An axial cut is a type of

jump cut A jump cut is a cut in film editing in which a single continuous sequential shot of a subject is broken into two parts, with a piece of footage being removed in order to render the effect of jumping forward in time. Camera positions of the subj ...

, where the camera suddenly moves closer to or further away from its subject, along an invisible line drawn straight between the camera and the subject. While a plain jump cut typically involves a temporal discontinuity (an apparent jump in time), an axial cut is a way of maintaining the illusion of continuity. Axial cuts are used rarely in contemporary cinema, but were fairly common in the cinema of the 1910s and 1920s. An axial cut can be made with the use of a

zoom lens A zoom lens is a mechanical assembly of lens elements for which the focal length (and thus angle of view) can be varied, as opposed to a fixed-focal-length (FFL) lens (see prime lens). A true zoom lens, also called a parfocal lens, is one t ...

, or physically moving the camera with a crane or

camera dolly A camera dolly is a wheeled cart or similar device used in filmmaking and television production to create smooth horizontal camera movements. The camera is mounted to the dolly and the camera operator and focus puller or camera assistant usu ...

. The intervening footage (as the camera moves or zooms) is then removed while editing the film. Since footage is discarded, this technique works better for static shots. If action is involved, several takes will be required to get the necessary footage. Alternatively, a

multiple-camera setup The multiple-camera setup, multiple-camera mode of production, multi-camera or simply multicam is a method of filmmaking and video production. Several cameras—either film or professional video cameras—are employed on the set and simultaneou ...

can be used, with the cameras showing the subject at different sizes. The footage from both cameras is then edited together to create the effect. As the cameras cannot occupy the same space, there will always be a slight deviation from the axis. Moving the cameras further away from the subject and using telephoto lenses can reduce the deviation.

Directors who use axial cuts

Dario Argento Dario Argento (; born 7 September 1940) is an Italian film director, producer, screenwriter, actor and critic. His influential work in the horror genre during the 1970s and 1980s, particularly in the subgenre known as ''giallo'', has led him ...

Frank Capra Frank Russell Capra (born Francesco Rosario Capra; May 18, 1897 – September 3, 1991) was an Italian-born American film director, producer and writer who became the creative force behind some of the major award-winning films of the 1930s ...

Sergei Eisenstein Sergei Mikhailovich Eisenstein (russian: Сергей Михайлович Эйзенштейн, p=sʲɪrˈɡʲej mʲɪˈxajləvʲɪtɕ ɪjzʲɪnˈʂtʲejn, 2=Sergey Mikhaylovich Eyzenshteyn; 11 February 1948) was a Soviet film director, scree ...

Alfred Hitchcock Sir Alfred Joseph Hitchcock (13 August 1899 – 29 April 1980) was an English filmmaker. He is widely regarded as one of the most influential figures in the history of cinema. In a career spanning six decades, he directed over 50 featur ...

Lev Kuleshov Lev Vladimirovich Kuleshov (russian: Лев Владимирович Кулешов; – 29 March 1970) was a Russian and Soviet filmmaker and film theorist, one of the founders of the world's first film school, the Moscow Film School. He ...

Akira Kurosawa was a Japanese filmmaker and painter who directed thirty films in a career spanning over five decades. He is widely regarded as one of the most important and influential filmmakers in the history of cinema. Kurosawa displayed a bold, dyna ...

John McTiernan John Campbell McTiernan Jr. (born January 8, 1951) is an American filmmaker. He is best known for his action films, especially ''Predator'' (1987), '' Die Hard'' (1988), and ''The Hunt for Red October'' (1990). His later well-known films incl ...

Martin Scorsese Martin Charles Scorsese ( , ; born November 17, 1942) is an American film director, producer, screenwriter and actor. Scorsese emerged as one of the major figures of the New Hollywood era. He is the recipient of many major accolades, incl ...

* Hiroshi Shimizu *

Steven Spielberg Steven Allan Spielberg (; born December 18, 1946) is an American director, writer, and producer. A major figure of the New Hollywood era and pioneer of the modern blockbuster, he is the most commercially successful director of all time. Sp ...

* Sadao Yamanaka *

James Whale James Whale (22 July 1889 – 29 May 1957) was an English film director, theatre director and actor, who spent the greater part of his career in Hollywood. He is best remembered for several horror films: '' Frankenstein'' (1931), '' The ...

Brian De Palma Brian Russell De Palma (born September 11, 1940) is an American film director and screenwriter. With a career spanning over 50 years, he is best known for his work in the suspense, crime and psychological thriller genres. De Palma was a leading ...

Peter Bogdanovich Peter Bogdanovich (July 30, 1939 – January 6, 2022) was an American director, writer, actor, producer, critic, and film historian. One of the " New Hollywood" directors, Bogdanovich started as a film journalist until he was hired to work on ...

References

Cinematography Film editing Cinematic techniques {{film-term-stub