In the early 1940s in jazz,

bebop Bebop or bop is a style of jazz developed in the early-to-mid-1940s in the United States. The style features compositions characterized by a fast tempo, complex chord progressions with rapid chord changes and numerous changes of key, instrumen ...

emerged, led by

Charlie Parker Charles Parker Jr. (August 29, 1920 – March 12, 1955), nicknamed "Bird" or "Yardbird", was an American jazz saxophonist, band leader and composer. Parker was a highly influential soloist and leading figure in the development of bebop, a form ...

, Dizzy Gillespie,

Thelonious Monk Thelonious Sphere Monk (, October 10, 1917 – February 17, 1982) was an American jazz pianist and composer. He had a unique improvisational style and made numerous contributions to the standard jazz repertoire, including " 'Round Midnight", ...

and others. It helped to shift jazz from danceable popular music towards a more challenging "musician's music." Differing greatly from swing, early bebop divorced itself from dance music, establishing itself more as an art form but lessening its potential popular and commercial value. Since bebop was meant to be listened to, not danced to, it used faster tempos. Beboppers introduced new forms of chromaticism and dissonance into jazz; the dissonant

tritone In music theory, the tritone is defined as a musical interval composed of three adjacent whole tones (six semitones). For instance, the interval from F up to the B above it (in short, F–B) is a tritone as it can be decomposed into the three adj ...

(or "flatted fifth") interval became the "most important interval of bebop" and players engaged in a more abstracted form of chord-based improvisation which used "passing" chords, substitute chords, and

altered chord An altered chord is a chord that replaces one or more notes from the diatonic scale with a neighboring pitch from the chromatic scale. By the broadest definition, any chord with a non-diatonic chord tone is an altered chord. The simplest examp ...

s. The style of drumming shifted as well to a more elusive and explosive style, in which the

ride cymbal The ride cymbal is a standard cymbal in most drum kits. Its function in the kit is to maintain a beat,Schroedl, Scott (2001). ''Play Drums Today!'', p.7. Hal Leonard. . "It's called the ride cymbal because you 'ride' on it--that is, you maintain a ...

was used to keep time, while the snare and bass drum were used for accents. This appealed to a more specialized audiences than earlier forms of jazz, with sophisticated

harmonies In music, harmony is the process by which individual sounds are joined together or composed into whole units or compositions. Often, the term harmony refers to simultaneously occurring frequencies, pitches ( tones, notes), or chords. However ...

, fast

tempo In musical terminology, tempo ( Italian, 'time'; plural ''tempos'', or ''tempi'' from the Italian plural) is the speed or pace of a given piece. In classical music, tempo is typically indicated with an instruction at the start of a piece (ofte ...

s and often virtuoso musicianship. Bebop musicians often used 1930s standards, especially those from

Broadway Broadway may refer to: Theatre * Broadway Theatre (disambiguation) * Broadway theatre, theatrical productions in professional theatres near Broadway, Manhattan, New York City, U.S. ** Broadway (Manhattan), the street **Broadway Theatre (53rd Stree ...

musicals, as part of their repertoire. Among standards written by bebop musicians are Gillespie's "

Salt Peanuts "Salt Peanuts" is a bebop tune reportedly composed by Dizzy Gillespie in 1942, credited "with the collaboration of" drummer Kenny Clarke. It is also cited as Charlie Parker's. The original lyrics have no exophoric meaning. Instead, they are a skat ...

" (1941) and " A Night in Tunisia" (1942), Parker's "

Anthropology Anthropology is the scientific study of humanity, concerned with human behavior, human biology, cultures, societies, and linguistics, in both the present and past, including past human species. Social anthropology studies patterns of be ...

" (1946), "

Yardbird Suite "Yardbird Suite" is a bebop standard composed by jazz saxophonist Charlie Parker in 1946. The title combines Parker's nickname "Yardbird" (often shortened to "Bird") and a colloquial use of the classical music term "suite" (in a manner similar to ...

" (1946) and "

Scrapple from the Apple "Scrapple from the Apple" is a bebop composition by Charlie Parker written in 1947, commonly recognized today as a jazz standard, written in F major. The song borrows its chord progression from " Honeysuckle Rose", a common practice for Parker, as ...

