A Token of My Extreme
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"A Token of My Extreme", by
Frank Zappa Frank Vincent Zappa (December 21, 1940 – December 4, 1993) was an American musician, composer, and bandleader. His work is characterized by nonconformity, free-form improvisation, sound experiments, musical virtuosity and satire of ...
, is a song on the 1979
concept album A concept album is an album whose tracks hold a larger purpose or meaning collectively than they do individually. This is typically achieved through a single central narrative or theme, which can be instrumental, compositional, or lyrical. Some ...
'' Joe's Garage'' 'Part II'' The main character from this triple-album rock-opera has his mind messed-up by Lucille then "finally does something smart" and "pays a lot of money to L. Ron Hoover and the First Church of Appliantology."


Plot

Appliantology is shown as an insincere religion, which cooperates with a "malevolent totalitarian regime." This is an apparent reference to
Scientology Scientology is a set of beliefs and practices invented by American author L. Ron Hubbard, and an associated movement. It has been variously defined as a cult, a Scientology as a business, business, or a new religious movement. The most recent ...
and its founder
L. Ron Hubbard Lafayette Ronald Hubbard (March 13, 1911 – January 24, 1986) was an American author, primarily of science fiction and fantasy stories, who is best known for having founded the Church of Scientology. In 1950, Hubbard authored '' Dianetic ...
. Joe, doubting his sanity, asks 'mystical advisor' L. Ron Hoover what his problem is and is told that he is "a latent appliance-fetishist." Joe asks if it is time "to come out of
the closet ''Closeted'' and ''in the closet'' are metaphors for lesbian, gay, bisexual and transgender and other (LGBTQ+) people who have not disclosed their sexual orientation or gender identity and aspects thereof, including sexual identity and human ...
," and is told that he should "go into the closet". "The Closet" turns out to be a bar in Los Angeles, where he can have "a lot of fun" achieving sexual gratification using machines. The "machines" at The Closet are household appliances with marital aids stuck all over them. Joe is informed that the best appliances speak foreign languages, which leads to the next song, "Stick It Out". This song derives from another piece called "Tush Tush Tush" from 1973.


Analysis

This song was analyzed in ''Zappa'', and also in ''Academy Zappa''. In their study of Zappa published in the journal ''Studies in Musical Theatre'', Carr and Hand mention that the song is "a satire of L. Ron Hubbard (1911–86) and the Church of Scientology". They described the work as "an ironic precursor" to Carlton's ''
Return to the Forbidden Planet ''Return to the Forbidden Planet'' is a jukebox musical by Bob Carlton, based on Shakespeare's play '' The Tempest'' and the 1956 science fiction film '' Forbidden Planet'', which, in turn, is loosely based on ''The Tempest''. The show features ...
''.


See also

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Scientology in popular culture Scientology has been referenced in popular culture in many different forms of media including fiction, film, music, television and theatre. In the 1960s, author William S. Burroughs wrote about Scientology in both fictional short stories and ...


References

{{DEFAULTSORT:Token Of, A 1979 songs Songs critical of religion Frank Zappa songs Scientology in popular culture Songs written by Frank Zappa Song recordings produced by Frank Zappa