''Agon'' is a 22-minute

ballet Ballet () is a type of performance dance that originated during the Italian Renaissance in the fifteenth century and later developed into a concert dance form in France and Russia. It has since become a widespread and highly technical form ...

for twelve dancers with music by

Igor Stravinsky Igor Fyodorovich Stravinsky (6 April 1971) was a Russian composer, pianist and conductor, later of French (from 1934) and American (from 1945) citizenship. He is widely considered one of the most important and influential 20th-century clas ...

. It was choreographed by

George Balanchine George Balanchine (; Various sources: * * * * born Georgiy Melitonovich Balanchivadze; ka, გიორგი მელიტონის ძე ბალანჩივაძე; January 22, 1904 (O. S. January 9) – April 30, 1983) was ...

. Stravinsky began composition in December 1953 but was interrupted the next year; he resumed work in 1956 and concluded on April 27, 1957. The music was premiered in Los Angeles at

UCLA The University of California, Los Angeles (UCLA) is a public land-grant research university in Los Angeles, California. UCLA's academic roots were established in 1881 as a teachers college then known as the southern branch of the California ...

Royce Hall Royce Hall is a building on the campus of the University of California, Los Angeles (UCLA). Designed by the Los Angeles firm of Allison & Allison (James Edward Allison, 1870–1955, and his brother David Clark Allison, 1881–1962) and completed ...

on June 17, 1957, conducted by Robert Craft. Stravinsky himself conducted the sessions for the work's first recording the following day on June 18, 1957. ''Agon'' was first performed on stage by the

New York City Ballet New York City Ballet (NYCB) is a ballet company founded in 1948 by choreographer George Balanchine and Lincoln Kirstein. Balanchine and Jerome Robbins are considered the founding choreographers of the company. Léon Barzin was the company ...

at the City Center of Music and Drama on December 1, 1957. The composition's long gestation period covers an interesting juncture in Stravinsky's composing career, in which he moved from a

diatonic Diatonic and chromatic are terms in music theory that are most often used to characterize scales, and are also applied to musical instruments, intervals, chords, notes, musical styles, and kinds of harmony. They are very often used as a ...

musical idiom to one based on

twelve-tone technique The twelve-tone technique—also known as dodecaphony, twelve-tone serialism, and (in British usage) twelve-note composition—is a method of musical composition first devised by Austrian composer Josef Matthias Hauer, who published his "law o ...

; the music of the ballet thus demonstrates a unique symbiosis of musical idioms. The ballet has no story, but consists of a series of dance movements in which various groups of dancers interact in pairs, trios, quartets, etc. A number of the movements are based on 17th-century French court dances –

saraband ''Saraband'' is a 2003 Swedish drama film directed by Ingmar Bergman, and his final film. It was made for Swedish television, but released theatrically in a longer cut outside Sweden. Its United States theatrical release, with English subtitles, ...

galliard The ''galliard'' (; french: gaillarde; it, gagliarda) was a form of Renaissance dance and music popular all over Europe in the 16th century. It is mentioned in dance manuals from England, Portugal, France, Spain, Germany, and Italy. Dance f ...

and

bransle A branle (, ), also bransle, brangle, brawl, brawle, brall(e), braul(e), brando (in Italy), bran (in Spain), or brantle (in Scotland), is a type of French dance popular from the early 16th century to the present, danced by couples in either a l ...

. It was danced as part of City Ballet's 1982 Stravinsky Centennial Celebration. The title of the ballet, Agon, is a Greek word which means “contest”, “protagonist” but also “anguish” or “struggle”.

Form

Stravinsky laid out the ballet in a duodecimal form, with four large sections each consisting of three dances. A Prelude and two Interludes occur between the large sections, but this does not fundamentally affect the twelve-part design because their function is caesural and compensatory: *I. # Pas-de-quatre (4 male dancers) # Double pas-de-quatre (8 female dancers) # Triple pas-de-quatre (4 male + 8 female dancers) *Prelude *II. (First pas-de-trois: 1 male, 2 female dancers) #Sarabande-step (1 male dancer) #Gaillarde (2 female dancers) #Coda (1 male, 2 female dancers) *Interlude *III. (Second pas-de-trois: 2 male, 1 female dancers) #Bransle simple (2 male dancers) #Bransle gay (1 female dancer) #Bransle double (2 male, 1 female dancers) *Interlude *IV. #Pas-de-deux (1 male, 1 female dancer) #Four Duos (4 male, 4 female dancers) #Four Trios (4 male, 8 female dancers)

Instrumentation

''Agon'' is scored for a large orchestra consisting of

piccolo The piccolo ( ; Italian for 'small') is a half-size flute and a member of the woodwind family of musical instruments. Sometimes referred to as a "baby flute" the modern piccolo has similar fingerings as the standard transverse flute, but the s ...

, 3

flute The flute is a family of classical music instrument in the woodwind group. Like all woodwinds, flutes are aerophones, meaning they make sound by vibrating a column of air. However, unlike woodwind instruments with reeds, a flute is a reedles ...

s, 2

oboe The oboe ( ) is a type of double reed woodwind instrument. Oboes are usually made of wood, but may also be made of synthetic materials, such as plastic, resin, or hybrid composites. The most common oboe plays in the treble or soprano range. ...

