Art Loss Register
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Art Loss Register (ALR) is the world's largest database of stolen art. A computerized international database that captures information about lost and stolen art, antiques, and collectibles, the ALR is a London-based, independent, for-profit corporate offspring of the New York-based, nonprofit
International Foundation for Art Research The International Foundation for Art Research (IFAR) is a non-profit organization which was established to channel and coordinate scholarly and technical information about works of art. IFAR provides an administrative and legal framework within wh ...
(IFAR). The range of functions served by ALR has grown as the number of its listed items has increased. The database is used by collectors, the art trade, insurers, and law enforcement agencies worldwide. In 1991, IFAR helped create the Art Loss Register (ALR) as a commercial enterprise to expand and market the database. IFAR managed ALR's U.S. operations through 1997. In 1998 the ALR assumed full responsibility for the IFAR database, although IFAR retains ownership. In 1992, the database comprised only 20,000 items, but it grew in size nearly tenfold during its first decade.


History

The first steps toward ALR began with the establishment of IFAR in New York in 1969. Among other explicit goals, IFAR was created to compile information about stolen art.Yarrow, Andrew L
"A Lucrative Crime Grows Into a Costly Epidemic,"
''New York Times.'' March 20, 1990.
In response to the growth of international art thefts, IFAR began publishing the "Stolen Art Alert" in 1976. By 1990, IFAR was updating its catalogue of stolen art ten times a year. The magnitude of the problem overwhelmed what had grown to be over 20,000 manual records. While IFAR had successfully recorded the details of losses, that was only a good first step. In 1991, the ALR was established in London as a commercial company, earning fees from insurers and theft victims. Its founding shareholders included insurance and auction houses, which some think is a conflict of interest Christie's#cite note-72. The majority of shares are owned by its founder,
Julian Radcliffe Julian Guy Yonge Radcliffe (born August 1948) is a British businessman, and the founder and chairman of the Art Loss Register (ALR). Early life He was educated at Eton, followed by New College, Oxford, from where he has a degree in politi ...
.Tracking Stolen Art, for Profit, and Blurring a Few Lines, ''New York Times'', September 20, 2013
/ref> Significant capital investment was needed so that IFAR could be computerised and so that the database made available to worldwide law enforcement agencies and others.


Development

In response to the growth and development of IFAR, museum officials revised some policies based on the assumption that discussing theft would scare away potential donors. The AFR initially formed a partnership with the ALR, but they split after disagreements over strategy and control issues. The change from policies of secrecy to ones that emphasize openness was gradual, mirroring an expectation that publicizing theft is likely to promote recovery. The ALR has been widely criticised for its methods and the actions of its chairman,
Julian Radcliffe Julian Guy Yonge Radcliffe (born August 1948) is a British businessman, and the founder and chairman of the Art Loss Register (ALR). Early life He was educated at Eton, followed by New College, Oxford, from where he has a degree in politi ...
. The Register has consistently lost money but for the personal cash infusions of its chairman. ;Selected timeline * 1990: Artworks stolen from the
Isabella Stewart Gardner Museum The Isabella Stewart Gardner Museum is an art museum in Boston, Massachusetts, which houses significant examples of European, Asian, and American art. Its collection includes paintings, sculpture, tapestries, and decorative arts. It was found ...
in Boston includes
Vermeer Johannes Vermeer ( , , see below; also known as Jan Vermeer; October 1632 – 15 December 1675) was a Dutch Baroque Period painter who specialized in domestic interior scenes of middle-class life. During his lifetime, he was a moderately succe ...
's
Concert A concert is a live music performance in front of an audience. The performance may be by a single musician, sometimes then called a recital, or by a musical ensemble, such as an orchestra, choir, or band. Concerts are held in a wide variet ...
, three Rembrandts and five works by
Degas Edgar Degas (, ; born Hilaire-Germain-Edgar De Gas, ; 19 July 183427 September 1917) was a French Impressionist artist famous for his pastel drawings and oil paintings. Degas also produced bronze sculptures, prints and drawings. Degas is espec ...
. * 1989: IFAR received reports of about 5,000 thefts. * 2003: ALR obtains information about a
Sisley Alfred Sisley (; ; 30 October 1839 – 29 January 1899) was an Impressionist landscape painter who was born and spent most of his life in France, but retained British citizenship. He was the most consistent of the Impressionists in his dedicatio ...
stolen from the
Musée des Beaux-Arts d'Orléans The Musée des beaux-arts d'Orléans is a museum in the city of Orléans in the Loiret department and the Centre-Val de Loire region in France. Founded in 1797, it is one of France's oldest provincial museums. Its collections cover European arts f ...
in Orleans. The museum could not afford the fee, and the Sisley was not recovered.


Criticism of methods

The approach adopted by the ALR has been criticised. The Register has contacted owners of stolen art, saying it had information but not revealing it until a fee was paid. In another instance, the ALR lied to Sotheby’s, saying that paintings were not stolen. The paintings were then shipped to London, where they were seized. The ALR has likened this approach to the police misleading a suspect during an investigation.


See also

*
Art theft Art theft, sometimes called artnapping, is the stealing of paintings, sculptures, or other forms of visual art from galleries, museums or other public and private locations. Stolen art is often resold or used by criminals as collateral t ...
*
Koordinierungsstelle für Kulturgutverluste The Koordinierungsstelle für Kulturgutverluste (English: "Coordination Center for Lost Cultural Assets"), also known as the ''Koordinierungsstelle Magdeburg'' (English: "Magdeburg Coordination Center"), is an institution of the German federal an ...


Notes


References

* Feliciano, Hector. (1997).
The Lost Museum: The Nazi Conspiracy to Steal the World's Greatest Works of Art
'. New York: Basic Books. ; * Houpt, Simon and Julian Radcliffe. (2006).
Museum of the Missing: a History of Art Theft
'.'' New York: Sterling Publishing. ; * Nicholas, Lynn H. (1994)
''The Rape of Europa: The Fate of Europe’s Treasures in the Third Reich and the Second World War.''
New York City:
Vintage Books Vintage Books is a trade paperback publishing imprint of Penguin Random House originally established by Alfred A. Knopf in 1954. The company was purchased by Random House in April 1960, and a British division was set up in 1990. After Random ...
. ;


External links

*{{official website, http://www.artloss.com
Art Loss Register faces competition complaint from Art Recovery Group
at ''The Art Newspaper''
Competing or Complementing: Art Loss Databases Proliferate
at the Center for Art Law
The Art Loss Register
at ''Wired'' Magazine Arts organizations established in 1991 Art crime Companies based in the London Borough of Camden Database companies