Abhogi () is a

raga A ''raga'' or ''raag'' (; also ''raaga'' or ''ragam''; ) is a melodic framework for improvisation in Indian classical music akin to a musical mode, melodic mode. The ''rāga'' is a unique and central feature of the classical Indian music tradit ...

Carnatic music Carnatic music, known as or in the Dravidian languages, South Indian languages, is a system of music commonly associated with South India, including the modern Indian states of Karnataka, Andhra Pradesh, Telangana, Kerala and Tamil Nadu, an ...

and has been adapted to

Hindustani music Hindustani classical music is the classical music of northern regions of the Indian subcontinent. It may also be called North Indian classical music or, in Hindustani, ''shastriya sangeet'' (). It is played in instruments like the violin, sita ...

. It is a pentatonic scale, an ''audava'' raga. It is a derived scale (''

janya ''Janya'' is a term meaning "derive". In Carnatic (South Indian) music a ''janya raga'' is one derived from one of the 72 ''melakarta'' ragas (fundamental melodic structures). ''Janya'' ragas are classified into various types based on a varie ...

'' raga), as it does not have all the seven ''

swara Svara or swara (Devanagari: स्वर, generally pronounced as ''swar'') is a Sanskrit word that connotes simultaneously a breath, a vowel, the sound of a musical note corresponding to its name, and the successive steps of the octave or '' ...

s'' (musical notes). ''Ābhōgi'' has been borrowed from Carnatic music into

and is also quite popular in the latter.''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras

Theory

The Carnatic raga Abhogi is a symmetric pentatonic scale that does not contain ''panchamam'' and ''nishadam''. It is called an ''audava-audava'' raga, as it has 5 notes in both ascending and descending scales. Its ' structure is as follows: * : * : The notes used are ''shadjam, chathusruti rishabham, sadharana gandharam, shuddha madhyamam and chathusruthi dhaivatham''. ''Ābhōgi'' is considered a ''janya'' raga of ''

Kharaharapriya Kharaharapriya is a rāga in Carnatic music. It is the 22nd ''melakarta'' rāga (parent scale) in the 72 ''melakarta'' rāga system. It is possible that the name of the ragam was originally ''Harapriya'' but it was changed to conform to the K ...

'', the 22nd ''

Melakarta Mēḷakartā is a collection of fundamental musical scales ( ragas) in Carnatic music (South Indian classical music). ''Mēḷakartā'' ragas are parent ragas (hence known as ''janaka'' ragas) from which other ragas may be generated. A ''melak ...

'' raga, though it can be derived from ''

Gourimanohari Gourimanohari or Gaurimanohari is a rāgam in Carnatic music (musical scale of South Indian classical music). It is the 23rd ''Melakarta'' rāgam in the 72 ''melakarta'' rāgam system of Carnatic music. The 23rd ''melakarta'' rāgam as per Muthu ...

'' too, by dropping both ''panchamam'' and ''nishadam''.

''Graha bhedam''

Graha bhedam is the step taken in keeping the relative note frequencies same, while shifting the ''shadjam'' to another note in the rāgam. Abhogi's notes, when shifted using Graha bhedam, yields another pentatonic rāgam, '' Valaji''. For more details and illustration of this concept refer '' Graha bhedam on Ābhōgi''. According to P.Moutal, the raga

Kalavati Kalavati or Kalawati is a modern pentatonic Hindustani classical raga. Svaras Re (the second tone) and Ma (the fourth tone) are strictly omitted (Varjya/Varjit). Kalavati belongs to the Khamaj Thaat. Aroha and avaroha Ārohana S G P D n S' ...

is a transposition of Abhogi.

Scale similarities

* ''

Sriranjani Sriranjani is a ragam in Carnatic music (musical scale of South Indian classical music). It is a hexatonic scale (''shadava'' rāgam, which means "of six"). It is a derived scale (''janya'' rāgam), as it does not have all the seven ''swaras' ...

'' is a rāgam which has ''kaishiki nishadam'' in both ascending and descending scales in addition to the notes in ''Ābhōgi''. Its ' structure is : * ''

Shuddha Saveri Shuddha Saveri or śuddha sāveri is a ragam in Carnatic music (musical scale of South Indian classical music) and Yakshagana music. It is an ''audava'' rāgam (or ''owdava'' rāgam, meaning pentatonic scale). It is a '' janya'' rāgam (derive ...

