The Academy Award for Best Cinematography is an Academy Award awarded each year to a cinematographer for work on one particular motion picture.


In its first film season, 1927–28, this award (like others such as the acting awards) was not tied to a specific film; all of the work by the nominated cinematographers during the qualifying period was listed after their names. The problem with this system became obvious the first year, since Karl Struss and Charles Rosher were nominated for their work together on ''Sunrise'' but three other films shot individually by either Rosher or Struss were also listed as part of the nomination. In the second year, 1929, there were no nominations at all, although the Academy has a list of unofficial titles that were under consideration by the Board of Judges. In the third year, 1930, films, not cinematographers, were nominated, and the final award did not show the cinematographer's name. Finally, for the 1931 awards, the modern system in which individuals are nominated for a single film each was adopted in all profession-related categories. From 1939 to 1967 with the exception of 1957, there were also separate awards for color and for black-and-white cinematography. Since then, the only black-and-white films to win are ''Schindler's List'' (1993) and ''Roma'' (2018). Floyd Crosby won the award for ''Tabu'' in 1931, which was the last silent film to win in this category. Hal Mohr won the only write-in Academy Award ever, in 1935 for ''A Midsummer Night's Dream''. Mohr was also the first person to win for both black-and-white and color cinematography. No winners are lost, although some of the earliest nominees (and of the unofficial nominees of 1928–29) are lost, including ''The Devil Dancer'' (1927), ''The Magic Flame'' (1927), and ''Four Devils'' (1928). ''The Right to Love'' (1930) is incomplete, and ''Sadie Thompson'' (1927) is incomplete and partially reconstructed with stills. David Lean holds the record for the director with the most films that won the Academy Award for Best Cinematography at the Oscars with five wins out of six nominations for ''Great Expectations'', ''The Bridge on the River Kwai'', ''Lawrence of Arabia'', ''Doctor Zhivago'', and ''Ryan's Daughter''. The first nominees shot primarily on digital video were ''The Curious Case of Benjamin Button'' and ''Slumdog Millionaire'' in 2009, with ''Slumdog Millionaire'' the first winner. The following year, ''Avatar'' was the first nominee and winner to be shot entirely on digital video. In 2018, Rachel Morrison became the first woman to receive a nomination. Prior to that it had been the last gender-neutral Academy Award category to never nominate a woman. In 2019, Alfonso Cuarón became the first winner of this category to have also served as director on the film, for his film ''Roma''. This followed a public dispute between Cuarón and the Academy over the Academy's plan to shorten the Oscars broadcast by relegating four awards, including that for cinematography, to the commercial breaks in the show. Cuarón objected by saying, "In the history of cinema, masterpieces have existed without sound, without color, without a story, without actors and without music. No one single film has ever existed without cinematography ..."


Winners and nominees

Winners are listed first in colored row, followed by the other nominees.












Multiple awards and nominations


See also

* BAFTA Award for Best Cinematography * Independent Spirit Award for Best Cinematography * Critics' Choice Movie Award for Best Cinematography * American Society of Cinematographers Award for Outstanding Achievement in Cinematography in Theatrical Releases


External links

Academy of Motion Picture Arts and Sciences official site

The Official Academy Awards Database
listing all past nominees and winners {{DEFAULTSORT:Academy Award for Best Cinematography Cinematography Category:Awards for best cinematography