Active Format Description
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television Television, sometimes shortened to TV, is a telecommunication medium for transmitting moving images and sound. The term can refer to a television set, or the medium of television transmission. Television is a mass medium for advertising, ...
technology, Active Format Description (AFD) is a standard set of codes that can be sent in the
MPEG The Moving Picture Experts Group (MPEG) is an alliance of working groups established jointly by ISO and IEC that sets standards for media coding, including compression coding of audio, video, graphics, and genomic data; and transmission and f ...
video stream or in the baseband SDI video signal that carries information about their aspect ratio and other active picture characteristics. It has been used by television broadcasters to enable both 4:3 and 16:9 television sets to optimally present pictures transmitted in either format. It has also been used by broadcasters to dynamically control how down-conversion equipment formats widescreen 16:9 pictures for 4:3 displays. Standard AFD codes provide information to video devices about where in the coded picture the active video is and also the "
protected area Protected areas or conservation areas are locations which receive protection because of their recognized natural, ecological or cultural values. There are several kinds of protected areas, which vary by level of protection depending on the ena ...
" which is the area that needs to be shown. Outside the protected area, edges at the sides or the top can be removed without the viewer missing anything significant. Video decoders and display devices can then use this information, together with knowledge of the display shape and user preferences, to choose a presentation mode. AFD can be used in the generation of Widescreen signaling, although MPEG alone contains enough information to generate this. AFDs are not part of the core MPEG standard; they were originally developed within the Digital TV Group in the UK and submitted to
DVB Digital Video Broadcasting (DVB) is a set of international open standards for digital television. DVB standards are maintained by the DVB Project, an international industry consortium, and are published by a Joint Technical Committee (JTC) o ...
as an extension, which has subsequently also been adopted by
ATSC Advanced Television Systems Committee (ATSC) standards are an American set of standards for digital television transmission over terrestrial, cable and satellite networks. It is largely a replacement for the analog NTSC standard and, like th ...
(with some changes).
SMPTE The Society of Motion Picture and Television Engineers (SMPTE) (, rarely ), founded in 1916 as the Society of Motion Picture Engineers or SMPE, is a global professional association of engineers, technologists, and executives working in the m ...
has also adopted AFD for baseband SDI carriage as standard SMPTE 2016-1-2007, "''Format for Active Format Description and Bar Data''". Active Format Description is occasionally incorrectly referred to as "Active Format Descriptor". There is no "descriptor" (descriptor has a specific meaning in ISO/IEC 13818-1,
MPEG The Moving Picture Experts Group (MPEG) is an alliance of working groups established jointly by ISO and IEC that sets standards for media coding, including compression coding of audio, video, graphics, and genomic data; and transmission and f ...
syntax). The AFD data is carried in the Video Layer of MPEG, ISO/IEC 13818-2. When carried in digital video, AFDs can be stored in the Video Index Information, in line 11 of the video. By using AFDs broadcasters can also control the timing of Aspect Ratio switches more accurately than using MPEG signalling alone. This is because the MPEG signalling can only change with a new Group of Pictures in the sequence, which is typically around every 12 frames or half a second - this was not considered accurate enough for some broadcasters who were initially switching frequently between 4:3 and 16:9. The number of Aspect Ratio Converters required in a broadcast facility is also reduced, since the content is described correctly it does not need to be resized for broadcast on a platform that supports AFDs. In 2012, a Technology & Engineering Emmy Award was awarded for the development and deployment of Active Format Description.


Usage

A widescreen 16:9 signal may be broadcast with AFD 8 or AFD 10, indicating that the entire frame includes important picture information and should not be cropped. On a 4:3 TV, this will then be shown as a 16:9
letterbox A letter box, letterbox, letter plate, letter hole, mail slot or mailbox is a receptacle for receiving incoming mail at a private residence or business. For outgoing mail, Post boxes are often used for depositing the mail for collection, althou ...
to ensure no image is lost. Other widescreen 16:9 content (like sports coverage) may be broadcast with AFD 15, indicating that it is safe to display only the central 4:3 region. On a 4:3 TV, the image will be cropped and it will be shown full-screen. As of 2006, AFDs are only broadcast in a minority of the countries using MPEG
digital television Digital television (DTV) is the transmission of television signals using digital encoding, in contrast to the earlier analog television technology which used analog signals. At the time of its development it was considered an innovative adva ...
but used most notably in the UK as required by the Digital TV Group D-Book. As a result, the quality of implementation in receivers is variable. Some receivers only respect the basic "active area" information. More fully featured receivers also support the "safe area" information, and will use this to optimise the display for the shape of the viewer's screen. Display in the compromise 14:9 letterbox format was not supported by initial British receivers, which limited the value of the AFD flags - this ratio is especially useful when watching widescreen material on smaller 4:3 sets.


AFD for the DVB DTV transition

The line 23 data format (compatible with the analog Widescreen signaling) allows signaling of the source (coded image) aspect ratio and the Active Format Descriptor.


AFD for the ATSC DTV transition

A concerted effort on the part of US broadcasters to broadcast AFD began in 2008 in preparation for the US DTV transition which occurred on June 12, 2009. After the DTV transition, 4:3 versions of programming are not available directly from a large percentage of US broadcasters. Cable and satellite providers down-convert 16:9 HD feeds from these broadcasters to generate the 4:3 SD versions for their SD viewers. The most common forms of down-conversion are letterbox or center-cut (cropping off the left and right sides of the 16:9 image to fit into the 4:3 raster). Some US broadcasters transmit AFD with their HD DTV signals in order to maintain control over how SD viewers will receive their programming. With AFD included in these signals, cable and satellite providers are able to dynamically control whether HD content is to be either letterbox or center-cut for their SD viewers. However, there are cases where pay-TV providers completely disregard AFD instructions and for instance, present a 4:3 picture with widescreen elements cut off to assuage user complaints about letterboxing, on standard 4:3 sets (for instance for a secondary-market station available only in standard definition on a provider on the claim that an HD signal exists for the provider's 'primary' station for a network), to the displeasure of broadcasters. Without AFD, either a fixed letterbox or center-cut will be required on a station-by-station basis. A fixed letterbox will result in an undesirable windowbox (i.e., a combination of letterbox and
pillarbox The pillarbox effect occurs in widescreen video displays when black bars (mattes or masking) are placed on the sides of the image. It becomes necessary when film or video that was not originally designed for widescreen is shown on a widescree ...
, also called "postage stamp") effect on SD originated programming. A fixed center-cut will result in loss of important picture content on certain HD content (e.g., an HD sports broadcast containing score graphics formatted for 16:9 display).


Complete list of AFD codes

The following image illustrates the above codes and the resulting images as seen on 4:3, 16:9 and 21:9 displays. Green circles represent essential content, orange circles indicate optional image areas. Black areas are unused parts of the frame, i.e. bars. The red edge indicates the full frame.


See also

*
Letterbox A letter box, letterbox, letter plate, letter hole, mail slot or mailbox is a receptacle for receiving incoming mail at a private residence or business. For outgoing mail, Post boxes are often used for depositing the mail for collection, althou ...
* Shoot and protect *
Widescreen Widescreen images are displayed within a set of aspect ratio (image), aspect ratios (relationship of image width to height) used in film, television and computer screens. In film, a widescreen film is any film image with a width-to-height aspect ...
* Widescreen signaling (WSS)


References


External links


ETSI TS 101 154 v1.7.1 - the latest version of the DVB standard that defines AFDs

ETSI TS 101 154 v 2.3.1 - a newer version of the ETSI standard

AFD codes explained
{{Video formats Broadcast engineering Digital television Film and video technology Television technology British inventions