Architecture of Samoa

The architecture of Samoa is characterised by openness, with the design mirroring the culture and life of the Samoan people who inhabit the Samoa Islands.
Recording the Cultural Heritages of Samoa and the Fiji Islands, U. Herbig, G. Zohrer, F. Samoliy. Retrieved 26 October 2009 Architectural concepts are incorporated into Samoan proverbs, oratory and metaphors, as well as linking to other art forms in Samoa, such as boat building and tattooing. The spaces outside and inside of traditional Samoan architecture are part of cultural form, ceremony and ritual.

is the Samoan word for all types of houses, from small to large.

In general, traditional Samoan architecture is characterized by an oval or circular shape, with wooden posts holding up a domed roof. There are no walls. The base of the architecture is a skeleton frame.

Before European arrival and the availability of Western materials, a Samoan did not use any metal in its construction.

Lashing

The is lashed and tied together with a plaited sennit rope called , handmade from dried coconut fibre. The is woven tight in complex patterns around the wooden frame, and binds the entire construction together. is made from the husk of certain varieties of coconuts with long fibres, particularly the ( palm). The husks are soaked in fresh water to soften the interfibrous portion. The husks from mature nuts must be soaked from four to five weeks, or perhaps even longer, and very mature fibre is best soaked in salt water, but the green husk from a special variety of coconut is ready in four or five days.
Soaking is considered to improve the quality of the fibre. Old men or women then beat the husk with a mallet on a wooden anvil to separate the fibres, which, after a further washing to remove interfibrous material, are tied together in bundles and dried in the sun. When this stage is completed, the fibres are manufactured into sennit by plaiting, a task usually done by elderly men or '' matai'', and performed at their leisure. This usually involves them seated on the ground rolling the dried fibre strands against their bare thigh by hand, until heavier strands are formed. These long, thin strands are then woven together into a three-ply plait, often in long lengths, which is the finished sennit. The sennit is then coiled in bundles or wound tightly in very neat cylindrical rolls.

Making enough lengths of for an entire house can take months of work. The construction of an ordinary traditional is estimated to use of . The lashing construction of the Samoan is one of the great architectural achievements of Polynesia.Space as social construct : the vernacular architecture of rural Samoa
by Anne Elizabeth Guernsey Allen, Columbia University Abstract. Retrieved 3 October 2021. A similar lashing technique was also used in traditional boat building, where planks of wood were 'sewn' together in parts. has many other uses in Samoan material culture, including ceremonial items, such as the fly whisk, a symbol of orator status. This lashing technique was also used in other parts of Polynesia, such as the '' magimagi'' of Fiji.

Cultural space

The form of a , especially the large meeting houses, creates both physical and invisible spatial areas, which are clearly understood in Samoan custom, and dictate areas of social interaction. The use and function of the is closely linked to the Samoan system of social organisation, especially the '' Fa'amatai'' chiefly system.

Those gathered at a formal gathering or are always seated cross-legged on mats on the floor, around the , facing each other with an open space in the middle. The interior directions of a , east, west, north and south, as well as the positions of the posts, affect the seating positions of chiefs according to rank, the place where orators (host or visiting party) must stand to speak or the side of the house where guests and visitors enter and are seated. The space also defines the position where the makers () in the ʻava ceremony are seated and the open area for the presentation and exchanging of cultural items such as the ʻ''ie toga'' fine mats.

The front of a Samoan house is that part that faces the main thoroughfare or road through the village. The floor is quartered, and each section is named: is the front side section, the back section, and , the two end or side sections. The middle posts, termed are reserved for the leading chiefs and the side posts on the front section, termed are occupied by the orators. The posts at the back of the house, , indicate the positions maintained by the makers and others serving the gathering.An Account of Samoan History up to 1918 by Te'o Tuvale. NZ Electronic Text Centre. Retrieved 27 October 2009

The immediate area exterior of the is usually kept clear, and is either a grassy lawn or sandy area if the village is by the sea. The open area in front of the large meeting houses, facing the main thoroughfare or road in a village, is called the , and is an important outdoor area for larger gatherings and ceremonial interaction.

The word is also constructed with other words to denote social groupings or rank, such as the (house of nine) orator group in certain districts. The term is also used to describe certain buildings and their functions. The word for hospital is , 'house of the ill'.

The simplest types of are called , which have become popular as eco-friendly and low-budget beach accommodations in local tourism. Every family complex in Samoa has a , the meeting house or 'big house'.