'' is a rāgam which has the ''panchamam'' in place of the ''gandharam''. Its ' structure is :

Notable compositions

Abhogi is a raga used for compositions in a medium to fast tempo. It has been used by many composers in classical music and film music. Notable traditional compositions in Abhogi include: * ''Nannu brova nee kinta tāmasamā'' in

Adi tala Adi tala (Sanskrit: ''ādi tālà'' {{lang, sa, आदि ताळ, Kannada: ಆದಿ ತಾಳ, literally "primary rhythm" also spelled aadi taalam or adi talam) is the name of one of the most popular tala or rhythms used in Carnatic Music. I ...

Thyagaraja Thyagaraja (Telugu: త్యాగరాజ) (4 May 1767 – 6 January 1847), also known as Thyāgayya and in full as Kakarla Thyagabrahmam, was a composer and vocalist of Carnatic music, a form of Indian classical music. Tyagaraja and his ...

* ''Anugalavu Chinte'', ''Maneyolagaado'' By

Purandara Dasa Purandara Dasa (IAST: Purandara dāsa) ( 1470 – 1565) was a Haridasa philosopher and a follower of Madhwacharya 's Dwaitha philosophy -saint from present-day Karnataka, India. He was a composer, singer and one of the chief founding-prop ...

* ''Śri Lakṣhmi varāham'' by

Muthuswami Dikshitar Muthuswami Dikshitar (Mudduswamy Dikshitar)(, 24 March 1776 – 21 October 1835), mononymously Dikshitar, was a South Indian poet, singer and veena player, and a legendary composer of Indian classical music, who is considered one of the musical ...

* ''Sabhāpatikku veru daivam'', in Rupaka tala by

Gopalakrishna Bharati Gopalakrishna Bharathi ( ta, கோபாலகிருஷ்ண பாரதி) (1810–1896) was a Tamil poet and a composer of Carnatic music. He composed the K''athakalakshepam'' ( ta, கதாகாலக்ஷேபம் ) Nandanar Chari ...

* ''Neekepudu'' in Khanḍa Tripuṭa tala by Mysore Sadashiva Rao * ''Evvari bodhana'', a popular ''

varnam Varṇam is a type of composition in the Carnatic music system consisting of short metric pieces which encapsulate the main features (patterns of notes) of a ''raga''. Varnams capture the ''raga bhavam'', ''ranjaka prayogas'' ''visesha sancha ...

'' by

Patnam Subramania Iyer Patnam Subramania Iyer (1845 – July 31, 1902) was a composer and singer of Carnatic music. Subramaniya Iyer followed the traditions of the great composer Tyagaraja. He has left behind almost one hundred compositions. Subramaniya Iyer was bor ...

* ''Manasu nilpa'' by

* ''Nekkurugi unnai'' by

Papanasam Sivan Paapanaasam Raamayya Sivan (26 September 1890 – 1 October 1973) was an Indian composer of Carnatic music and a singer. He was awarded the Madras Music Academy's Sangeetha Kalanidhi in 1971. He was also a film score composer in Kannada cinema ...

* ''Sri Mahaganapathe'' by N S Ramachandran * ''Manujudai Putti'' by

Annamacharya Tallapaka Annamacharya (Telugu : తాళ్ళపాక అన్నమాచార్య) ( IAST: taḷḷapāka annamācārya; 22 May 1408 – 4 April 1503), also popularly known as Annamayya, was a 15th-century Hindu saint and the ea ...

