''A Musical Joke'' (in German: ') K. 522, (

Divertimento ''Divertimento'' (; from the Italian '' divertire'' "to amuse") is a musical genre, with most of its examples from the 18th century. The mood of the '' divertimento'' is most often lighthearted (as a result of being played at social functions) and ...

for two horns and

string quartet The term string quartet can refer to either a type of musical composition or a group of four people who play them. Many composers from the mid-18th century onwards wrote string quartets. The associated musical ensemble consists of two violinist ...

) is a composition by

Wolfgang Amadeus Mozart Wolfgang Amadeus Mozart (27 January 17565 December 1791), baptised as Joannes Chrysostomus Wolfgangus Theophilus Mozart, was a prolific and influential composer of the Classical period. Despite his short life, his rapid pace of composition r ...

; the composer entered it in his ' (''Catalogue of All My Works'') on June 14, 1787. Commentators have opined that the piece's purpose is satirical – that " tsharmonic and rhythmic gaffes serve to parody the work of incompetent composers" – though Mozart himself is not known to have revealed his actual intentions.

English name

The title ''A Musical Joke'' might be a poor rendering of the German original: '' Spaß'' does not necessarily connote the jocular, for which the word '' Scherz'' would more likely be used. In

Fritz Spiegl Fritz Spiegl (27 January 1926 – 23 March 2003) was an Austrian-born English musician, journalist, broadcaster, humorist and collector who lived and worked in Britain from 1939. His works include compiling the Radio 4 UK Theme in 1978. Early lif ...

's view, a more accurate translation would be ''Some Musical Fun''. The sometimes-mentioned nicknames "Dorfmusikantensextett" ("village musicians' sextet") and "Bauernsinfonie" ("farmers' symphony") were added after Mozart's death.

Structure and compositional elements

The piece consists of four

movements Movement may refer to: Common uses * Movement (clockwork), the internal mechanism of a timepiece * Motion, commonly referred to as movement Arts, entertainment, and media Literature * "Movement" (short story), a short story by Nancy Fu ...

and takes about 20 minutes to perform. # Allegro (

sonata form Sonata form (also ''sonata-allegro form'' or ''first movement form'') is a musical structure generally consisting of three main sections: an exposition, a development, and a recapitulation. It has been used widely since the middle of the 18th c ...

F major F major (or the key of F) is a major scale based on F, with the pitches F, G, A, B, C, D, and E. Its key signature has one flat. Its relative minor is D minor and its parallel minor is F minor. The F major scale is: : F major is ...

# Menuetto and trio, F major (trio in

B-flat major B-flat major is a major scale based on B, with pitches B, C, D, E, F, G, and A. Its key signature has two flats. Its relative minor is G minor and its parallel minor is B-flat minor. The B-flat major scale is: : Many transposing ins ...

) # Adagio cantabile,

C major C major (or the key of C) is a major scale based on C, consisting of the pitches C, D, E, F, G, A, and B. C major is one of the most common keys used in music. Its key signature has no flats or sharps. Its relative minor is A minor and ...

# Presto (

sonata rondo form Sonata rondo form is a musical form often used during the Classical music era. As the name implies, it is a blend of sonata and rondo forms. Structure Sonata and rondo forms Rondo form involves the repeated use of a theme (sometimes calle ...

), F major Compositorial comedic devices include: *

secondary dominant A secondary chord is an analytical label for a specific harmonic device that is prevalent in the tonal idiom of Western music beginning in the common practice period: the use of diatonic functions for tonicization. Secondary chords are a t ...

s replacing necessary

subdominant In music, the subdominant is the fourth tonal degree () of the diatonic scale. It is so called because it is the same distance ''below'' the tonic as the dominant is ''above'' the tonicin other words, the tonic is the dominant of the subdomina ...

chords; * discords in the horns; * parallel fifths *

whole tone scale In music, a whole-tone scale is a scale in which each note is separated from its neighbors by the interval of a whole tone. In twelve-tone equal temperament, there are only two complementary whole-tone scales, both six-note or '' hexatonic' ...

s in the violin's high register; *clumsy

orchestration Orchestration is the study or practice of writing music for an orchestra (or, more loosely, for any musical ensemble, such as a concert band) or of adapting music composed for another medium for an orchestra. Also called "instrumentation", orch ...

