Adam and Eve (Dürer)
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''Adam and Eve'' is the name of two works by German Renaissance artist Albrecht Dürer: an engraving made in 1504, and a pair of oil-on-panel paintings completed in 1507. The engraving of 1504 depicts
Adam and Eve Adam and Eve, according to the creation myth of the Abrahamic religions, were the first man and woman. They are central to the belief that humanity is in essence a single family, with everyone descended from a single pair of original ancestors. ...
in a scene together, with several symbolical animals around them. According to
Erwin Panofsky Erwin Panofsky (March 30, 1892 in Hannover – March 14, 1968 in Princeton, New Jersey) was a German-Jewish art historian, whose academic career was pursued mostly in the U.S. after the rise of the Nazi regime. Panofsky's work represents a high ...
, a mountain ash behind Adam represents the
tree of life The tree of life is a fundamental archetype in many of the world's mythological, religious, and philosophical traditions. It is closely related to the concept of the sacred tree.Giovino, Mariana (2007). ''The Assyrian Sacred Tree: A Hist ...
; the parrot on its branch represents wisdom. A
fig tree ''Ficus'' ( or ) is a genus of about 850 species of woody trees, shrubs, vines, epiphytes and hemiepiphytes in the family Moraceae. Collectively known as fig trees or figs, they are native throughout the tropics with a few species extending ...
stands in for the
tree of the knowledge of good and evil In Judaism and Christianity, the tree of the knowledge of good and evil ( he, עֵץ הַדַּעַת טוֹב וָרָע, ʿêṣ had-daʿaṯ ṭōḇ wā-rāʿ, label= Tiberian Hebrew, ) is one of two specific trees in the story of the Garden ...
. Four animals, a cat, elk, rabbit, and ox represent the four humours: cruelty, melancholy, sensuality, and lethargy, respectively. Additionally, the relationship of the mouse and feline at the feet of the figures parallels that of Adam and Eve. The 1507 painting offered Dürer the opportunity to depict the ideal human figure. Painted in Nuremberg soon after his return from Venice, the panels were influenced by Italian art. Dürer's observations on his second trip to Italy provided him with new approaches to portraying the human form. Here, he depicts the figures at human scale—the first full-scale nude subjects in German painting. ''Adam and Eve'''s first home was the
Prague Castle Prague Castle ( cs, Pražský hrad; ) is a castle complex in Prague 1 Municipality within Prague, Czech Republic, built in the 9th century. It is the official office of the President of the Czech Republic. The castle was a seat of power for king ...
, the property of collector
Rudolf II Rudolf II (18 July 1552 – 20 January 1612) was Holy Roman Emperor (1576–1612), King of Hungary and Croatia (as Rudolf I, 1572–1608), King of Bohemia (1575–1608/1611) and Archduke of Austria (1576–1608). He was a member of the Hous ...
. During the
Thirty Years' War The Thirty Years' War was one of the longest and most destructive conflicts in European history, lasting from 1618 to 1648. Fought primarily in Central Europe, an estimated 4.5 to 8 million soldiers and civilians died as a result of battle ...
, armies plundered the castle and the panels came to be owned by Gustavus Adolphus of Sweden. His daughter, Christina, gave the work to
Philip IV of Spain Philip IV ( es, Felipe, pt, Filipe; 8 April 160517 September 1665), also called the Planet King (Spanish: ''Rey Planeta''), was King of Spain from 1621 to his death and (as Philip III) King of Portugal from 1621 to 1640. Philip is remembered ...
in 1654. Later King
Charles III Charles III (Charles Philip Arthur George; born 14 November 1948) is King of the United Kingdom and the 14 other Commonwealth realms. He was the longest-serving heir apparent and Prince of Wales and, at age 73, became the oldest person t ...
ordered in 1777 that the painting be hidden in the
Real Academia de Bellas Artes de San Fernando The Real Academia de Bellas Artes de San Fernando (RABASF; ), located on the Calle de Alcalá in the heart of Madrid, currently functions as a museum and gallery. A public law corporation, it is integrated together with other Spanish royal acade ...
, and it only avoided destruction, due to the king's view that it was obscene, by the intervention of his court painter. It arrived at its current home, Madrid's Museo del Prado, in 1827, but was not publicly displayed until 1833.


See also

* ''Adam and Eve'' (Lucas Cranach the Elder)


References

*Nürnberg, Verlag Hans Carl.
Dürer in Dublin: Engravings and woodcuts of Albrecht Dürer
'. Chester Beatty Library, 1983


Further reading

*Hart, Vaughan. 'Navel Gazing. On Albrecht Dürer's Adam and Eve (1504)', ''The International Journal of Arts Theory and History'', 2016, vol.12.1 pp. 1–10 https://doi.org/10.18848/2326-9960/CGP/v12i01/1-10


External links

{{DEFAULTSORT:Adam and Eve (Durer) Paintings by Albrecht Dürer 1507 paintings Diptychs Paintings of the Museo del Prado by German artists Durer Nude art Snakes in art