" (1947), and Monk's " 'Round Midnight" (1944), which is currently the most recorded jazz standard composed by a jazz musician.'Round Midnight
at ''jazzstandards.com'' - retrieved on February 20, 2009 An early 1940s style known as "jumping the blues" or jump blues used small combos,

uptempo A variety of musical terms are likely to be encountered in printed scores, music reviews, and program notes. Most of the terms are Italian, in accordance with the Italian origins of many European musical conventions. Sometimes, the special mus ...

music, and blues chord progressions. Jump blues drew on

boogie-woogie Boogie-woogie is a genre of blues music that became popular during the late 1920s, developed in African-American communities since 1870s.Paul, Elliot, ''That Crazy American Music'' (1957), Chapter 10, p. 229. It was eventually extended from pi ...

from the 1930s.

Kansas City Jazz Kansas City jazz is a style of jazz that developed in Kansas City, Missouri during the 1920s and 1930s, which marked the transition from the structured big band style to the much more improvisational style of bebop. The hard-swinging, bluesy tra ...

in the 1930s as exemplified by tenor saxophonist

Lester Young Lester Willis Young (August 27, 1909 – March 15, 1959), nicknamed "Pres" or "Prez", was an American jazz tenor saxophonist and occasional clarinetist. Coming to prominence while a member of Count Basie's orchestra, Young was one of the most ...

marked the transition from big bands to the bebop influence of the 1940s. These divergences from the jazz mainstream of the time initially met with a divided, sometimes hostile response among fans and fellow musicians, especially established swing players, who bristled at the new harmonic sounds. To hostile critics, bebop seemed to be filled with "racing, nervous phrases". Despite the initial friction, by the 1950s bebop had become an accepted part of the jazz vocabulary. The most influential bebop musicians included saxophonist

, pianists Bud Powell and

, trumpeters Dizzy Gillespie and Clifford Brown, and drummer

Max Roach Maxwell Lemuel Roach (January 10, 1924 – August 16, 2007) was an American jazz drummer and composer. A pioneer of bebop, he worked in many other styles of music, and is generally considered one of the most important drummers in history. He work ...

. The swing era lasted until the mid-1940s, and produced popular tunes such as Duke Ellington's "

Cotton Tail "Cotton Tail" is a 1940 composition by Duke Ellington. It is based on the rhythm changes from George Gershwin's " I Got Rhythm". The first Ellington recording (4 May 1940) is notable for the driving tenor saxophone solo by Ben Webster. Originally ...

" (1940) and Billy Strayhorn's "

Take the 'A' Train A take is a single continuous recorded performance. The term is used in film and music to denote and track the stages of production. Film In cinematography, a take refers to each filmed "version" of a particular shot or "setup". Takes of each s ...

" (1941). When the

big band A big band or jazz orchestra is a type of musical ensemble of jazz music that usually consists of ten or more musicians with four sections: saxophones, trumpets, trombones, and a rhythm section. Big bands originated during the early 1910s ...

s struggled to keep going during

World War II World War II or the Second World War, often abbreviated as WWII or WW2, was a world war that lasted from 1939 to 1945. It involved the vast majority of the world's countries—including all of the great powers—forming two opposing ...

, a shift was happening in jazz in favor of smaller groups. Some swing era musicians, like Louis Jordan, later found popularity in a new kind of music, called "

rhythm and blues Rhythm and blues, frequently abbreviated as R&B or R'n'B, is a genre of popular music that originated in African-American communities in the 1940s. The term was originally used by record companies to describe recordings marketed predominantly ...

", that would evolve into

rock and roll Rock and roll (often written as rock & roll, rock 'n' roll, or rock 'n roll) is a genre of popular music that evolved in the United States during the late 1940s and early 1950s. It originated from African-American music such as jazz, rhythm a ...

in the 1950s. Louis Armstrong2

In the late 1940s there was a revival of "

Dixieland Dixieland jazz, also referred to as traditional jazz, hot jazz, or simply Dixieland, is a style of jazz based on the music that developed in New Orleans at the start of the 20th century. The 1917 recordings by the Original Dixieland Jass Band ...

" music, harkening back to the original

contrapuntal In music, counterpoint is the relationship between two or more musical lines (or voices) which are harmonically interdependent yet independent in rhythm and melodic contour. It has been most commonly identified in the European classical tradi ...

