Accademia di Santa Cecilia
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The Accademia Nazionale di Santa Cecilia ( en, National Academy of St Cecilia) is one of the oldest musical institutions in the world, founded by the papal bull ''Ratione congruit'', issued by
Sixtus V Pope Sixtus V ( it, Sisto V; 13 December 1521 – 27 August 1590), born Felice Piergentile, was head of the Catholic Church and ruler of the Papal States from 24 April 1585 to his death in August 1590. As a youth, he joined the Franciscan order ...
in 1585, which invoked two saints prominent in Western musical history:
Gregory the Great Pope Gregory I ( la, Gregorius I; – 12 March 604), commonly known as Saint Gregory the Great, was the bishop of Rome from 3 September 590 to his death. He is known for instigating the first recorded large-scale mission from Rome, the Gregoria ...
, for whom the
Gregorian chant Gregorian chant is the central tradition of Western plainsong, plainchant, a form of monophony, monophonic, unaccompanied sacred song in Latin (and occasionally Greek (language), Greek) of the Roman Catholic Church. Gregorian chant developed ma ...
is named, and Saint Cecilia, the
patron saint A patron saint, patroness saint, patron hallow or heavenly protector is a saint who in Catholicism, Anglicanism, or Eastern Orthodoxy is regarded as the heavenly advocate of a nation, place, craft, activity, class, clan, family, or perso ...
of music. Since 2005 it has been headquartered at the
Renzo Piano Renzo Piano (; born 14 September 1937) is an Italian architect. His notable buildings include the Centre Georges Pompidou in Paris (with Richard Rogers, 1977), The Shard in London (2012), the Whitney Museum of American Art in New York City ( ...
designed
Parco della Musica Parco della Musica is a public music complex in Rome, Italy, with three concert halls and an outdoor theater in a park setting. It was designed by Italian architect Renzo Piano. Jürgen Reinhold of Müller-BBM was in charge of acoustics for the h ...
in
Rome , established_title = Founded , established_date = 753 BC , founder = King Romulus (legendary) , image_map = Map of comune of Rome (metropolitan city of Capital Rome, region Lazio, Italy).svg , map_caption ...
. It was founded as a "congregation", or "confraternity", and over the centuries has grown from a forum for local musicians and composers to an internationally acclaimed academy active in music scholarship (with 100 prominent music scholars forming the body of the Accademia), music education (in its role as a conservatory) and performance (with an active choir and a symphony orchestra, the
Orchestra dell'Accademia Nazionale di Santa Cecilia The Orchestra dell'Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) is an Italian symphony orchestra based in Rome. Resident at the Parco della Musica, the orchestra primarily performs its Rome concerts in ...
). The category of alumni of the associated conservatory (which in 1919 succeeded a ''liceo'') includes many noted composers and performers.


History

The first seat of the Congregation from 1585–1622 was the church of Santa Maria ad Martires, better known as the
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. Successive relocations were to the church of San Paolino alla Colonna (1622–52), Santa Cecilia in Trastevere (1652–61), San Nicola dei Cesarini (1661–1663), Chiesa della Maddalena (1663–85), and, finally,
San Carlo ai Catinari San Carlo ai Catinari, also called Santi Biagio e Carlo ai Catinari ("Saints Blaise and Charles at the Bowl-Makers") is an early-Baroque style church in Rome, Italy. It is located on Piazza Benedetto Cairoli, 117 just off the corner of Via Arenul ...
in 1685. During the first century of existence, the Congregation was the workshop of a number of prominent musicians and composers of the day, including Giovanni Pierluigi da Palestrina. The institution in that period was often in rivalry with the other important musical organization of Papal Rome of the day, the Sistine Choir. Rivalry centred on the rights to control access to the musical profession, to train musicians, and to publish music. The rivalry never really ended and can be said to have lasted through the entire existence of the Papal States, that is, until 1870, when the "temporal power of the Church" was ended by military action of the new nation state of Italy. The early 18th century is considered to have been a particularly glorious time for the Accademia. Among names associated with the organization during that period are Arcangelo Corelli, Alessandro Scarlatti, Alessandro and Domenico Scarlatti, and Niccolò Jommelli. In 1716, Pope Clement XI decreed that all musicians practising their profession in Rome were required to become members of the Congregation. The Accademia suspended operations during the revolutionary period of the Napoleonic Wars but opened regularly again in 1822 a few years after the Bourbon Restoration in France, Restoration brought about by the Congress of Vienna. The years between that reopening and the end of the Papal States in 1870 were ones of great change. The organization opened its membership to hitherto excluded categories, such as dancers, poets, music historians, musical instrument makers, and music publishers. In 1838, the Congregation of Santa Cecilia was officially proclaimed an Academy and then a Papal Academy. The list of active and honorary members of the Accademia during that period is formidable and includes Luigi Cherubini, Cherubini, Saverio Mercadante, Mercadante, Donizetti, Rossini, Paganini, Daniel Auber, Auber, Liszt, Felix Mendelssohn, Mendelssohn, Berlioz, Gounod, and Meyerbeer. Among the Crowned heads of Europe (phrase), crowned heads of Europe who were honorary members was Queen Victoria. After the unification of Italy, the Accademia reestablished itself with the formation of a permanent symphony orchestra and choir, beginning in 1895. It went from being the seat of a Liceo (Italian school), Liceo musicale—a music "high school"—to being a full-blown conservatory; also, it hosts the "Eleonora Duse" Drama School, as well as a centre for experimental cinema. The most recent innovation has been the digitisation and cataloguing of centuries of musical documents—including an important collection of traditional music in the Ethnomusicology, ethnomusicological archives—and their preservation and eventual display in the Accademia's multimedia library and archive also available to the public online. The Accademia also maintains a musical instruments museum (the MUSA).


Alumni

* Paolo Aralla *Gaqo Çako *Alfredo Costa *Franco Donatoni *Ferenc Farkas *Jorgjia Filçe-Truja *Beniamino Gigli *Aristodemo Giorgini *Aurelio Giorni *Gaetano Giuffrè *Preng Jakova *Ramiz Kovaçi *Sylvia Kersenbaum * Giorgio Magnanensi *Hersi Matmuja *Anna Moffo *Bruno Nicolai *Piero Niro *Carlo Peroni (conductor), Carlo Peroni *Zoltán Peskó *Franco Piersanti *Sergei Rachmaninoff *Diogenes Rivas *Sonya Scarlet *Victor Togni


References


External links


Official website
{{DEFAULTSORT:Accademia Nazionale di Santa Cecilia Accademia Nazionale di Santa Cecilia, Music schools in Italy 1585 establishments in Italy Education in Rome Learned societies of Italy Educational institutions established in the 1580s