, backing a thin melodic line with a heavy, monotonous accompaniment in the last movement; *going to the wrong keys for a sonata-form structure (the first movement, for example, never succeeds in modulating to the dominant, and simply jumps there instead after a few failed attempts); *starting the slow movement in the wrong key (

G major G major (or the key of G) is a major scale based on G, with the pitches G, A, B, C, D, E, and F. Its key signature has one sharp. Its relative minor is E minor and its parallel minor is G minor. The G major scale is: Notable com ...

instead of C major); *a pathetic attempt at a

fugato In music, a fugue () is a contrapuntal compositional technique in two or more voices, built on a subject (a musical theme) that is introduced at the beginning in imitation (repetition at different pitches) and which recurs frequently in the co ...

, also in the last movement. The piece is notable for one of the earliest known uses of

polytonality Polytonality (also polyharmony) is the musical use of more than one key simultaneously. Bitonality is the use of only two different keys at the same time. Polyvalence or polyvalency is the use of more than one harmonic function, from the same key ...

(though not the earliest, being predated by Heinrich Ignaz Franz Biber's ''Battalia''), creating the gesture of complete collapse at the finale. This may be intended to produce the impression of grossly out-of-tune string playing, since the horns alone conclude in the

tonic key Tonic may refer to: *Tonic water, a drink traditionally containing quinine *Soft drink, a carbonated beverage *Tonic (physiology), the response of a muscle fiber or nerve ending typified by slow, continuous action * Tonic syllable, the stressed sy ...

. The lower strings behave as if the tonic has become B-flat, while the violins and violas switch to G major,

A major A major (or the key of A) is a major scale based on A, with the pitches A, B, C, D, E, F, and G. Its key signature has three sharps. Its relative minor is F-sharp minor and its parallel minor is A minor. The key of A major is the only k ...

and

E-flat major E-flat major (or the key of E-flat) is a major scale based on E, consisting of the pitches E, F, G, A, B, C, and D. Its key signature has three flats. Its relative minor is C minor, and its parallel minor is E minor, (or enharmonically ...

, respectively. For a reading of some elements of this composition to the sounds made by Mozart's pet bird, see

Mozart's starling For about three years, the composer Wolfgang Amadeus Mozart kept a pet starling. The starling is remembered for the anecdote of how Mozart came to purchase it, for the funeral commemorations Mozart provided for it, and as an example of the compose ...

. Whole-tone scales and polytonality are foreign to music of the Classical era. However, these became common for early 20th-century composers like

Claude Debussy (Achille) Claude Debussy (; 22 August 1862 – 25 March 1918) was a French composer. He is sometimes seen as the first Impressionism in music, Impressionist composer, although he vigorously rejected the term. He was among the most infl ...

and

Igor Stravinsky Igor Fyodorovich Stravinsky (6 April 1971) was a Russian composer, pianist and conductor, later of French (from 1934) and American (from 1945) citizenship. He is widely considered one of the most important and influential 20th-century clas ...

, who were searching for a new musical language. In this later context, these were legitimate new techniques in serious music. In Mozart's time, however, these non-classical elements gave the piece its comedy, expressing the composer's humor.

References

External links

* * * *, Dennis Brain,

Neill Sanders Neill Joseph Sanders (24 November 1923 – 19 April 1992) was a British horn player, principal horn of the London Philharmonic Orchestra and the BBC Symphony Orchestra, and for 29 years a member of the Melos Ensemble. He was a professor at West ...

(horn);

Manoug Parikian Manoug Parikian (15 September 1920 - 24 December 1987) was a British concert violinist and violin professor. Early life Parikian was born in Mersin to Armenian parents. He studied in London. Career Parikian made his solo début in 1947 and led s ...

(violin);

London Philharmonic Orchestra The London Philharmonic Orchestra (LPO) is one of five permanent symphony orchestras based in London. It was founded by the conductors Sir Thomas Beecham and Malcolm Sargent in 1932 as a rival to the existing London Symphony and BBC Symp ...

Guido Cantelli Guido Cantelli (; 27 April 192024 November 1956) was an Italian orchestral conductor. Toscanini elected him his "spiritual heir" since the beginnings of his career. He was named Musical Director of La Scala, Milan in November 1956, but his promis ...

* {{DEFAULTSORT:Musical Joke, A Humor in classical music Serenades and divertimenti by Wolfgang Amadeus Mozart 1787 compositions Compositions in F major