New Orleans style. This was driven in large part by record company reissues of early jazz classics by the Oliver, Morton, and Armstrong bands of the 1930s. There were two populations of musicians involved in the revival. One group consisted of players who had begun their careers playing in the traditional style, and were either returning to it, or continuing what they had been playing all along, such as

Bob Crosby George Robert Crosby (August 23, 1913 – March 9, 1993) was an American jazz singer and bandleader, best known for his group the Bob-Cats, which formed around 1935. The Bob-Cats were a New Orleans Dixieland-style jazz octet. He was the young ...

's Bobcats, Max Kaminsky, Eddie Condon, and

Wild Bill Davison William Edward Davison (January 5, 1906 – November 14, 1989), nicknamed "Wild Bill", was an American jazz cornetist. He emerged in the 1920s through his work playing alongside Muggsy Spanier and Frank Teschemacher in a cover band where they ...

. Most of this group were originally Midwesterners, although there were a small number of New Orleans musicians involved. The second population of revivalists consisted of young musicians such as the

Lu Watters Lucius Carl Watters (December 19, 1911 – November 5, 1989) was a trumpeter and bandleader of the Yerba Buena Jazz Band. Jazz critic Leonard Feather said, “The Yerba Buena band was perhaps the most vital factor in the reawakening of public i ...

band. By the late 1940s, Louis Armstrong's Allstars band became a leading ensemble. Through the 1950s and 1960s, Dixieland was one of the most commercially popular jazz styles in the US, Europe, and Japan, although critics paid little attention to it. By the end of the 1940s, the nervous energy and tension of bebop was replaced with a tendency towards calm and smoothness, with the sounds of

cool jazz Cool jazz is a style of modern jazz music that arose in the United States after World War II. It is characterized by relaxed tempos and lighter tone, in contrast to the fast and complex bebop style. Cool jazz often employs formal arrangements an ...

, which favoured long, linear melodic lines. It emerged in

New York City New York, often called New York City or NYC, is the most populous city in the United States. With a 2020 population of 8,804,190 distributed over , New York City is also the most densely populated major city in the Un ...

, as a result of the mixture of the styles of predominantly white jazz musicians and black bebop musicians, and it dominated jazz in the first half of the 1950s. The starting point were a series of singles on Capitol Records in 1949 and 1950 of a nonet led by trumpeter

Miles Davis Miles Dewey Davis III (May 26, 1926September 28, 1991) was an American trumpeter, bandleader, and composer. He is among the most influential and acclaimed figures in the history of jazz and 20th-century music. Davis adopted a variety of musi ...

, collected and released first on a ten-inch and later a twelve-inch as the ''

Birth of the Cool ''Birth of the Cool'' is a compilation album by American jazz trumpeter and bandleader Miles Davis, released in February 1957 by Capitol Records. It compiles eleven tracks recorded by Davis's nonet for the label over the course of three sessio ...

''. Cool jazz recordings by Chet Baker, Dave Brubeck, Bill Evans,

Gil Evans Ian Ernest Gilmore Evans (né Green; May 13, 1912 – March 20, 1988) was a Canadian–American jazz pianist, arranger, composer and bandleader. He is widely recognized as one of the greatest orchestrators in jazz, playing an important role i ...

, Stan Getz and the Modern Jazz Quartet usually have a "lighter" sound which avoided the aggressive tempos and harmonic abstraction of bebop. Cool jazz later became strongly identified with the

West Coast jazz West Coast jazz refers to styles of jazz that developed in Los Angeles and San Francisco during the 1950s. West Coast jazz is often seen as a subgenre of cool jazz, which consisted of a calmer style than bebop or hard bop. The music relied rela ...

scene, but also had a particular resonance in Europe, especially Scandinavia, with emergence of such major figures as baritone saxophonist

Lars Gullin Lars Gunnar Victor Gullin (4 May 1928 – 17 May 1976) was a Swedish jazz saxophonist. Career Lars Gullin was born in Visby, Sweden. He was a child prodigy on the accordion. At age thirteen, he played clarinet in a military band and later l ...

and pianist

Bengt Hallberg Bengt Hallberg (13 September 1932 – 2 July 2013) was a Swedish jazz pianist, composer and arranger.John Fordha"Bengt Hallberg obituary" theguardian.com, 7 August 2013 Born in Gothenburg, he studied classical piano from an early age, and wr ...

. The theoretical underpinnings of cool jazz were set out by the blind Chicago pianist

Lennie Tristano Leonard Joseph Tristano (March 19, 1919 – November 18, 1978) was an American jazz pianist, composer, arranger, and teacher of jazz improvisation. Tristano studied for bachelor's and master's degrees in music in Chicago before moving to New Yo ...

