Abbey, Schoeffel and Grau was a US theatre management and production firm, active from 1880 until 1896. The partners were Henry E. Abbey, John B. Schoeffel and Maurice Grau. Abbey and Schoeffel had been in partnership since 1876, and joined forces with Grau in 1882. They managed and ran a number of theatres in New York and Boston, including the Metropolitan Opera House ("the old Met") in 1883-4 and from 1891 to 1896, when Abbey died. Schoeffel and Grau remained at the Met until 1903. Although individual biographies may individually credit them with bringing various singing, instrumental and acting stars to the US, the overall credit can be shared by all three, acting as a successful partnership for some sixteen years. Grau and Schoeffel had their own success from 1896 until 1903.

History

Henry Abbey and John Schoeffel became partners in the theatre business in 1876, Abbey dealing with the artiste management and Schoeffel looking after the business side. They began by hiring the Academy of Music, Buffalo, NY (1852–1956) in 1876–7 with Lotta, and later at Abbey's Park Theatre from 1876 to 1882 (when it burned down). In Boston they rebuilt the Beethoven Hall as the Park Theatre in 1879. They took the lease of Booth's Theatre, New York City, from

Dion Boucicault Dionysius Lardner "Dion" Boucicault (né Boursiquot; 26 December 1820 – 18 September 1890) was an Irish actor and playwright famed for his melodramas. By the later part of the 19th century, Boucicault had become known on both sides of the ...

on 1 January 1880 until 1 May 1881. NB Much detail about the Abbey, Schoeffel and Grau partnerships. On 8 March 1880 they formed the company of Abbey and Schoeffel. They engaged Helena Modjeska and Sarah Bernhardt at Booth's Theatre in 1880 and 1881, and secured the lease of the Grand Opera House (formerly Pike's Opera House) in 1882. They managed Christina Nilsson,

Henry Irving Sir Henry Irving (6 February 1838 – 13 October 1905), christened John Henry Brodribb, sometimes known as J. H. Irving, was an English stage actor in the Victorian era, known as an actor-manager because he took complete responsibility ( ...

and

Lillie Langtry Emilie Charlotte, Lady de Bathe (née Le Breton, formerly Langtry; 13 October 1853 – 12 February 1929), known as Lillie (or Lily) Langtry and nicknamed "The Jersey Lily", was a British socialite, stage actress and producer. Born on the isla ...

on tours of the US; the latter's début was delayed when Abbey's New Park Theatre burned down on October 30, 1882. In 1882 Abbey and Schoeffel invited Maurice Grau to join them. Grau had been managing light opera companies for some time before striking out on his own with the Maurice Grau Opera Company, which in 1881 had given a five-week season at the Teatro Solis in Montevideo, Uruguay. With a Brazilian conductor named Gravenstein they presented a mix of grand opera and operettas: '' La traviata'' in French, '' Carmen'', Donizetti's ''

La fille du régiment ' (''The Daughter of the Regiment'') is an opéra comique in two acts by Gaetano Donizetti, set to a French libretto by Jules-Henri Vernoy de Saint-Georges and Jean-François Bayard. It was first performed on 11 February 1840 by the Paris Opéra ...

'', Thomas' ''

Mignon ''Mignon'' is an 1866 ''opéra comique'' (or opera in its second version) in three acts by Ambroise Thomas. The original French libretto was by Jules Barbier and Michel Carré, based on Goethe's 1795-96 novel '' Wilhelm Meisters Lehrjahre''. ...

'',

Victor Massé Victor Massé (born ''Félix-Marie Massé''; 7 March 1822 – 5 July 1884) was a French composer. Biography Massé was born in Lorient (Morbihan) and studied at the Paris Conservatoire, winning the Prix de Rome in 1844 for his cantata ''Le Rén� ...

's ''Paul et Virginie'', Offenbach's ''

La Périchole ''La Périchole'' () is an opéra bouffe in three acts by Jacques Offenbach. Henri Meilhac and Ludovic Halévy wrote the French libretto based on the 1829 one act play '' Le carrosse du Saint-Sacrement'' by Prosper Mérimée, which was revived o ...

