Academy of Music (Philadelphia)
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The Academy of Music, also known as American Academy of Music, is a concert hall and opera house located at 240 S. Broad Street in
Philadelphia Philadelphia, often called Philly, is the largest city in the Commonwealth of Pennsylvania, the sixth-largest city in the U.S., the second-largest city in both the Northeast megalopolis and Mid-Atlantic regions after New York City. Since ...
,
Pennsylvania Pennsylvania (; ( Pennsylvania Dutch: )), officially the Commonwealth of Pennsylvania, is a state spanning the Mid-Atlantic, Northeastern, Appalachian, and Great Lakes regions of the United States. It borders Delaware to its southeast, ...
. Its location is between Locust and Manning Streets in the Avenue of the Arts area of Center City. The hall was built in 1855–57 and is the oldest opera house in the
United States The United States of America (U.S.A. or USA), commonly known as the United States (U.S. or US) or America, is a country Continental United States, primarily located in North America. It consists of 50 U.S. state, states, a Washington, D.C., ...
that is still used for its original purpose. Known as the "Grand Old Lady of Locust Street," the venue is the home of the Philadelphia Ballet and Opera Philadelphia. It was also home to the
Philadelphia Orchestra The Philadelphia Orchestra is an American symphony orchestra, based in Philadelphia, Pennsylvania. One of the " Big Five" American orchestras, the orchestra is based at the Kimmel Center for the Performing Arts, where it performs its subscriptio ...
from its inception in 1900 until 2001, when the orchestra moved to the new Kimmel Center for the Performing Arts. The Philadelphia Orchestra still retains ownership of the Academy. The hall was designated a
National Historic Landmark A National Historic Landmark (NHL) is a building, district, object, site, or structure that is officially recognized by the United States government for its outstanding historical significance. Only some 2,500 (~3%) of over 90,000 places liste ...
in 1962.Charles E. Shedd Jr., et al. (December 1979) , National Park Service and