, and its influence stretches into such later developments as Bossa nova, modal jazz, and even free jazz. See also the list of cool jazz and West Coast musicians for further detail.

1940

Album releases

* Duke Ellington: ''In A Mellotone'' * Duke Ellington: ''Sophisticated Lady''

Births

* Dave Burrell (September 10, 1940), pianist * Eddie Henderson (October 26, 1940), trumpet and flugelhorn player * Pharoah Sanders (October 13, 1940), saxophonist

Deaths

* Johnny Dodds (April 12, 1892 – August 8, 1940)

1941

Births

* Bobby Hutcherson (January 27, 1941), vibraphone and marimba player *

Palle Mikkelborg Palle Mikkelborg (born 6 March 1941) is a Danish jazz trumpet player, composer, arranger and record producer. He is self-taught on the trumpet, although he studied conducting at the Royal Music Conservatory in Copenhagen. He became a professio ...

(March 6, 1941), trumpeter * Airto Moreira (August 5, 1941), drummer and percussionist

1942

Births

John McLaughlin John or Jon McLaughlin may refer to: Arts and entertainment * John McLaughlin (musician) (born 1942), English jazz fusion guitarist, member of Mahavishnu Orchestra * Jon McLaughlin (musician) (born 1982), American singer-songwriter * John McLaug ...

(January 4, 1942-), guitarist * Jack DeJohnette (August 9, 1942), drummer *

Marlena Shaw Marlena Shaw (born Marlina Burgess, September 22, 1942) is an American jazz, blues and soul singer. Shaw began her singing career in the 1960s and is still singing today. Her music has often been sampled in hip hop music, and used in television ...

(September 22, 1942), singer

Deaths

Charlie Christian Charles Henry Christian (July 29, 1916 – March 2, 1942) was an American swing and jazz guitarist. Christian was an important early performer on the electric guitar and a key figure in the development of bebop and cool jazz. He gained nat ...

(July 29, 1916 – March 2, 1942), guitarist *

Bunny Berigan Roland Bernard "Bunny" Berigan (November 2, 1908 – June 2, 1942) was an American jazz trumpeter and bandleader who rose to fame during the swing era. His career and influence were shortened by alcoholism, and ended with his early demise at the ...

(November 2, 1908 – June 2, 1942)

1943

Events

The American Federation of Musicians recording ban, called by

James Petrillo James Caesar Petrillo (March 16, 1892 – October 23, 1984) was the leader of the American Federation of Musicians, a trade union of professional musicians in the United States and Canada. Biography Petrillo was born in Chicago, Illinois, United ...

, continued through 1943.

Album releases

* Duke Ellington: ''

Black, Brown and Beige ''Black, Brown and Beige'' is an extended jazz work written by Duke Ellington for his first concert at Carnegie Hall, on January 23, 1943. It tells the history of African Americans and was the composer's daring attempt to transform attitudes abo ...

'' (1943)

Births

* Larry Coryell (April 2, 1943-), guitarist * Kenny Barron (June 9, 1943), pianist * Michał Urbaniak (January 22, 1943)

Deaths

* Fats Waller (May 21, 1904 - December 15, 1943)

1944

Album releases

Coleman Hawkins Coleman Randolph Hawkins (November 21, 1904 – May 19, 1969), nicknamed "Hawk" and sometimes "Bean", was an American jazz tenor saxophonist.Yanow, Scot"Coleman Hawkins: Artist Biography" AllMusic. Retrieved December 27, 2013. One of the first p ...

- ''

Rainbow Mist ''Rainbow Mist'' is an album by the American jazz saxophonist Coleman Hawkins compiling recordings from 1944 originally released by Apollo Records that was released by the Delmark label in 1992.

'' (1944)

Births

Don Sickler Don Sickler (January 6, 1944) is an American jazz trumpeter, arranger and producer.Ron Mathewson Rognvald Andrew Mathewson (19 February 1944 – 3 December 2020) was a British jazz double bassist and bass guitarist. During his career, Mathewson performed with Ronnie Scott, but also recorded with Stan Getz, Joe Henderson, Joan Armatrading, ...

(February 19, 1944), double bassist *

Eddie Gómez Edgar Gómez (born October 4, 1944) is a Puerto Rican jazz double bassist, known for his work with the Bill Evans Trio from 1966 to 1977. Biography Gómez moved with his family from Puerto Rico at a young age to New York, where he was raised. ...

