantment that makes him a protected man of Iemanjá. Aruã takes the bait. A storm announces the “barravento”, the violent moment. The fishermen leave for the sea, two of them die, Vicente and Chico. Firmino denounces Aruã’s loss of chastity. The Master reneges. Naína accepts to make the ritual. But before he decides to leave for the city to work and to earn money for the purchase of a new net. In the same place where Firmino arrived at the village, Aruã leaves for the city.


Cast

*
Antonio Pitanga Antonio is a masculine given name of Etruscan origin deriving from the root name Antonius. It is a common name among Romance language-speaking populations as well as the Balkans and Lusophone Africa. It has been among the top 400 most popular male ...
as Firmino (credited as Antonio Sampaio) *Luíza Maranhão as Cota *Lucy Carvalho as Naína *Aldo Teixeira as Aruã *Lidio Silva as Master


References


External links

* {{Glauber Rocha 1962 drama films 1962 films Brazilian black-and-white films Brazilian drama films Films directed by Glauber Rocha Films shot in Salvador, Bahia 1960s Portuguese-language films