History

The Academy of Music held an inaugural
ball A ball is a round object (usually spherical, but can sometimes be ovoid) with several uses. It is used in ball games, where the play of the game follows the state of the ball as it is hit, kicked or thrown by players. Balls can also be used f ...
on January 26, 1857. At the time ''
The New York Times ''The New York Times'' (''the Times'', ''NYT'', or the Gray Lady) is a daily newspaper based in New York City with a worldwide readership reported in 2020 to comprise a declining 840,000 paid print subscribers, and a growing 6 million paid ...
'' described the theater as "magnificently gorgeous, brilliantly lighted, solidly constructed, finely located, beautifully ornamented" but went on to lament "all that lacks is a few singers to render it 'the thing'." The theatre had its first opera production, and what was billed as its formal opening, a month later on February 25, 1857, with a performance by the Max Maretzek Italian Opera Company of Verdi's '' Il trovatore'' starring Marietta Gazzaniga as Leonora,
Alessandro Amodio Alessandro Amodio (1831 — 22 June 1861) was an Italian baritone who had an active international career as an opera singer from 1852 until his death from yellow fever nine years later in 1861. After making his debut at the Teatro di San Carlo at th ...
as Count di Luna, Pasquale Brignoli as Manrico, and Max Maretzek conducting. Maretzek, who was already presenting operas at the Academy of Music in New York City and at the
Chestnut Street Theatre The Chestnut Street Theatre in Philadelphia, Pennsylvania was the first theater in the United States built by entrepreneurs solely as a venue for paying audiences.The Chestnut Street Theatre Project The New Theatre (First Chestnut Street Theatre) ...
in Philadelphia since 1850, brought his company back annually to the Academy of Music in Philadelphia through 1873. Due to his association with both the Philadelphia and New York City Academy of Music venues, his company was sometimes referred to as the Academy of Music Opera Company. The Academy has been in continuous use since 1857, hosting many world-famous performers, conductors and composers, and a significant number of American premieres of works in the standard operatic and classical repertoire. Noted operas that had their American premieres there include Strauss's '' Ariadne auf Naxos'', Gounod's '' Faust'', and Wagner's '' The Flying Dutchman''. In 1916,
Leopold Stokowski Leopold Anthony Stokowski (18 April 1882 – 13 September 1977) was a British conductor. One of the leading conductors of the early and mid-20th century, he is best known for his long association with the Philadelphia Orchestra and his appear ...
conducted the Philadelphia Orchestra in the American premiere of Mahler's Eighth Symphony (the ''Symphony of a Thousand''). The list of artists who have performed at the Academy of Music, from the 20th century, includes such figures as
Marian Anderson Marian Anderson (February 27, 1897April 8, 1993) was an American contralto. She performed a wide range of music, from opera to spirituals. Anderson performed with renowned orchestras in major concert and recital venues throughout the United ...
,
Maria Callas Maria Callas . (born Sophie Cecilia Kalos; December 2, 1923 – September 16, 1977) was an American-born Greek soprano who was one of the most renowned and influential opera singers of the 20th century. Many critics praised her ''bel cant ...
,
Enrico Caruso Enrico Caruso (, , ; 25 February 1873 – 2 August 1921) was an Italian operatic first lyrical tenor then dramatic tenor. He sang to great acclaim at the major opera houses of Europe and the Americas, appearing in a wide variety of roles (74) ...
, Aaron Copland, Vladimir Horowitz,
Gustav Mahler Gustav Mahler (; 7 July 1860 – 18 May 1911) was an Austro-Bohemian Romantic composer, and one of the leading conductors of his generation. As a composer he acted as a bridge between the 19th-century Austro-German tradition and the modernism ...
,
Anna Pavlova Anna Pavlovna Pavlova ( , rus, Анна Павловна Павлова ), born Anna Matveyevna Pavlova ( rus, Анна Матвеевна Павлова; – 23 January 1931), was a Russian prima ballerina of the late 19th and the early 20t ...
, Edith Piaf,
Luciano Pavarotti Luciano Pavarotti (, , ; 12 October 19356 September 2007) was an Italian operatic tenor who during the late part of his career crossed over into popular music, eventually becoming one of the most acclaimed tenors of all time. He made numero ...
, Tony Bennett (in 1962),
Itzhak Perlman Itzhak Perlman ( he, יצחק פרלמן; born August 31, 1945) is an Israeli-American violinist widely considered one of the greatest violinists in the world. Perlman has performed worldwide and throughout the United States, in venues that hav ...
, Leontyne Price,
Sergei Rachmaninoff Sergei Vasilyevich Rachmaninoff; in Russian pre-revolutionary script. (28 March 1943) was a Russian composer, virtuoso pianist, and conductor. Rachmaninoff is widely considered one of the finest pianists of his day and, as a composer, one o ...
, Artur Rubinstein,
Isaac Stern Isaac Stern (July 21, 1920 – September 22, 2001) was an American violinist. Born in Poland, Stern came to the US when he was 14 months old. Stern performed both nationally and internationally, notably touring the Soviet Union and China, and ...
,
Richard Strauss Richard Georg Strauss (; 11 June 1864 – 8 September 1949) was a German composer, conductor, pianist, and violinist. Considered a leading composer of the late Romantic and early modern eras, he has been described as a successor of Richard Wag ...
,
Igor Stravinsky Igor Fyodorovich Stravinsky (6 April 1971) was a Russian composer, pianist and conductor, later of French (from 1934) and American (from 1945) citizenship. He is widely considered one of the most important and influential 20th-century clas ...
,
Joan Sutherland Dame Joan Alston Sutherland, (7 November 1926 – 10 October 2010) was an Australian dramatic coloratura soprano known for her contribution to the renaissance of the bel canto repertoire from the late 1950s through to the 1980s. She possesse ...
, and
Pyotr Ilyich Tchaikovsky Pyotr Ilyich Tchaikovsky , group=n ( ; 7 May 1840 – 6 November 1893) was a Russian composer of the Romantic period. He was the first Russian composer whose music would make a lasting impression internationally. He wrote some of the most popu ...
, among many others. After the Philadelphia Orchestra moved to the Kimmel Center, the 21st century brought more non-classical artists to the Academy, among them Noel Gallagher who appeared there in 2011. Outside of arts events, it hosted various public meetings including the 1872
Republican National Convention The Republican National Convention (RNC) is a series of presidential nominating conventions held every four years since 1856 by the United States Republican Party. They are administered by the Republican National Committee. The goal of the Repu ...
. Possibly America's first indoor football game took place here in 1889 between the University of Pennsylvania and a club from Princeton resulting in a 0-0 tie. During the Philadelphia Phillies 1895 baseball season, the Academy offered an electric play by play scoreboard for all of the team's road games. Parts of
Martin Scorsese Martin Charles Scorsese ( , ; born November 17, 1942) is an American film director, producer, screenwriter and actor. Scorsese emerged as one of the major figures of the New Hollywood era. He is the recipient of many major accolades, incl ...
's 1993 film '' The Age of Innocence'' were filmed in the Academy. Despite its name, the Academy has never contained a music school. Various voice and instrumental competitions have taken place there, including the Pavarotti competition.