(October 4, 1944), double bassist

Deaths

* Glenn Miller (March 1, 1904 – missing December 15, 1944), musician and composer *

Jimmie Noone Jimmie Noone (April 23, 1895 – April 19, 1944) was an American jazz clarinetist and bandleader. After beginning his career in New Orleans, he led Jimmie Noone's Apex Club Orchestra, a Chicago band that recorded for Vocalion and Decca. Classical ...

(April 23, 1895 – April 19, 1944)

1945

Album releases

Mary Lou Williams Mary Lou Williams (born Mary Elfrieda Scruggs; May 8, 1910 – May 28, 1981) was an American jazz pianist, arranger, and composer. She wrote hundreds of compositions and arrangements and recorded more than one hundred records (in 78, 45, an ...

: ''

Zodiac Suite ''Zodiac Suite'' is a series of 12 pieces of jazz music written by Mary Lou Williams and first performed in 1945. Each song in the suite is inspired by an astrological sign and musicians or performers who were born under it. Williams began writ ...

'' (1945) * John Serry Sr.: ''Leone Jump'' Single on Sonora Records

Births

* Keith Jarrett (May 8, 1945 -), pianist *

Henri Texier Henri Texier (born 27 January 1945) is a French jazz double bassist. At the age of sixteen, fascinated by the double bass, Texier became a self-taught bassist, crediting Wilbur Ware most as an influence. He formed his first group with Georges ...

(January 27, 1945), double bassist

Deaths

Pha Terrell Elmer "Pha" Terrell (May 25, 1910 in Kansas City, Missouri - October 14, 1945 in Los Angeles) was an American jazz singer. Terrell was working in nightclubs locally in Kansas City in the early 1930s as a singer, dancer, and emcee when he was d ...

(May 25, 1910 - October 14, 1945)

1946

Births

Digby Fairweather Richard John Charles "Digby" Fairweather (born 25 April 1946) is a British jazz cornetist, author and broadcaster. Biography Before becoming a professional musician, Fairweather was a librarian and has retained an interest in jazz bibliograph ...

(April 25, 1946) *

Bennie Wallace Bennie Wallace (born November 18, 1946) is an American jazz tenor saxophonist. Biography He was born in Chattanooga, Tennessee, United States. Wallace began playing in local clubs with the encouragement of East Ridge, Tennessee High School ban ...

(November 18, 1946)

1947

Album releases

Dexter Gordon Dexter Gordon (February 27, 1923 – April 25, 1990) was an American jazz tenor saxophonist, composer, bandleader, and actor. He was among the most influential early bebop musicians, which included other greats such as Charlie Parker, Dizzy Gi ...

and

Teddy Edwards Theodore Marcus Edwards (April 26, 1924 – April 20, 2003) was an American jazz tenor saxophonist. Biography Edwards was born in Jackson, Mississippi, United States. He learned to play at a very early age, first on alto saxophone and the ...

: '' The Duel'' * John Serry Sr. and Joe Biviano: '' Accordion Capers'' - featuring the Biviano Accordion & Rhythm Sextette

1948

Album releases

: '' Picasso''

Births

* Larry Carlton (March 1, 1948 -), guitarist * Richie Cole (February 29, 1948), alto saxophonist * Jessica Williams (March 17, 1948), pianist and composer

1949

Album releases

: ''

Crosscurrents ''CrossCurrents'' is a quarterly academic journal published by the Association for Public Religion and Intellectual Life (before 1990, it was published by the Convergence). Now published as a peer-reviewed academic journalAccording to the journal ...

'' (1949) * Duke Ellington: '' Liberian Suite'' (1949) * Lee Konitz: '' Subconscious-Lee'' (1949) *

Bob Wilber Robert Sage Wilber (March 15, 1928 – August 4, 2019) was an American jazz clarinetist, saxophonist, and band leader. Although his scope covers a wide range of jazz, Wilber was a dedicated advocate of classic styles, working throughout his caree ...

: '' Jazz Band'' (1949)

Deaths

* Albert Ammons (September 23, 1907 — December 2, 1949)

References

Bibliography

* * * * * * * * {{DEFAULTSORT:1940s In Jazz 1940s in music 20th century in jazz Jazz by decade 1940s decade overviews