The site on which the house is built is called (place to stand).

Diagrams of Samoa

Diagrams of showing architectural parts of a traditional house in the Samoan language; from ''An Account of Samoan History up to 1918'' by Samoan historian Teo Tuvale. n Account of Samoan History up to 1918 by Teo Tuvale, NZ Electronic Text Centre, NZ Licence CC-BY-SA 3.0./ref>

The builders in Samoan architecture were also the architects, and they belonged to an exclusive ancient guild of master builders, . The Samoan word denotes the status of master craftsmen who have achieved the highest rank in skill and knowledge in a particular traditional art form. The words mean ''house builder''. There were of navigation () and Samoan tattooing ().
Contracting the services of a required negotiations and cultural custom.
Samoan Material Culture by Te Rangi Hiroa ( Te Rangi Hīroa, Sir Peter Buck), p.87. Retrieved 26 October 2009

Types of

The (big house), the most important house, is usually round in shape, and serves as a meeting house for chief council meetings, family gatherings, funerals or chief title investitures. The is always situated at the front of all other houses in an extended family complex. The houses behind it serve as living quarters, with an outdoor cooking area at the rear of the compound. At the front is an open area, called a . The , (similar to the concept of ''marae'' in Māori and other Polynesian cultures), is usually a well-kept, grassy lawn or sandy area. The is an important cultural space where interactions between visitors and hosts or outdoor formal gatherings take place.

The open characteristics of Samoan architecture are also mirrored in the overall pattern of house sites in a village, where all are situated prominently at the fore of all other dwellings in the village, and sometimes form a semicircle, usually facing seawards.

In modern times, with the decline of traditional architecture and the availability of western building materials, the shape of the has become rectangular, though the spatial areas in custom and ceremony remain the same.

Traditionally, the (long house), a longer shaped like a stretched oval, served as the dwelling house or guest house.

The (small house), traditionally long in shape, was an addition to the main house. It is not so well-constructed and is situated always at the back of the main dwelling. In modern times, the term is also used for any type of small and simple , which is not the main house of dwelling. Popular as a "grass hut" or beach fale in village tourism, many are raised about a meter off the ground on stilts, sometimes with an iron roof. In a village, families build a beside the main house or by the sea for resting during the heat of the day or as an extra sleeping space at night if there are guests.

The (cook house) is a flimsy structure, small in size, and not to be considered as a house. In modern times, the cook house, called the , is at the rear of the family compound, where all the cooking is carried out in an earth oven, , and pots over the fire. In most villages, the is a simple open shed made with a few posts with an iron roof to protect the cooking area from the weather.

Construction

Construction of a , especially the large and important , often involves the whole extended family and help from their village community.

The oversees the entire building project. Before construction, the family prepares the building site. Lava, coral, sand or stone materials are usually used for this purpose. The , his assistants () and men from the family cut the timber from the forest.

The main supporting posts, erected first, vary in number, size and length depending on the shape and dimensions of the house. Usually they are between in length and in diameter, and are buried about in the ground. The term for these posts is (standing posts); they are erected in the middle of the house, forming central pillars.

Attached to the are cross pieces of wood of a substantial size called . The extend from the to the outside circumference of the and their ends are fastened to further supporting pieces called .

The , placed horizontally, are attached at their ends to wide strips of wood continuing from the to the . These wide strips are called . The is a tubular piece (or pieces) of wood about in diameter running around the circumference of the house at the lower extremity of the roof, and is supported on the . The is one or more pieces of wood of substantial size resting on the top of the . At a distance of about between each are circular pieces of wood running around the house and extending from the to the top of the building. They are similar to the .

The are spaced about apart and are sunk about in the ground. They average in diameter, and extend about above the floor of the . The height of the above the floor determines the height of the lower extremity of the roof from the ground.

On the framework are attached innumerable , thin strips of timber (about by in length). They extend from the to the , and are spaced from apart. Attached to these strips at right angles are further strips, , the same size as ''.'' As a result, the roof of the is divided into an enormous number of small squares.

Timber

Most of the timber is grown in forests on family land. The timber was cut in the forest and carried to the building site in the village. The heavy work involved the builder's assistants, members of the family and help from the village community.

The main posts were from the breadfruit tree (), or or if this wood was not available. The long principal rafters had to be flexible, so coconut wood () was always selected. The breadfruit tree was also used for other parts of the main framework.
Samoan Material Culture by Te Rangi Hiroa (Sir Peter Buck), p.22. Retrieved 31 October 2009

In general, the timbers most frequently used in the construction of Samoan houses are:

Posts ( and ): , , , , , and .