In Hindustani music

The Carnatic raga was incorporated relatively recently into

Hindustani classical music Hindustani classical music is the classical music of northern regions of the Indian subcontinent. It may also be called North Indian classical music or, in Hindustani, ''shastriya sangeet'' (). It is played in instruments like the violin, sita ...

where it is known as Abhogi Kanada () or simply, Abhogi. The ''Kanada'' indicates its origin as a member of the Kanada group. Abhogi Kanada is assigned to the

Kafi Kafi ( pa, ਕਾਫ਼ੀ (Gurmukhi), (Shahmukhi), Hindi: काफ़ी, Urdu: کافی, Sindhi:ڪافي) is a classical form of Sufi music mostly in the Siraiki, Punjabi and Sindhi languages and originating from the Punjab, and Sindh ...

thaat A Thaat () is a "Parent scale" in North Indian or Hindustani music. It is the Hindustani equivalent of the term ''Melakartha raga'' of Carnatic Music. The concept of the ''thaat'' is not exactly equivalent to the western musical scale because t ...

. The Carnatic and Hindustani Abhogis have almost identical arohanas and avarohanas. However, one major differences is that the Carnatic raga uses the Kanada vakra (out of sequence) phrase in a straight manner.

Theory

Pa and Ni are omitted. Also Re is often omitted in ascent. Flat Ga is often approached from Ma in ascent and has a slight oscillation to show the typical

Kanada Kanada may refer to: *Kanada (philosopher), the Hindu sage who founded the philosophy of Vaisheshika *Kanada (family of ragas), a group of ragas in Hindustani music *Kanada (surname) *Kanada Station, train station in Fukuoka, Japan *Kannada, one of ...

. In descent often the typical

phrase is used. *

Arohana Arohana, Arohanam or Aroha, in the context of Indian classical music, is the ascending scale of notes in a raga.''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, ''Glossary'' pages, Pub. 1990, CBH Publications The pitch increases as we ...

(order of ascending notes in the scale): *

Avarohana An Avarohana, Avarohanam or Avaroha, in the context of Indian classical music, is the descending scale of any raga.''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, ''Glossary'' pages, Pub. 1990, CBH Publications The notes descend in pitch ...

(order of descending notes in the scale): or * Vadi: *

Samavadi The Samavadi is the second-most prominent (though not necessarily second-most played) note of a raga in Indian classical music. The primary note of the raga is the '' vadi''; the vadi and samvadi are in most cases a fourth or fifth apart. A '' ...

: * Jeeva Swaras: and * Pakad or Chalan: GMDS SDRSDMD_ D_SRGRS D_RSDM GMMDDSDRSD_M GMD_MGGRR_ GRSd Rd_S * Samay (Time): Night, approximately 9PM-12AM. *

Thaat A Thaat () is a "Parent scale" in North Indian or Hindustani music. It is the Hindustani equivalent of the term ''Melakartha raga'' of Carnatic Music. The concept of the ''thaat'' is not exactly equivalent to the western musical scale because t ...

Related ragas:

Bageshree Raga Bageshri or Bageshree () is a Hindustani classical raga. It is a popular night raga, which is meant to depict the emotion of a woman waiting for reunion with her lover. It is said to have been first sung by Miyan Tansen, the celebrated co ...

. However, Bageshree also includes flat Ni and a limited use of Pa, which gives a different flavour.

Compositions

Hindustani compositions of note in Abhogi Kanada include: * ''Par gaya chahai sab koi'' in Ektal by

Raidas Ravidas or Raidas, was an Indian mystic poet-saint of the bhakti movement during the 15th to 16th century CE. Venerated as a ''guru'' (teacher) in the modern regions of Uttar Pradesh, Bihar, Rajasthan, Gujarat, Maharashtra, Madhya Pradesh, Pu ...

* ''Jayati siri radhike'' in Jhaptal by Gadadhar Bhatt * ''Ek barajori kare saiyya'' in Jhumratal

Important recordings

* Amir Khan, Ragas Bilaskhani Todi and Abhogi,

HMV Sunrise Records and Entertainment, trading as HMV (for His Master's Voice), is a British music and entertainment retailer, currently operating exclusively in the United Kingdom. The first HMV-branded store was opened by the Gramophone Company ...

AIR The atmosphere of Earth is the layer of gases, known collectively as air, retained by Earth's gravity that surrounds the planet and forms its planetary atmosphere. The atmosphere of Earth protects life on Earth by creating pressure allowing f ...

Theory

''Graha bhedam''

Scale similarities

Notable compositions

In Hindustani music

Theory

Compositions

Important recordings

Film songs

In Tamil language

See also

Notes

References

Sources

External links