Allegory of Isabella d'Este's Coronation
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The ''Allegory of Isabella d'Este's Coronation'' is a painting by the
Italian Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, an ethnic group or simply a citizen of the Italian Republic or Italian Kingdom ** Italian language, a Romance language *** Regional Ita ...
Renaissance painter
Lorenzo Costa the Elder Lorenzo Costa (1460 – 5 March 1535) was an Italian painter of the Renaissance. Biography He was born at Ferrara, but moved to Bologna by his early twenties, and was probably influenced by the Bolognese School. However, many artists worked in ...
, dating to about 1505–1506. It is displayed in the
Louvre Museum The Louvre ( ), or the Louvre Museum ( ), is the world's most-visited museum, and an historic landmark in Paris, France. It is the home of some of the best-known works of art, including the ''Mona Lisa'' and the ''Venus de Milo''. A central l ...
of
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,
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.


History

The painting was the fourth commissioned by Isabella d'Este for her ''studiolo'', after two canvasses by
Andrea Mantegna Andrea Mantegna (, , ; September 13, 1506) was an Italian painter, a student of Roman archeology, and son-in-law of Jacopo Bellini. Like other artists of the time, Mantegna experimented with perspective, e.g. by lowering the horizon in orde ...
(''
Parnassus Mount Parnassus (; el, Παρνασσός, ''Parnassós'') is a mountain range of central Greece that is and historically has been especially valuable to the Greek nation and the earlier Greek city-states for many reasons. In peace, it offers ...
'' and the '' Triumph of the Virtues'', respectively from 1497 and 1499-1502) and
Perugino Pietro Perugino (, ; – 1523), born Pietro Vannucci, was an Italian Renaissance painter of the Umbrian school, who developed some of the qualities that found classic expression in the High Renaissance. Raphael was his most famous pupil. Ea ...
's '' Combat of Love and Chastity'' (1503). The subject was provided by the court poet Paride of Ceresara and was initially assigned to Mantegna. However, after the latter's death in 1506, he was replaced by Lorenzo Costa, who deleted all the work made by his predecessor. Isabella liked the painting, and this granted Costa the position as the new court painter of the Gonzaga of
Mantua Mantua ( ; it, Mantova ; Lombard and la, Mantua) is a city and '' comune'' in Lombardy, Italy, and capital of the province of the same name. In 2016, Mantua was designated as the Italian Capital of Culture. In 2017, it was named as the Eur ...
. Duke Charles I of Nevers gifted this and the other paintings in the ''studiolo'' to Cardinal Richelieu, and the ''Allegory'' thus went to Paris. After belonging to several collections, it became part of the collections of the
Louvre Museum The Louvre ( ), or the Louvre Museum ( ), is the world's most-visited museum, and an historic landmark in Paris, France. It is the home of some of the best-known works of art, including the ''Mona Lisa'' and the ''Venus de Milo''. A central l ...
.


Description

The most accepted interpretation of the painting is an exaltation of Isabella d'Este, her rule and her role as patron of the arts, which generates harmony. She would be the figure in the center, crowned with laurel by Anteros, who is held by his mother,
Venus Venus is the second planet from the Sun. It is sometimes called Earth's "sister" or "twin" planet as it is almost as large and has a similar composition. As an interior planet to Earth, Venus (like Mercury) appears in Earth's sky never f ...
: the two mythological figures would symbolize the heavenly and virtuous love, compared to the earthly and carnal one. The scene would be in the garden of Harmony, where it is possible to freely practice Music, Arts and Poetry, which are referred to by the characters surrounding the coronation. In the foreground, behind the garden's boundaries, are Diana, symbol of chastity, and Cadmus (on the left), protectors of the arts such as Mercury, identified by the scene of battle behind him on the painting's left. The two female characters sitting on the ground are identifiable with the Virtues who watch over Isabella's world: the one crowning the ox would be Perseverance, the one crowning the lamb would be Purity or Innocence. Another interpretation is that based on the ''Tabula Cebetis'': the painting would represent the different genres of poetry, the foremost of which is lyrics, portrayed by Venus in the center. The character being crowned would be Sappho, and the personifications around her would be outstanding early lyricists such as
Callimachus Callimachus (; ) was an ancient Greek poet, scholar and librarian who was active in Alexandria during the 3rd century BC. A representative of Ancient Greek literature of the Hellenistic period, he wrote over 800 literary works in a wide varie ...
, Propertius,
Ovid Pūblius Ovidius Nāsō (; 20 March 43 BC – 17/18 AD), known in English as Ovid ( ), was a Roman poet who lived during the reign of Augustus. He was a contemporary of the older Virgil and Horace, with whom he is often ranked as one of the th ...
and
Tibullus Albius Tibullus ( BC19 BC) was a Latin poet and writer of elegies. His first and second books of poetry are extant; many other texts attributed to him are of questionable origins. Little is known about the life of Tibullus. There are only a f ...
.


Other paintings of Isabella's Studiolo

* ''
Parnassus Mount Parnassus (; el, Παρνασσός, ''Parnassós'') is a mountain range of central Greece that is and historically has been especially valuable to the Greek nation and the earlier Greek city-states for many reasons. In peace, it offers ...
'' by Mantegna * '' Reign of Comus'' by
Lorenzo Costa Lorenzo Costa (1460 – 5 March 1535) was an Italian painter of the Renaissance. Biography He was born at Ferrara, but moved to Bologna by his early twenties, and was probably influenced by the Bolognese School. However, many artists worked in ...
* '' Triumph of the Virtues'' by Mantegna * '' Combat of Love and Chastity'' by
Pietro Perugino Pietro Perugino (, ; – 1523), born Pietro Vannucci, was an Italian Renaissance painter of the Umbrian school, who developed some of the qualities that found classic expression in the High Renaissance. Raphael was his most famous pupil. Ea ...


Sources

*


External links


Page at the museum's website
{{Authority control 1500s paintings Paintings in the Louvre by Italian artists Paintings by Lorenzo Costa the Elder category:16th-century allegorical paintings category:Allegorical paintings by Italian artists Paintings of Venus category:Gonzaga art collection Sheep in art Horses in art Musical instruments in art Ships in art Cattle in art Paintings depicting Diana (mythology)