: , , , and

and : , , and

The and use and the used both and ''.''

Thatch

The completed, domed framework is covered with thatch ( leaves), which is made by the women. The best quality of thatch is made with the dry leaves of the sugarcane. If sugarcane leaf was not available, the palm leaves of the coconut tree were used in the same manner. The long, dry leaves are twisted over a length of , which are then fastened by a thin strip of the frond of the coconut being threaded through the leaves close up to the stem.

These sections of thatch are fastened to the outside of the framework of the beginning at the bottom and working up to the apex. They are overlapped, so each section advances the thatching about . This means there is a double layer of thatch covering the whole house. The sections are fastened to the at each end by .

Provided the best quality of thatch is used and it has been properly laid, it will last about seven years. On an ordinary dwelling house, about 3000 sections of thatch are laid.

''Pola''

Protection from sun, wind or rain, as well as from prying eyes, was achieved by suspending from the running round the house several of a sort of drop-down Venetian blind, called ''.'' The fronds of the coconut tree are plaited into a kind of mat about a foot wide and three feet long. A sufficient number of to reach from the ground to the top of the are fastened together with and are tied up or let down as the occasion demands. Usually, one string of these mats covers the space between two and so on round the house. They do not last for long, but being quickly made, are soon replaced. They afford ample protection from the elements, and it is possible to let them down in sections; seldom is the whole house is closed up.

Flooring

The natural foundations of a site are coral, sand, and lava, with sometimes a few inches of soil in some localities. Drainage is therefore good. The top layers of the flooring are smooth pebbles and stones. When occupied, the house floors are usually covered or partially covered with native mats.

In modern times, concrete is used for flooring.

Mythology

In Samoan mythology, an explanation of why Samoan houses are round is explained in a story about the god Tagaloa, also known as Tagaloalagi (Tagaloa of the Heavens).

Following is the story, as told by Samoan historian Te'o Tuvale in ''An Account of Samoan History up to 1918:''

*During the time of Tagaloalagi, the houses in Samoa varied in shape, and this led to many difficulties for those who wished to have a house built in a certain manner. Each carpenter was proficient in building a house of one particular shape only, and it was sometimes impossible to obtain the services of the carpenter desired. A meeting of all the carpenters in the country was held to try to decide on some uniform shape. The discussion waxed enthusiastic, and as there seemed no prospect of a decision being arrived at, it was decided to call in the services of Tagaloalagi. After considering the matter, he pointed to the dome of Heaven and to the horizon and he decreed that in future, all houses built would be of that shape, and this explains why all the ends of Samoan houses are as the shape of the heavens extending down to the horizon.

An important tree in Samoan architecture is the coconut palm. In Samoan mythology, the first coconut tree is told in a legend called Sina and the Eel.

European architecture

File:Samoa church interior, Matavai village, Savaii.JPG, Church interior, Matavai village in Safune, Savai'i Island
File:Piula Theological College, Upolu island, Samoa, 2009.jpg, Methodist chapel at Piula Theological College
File:Apia Samoa Temple-new.jpg, Temple of the Church of Jesus Christ of Latter-day Saints in Pesega village, near the capital Apia
File:Catholic church in Samoa-2.jpg, Catholic church in Apia
File:Large stone Methodist church, Satupaitea, Samoa c. 1908.jpg, Stone church in Satupa'itea on Savai'i, circa 1908
File:Safotu church - Savai'i island - Samoa 2007.JPG, Historic church in Safotu village, Savai'i

File:WS -Nelson residence.jpg, Home of Mau leader Olaf Frederick Nelson on Upolu island, circa 1936
File:Tivoli Hotel, Apia 1896.jpg, Tivoli Hotel in the capital Apia, 1896
File:Robert Lewis Stevenson Museum.jpg, Vailima, home of writer Robert Louis Stevenson in Samoa

See also

*'' Fa'amatai'', the chiefly system of Samoa
* Culture of Samoa

References

The Samoan House, An Account of Samoan History up to 1918 by Te'o Tuvale
NZ Electronic Text Centre, NZ Licence CC-BY-SA 3.0 Retrieved 26 October 2009

Notes

{{Samoa topics, state=collapsed

Samoan culture
Vernacular architecture
Oceanian architecture