English horn The cor anglais (, or original ; plural: ''cors anglais''), or English horn in North America, is a double-reed woodwind instrument in the oboe family. It is approximately one and a half times the length of an oboe, making it essentially an alt ...

, 2

clarinet The clarinet is a musical instrument in the woodwind family. The instrument has a nearly cylindrical bore and a flared bell, and uses a single reed to produce sound. Clarinets comprise a family of instruments of differing sizes and pitch ...

bass clarinet The bass clarinet is a musical instrument of the clarinet family. Like the more common soprano B clarinet, it is usually pitched in B (meaning it is a transposing instrument on which a written C sounds as B), but it plays notes an octave ...

, 2

bassoon The bassoon is a woodwind instrument in the double reed family, which plays in the tenor and bass ranges. It is composed of six pieces, and is usually made of wood. It is known for its distinctive tone color, wide range, versatility, and virtuos ...

contrabassoon The contrabassoon, also known as the double bassoon, is a larger version of the bassoon, sounding an octave lower. Its technique is similar to its smaller cousin, with a few notable differences. Differences from the bassoon The reed is consi ...

, 4 horns, 4 trumpets, 3

trombone The trombone (german: Posaune, Italian, French: ''trombone'') is a musical instrument in the brass family. As with all brass instruments, sound is produced when the player's vibrating lips cause the air column inside the instrument to vibrate ...

s (2 tenor, 1 bass),

harp The harp is a stringed musical instrument that has a number of individual strings running at an angle to its soundboard; the strings are plucked with the fingers. Harps can be made and played in various ways, standing or sitting, and in orc ...

piano The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboa ...

mandolin A mandolin ( it, mandolino ; literally "small mandola") is a stringed musical instrument in the lute family and is generally plucked with a pick. It most commonly has four courses of doubled strings tuned in unison, thus giving a total of ...

timpani Timpani (; ) or kettledrums (also informally called timps) are musical instruments in the percussion family. A type of drum categorised as a hemispherical drum, they consist of a membrane called a head stretched over a large bowl traditionall ...

, tom-tom,

xylophone The xylophone (; ) is a musical instrument in the percussion family that consists of wooden bars struck by mallets. Like the glockenspiel (which uses metal bars), the xylophone essentially consists of a set of tuned wooden keys arranged in ...

castanets Castanets, also known as ''clackers'' or ''palillos'', are a percussion instrument (idiophone), used in Spanish, Kalo, Moorish, Ottoman, Italian, Sephardic, Swiss, and Portuguese music. In ancient Greece and ancient Rome there was a simil ...

, and strings. At no point does the entire orchestra play a tutti. Each section is scored for a different combination of instruments.

Music

This was not the first composition in which Stravinsky employed serial techniques, but it was the first in which he used a twelve-

tone row In music, a tone row or note row (german: Reihe or '), also series or set, is a non-repetitive ordering of a set of pitch-classes, typically of the twelve notes in musical set theory of the chromatic scale, though both larger and smaller sets ...

, introduced in the second coda, at bar 185. Earlier in the work, Stravinsky had employed a seventeen-tone row, in bars 104–107, and evidence from the sketches suggests a close relationship between these two rows. The Bransle Double is based on a different twelve-tone series, the

hexachord In music, a hexachord (also hexachordon) is a six- note series, as exhibited in a scale ( hexatonic or hexad) or tone row. The term was adopted in this sense during the Middle Ages and adapted in the 20th century in Milton Babbitt's serial ...

s of which are treated independently. Those hexachords first appear separately in the Bransle Simple (for two male dancers) and Bransle Gay (for solo female dancer), and are then combined to form a twelve-tone row in the Bransle Double. These three dances together constitute the second pas-de-trois.

Original cast

Todd Bolender Todd Bolender (February 27, 1914 – October 12, 2006) was a renowned ballet dancer, teacher, choreographer, and director. He was an instrumental figure in the creation and dissemination of classical dance and ballet as an American art form. A c ...

Barbara Milberg Barbara Milberg Fisher (born 1931 in Brooklyn, New York) was an American academic and professional dancer. She was professor emerita of English at the City College of the City University of New York (CUNY), where she taught for 29 years. She pu ...

*Barbara Walczak *Roy Tobias *

Jonathan Watts Jonathan Watts is a British journalist and the author of ''When a Billion Chinese Jump: How China Will Save the World - or Destroy It''. He served as president of the Foreign Correspondents' Club of China from 2008-2009 and as vice president of ...

* Melissa Hayden * Diana Adams * Arthur Mitchell

Italy

When ''Agon'' was performed in Italy in 1965, Stravinsky was particularly pleased with the performance of

ist

Giuseppe Anedda Giuseppe Anneda (born Cagliari, 1 March 1912 – died Cagliari, 30 July 1997) was an Italian mandolin virtuoso who helped the mandolin gain more importance in the classical music world in the 20th Century. He performed with his instrument in co ...

. "Bravo Mandolino!" shouted Stravinsky at Anedda and caught up with him to congratulate him and shake his hand.

References

Sources * *

External links

''Agon''
Balanchine Trust

by Bonnie S. Jacobi {{Authority control 1957 ballet premieres 1957 compositions Ballets by George Balanchine Ballets by Igor Stravinsky New York City Ballet repertory New York City Ballet Stravinsky Centennial Celebration Twelve-tone compositions