Arènes de Lutèce
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The Arènes de Lutèce (, "Arenas of Lutetia") are among the most important
ancient Roman In modern historiography, ancient Rome refers to Roman civilisation from the founding of the city of Rome in the 8th century BC to the collapse of the Western Roman Empire in the 5th century AD. It encompasses the Roman Kingdom (753–50 ...
remains from the era in
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(known in antiquity as Lutetia), together with the Thermes de Cluny. Constructed in the 1st century AD, this theatre could once seat 15,000 people and was used also as an
amphitheatre An amphitheatre (British English) or amphitheater (American English; both ) is an open-air venue used for entertainment, performances, and sports. The term derives from the ancient Greek ('), from ('), meaning "on both sides" or "around" and ...
to show
gladiator A gladiator ( la, gladiator, "swordsman", from , "sword") was an armed combatant who entertained audiences in the Roman Republic and Roman Empire in violent confrontations with other gladiators, wild animals, and condemned criminals. Some gla ...
ial combats. The terraced seating surrounded more than half of the arena's circumference, more typical of an ancient Greek theatre rather than a Roman one which was semi-circular. The ''
orchestra An orchestra (; ) is a large instrumental ensemble typical of classical music, which combines instruments from different families. There are typically four main sections of instruments: * bowed string instruments, such as the violin, viola, c ...
'' was surrounded by the wall of a podium 2.5 m (8.2 feet) high, surmounted by a
parapet A parapet is a barrier that is an extension of the wall at the edge of a roof, terrace, balcony, walkway or other structure. The word comes ultimately from the Italian ''parapetto'' (''parare'' 'to cover/defend' and ''petto'' 'chest/breast'). ...
. The stage was 41m long. A series of nine niches were most likely used for statues. Five small rooms were situated beneath the lower terraces, some of which appear to have been animal cages that opened directly into the arena. Slaves, the poor, and women were relegated to the higher tiers — while the lower seating areas were reserved for Roman male citizens. For comfort, a linen awning sheltered spectators from the hot sun. From its vantage point, the theatre also afforded views of the rivers Bièvre and
Seine ) , mouth_location = Le Havre/ Honfleur , mouth_coordinates = , mouth_elevation = , progression = , river_system = Seine basin , basin_size = , tributaries_left = Yonne, Loing, Eure, Risle , tributa ...
. When Lutèce was sacked during the barbarian raids of AD 275, some of the structure's stone work was used to reinforce the city's defences around the Île de la Cité. However,
Chilperic I Chilperic I (c. 539 – September 584) was the king of Neustria (or Soissons) from 561 to his death. He was one of the sons of the Frankish king Clotaire I and Queen Aregund. Life Immediately after the death of his father in 561, ...
had it repaired in 577 and gave performances there."On the death of Sigebert I (575), his widow Brunehaut took refuge in Paris, but a year later, Chilperic seized the city, repairs the ancient amphitheater and gives performances in 577." Alfred Fierro , History and dictionary of Paris , p. 16 Subsequently, the theatre became a cemetery, and was filled in completely following the construction of
wall of Philippe Auguste The Wall of Philip Augustus is the oldest city wall of Paris (France) whose plan is accurately known. Partially integrated into buildings, more traces of it remain than of the later fortifications. History The wall was built during the struggle ...
(ca. 1210). Centuries later, even though the surrounding neighbourhood (quartier) had retained the name ''les Arènes'', the exact location was lost. It was discovered by Théodore Vaquer during the building of the Rue Monge between 1860–1869, when the Compagnie Générale des Omnibus sought to build a tramway depot on the site. Spearheaded by the author
Victor Hugo Victor-Marie Hugo (; 26 February 1802 – 22 May 1885) was a French Romantic writer and politician. During a literary career that spanned more than sixty years, he wrote in a variety of genres and forms. He is considered to be one of the great ...
(1802–1885) and a few other intellectuals, a preservation committee called la Société des Amis des Arènes undertook to save the archaeological treasure. After the demolition of the Couvent des Filles de Jésus-Christ in 1883, one-third of the arena was uncovered. The Municipal Council dedicated funds to restoring the arena and establishing it as a public square, which was opened in 1896. After the tramway lines and depot were dismantled in 1916 and line 10 of the Paris Métro was constructed, the doctor and anthropologist Jean-Louis Capitan (1854–1929) continued with additional excavation and restoration of the arena toward the end of World War I. The neighbouring Square Capitan, built on the site of the old Saint-Victor reservoir, is dedicated to his memory. However, a portion of the original arena — opposite the stage — was lost to buildings which line rue Monge. Standing in the centre of the arena one can still observe significant remnants of the stage and its nine niches, as well as the grilled cages in the wall. The stepped terraces are not original, but historians believe that 41 arched openings punctuated the façade.


See also

*
List of Roman amphitheatres The remains of at least 230 Roman amphitheatres have been found widely scattered around the area of the Roman Empire. These are large, circular or oval open-air venues with raised 360 degree seating and not to be confused with the more common ...


References


External links


The Arènes de Lutèce at discoverfrance.net


the Arènes on Google Maps {{DEFAULTSORT:Arenes De Lutece Buildings and structures completed in the 1st century Archaeological sites in France Buildings and structures in Paris Roman Paris Lutece Buildings and structures in the 5th arrondissement of Paris