Design

National Historic Landmark Plaque An architectural competition for the Academy's design was announced in October 1854 and was won by the Philadelphia firm of Napoleon LeBrun and Gustavus Runge. A style of architecture that originated in Runge's native Germany now known as
Rundbogenstil (round-arch style) is a nineteenth-century historic revival style of architecture popular in the German-speaking lands and the German diaspora. It combines elements of Byzantine, Romanesque, and Renaissance architecture with particul ...
("round arch style") was used for the exterior here and in a number of American buildings of the Civil War Era. The groundbreaking ceremony was held on June 18, 1855, with President
Franklin Pierce Franklin Pierce (November 23, 1804October 8, 1869) was the 14th president of the United States, serving from 1853 to 1857. He was a northern Democrat who believed that the abolitionist movement was a fundamental threat to the nation's unity ...
in attendance and the venue opened with a grand ball on January 26, 1857. The first opera performed there was the
Western Hemisphere The Western Hemisphere is the half of the planet Earth that lies west of the prime meridian (which crosses Greenwich, London, United Kingdom) and east of the antimeridian. The other half is called the Eastern Hemisphere. Politically, the te ...
premiere of
Giuseppe Verdi Giuseppe Fortunino Francesco Verdi (; 9 or 10 October 1813 – 27 January 1901) was an Italian composer best known for his operas. He was born near Busseto to a provincial family of moderate means, receiving a musical education with the h ...
's '' Il Trovatore'', on February 25 of the same year. In order to reserve as much of the budget for the interior as possible, the architects designed a relatively plain brick and brownstone exterior that could be clad in marble if funds became available later. The ornate auditorium has an "open horseshoe" shape and proscenium columns with elliptical cross-sections in order to provide more direct sight lines from the seats in the side balconies. The auditorium is enclosed by a solid three-foot brick wall with studding and pine boards lining the inner sides to prevent echoes and absorb sound. The upper balconies are recessed in a tiered fashion and supported by 14 Corinthian columns. An unusual feature was that the boxes were originally placed against the rear wall on the second and third levels (Balcony and Family Circle). They were divided from each other by walls that curved down from the ceilings. These have since been removed and boxes created elsewhere. The front of the first balcony is highly ornamented. The hall currently has a seating capacity of 2,389 which can be expanded to 2,509 when seats are placed in the orchestra pit and proscenium boxes. An 1860 account by Runge mentioned that the full auditorium, then nearly 3,000 persons, could be emptied in four minutes in "great calmness and order" owing to the wide corridors and stairways. In 1947, it was reported by ''
The Philadelphia Inquirer ''The Philadelphia Inquirer'' is a daily newspaper headquartered in Philadelphia, Pennsylvania. The newspaper's circulation is the largest in both the U.S. state of Pennsylvania and the Delaware Valley metropolitan region of Southeastern Pen ...
'' that, at the time, the venue sat up to 3,052 when 94 additional audience seats were added in the orchestra pit. .


Interior

The interior might be considered an early example of American Baroque Revival architecture. The auditorium is graced by a large crystal chandelier, which measures in diameter, and weighs . When installed, the chandelier contained 240 gas jets, which were converted to electricity in 1900, and rewired in 1957. That same year, it was fitted with an electric-powered winch. It previously required 12 people working four-hours to lower it by hand. The fixture was restored to its original form and missing crystals replaced in 2008. The heat produced by the original gas fixtures helped to ventilate the hall by causing air to rise to various vents along the back walls and in the center of the ceiling. Atop the proscenium is a
bas-relief Relief is a sculptural method in which the sculpted pieces are bonded to a solid background of the same material. The term '' relief'' is from the Latin verb ''relevo'', to raise. To create a sculpture in relief is to give the impression that th ...
bust of
Mozart Wolfgang Amadeus Mozart (27 January 17565 December 1791), baptised as Joannes Chrysostomus Wolfgangus Theophilus Mozart, was a prolific and influential composer of the Classical period. Despite his short life, his rapid pace of composition r ...
. Seated on the
cornice In architecture, a cornice (from the Italian ''cornice'' meaning "ledge") is generally any horizontal decorative moulding that crowns a building or furniture element—for example, the cornice over a door or window, around the top edge of a ...
above are the figures of Poetry, on the left, and Music, on the right. The elaborate carvings and gilded wood sculpture decorations throughout the auditorium are the work of Charles Bushor and Joseph A. Bailly and the ceiling murals of allegorical figures were completed by Karl Hermann Schmolze. In the 1880s, the ceiling was enriched with additional painted decorations placed around the original murals. The original front stage curtain was a painted representation of draped crimson fabric with heavy golden fringe, ropes, tassels, etc. by J. R. Martin of Berlin. A secondary curtain had a scene of Lake Como, Italy, painted by Russell Smith of Philadelphia. The original seating on the Parquet and first balcony had arms and upholstery with springs and a covering of dark red plush fabric. The second balcony had "sofas without arms" and the third, pew-like seating. These were mostly replaced with more typical theater seating. The installation of more spacious seating began in 2018. A 2007 donation of $5.3 million by Leonore Annenberg was designated for restoration of the Academy's ballroom. This was part of the almost $12 million (USD) in donations raised at the 150th anniversary concert for the Academy of Music.