'' and Lecocq's ''

Giroflé-Girofla ''Giroflé-Girofla'' is an opéra bouffe in three acts with music by Charles Lecocq. The French libretto was by Albert Vanloo and Eugène Leterrier. The story, set in 13th century Spain, concerns twin brides, one of whom is abducted by pirates. ...

''. The three men formed the company of Abbey, Schoeffel and Grau to present grand opera. The partnership continued until the death of Mr. Abbey whose methods eventually cost him all his fortune and deprived Mr. Grau as well of his savings. They presented the 1883-4 opening season of the 'old' New York Metropolitan Opera House, which was a critical success but a financial failure. Abbey as manager was personally responsible for losses of $250,000. (subscription required) The London-based banker Henry F. Gillig lost $200,000 in the Abbey-Grau Met debut. The firm returned to light opera and touring European acts including

and

Ellen Terry Dame Alice Ellen Terry, (27 February 184721 July 1928), was a leading English actress of the late 19th and early 20th centuries. Born into a family of actors, Terry began performing as a child, acting in Shakespeare plays in London, and tour ...

from 1884. From 1887 to 1888 they leased the Star Theatre (844 Broadway at 13th Street, previously Wallack's Theatre), and also from 11 October 1887 to July 1888 the then current

Wallack's Theatre Three New York City playhouses named Wallack's Theatre played an important part in the history of American theater, as the successive homes of the stock company managed by actors James W. Wallack and his son, Lester Wallack. During its 35-ye ...

on 30th Street and Broadway. They built the

Tremont Theatre, Boston The Tremont Theatre (1827–1843) on 88 Tremont Street was a playhouse in Boston. A group of wealthy Boston residents financed the building's construction. Architect Isaiah Rogers designed the original Theatre structure in 1827 in the Greek Rev ...

in 1888, managed by Schoeffel. Abbey, Schoeffel and Grau again took up the challenge of grand opera, with a short season with

Adelina Patti Adelina Patti (19 February 184327 September 1919) was an Italian 19th-century opera singer, earning huge fees at the height of her career in the music capitals of Europe and America. She first sang in public as a child in 1851, and gave her la ...

in 1887 at the Met, and in 1888 at the Teatro Solis, Montevideo; this was followed by a season of grand opera at the

Auditorium Theatre The Auditorium Theatre is a music and performance venue located inside the Auditorium Building at 50 Ida B. Wells Drive in Chicago, Illinois. Inspired by the Richardsonian Romanesque Style of architect Henry Hobson Richardson, the building was ...

in Chicago in 1889, and tours of the US with Patti, Nordica, and Albani in 1890. They returned to the Met in 1891, with Abbey managing for five years. Abbey's Theatre (at 1396 Broadway and West 38th Street) was built in 1893. By 1895 the firm of Abbey, Schoeffel and Grau was in severe financial difficulties, and asked for extension of time to meet their obligations. The indebtedness was completely paid off. However, on 22 May 1896 the company failed with unsecured liabilities of $369,419.36 and actual assets of $162,54.85. Abbey had been ill. On June 30 the directors of the Metropolitan Opera and Real Estate Company renewed their lease and continued with their contract to produce grand opera. The creditors received 40%

preferred stock Preferred stock (also called preferred shares, preference shares, or simply preferreds) is a component of share capital that may have any combination of features not possessed by common stock, including properties of both an equity and a debt inst ...

and 60% in notes of the firm of Abbey, Schoeffel and Grau, which had been newly incorporated in July 1896 with $500,000 capital, of which $200,000 was preferred stock. The new organisation started free from debt, but Abbey died in October 1896. Schoeffel and Grau continued in business, with Grau taking over the management of the Met from 1896 to 1897, and of Covent Garden from 1897 to 1900. Grau left the Met at the end of 1902–3 season, retired to Paris and died in 1907. Schoeffel continued to manage the Tremont Theatre in Boston until his death in 1918.

References

;Notes ;Sources * * * * {{Coord missing, New York (state) Impresarios Former theatres in Manhattan Theatres in Boston Metropolitan Opera Theatre managers and producers 1880 establishments in New York (state)