Acoustics

For many decades, Philadelphia regarded the Academy as having excellent acoustics that were wrongly attributed to a circular brick chamber under the floor of the auditorium.Christopher N. Brooks, ''Architectural Acoustics'' (2002), p. 60.
It was intended by the architects that sound penetrating the "elastic floor" would reverberate in this chamber and emerge into the auditorium

Unfortunately, this device was ineffective as little sound could pass through the floor in either direction. The ceiling of the auditorium was deliberately designed not to be a sound reflector for fear of echoes. Some have found the Academy's sound problematic for orchestra: "The Academy of Music in Philadelphia is a beautiful, historic, charming building with wholly unsuitable acoustics for orchestra...The dry, unreverberant acoustics results from the roughly 2,900 audience members, who completely surround the volume of the auditorium, soaking up sound as they sit." The Academy was built as an opera house which typically has a lower reverberation than a concert hall, the venue's primary use for many years. The reverberation time has been measured at 1.4 seconds compared to 1.2 at La Scala, Milan, and 1.75 at the
Metropolitan Opera The Metropolitan Opera (commonly known as the Met) is an American opera company based in New York City, resident at the Metropolitan Opera House at Lincoln Center, currently situated on the Upper West Side of Manhattan. The company is opera ...
in New York City.''New York Times'', "Acoustics still playing it by ear" (Nov. 22, 1981) Consequently, the "Philadelphia Sound" of the Philadelphia Orchestra was, at least in part, the result of long-term efforts by Stokowski, later sustained by Eugene Ormandy, to compensate for this weakness. After some remodeling in the mid-1950s that included concrete under the stage to support a pipe organ, Ormandy refused to make recordings with the
Philadelphia Orchestra The Philadelphia Orchestra is an American symphony orchestra, based in Philadelphia, Pennsylvania. One of the " Big Five" American orchestras, the orchestra is based at the Kimmel Center for the Performing Arts, where it performs its subscriptio ...
in the Academy. Riccardo Muti, Ormandy's successor, also made his commercial recordings with the orchestra elsewhere. Various conductors have commented on the quality of the orchestral sound in the hall, as collected by Leo L. Beranek in his book ''Music, Acoustics & Architecture'': * Fritz Reiner commented: "The Academy has very good acoustics although somewhat dry. It is like an Italian opera house." *
Pierre Monteux Pierre Benjamin Monteux (; 4 April 18751 July 1964) was a French (later American) conductor. After violin and viola studies, and a decade as an orchestral player and occasional conductor, he began to receive regular conducting engagements in ...
: "This hall is too dry; the tone stops instantly. The sound should have a more flattering carry-over." * Herbert von Karajan: "There is good orchestral balance, but the sound is too small. One doesn't get full power from the climaxes."' Extensive renovations beginning in 1994 have maintained the building's architecture and made acoustic improvements. Although many programs at the hall are amplified and the Academy is no longer home to the Philadelphia Orchestra, the opera, ballet and other classical concerts still rely on the hall's native acoustics.


See also

* List of National Historic Landmarks in Philadelphia * National Register of Historic Places listings in Center City, Philadelphia


References


External links


History and Description of the Opera House or American Academy of Music, 1857

John Thomas, et al., ''History of Philadelphia 1609–1884'', Academy of Music

Academy of Music website
* http://www.loc.gov/pictures/search/?q=academy%20of%20music%20philadelphia&co=hh

including playbills and programs from 1857 to 1972, are available for research use at the Historical Society of Pennsylvania. * G. Runge
Das neue Opernhaus „Academy of music" in Philadelphia

Opernhaus in Philadelphia
Copperplate engravings, bilder 19–25 (pdf pp. 22–28)
Restoration photos
* {{DEFAULTSORT:Academy Of Music (Philadelphia) Opera houses in Pennsylvania Culture of Philadelphia National Historic Landmarks in Pennsylvania Buildings and structures on the National Register of Historic Places in Philadelphia Music venues completed in 1857 Tourist attractions in Philadelphia 1857 establishments in Pennsylvania Rittenhouse Square, Philadelphia Theatres completed in 1857 Music venues in Philadelphia Event venues on the National Register of Historic Places in Pennsylvania